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Color name
HEX #D15EB2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D15EB2 it is the complementary color #2EA14D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D15EB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D15EB2 shade: #D65EAD, #E770C0, #F882D3, #FF94E6 and #FFA6F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D15EB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D15EB2 shade: #D15EB2, #C04C9F, #AF3A8C, #9E2879 and #8D1666

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D15EB2 shade: #D15CB1, #D15C92, #D15C72 and #D15C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D15EB2 shade: #D15CB1, #D15CD1, #B15CD1, #925CD1 and #725CD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D15EB2 shade matches the following richer shades: #D15CB1, #E24BB9 and #F33AC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D15EB2 shade: #D15CB1, #C06DAA, #AF7EA2, #9E8F9A and #8DA092

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D15EB2 shade: #B25CD1, #D15CD1, #D15CB2, #D15C93 and #D15C73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D15EB2 shade: #AA3089, #C83CA2, #D15CB1, #DA7CC1 and #E39CD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D15EB2 shade: #D15EB2, #D1935C and #5CD1C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D15EB2 shade: #D15EB2, #B2D15C and #5CB2D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D15EB2 shade: #D15EB2, #D1935C, #5CD17B and #5C9AD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D15EB2 shade: #D15EB2, #D1B65C, #5CD17B and #5C77D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 15 / 18

HEX #D15EB2

RGB 209 94 178

HSL 316.17, 0.56%, 0.59%

LAB 56.86, 55.38, -23.23

 

Complementary color

CMYK 71 / 0 / 52 / 37

HEX #2EA14D

RGB 46 161 77

HSL 136.17, 0.56%, 0.41%

LAB 58.61, -50.12, 34.5

 

CMYK 0 / 56 / 19 / 16

HEX #D65EAD

RGB 214 94 173

HSL 320.5, 0.59%, 0.6%

LAB 57.38, 56.11, -19.47

 

CMYK 0 / 52 / 17 / 9

HEX #E770C0

RGB 231 112 192

HSL 319.66, 0.71%, 0.67%

LAB 63.66, 55.55, -20.55

 

CMYK 0 / 48 / 15 / 3

HEX #F882D3

RGB 248 130 211

HSL 318.81, 0.89%, 0.74%

LAB 69.91, 54.89, -21.47

 

CMYK 0 / 42 / 10 / 0

HEX #FF94E6

RGB 255 148 230

HSL 314.02, 1%, 0.79%

LAB 74.92, 51.11, -24.21

 

CMYK 0 / 35 / 2 / 0

HEX #FFA6F9

RGB 255 166 249

HSL 304.04, 1%, 0.83%

LAB 79.26, 45.16, -27.89

 

CMYK 0 / 55 / 15 / 18

HEX #D15EB2

RGB 209 94 178

HSL 316.17, 0.56%, 0.59%

LAB 56.86, 55.38, -23.23

 

CMYK 0 / 60 / 17 / 25

HEX #C04C9F

RGB 192 76 159

HSL 317.07, 0.48%, 0.53%

LAB 50.54, 55.78, -22.05

 

CMYK 0 / 67 / 20 / 31

HEX #AF3A8C

RGB 175 58 140

HSL 317.95, 0.5%, 0.46%

LAB 44.28, 55.87, -20.56

 

CMYK 0 / 75 / 23 / 38

HEX #9E2879

RGB 158 40 121

HSL 318.81, 0.6%, 0.39%

LAB 38.14, 55.41, -18.59

 

CMYK 0 / 84 / 28 / 45

HEX #8D1666

RGB 141 22 102

HSL 319.66, 0.73%, 0.32%

LAB 32.25, 54, -15.89

 

CMYK 0 / 56 / 15 / 18

HEX #D15CB1

RGB 209 92 177

HSL 316.41, 0.56%, 0.59%

LAB 56.47, 56.16, -23.25

 

CMYK 0 / 56 / 30 / 18

HEX #D15C92

RGB 209 92 146

HSL 332.31, 0.56%, 0.59%

LAB 55.36, 51.83, -6.85

 

CMYK 0 / 56 / 45 / 18

HEX #D15C72

RGB 209 92 114

HSL 348.72, 0.56%, 0.59%

LAB 54.47, 48.22, 10.73

 

CMYK 0 / 56 / 56 / 18

HEX #D15C5C

RGB 209 92 92

HSL 0, 0.56%, 0.59%

LAB 54.01, 46.27, 23.04

 

CMYK 0 / 56 / 15 / 18

HEX #D15CB1

RGB 209 92 177

HSL 316.41, 0.56%, 0.59%

LAB 56.47, 56.16, -23.25

 

CMYK 0 / 56 / 0 / 18

HEX #D15CD1

RGB 209 92 209

HSL 300, 0.56%, 0.59%

LAB 57.86, 61.36, -39.41

 

CMYK 15 / 56 / 0 / 18

HEX #B15CD1

RGB 177 92 209

HSL 283.59, 0.56%, 0.59%

LAB 53.61, 53.05, -46.41

 

