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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D17ADE it is the complementary color #2E8521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D17ADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D17ADE shade: #D67AD9, #E78CEC, #F89EFF, #FFB0FF and #FFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D17ADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D17ADE shade: #D17ADE, #C068CB, #AF56B8, #9E44A5 and #8D3292

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D17ADE shade: #D078DD, #DD78CF, #DD78B4, #DD7899 and #DD787E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D17ADE shade: #D078DD, #B578DD, #9A78DD, #7F78DD and #7878DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D17ADE shade matches the following richer shades: #D078DD, #DA6BEB and #E45DF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D17ADE shade: #D078DD, #C686D0, #BC94C2, #B2A1B4 and #A8AFA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D17ADE shade: #9A78DD, #B578DD, #D078DD, #DD78D0 and #DD78B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D17ADE shade: #B936CD, #C557D5, #D078DD, #DC99E6 and #E7BAEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D17ADE shade: #D17ADE, #DD7F78 and #78DDA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D17ADE shade: #D17ADE, #DDD078 and #78DDD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D17ADE shade: #D17ADE, #DD7F78, #86DD78 and #78D7DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D17ADE shade: #D17ADE, #DD9D78, #86DD78 and #78B8DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 45 / 0 / 13

HEX #D17ADE

RGB 209 122 222

HSL 292.2, 0.6%, 0.67%

LAB 63.96, 49.17, -37.17

 

Complementary color

CMYK 65 / 0 / 75 / 48

HEX #2E8521

RGB 46 133 33

HSL 112.2, 0.6%, 0.33%

LAB 48.84, -45.12, 43.72

 

CMYK 1 / 44 / 0 / 15

HEX #D67AD9

RGB 214 122 217

HSL 298.11, 0.56%, 0.66%

LAB 64.34, 49.69, -33.74

 

CMYK 2 / 41 / 0 / 7

HEX #E78CEC

RGB 231 140 236

HSL 296.88, 0.72%, 0.74%

LAB 70.73, 48.96, -34.18

 

CMYK 3 / 38 / 0 / 0

HEX #F89EFF

RGB 248 158 255

HSL 295.67, 1%, 0.81%

LAB 77.06, 48.23, -34.56

 

CMYK 0 / 31 / 0 / 0

HEX #FFB0FF

RGB 255 176 255

HSL 300, 1%, 0.85%

LAB 81.58, 41.04, -27.55

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 6 / 45 / 0 / 13

HEX #D17ADE

RGB 209 122 222

HSL 292.2, 0.6%, 0.67%

LAB 63.96, 49.17, -37.17

 

CMYK 5 / 49 / 0 / 20

HEX #C068CB

RGB 192 104 203

HSL 293.33, 0.49%, 0.6%

LAB 57.48, 49.89, -36.76

 

CMYK 5 / 53 / 0 / 28

HEX #AF56B8

RGB 175 86 184

HSL 294.49, 0.41%, 0.53%

LAB 50.96, 50.54, -36.24

 

CMYK 4 / 59 / 0 / 35

HEX #9E44A5

RGB 158 68 165

HSL 295.67, 0.42%, 0.46%

LAB 44.4, 51.03, -35.56

 

CMYK 3 / 66 / 0 / 43

HEX #8D3292

RGB 141 50 146

HSL 296.88, 0.49%, 0.38%

LAB 37.88, 51.21, -34.62

 

CMYK 6 / 46 / 0 / 13

HEX #D078DD

RGB 208 120 221

HSL 292.28, 0.6%, 0.67%

LAB 63.4, 49.72, -37.5

 

CMYK 0 / 46 / 6 / 13

HEX #DD78CF

RGB 221 120 207

HSL 308.32, 0.6%, 0.67%

LAB 64.41, 51.01, -27.97

 

CMYK 0 / 46 / 19 / 13

HEX #DD78B4

RGB 221 120 180

HSL 324.36, 0.6%, 0.67%

LAB 63.43, 46.69, -14.23

 

