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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D16B75CE it is the complementary color #2E948ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D16B75CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D16B75CE shade: #D66B70CE, #E77D83CE, #F88F96CE, #FFA1A9CE and #FFB3BCCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D16B75CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D16B75CE shade: #D16B75CE, #C05962CE, #AF474FCE, #9E353CCE and #8D2329CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D16B75CE shade: #D16B75 and #D16B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D16B75CE shade: #D16B75, #D16B91, #D16BAC, #D16BC8 and #BF6BD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D16B75CE shade matches the following richer shades: #D16B75, #E15B68 and #F14B5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D16B75CE shade: #D16B75, #C27A81, #B28A8E, #A29A9B and #93A9A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D16B75CE shade: #D16BAC, #D16B90, #D16B75, #D17C6B and #D1976B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D16B75CE shade: #B33743, #C84B57, #D16B75, #DB8A92 and #E5AAB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D16B75CE shade: #D16B75, #C7D16B and #6B9ED1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D16B75CE shade: #D16B75, #75D16B and #6B75D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D16B75CE shade: #D16B75, #C7D16B, #6BD1C7 and #756BD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D16B75CE shade: #D16B75, #A8D16B, #6BD1C7 and #946BD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 36 / 15

HEX #D16B75CE

RGBA 209 107 117 0.81

HSLA 354.12, 0.53%, 0.62%, 0.81

LABA 57.42, 41.11, 13.1, 0.81

 

Complementary color

CMYK 56 / 0 / 5 / 34

HEX #2E948ACE

RGBA 46 148 138 0.81

HSLA 174.12, 0.53%, 0.38%, 0.81

LABA 55.68, -31.15, -3.2, 0.81

 

CMYK 0 / 41 / 39 / 13

HEX #D66B70CE

RGBA 214 107 112 0.81

HSLA 357.2, 0.57%, 0.63%, 0.81

LABA 58.02, 42.43, 16.94, 0.81

 

CMYK 0 / 37 / 35 / 8

HEX #E77D83CE

RGBA 231 125 131 0.81

HSLA 356.6, 0.69%, 0.7%, 0.81

LABA 64.4, 41.37, 15.24, 0.81

 

CMYK 0 / 34 / 32 / 2

HEX #F88F96CE

RGBA 248 143 150 0.81

HSLA 356, 0.88%, 0.77%, 0.81

LABA 70.74, 40.36, 13.76, 0.81

 

CMYK 0 / 30 / 27 / 0

HEX #FFA1A9CE

RGBA 255 161 169 0.81

HSLA 354.89, 1%, 0.82%, 0.81

LABA 75.83, 35.81, 10.59, 0.81

 

CMYK 0 / 24 / 21 / 0

HEX #FFB3BCCE

RGBA 255 179 188 0.81

HSLA 352.89, 1%, 0.85%, 0.81

LABA 80.25, 28.85, 6.57, 0.81

 

CMYK 0 / 40 / 36 / 15

HEX #D16B75CE

RGBA 209 107 117 0.81

HSLA 354.12, 0.53%, 0.62%, 0.81

LABA 57.42, 41.11, 13.1, 0.81

 

CMYK 0 / 43 / 40 / 20

HEX #C05962CE

RGBA 192 89 98 0.81

HSLA 354.76, 0.45%, 0.55%, 0.81

LABA 50.96, 42.15, 14.94, 0.81

 

CMYK 0 / 48 / 44 / 25

HEX #AF474FCE

RGBA 175 71 79 0.81

HSLA 355.38, 0.42%, 0.48%, 0.81

LABA 44.5, 43.15, 17.15, 0.81

 

CMYK 0 / 54 / 50 / 31

HEX #9E353CCE

RGBA 158 53 60 0.81

HSLA 356, 0.5%, 0.41%, 0.81

LABA 38.1, 43.99, 19.88, 0.81

 

CMYK 0 / 61 / 57 / 36

HEX #8D2329CE

RGBA 141 35 41 0.81

HSLA 356.6, 0.6%, 0.35%, 0.81

LABA 31.86, 44.43, 23.34, 0.81

 

