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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D17BEC it is the complementary color #2E8413. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D17BEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D17BEC shade: #D67BE7, #E78DFA, #F89FFF, #FFB1FF and #FFC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D17BEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D17BEC shade: #D17BEC, #C069D9, #AF57C6, #9E45B3 and #8D33A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D17BEC shade: #D079EC, #EC79E8, #EC79C9, #EC79AA and #EC798C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D17BEC shade: #D079EC, #B279EC, #9379EC and #7979EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D17BEC shade matches the following richer shades: #D079EC and #D76DF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D17BEC shade: #D079EC, #CA86DF, #C492D3, #BD9EC7 and #B7ABBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D17BEC shade: #9279EC, #B179EC, #CF79EC, #EC79EA and #EC79CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D17BEC shade: #B731E2, #C455E7, #D079EC, #DD9DF1 and #EAC1F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D17BEC shade: #D17BEC, #EC797F and #79ECA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D17BEC shade: #D17BEC, #ECCF79 and #79ECCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D17BEC shade: #D17BEC, #EC797F, #96EC79 and #79ECE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D17BEC shade: #D17BEC, #EC9679, #96EC79 and #79CFEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 48 / 0 / 7

HEX #D17BEC

RGB 209 123 236

HSL 285.66, 0.75%, 0.7%

LAB 64.79, 51.39, -43.65

 

Complementary color

CMYK 65 / 0 / 86 / 48

HEX #2E8413

RGB 46 132 19

HSL 105.66, 0.75%, 0.3%

LAB 48.42, -45.68, 47.96

 

CMYK 7 / 47 / 0 / 9

HEX #D67BE7

RGB 214 123 231

HSL 290.56, 0.69%, 0.69%

LAB 65.15, 51.8, -40.27

 

CMYK 8 / 44 / 0 / 2

HEX #E78DFA

RGB 231 141 250

HSL 289.54, 0.92%, 0.77%

LAB 71.51, 51.07, -40.61

 

CMYK 3 / 38 / 0 / 0

HEX #F89FFF

RGB 248 159 255

HSL 295.63, 1%, 0.81%

LAB 77.26, 47.72, -34.25

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 11 / 48 / 0 / 7

HEX #D17BEC

RGB 209 123 236

HSL 285.66, 0.75%, 0.7%

LAB 64.79, 51.39, -43.65

 

CMYK 12 / 52 / 0 / 15

HEX #C069D9

RGB 192 105 217

HSL 286.61, 0.6%, 0.63%

LAB 58.34, 52.11, -43.33

 

CMYK 12 / 56 / 0 / 22

HEX #AF57C6

RGB 175 87 198

HSL 287.57, 0.49%, 0.56%

LAB 51.85, 52.77, -42.92

 

CMYK 12 / 61 / 0 / 30

HEX #9E45B3

RGB 158 69 179

HSL 288.55, 0.44%, 0.49%

LAB 45.33, 53.27, -42.36

 

CMYK 12 / 68 / 0 / 37

HEX #8D33A0

RGB 141 51 160

HSL 289.54, 0.52%, 0.41%

LAB 38.84, 53.44, -41.55

 

CMYK 12 / 49 / 0 / 7

HEX #D079EC

RGB 208 121 236

HSL 285.39, 0.75%, 0.7%

LAB 64.27, 52.13, -44.46

 

CMYK 0 / 49 / 2 / 7

HEX #EC79E8

RGB 236 121 232

HSL 302.09, 0.75%, 0.7%

LAB 67.53, 59.12, -36.91

 

CMYK 0 / 49 / 15 / 7

HEX #EC79C9

RGB 236 121 201

HSL 318.26, 0.75%, 0.7%

LAB 66.31, 54.09, -21.52

 

CMYK 0 / 49 / 28 / 7

HEX #EC79AA

RGB 236 121 170

HSL 334.43, 0.75%, 0.7%

LAB 65.29, 49.68, -5.56

 

CMYK 0 / 49 / 41 / 7

HEX #EC798C

RGB 236 121 140

HSL 350.09, 0.75%, 0.7%

LAB 64.48, 46.11, 10.35

 

CMYK 12 / 49 / 0 / 7

HEX #D079EC

RGB 208 121 236

HSL 285.39, 0.75%, 0.7%

LAB 64.27, 52.13, -44.46

 

CMYK 25 / 49 / 0 / 7

HEX #B279EC

RGB 178 121 236

HSL 269.74, 0.75%, 0.7%

LAB 60.95, 44.05, -49.92

 

CMYK 38 / 49 / 0 / 7

HEX #9379EC

RGB 147 121 236

HSL 253.57, 0.75%, 0.7%

LAB 57.97, 36.12, -54.84

 

CMYK 49 / 49 / 0 / 7

HEX #7979EC

RGB 121 121 236

HSL 240, 0.75%, 0.7%

LAB 55.88, 30.07, -58.3

 

CMYK 12 / 49 / 0 / 7

HEX #D079EC

RGB 208 121 236

HSL 285.39, 0.75%, 0.7%

LAB 64.27, 52.13, -44.46

 

CMYK 13 / 56 / 0 / 3

HEX #D76DF8

RGB 215 109 248

HSL 285.76, 0.91%, 0.7%

LAB 63.48, 62.23, -52.29

 

CMYK 12 / 49 / 0 / 7

HEX #D079EC

RGB 208 121 236

HSL 285.39, 0.75%, 0.7%

LAB 64.27, 52.13, -44.46

 

