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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D17FE4 it is the complementary color #2E801B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D17FE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D17FE4 shade: #D67FDF, #E791F2, #F8A3FF, #FFB5FF and #FFC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D17FE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D17FE4 shade: #D17FE4, #C06DD1, #AF5BBE, #9E49AB and #8D3798

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D17FE4 shade: #D281E4, #E481DC, #E481C1, #E481A6 and #E4818C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D17FE4 shade: #D281E4, #B781E4, #9C81E4 and #8181E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D17FE4 shade matches the following richer shades: #D281E4, #D974F1 and #E168FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D17FE4 shade: #D281E4, #CA8DD8, #C29ACB, #BAA6BF and #B3B2B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D17FE4 shade: #9B81E4, #B681E4, #D081E4, #E481DE and #E481C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D17FE4 shade: #B93DD6, #C55FDD, #D281E4, #DEA3EB and #EAC5F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D17FE4 shade: #D17FE4, #E48181 and #81E4A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D17FE4 shade: #D17FE4, #E4D081 and #81E4D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D17FE4 shade: #D17FE4, #E48181, #95E481 and #81E4E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D17FE4 shade: #D17FE4, #E49F81, #95E481 and #81C6E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 44 / 0 / 11

HEX #D17FE4

RGB 209 127 228

HSL 288.71, 0.65%, 0.7%

LAB 65.23, 47.74, -38.52

 

Complementary color

CMYK 64 / 0 / 79 / 50

HEX #2E801B

RGB 46 128 27

HSL 108.71, 0.65%, 0.3%

LAB 47.1, -43.73, 44.21

 

CMYK 4 / 43 / 0 / 13

HEX #D67FDF

RGB 214 127 223

HSL 294.38, 0.6%, 0.69%

LAB 65.59, 48.23, -35.13

 

CMYK 5 / 40 / 0 / 5

HEX #E791F2

RGB 231 145 242

HSL 293.2, 0.79%, 0.76%

LAB 71.99, 47.49, -35.51

 

CMYK 3 / 36 / 0 / 0

HEX #F8A3FF

RGB 248 163 255

HSL 295.43, 1%, 0.82%

LAB 78.09, 45.65, -32.97

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 8 / 44 / 0 / 11

HEX #D17FE4

RGB 209 127 228

HSL 288.71, 0.65%, 0.7%

LAB 65.23, 47.74, -38.52

 

CMYK 8 / 48 / 0 / 18

HEX #C06DD1

RGB 192 109 209

HSL 289.8, 0.52%, 0.62%

LAB 58.74, 48.49, -38.19

 

CMYK 8 / 52 / 0 / 25

HEX #AF5BBE

RGB 175 91 190

HSL 290.91, 0.43%, 0.55%

LAB 52.19, 49.19, -37.77

 

CMYK 8 / 57 / 0 / 33

HEX #9E49AB

RGB 158 73 171

HSL 292.04, 0.4%, 0.48%

LAB 45.6, 49.78, -37.23

 

CMYK 7 / 64 / 0 / 40

HEX #8D3798

RGB 141 55 152

HSL 293.2, 0.47%, 0.41%

LAB 39.01, 50.14, -36.47

 

CMYK 8 / 43 / 0 / 11

HEX #D281E4

RGB 210 129 228

HSL 289.09, 0.65%, 0.7%

LAB 65.75, 46.99, -37.7

 

CMYK 0 / 43 / 4 / 11

HEX #E481DC

RGB 228 129 220

HSL 304.85, 0.65%, 0.7%

LAB 67.55, 50.81, -30.31

 

CMYK 0 / 43 / 15 / 11

HEX #E481C1

RGB 228 129 193

HSL 321.21, 0.65%, 0.7%

LAB 66.55, 46.36, -16.76

 

CMYK 0 / 43 / 27 / 11

HEX #E481A6

RGB 228 129 166

HSL 337.58, 0.65%, 0.7%

LAB 65.71, 42.43, -2.79

 

CMYK 0 / 43 / 39 / 11

HEX #E4818C

RGB 228 129 140

HSL 353.33, 0.65%, 0.7%

LAB 65.03, 39.2, 10.97

 

CMYK 8 / 43 / 0 / 11

HEX #D281E4

RGB 210 129 228

HSL 289.09, 0.65%, 0.7%

LAB 65.75, 46.99, -37.7

 

CMYK 20 / 43 / 0 / 11

HEX #B781E4

RGB 183 129 228

HSL 272.73, 0.65%, 0.7%

LAB 62.82, 39.23, -42.5

 

CMYK 32 / 43 / 0 / 11

HEX #9C81E4

RGB 156 129 228

HSL 256.36, 0.65%, 0.7%

LAB 60.22, 31.76, -46.77

 

CMYK 43 / 43 / 0 / 11

HEX #8181E4

RGB 129 129 228

HSL 240, 0.65%, 0.7%

LAB 58.01, 24.83, -50.42

 

CMYK 8 / 43 / 0 / 11

HEX #D281E4

RGB 210 129 228

HSL 289.09, 0.65%, 0.7%

LAB 65.75, 46.99, -37.7

 

CMYK 10 / 52 / 0 / 5

HEX #D974F1

RGB 217 116 241

HSL 288.48, 0.82%, 0.7%

LAB 64.64, 58.02, -46.58

 

CMYK 11 / 59 / 0 / 1

HEX #E168FD

RGB 225 104 253

HSL 288.72, 0.97%, 0.7%

LAB 64.16, 67.91, -53.88

 

CMYK 8 / 43 / 0 / 11

HEX #D281E4

RGB 210 129 228

HSL 289.09, 0.65%, 0.7%

LAB 65.75, 46.99, -37.7

 