CMYK 0 / 46 / 31 / 13

HEX #DD7899

RGB 221 120 153

HSL 340.4, 0.6%, 0.67%

LAB 62.6, 42.92, -0.06

 

CMYK 0 / 46 / 43 / 13

HEX #DD787E

RGB 221 120 126

HSL 356.44, 0.6%, 0.67%

LAB 61.92, 39.76, 14.44

 

CMYK 6 / 46 / 0 / 13

HEX #D078DD

RGB 208 120 221

HSL 292.28, 0.6%, 0.67%

LAB 63.4, 49.72, -37.5

 

CMYK 18 / 46 / 0 / 13

HEX #B578DD

RGB 181 120 221

HSL 276.24, 0.6%, 0.67%

LAB 60.32, 42.03, -42.55

 

CMYK 30 / 46 / 0 / 13

HEX #9A78DD

RGB 154 120 221

HSL 260.2, 0.6%, 0.67%

LAB 57.58, 34.59, -47.04

 

CMYK 43 / 46 / 0 / 13

HEX #7F78DD

RGB 127 120 221

HSL 244.16, 0.6%, 0.67%

LAB 55.24, 27.66, -50.91

 

CMYK 46 / 46 / 0 / 13

HEX #7878DD

RGB 120 120 221

HSL 240, 0.6%, 0.67%

LAB 54.71, 25.99, -51.79

 

CMYK 6 / 46 / 0 / 13

HEX #D078DD

RGB 208 120 221

HSL 292.28, 0.6%, 0.67%

LAB 63.4, 49.72, -37.5

 

CMYK 7 / 54 / 0 / 8

HEX #DA6BEB

RGB 218 107 235

HSL 292.03, 0.76%, 0.67%

LAB 62.86, 61.46, -46.05

 

CMYK 8 / 63 / 0 / 2

HEX #E45DF9

RGB 228 93 249

HSL 291.92, 0.93%, 0.67%

LAB 62.64, 72.58, -54.06

 

CMYK 6 / 46 / 0 / 13

HEX #D078DD

RGB 208 120 221

HSL 292.28, 0.6%, 0.67%

LAB 63.4, 49.72, -37.5

 

CMYK 5 / 36 / 0 / 18

HEX #C686D0

RGB 198 134 208

HSL 291.89, 0.44%, 0.67%

LAB 64.65, 36.79, -28.38

 

CMYK 3 / 24 / 0 / 24

HEX #BC94C2

RGB 188 148 194

HSL 292.17, 0.27%, 0.67%

LAB 66.34, 23.08, -18.06

 

CMYK 1 / 11 / 0 / 29

HEX #B2A1B4

RGB 178 161 180

HSL 293.68, 0.11%, 0.67%

LAB 68.2, 9.68, -7.55

 

CMYK 4 / 0 / 5 / 31

HEX #A8AFA7

RGB 168 175 167

HSL 112.5, 0.05%, 0.67%

LAB 70.72, -3.97, 3.24

 

CMYK 30 / 46 / 0 / 13

HEX #9A78DD

RGB 154 120 221

HSL 260.2, 0.6%, 0.67%

LAB 57.58, 34.59, -47.04

 

CMYK 18 / 46 / 0 / 13

HEX #B578DD

RGB 181 120 221

HSL 276.24, 0.6%, 0.67%

LAB 60.32, 42.03, -42.55

 

CMYK 6 / 46 / 0 / 13

HEX #D078DD

RGB 208 120 221

HSL 292.28, 0.6%, 0.67%

LAB 63.4, 49.72, -37.5

 

CMYK 0 / 46 / 6 / 13

HEX #DD78D0

RGB 221 120 208

HSL 307.72, 0.6%, 0.67%

LAB 64.45, 51.18, -28.47

 

CMYK 0 / 46 / 18 / 13

HEX #DD78B5

RGB 221 120 181

HSL 323.76, 0.6%, 0.67%

LAB 63.46, 46.84, -14.74

 