CMYK 0 / 49 / 44 / 18

HEX #D16B75

RGB 209 107 117

HSL 354.12, 0.53%, 0.62%

LAB 57.42, 41.11, 13.1

 

CMYK 0 / 49 / 49 / 18

HEX #D16B6B

RGB 209 107 107

HSL 0, 0.53%, 0.62%

LAB 57.2, 40.12, 18.61

 

CMYK 0 / 49 / 44 / 18

HEX #D16B75

RGB 209 107 117

HSL 354.12, 0.53%, 0.62%

LAB 57.42, 41.11, 13.1

 

CMYK 0 / 49 / 31 / 18

HEX #D16B91

RGB 209 107 145

HSL 337.65, 0.53%, 0.62%

LAB 58.15, 44.38, -2.15

 

CMYK 0 / 49 / 18 / 18

HEX #D16BAC

RGB 209 107 172

HSL 321.76, 0.53%, 0.62%

LAB 59.02, 48.18, -16.47

 

CMYK 0 / 49 / 4 / 18

HEX #D16BC8

RGB 209 107 200

HSL 305.29, 0.53%, 0.62%

LAB 60.11, 52.73, -30.8

 

CMYK 9 / 49 / 0 / 18

HEX #BF6BD1

RGB 191 107 209

HSL 289.41, 0.53%, 0.62%

LAB 58.22, 49.23, -39.01

 

CMYK 0 / 49 / 44 / 18

HEX #D16B75

RGB 209 107 117

HSL 354.12, 0.53%, 0.62%

LAB 57.42, 41.11, 13.1

 

CMYK 0 / 60 / 54 / 12

HEX #E15B68

RGB 225 91 104

HSL 354.18, 0.69%, 0.62%

LAB 56.57, 53.22, 19.9

 

CMYK 0 / 69 / 62 / 5

HEX #F14B5C

RGB 241 75 92

HSL 353.86, 0.86%, 0.62%

LAB 56.59, 64.05, 27.41

 

CMYK 0 / 49 / 44 / 18

HEX #D16B75

RGB 209 107 117

HSL 354.12, 0.53%, 0.62%

LAB 57.42, 41.11, 13.1

 

CMYK 0 / 37 / 34 / 24

HEX #C27A81

RGB 194 122 129

HSL 354.17, 0.37%, 0.62%

LAB 58.95, 28.97, 8.03

 

CMYK 0 / 22 / 20 / 30

HEX #B28A8E

RGB 178 138 142

HSL 354, 0.21%, 0.62%

LAB 61.3, 15.83, 3.72

 

CMYK 0 / 5 / 4 / 36

HEX #A29A9B

RGB 162 154 155

HSL 352.5, 0.04%, 0.62%

LAB 64.29, 3.1, 0.51

 

CMYK 13 / 0 / 1 / 34

HEX #93A9A7

RGB 147 169 167

HSL 174.55, 0.11%, 0.62%

LAB 67.55, -8.03, -1.56

 

CMYK 0 / 49 / 18 / 18

HEX #D16BAC

RGB 209 107 172

HSL 321.76, 0.53%, 0.62%

LAB 59.02, 48.18, -16.47

 

CMYK 0 / 49 / 31 / 18

HEX #D16B90

RGB 209 107 144

HSL 338.24, 0.53%, 0.62%

LAB 58.12, 44.25, -1.62

 

CMYK 0 / 49 / 44 / 18

HEX #D16B75

RGB 209 107 117

HSL 354.12, 0.53%, 0.62%

LAB 57.42, 41.11, 13.1

 

CMYK 0 / 41 / 49 / 18

HEX #D17C6B

RGB 209 124 107

HSL 10, 0.53%, 0.62%

LAB 60.81, 31.21, 23.47

 

CMYK 0 / 28 / 49 / 18

HEX #D1976B

RGB 209 151 107

HSL 25.88, 0.53%, 0.62%

LAB 67.09, 16.6, 31.7

 