CMYK 6 / 35 / 0 / 15

HEX #CA8DD8

RGB 202 141 216

HSL 288.8, 0.49%, 0.7%

LAB 66.95, 35.81, -29.26

 

CMYK 4 / 24 / 0 / 20

HEX #C29ACB

RGB 194 154 203

HSL 288.98, 0.32%, 0.7%

LAB 68.67, 23.52, -19.48

 

CMYK 3 / 13 / 0 / 25

HEX #BAA6BF

RGB 186 166 191

HSL 288, 0.16%, 0.7%

LAB 70.51, 11.83, -10.15

 

CMYK 0 / 1 / 0 / 30

HEX #B3B2B3

RGB 179 178 179

HSL 300, 0.01%, 0.7%

LAB 72.68, 0.54, -0.39

 

CMYK 32 / 43 / 0 / 11

HEX #9B81E4

RGB 155 129 228

HSL 255.76, 0.65%, 0.7%

LAB 60.13, 31.49, -46.92

 

CMYK 20 / 43 / 0 / 11

HEX #B681E4

RGB 182 129 228

HSL 272.12, 0.65%, 0.7%

LAB 62.72, 38.95, -42.67

 

CMYK 9 / 43 / 0 / 11

HEX #D081E4

RGB 208 129 228

HSL 287.88, 0.65%, 0.7%

LAB 65.52, 46.41, -38.07

 

CMYK 0 / 43 / 3 / 11

HEX #E481DE

RGB 228 129 222

HSL 303.64, 0.65%, 0.7%

LAB 67.63, 51.16, -31.3

 

CMYK 0 / 43 / 14 / 11

HEX #E481C3

RGB 228 129 195

HSL 320, 0.65%, 0.7%

LAB 66.62, 46.67, -17.77

 

CMYK 14 / 71 / 0 / 16

HEX #B93DD6

RGB 185 61 214

HSL 288.63, 0.65%, 0.54%

LAB 50.11, 69.35, -54.78

 

CMYK 11 / 57 / 0 / 13

HEX #C55FDD

RGB 197 95 221

HSL 288.57, 0.65%, 0.62%

LAB 57.34, 59.09, -47.12

 

CMYK 8 / 43 / 0 / 11

HEX #D281E4

RGB 210 129 228

HSL 289.09, 0.65%, 0.7%

LAB 65.75, 46.99, -37.7

 

CMYK 6 / 31 / 0 / 8

HEX #DEA3EB

RGB 222 163 235

HSL 289.17, 0.64%, 0.78%

LAB 74.65, 33.9, -27.67

 

CMYK 4 / 19 / 0 / 5

HEX #EAC5F3

RGB 234 197 243

HSL 288.26, 0.66%, 0.86%

LAB 83.91, 21.04, -17.79

 

CMYK 8 / 44 / 0 / 11

HEX #D17FE4

RGB 209 127 228

HSL 288.71, 0.65%, 0.7%

LAB 65.23, 47.74, -38.52

 

CMYK 0 / 43 / 43 / 11

HEX #E48181

RGB 228 129 129

HSL 0, 0.65%, 0.7%

LAB 64.79, 38, 16.85

 

CMYK 43 / 0 / 26 / 11

HEX #81E4A9

RGB 129 228 169

HSL 144.24, 0.65%, 0.7%

LAB 83.45, -42.01, 19.91

 

CMYK 8 / 44 / 0 / 11

HEX #D17FE4

RGB 209 127 228

HSL 288.71, 0.65%, 0.7%

LAB 65.23, 47.74, -38.52

 

CMYK 0 / 9 / 43 / 11

HEX #E4D081

RGB 228 208 129

HSL 47.88, 0.65%, 0.7%

LAB 83.54, -3.72, 41.65

 

CMYK 43 / 0 / 9 / 11

HEX #81E4D0

RGB 129 228 208

HSL 167.88, 0.65%, 0.7%

LAB 84.33, -33.8, 0.68

 

CMYK 8 / 44 / 0 / 11

HEX #D17FE4

RGB 209 127 228

HSL 288.71, 0.65%, 0.7%

LAB 65.23, 47.74, -38.52

 

CMYK 0 / 43 / 43 / 11

HEX #E48181

RGB 228 129 129

HSL 0, 0.65%, 0.7%

LAB 64.79, 38, 16.85

 

CMYK 35 / 0 / 43 / 11

HEX #95E481

RGB 149 228 129

HSL 107.88, 0.65%, 0.7%

LAB 83.68, -42.59, 40.73

 

CMYK 43 / 0 / 0 / 11

HEX #81E4E4

RGB 129 228 228

HSL 180, 0.65%, 0.7%

LAB 84.87, -29.02, -9.09

 

CMYK 8 / 44 / 0 / 11

HEX #D17FE4

RGB 209 127 228

HSL 288.71, 0.65%, 0.7%

LAB 65.23, 47.74, -38.52

 

CMYK 0 / 30 / 43 / 11

HEX #E49F81

RGB 228 159 129

HSL 18.18, 0.65%, 0.7%

LAB 71.47, 22.13, 25.95

 

CMYK 35 / 0 / 43 / 11

HEX #95E481

RGB 149 228 129

HSL 107.88, 0.65%, 0.7%

LAB 83.68, -42.59, 40.73

 

CMYK 43 / 13 / 0 / 11

HEX #81C6E4

RGB 129 198 228

HSL 198.18, 0.65%, 0.7%

LAB 76.47, -14, -21.71

 

Description

Color code: HEX #D17FE4 | qconv.com Color code: HEX #D17FE4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 127 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 127 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 44 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 44% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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