CMYK 10 / 74 / 0 / 20

HEX #B936CD

RGB 185 54 205

HSL 292.05, 0.6%, 0.51%

LAB 48.71, 70.16, -51.85

 

CMYK 8 / 59 / 0 / 16

HEX #C557D5

RGB 197 87 213

HSL 292.38, 0.6%, 0.59%

LAB 55.57, 61.26, -45.39

 

CMYK 6 / 46 / 0 / 13

HEX #D078DD

RGB 208 120 221

HSL 292.28, 0.6%, 0.67%

LAB 63.4, 49.72, -37.5

 

CMYK 4 / 33 / 0 / 10

HEX #DC99E6

RGB 220 153 230

HSL 292.21, 0.61%, 0.75%

LAB 72.04, 37.67, -28.98

 

CMYK 3 / 22 / 0 / 7

HEX #E7BAEE

RGB 231 186 238

HSL 291.92, 0.6%, 0.83%

LAB 80.89, 25, -19.7

 

CMYK 6 / 45 / 0 / 13

HEX #D17ADE

RGB 209 122 222

HSL 292.2, 0.6%, 0.67%

LAB 63.96, 49.17, -37.17

 

CMYK 0 / 43 / 46 / 13

HEX #DD7F78

RGB 221 127 120

HSL 4.16, 0.6%, 0.67%

LAB 63.27, 35.51, 19.7

 

CMYK 46 / 0 / 24 / 13

HEX #78DDA7

RGB 120 221 167

HSL 147.92, 0.6%, 0.67%

LAB 81.01, -41.67, 17.51

 

CMYK 6 / 45 / 0 / 13

HEX #D17ADE

RGB 209 122 222

HSL 292.2, 0.6%, 0.67%

LAB 63.96, 49.17, -37.17

 

CMYK 0 / 6 / 46 / 13

HEX #DDD078

RGB 221 208 120

HSL 52.28, 0.6%, 0.67%

LAB 82.83, -7.4, 45.11

 

CMYK 46 / 0 / 6 / 13

HEX #78DDD0

RGB 120 221 208

HSL 172.28, 0.6%, 0.67%

LAB 81.98, -32.66, -2.8

 

CMYK 6 / 45 / 0 / 13

HEX #D17ADE

RGB 209 122 222

HSL 292.2, 0.6%, 0.67%

LAB 63.96, 49.17, -37.17

 

CMYK 0 / 43 / 46 / 13

HEX #DD7F78

RGB 221 127 120

HSL 4.16, 0.6%, 0.67%

LAB 63.27, 35.51, 19.7

 

CMYK 39 / 0 / 46 / 13

HEX #86DD78

RGB 134 221 120

HSL 111.68, 0.6%, 0.67%

LAB 80.82, -45.51, 41.38

 

CMYK 46 / 3 / 0 / 13

HEX #78D7DD

RGB 120 215 221

HSL 183.56, 0.6%, 0.67%

LAB 80.64, -26.55, -11.72

 

CMYK 6 / 45 / 0 / 13

HEX #D17ADE

RGB 209 122 222

HSL 292.2, 0.6%, 0.67%

LAB 63.96, 49.17, -37.17

 

CMYK 0 / 29 / 46 / 13

HEX #DD9D78

RGB 221 157 120

HSL 21.98, 0.6%, 0.67%

LAB 70.07, 19.49, 28.82

 

CMYK 39 / 0 / 46 / 13

HEX #86DD78

RGB 134 221 120

HSL 111.68, 0.6%, 0.67%

LAB 80.82, -45.51, 41.38

 

CMYK 46 / 17 / 0 / 13

HEX #78B8DD

RGB 120 184 221

HSL 201.98, 0.6%, 0.67%

LAB 71.89, -10.69, -24.94

 

Description

Color code: HEX #D17ADE | qconv.com Color code: HEX #D17ADE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 122 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 122 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 45 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 45% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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