CMYK 0 / 69 / 63 / 30

HEX #B33743

RGB 179 55 67

HSL 354.19, 0.53%, 0.46%

LAB 42.34, 50.66, 21.78

 

CMYK 0 / 63 / 57 / 22

HEX #C84B57

RGB 200 75 87

HSL 354.24, 0.53%, 0.54%

LAB 49.5, 50.6, 19.74

 

CMYK 0 / 49 / 44 / 18

HEX #D16B75

RGB 209 107 117

HSL 354.12, 0.53%, 0.62%

LAB 57.42, 41.11, 13.1

 

CMYK 0 / 37 / 33 / 14

HEX #DB8A92

RGB 219 138 146

HSL 354.07, 0.53%, 0.7%

LAB 65.99, 31.88, 8.78

 

CMYK 0 / 26 / 23 / 10

HEX #E5AAB0

RGB 229 170 176

HSL 353.9, 0.53%, 0.78%

LAB 75.17, 22.5, 5.42

 

CMYK 0 / 49 / 44 / 18

HEX #D16B75

RGB 209 107 117

HSL 354.12, 0.53%, 0.62%

LAB 57.42, 41.11, 13.1

 

CMYK 5 / 0 / 49 / 18

HEX #C7D16B

RGB 199 209 107

HSL 65.88, 0.53%, 0.62%

LAB 81.18, -17.96, 49.01

 

CMYK 49 / 24 / 0 / 18

HEX #6B9ED1

RGB 107 158 209

HSL 210, 0.53%, 0.62%

LAB 63.49, -2.98, -31.31

 

CMYK 0 / 49 / 44 / 18

HEX #D16B75

RGB 209 107 117

HSL 354.12, 0.53%, 0.62%

LAB 57.42, 41.11, 13.1

 

CMYK 44 / 0 / 49 / 18

HEX #75D16B

RGB 117 209 107

HSL 114.12, 0.53%, 0.62%

LAB 76.34, -47.35, 41.99

 

CMYK 49 / 44 / 0 / 18

HEX #6B75D1

RGB 107 117 209

HSL 234.12, 0.53%, 0.62%

LAB 52.34, 21.15, -48.83

 

CMYK 0 / 49 / 44 / 18

HEX #D16B75

RGB 209 107 117

HSL 354.12, 0.53%, 0.62%

LAB 57.42, 41.11, 13.1

 

CMYK 5 / 0 / 49 / 18

HEX #C7D16B

RGB 199 209 107

HSL 65.88, 0.53%, 0.62%

LAB 81.18, -17.96, 49.01

 

CMYK 49 / 0 / 5 / 18

HEX #6BD1C7

RGB 107 209 199

HSL 174.12, 0.53%, 0.62%

LAB 77.79, -32.16, -4.22

 

CMYK 44 / 49 / 0 / 18

HEX #756BD1

RGB 117 107 209

HSL 245.88, 0.53%, 0.62%

LAB 50.57, 29.54, -51.61

 

CMYK 0 / 49 / 44 / 18

HEX #D16B75

RGB 209 107 117

HSL 354.12, 0.53%, 0.62%

LAB 57.42, 41.11, 13.1

 

CMYK 20 / 0 / 49 / 18

HEX #A8D16B

RGB 168 209 107

HSL 84.12, 0.53%, 0.62%

LAB 79.03, -30, 45.91

 

CMYK 49 / 0 / 5 / 18

HEX #6BD1C7

RGB 107 209 199

HSL 174.12, 0.53%, 0.62%

LAB 77.79, -32.16, -4.22

 

CMYK 29 / 49 / 0 / 18

HEX #946BD1

RGB 148 107 209

HSL 264.12, 0.53%, 0.62%

LAB 53.4, 37.39, -46.94

 

Description

Color code: HEX #D16B75CE | qconv.com Color code: HEX #D16B75CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 107 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 107 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 36 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 36% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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