CMYK 9 / 40 / 0 / 13

HEX #CA86DF

RGB 202 134 223

HSL 285.84, 0.58%, 0.7%

LAB 65.7, 40.99, -35.08

 

CMYK 7 / 31 / 0 / 17

HEX #C492D3

RGB 196 146 211

HSL 286.15, 0.42%, 0.7%

LAB 67.27, 30.18, -26.03

 

CMYK 5 / 21 / 0 / 22

HEX #BD9EC7

RGB 189 158 199

HSL 285.37, 0.27%, 0.7%

LAB 69.04, 18.84, -16.75

 

CMYK 2 / 8 / 0 / 27

HEX #B7ABBA

RGB 183 171 186

HSL 288, 0.1%, 0.7%

LAB 71.38, 7.08, -6.12

 

CMYK 38 / 49 / 0 / 7

HEX #9279EC

RGB 146 121 236

HSL 253.04, 0.75%, 0.7%

LAB 57.89, 35.87, -54.99

 

CMYK 25 / 49 / 0 / 7

HEX #B179EC

RGB 177 121 236

HSL 269.22, 0.75%, 0.7%

LAB 60.85, 43.78, -50.09

 

CMYK 12 / 49 / 0 / 7

HEX #CF79EC

RGB 207 121 236

HSL 284.87, 0.75%, 0.7%

LAB 64.16, 51.86, -44.65

 

CMYK 0 / 49 / 1 / 7

HEX #EC79EA

RGB 236 121 234

HSL 301.04, 0.75%, 0.7%

LAB 67.61, 59.47, -37.88

 

CMYK 0 / 49 / 14 / 7

HEX #EC79CB

RGB 236 121 203

HSL 317.22, 0.75%, 0.7%

LAB 66.38, 54.39, -22.53

 

CMYK 19 / 78 / 0 / 11

HEX #B731E2

RGB 183 49 226

HSL 285.42, 0.75%, 0.54%

LAB 49.2, 75.14, -63.09

 

CMYK 15 / 63 / 0 / 9

HEX #C455E7

RGB 196 85 231

HSL 285.62, 0.75%, 0.62%

LAB 56.09, 65.32, -54.74

 

CMYK 12 / 49 / 0 / 7

HEX #D079EC

RGB 208 121 236

HSL 285.39, 0.75%, 0.7%

LAB 64.27, 52.13, -44.46

 

CMYK 8 / 35 / 0 / 5

HEX #DD9DF1

RGB 221 157 241

HSL 285.71, 0.75%, 0.78%

LAB 73.44, 37.98, -32.81

 

CMYK 5 / 22 / 0 / 4

HEX #EAC1F6

RGB 234 193 246

HSL 286.42, 0.75%, 0.86%

LAB 83.07, 23.74, -20.67

 

CMYK 11 / 48 / 0 / 7

HEX #D17BEC

RGB 209 123 236

HSL 285.66, 0.75%, 0.7%

LAB 64.79, 51.39, -43.65

 

CMYK 0 / 49 / 46 / 7

HEX #EC797F

RGB 236 121 127

HSL 356.87, 0.75%, 0.7%

LAB 64.19, 44.79, 17.33

 

CMYK 49 / 0 / 32 / 7

HEX #79ECA1

RGB 121 236 161

HSL 140.87, 0.75%, 0.7%

LAB 85.32, -49, 26.55

 

CMYK 11 / 48 / 0 / 7

HEX #D17BEC

RGB 209 123 236

HSL 285.66, 0.75%, 0.7%

LAB 64.79, 51.39, -43.65

 

CMYK 0 / 12 / 49 / 7

HEX #ECCF79

RGB 236 207 121

HSL 44.87, 0.75%, 0.7%

LAB 83.88, -0.76, 46.2

 

CMYK 49 / 0 / 12 / 7

HEX #79ECCF

RGB 121 236 207

HSL 164.87, 0.75%, 0.7%

LAB 86.29, -39.58, 4.01

 

CMYK 11 / 48 / 0 / 7

HEX #D17BEC

RGB 209 123 236

HSL 285.66, 0.75%, 0.7%

LAB 64.79, 51.39, -43.65

 

CMYK 0 / 49 / 46 / 7

HEX #EC797F

RGB 236 121 127

HSL 356.87, 0.75%, 0.7%

LAB 64.19, 44.79, 17.33

 

CMYK 36 / 0 / 49 / 7

HEX #96EC79

RGB 150 236 121

HSL 104.87, 0.75%, 0.7%

LAB 85.93, -46.74, 47.42

 

CMYK 49 / 0 / 3 / 7

HEX #79ECE6

RGB 121 236 230

HSL 176.87, 0.75%, 0.7%

LAB 86.88, -34.1, -7.19

 

CMYK 11 / 48 / 0 / 7

HEX #D17BEC

RGB 209 123 236

HSL 285.66, 0.75%, 0.7%

LAB 64.79, 51.39, -43.65

 

CMYK 0 / 36 / 49 / 7

HEX #EC9679

RGB 236 150 121

HSL 15.13, 0.75%, 0.7%

LAB 70.19, 29.25, 28.77

 

CMYK 36 / 0 / 49 / 7

HEX #96EC79

RGB 150 236 121

HSL 104.87, 0.75%, 0.7%

LAB 85.93, -46.74, 47.42

 

CMYK 49 / 12 / 0 / 7

HEX #79CFEC

RGB 121 207 236

HSL 195.13, 0.75%, 0.7%

LAB 78.9, -18.36, -22.35

 

Description

Color code: HEX #D17BEC | qconv.com Color code: HEX #D17BEC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 123 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 123 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 48 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 48% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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