CMYK 30 / 56 / 0 / 18

HEX #925CD1

RGB 146 92 209

HSL 267.69, 0.56%, 0.59%

LAB 49.94, 45.23, -52.47

 

CMYK 45 / 56 / 0 / 18

HEX #725CD1

RGB 114 92 209

HSL 251.28, 0.56%, 0.59%

LAB 46.76, 37.76, -57.75

 

CMYK 0 / 56 / 15 / 18

HEX #D15CB1

RGB 209 92 177

HSL 316.41, 0.56%, 0.59%

LAB 56.47, 56.16, -23.25

 

CMYK 0 / 67 / 18 / 11

HEX #E24BB9

RGB 226 75 185

HSL 316.29, 0.72%, 0.59%

LAB 56.79, 69.02, -27.17

 

CMYK 0 / 76 / 21 / 5

HEX #F33AC1

RGB 243 58 193

HSL 316.22, 0.89%, 0.59%

LAB 57.97, 79.61, -29.71

 

CMYK 0 / 56 / 15 / 18

HEX #D15CB1

RGB 209 92 177

HSL 316.41, 0.56%, 0.59%

LAB 56.47, 56.16, -23.25

 

CMYK 0 / 43 / 11 / 25

HEX #C06DAA

RGB 192 109 170

HSL 315.9, 0.4%, 0.59%

LAB 57.12, 41.37, -18.41

 

CMYK 0 / 28 / 7 / 31

HEX #AF7EA2

RGB 175 126 162

HSL 315.92, 0.23%, 0.59%

LAB 58.64, 24.87, -11.69

 

CMYK 0 / 9 / 3 / 38

HEX #9E8F9A

RGB 158 143 154

HSL 316, 0.07%, 0.59%

LAB 61, 7.61, -3.79

 

CMYK 12 / 0 / 9 / 37

HEX #8DA092

RGB 141 160 146

HSL 135.79, 0.09%, 0.59%

LAB 64.06, -9.49, 5.03

 

CMYK 15 / 56 / 0 / 18

HEX #B25CD1

RGB 178 92 209

HSL 284.1, 0.56%, 0.59%

LAB 53.73, 53.31, -46.2

 

CMYK 0 / 56 / 0 / 18

HEX #D15CD1

RGB 209 92 209

HSL 300, 0.56%, 0.59%

LAB 57.86, 61.36, -39.41

 

CMYK 0 / 56 / 15 / 18

HEX #D15CB2

RGB 209 92 178

HSL 315.9, 0.56%, 0.59%

LAB 56.51, 56.31, -23.76

 

CMYK 0 / 56 / 30 / 18

HEX #D15C93

RGB 209 92 147

HSL 331.79, 0.56%, 0.59%

LAB 55.4, 51.96, -7.39

 

CMYK 0 / 56 / 45 / 18

HEX #D15C73

RGB 209 92 115

HSL 348.21, 0.56%, 0.59%

LAB 54.5, 48.31, 10.18

 

CMYK 0 / 72 / 19 / 33

HEX #AA3089

RGB 170 48 137

HSL 316.23, 0.56%, 0.43%

LAB 41.95, 57.92, -22.4

 

CMYK 0 / 70 / 19 / 22

HEX #C83CA2

RGB 200 60 162

HSL 316.29, 0.56%, 0.51%

LAB 49.64, 64.74, -25.12

 

CMYK 0 / 56 / 15 / 18

HEX #D15CB1

RGB 209 92 177

HSL 316.41, 0.56%, 0.59%

LAB 56.47, 56.16, -23.25

 

CMYK 0 / 43 / 11 / 15

HEX #DA7CC1

RGB 218 124 193

HSL 315.96, 0.56%, 0.67%

LAB 64.3, 45.72, -20.3

 

CMYK 0 / 31 / 8 / 11

HEX #E39CD0

RGB 227 156 208

HSL 316.06, 0.56%, 0.75%

LAB 72.67, 34.34, -15.87

 

CMYK 0 / 55 / 15 / 18

HEX #D15EB2

RGB 209 94 178

HSL 316.17, 0.56%, 0.59%

LAB 56.86, 55.38, -23.23

 

CMYK 0 / 30 / 56 / 18

HEX #D1935C

RGB 209 147 92

HSL 28.21, 0.56%, 0.59%

LAB 65.9, 17.44, 38.19

 

CMYK 56 / 0 / 8 / 18

HEX #5CD1C1

RGB 92 209 193

HSL 171.79, 0.56%, 0.59%

LAB 77.12, -36.81, -2.04

 

CMYK 0 / 55 / 15 / 18

HEX #D15EB2

RGB 209 94 178

HSL 316.17, 0.56%, 0.59%

LAB 56.86, 55.38, -23.23

 

CMYK 15 / 0 / 56 / 18

HEX #B2D15C

RGB 178 209 92

HSL 75.9, 0.56%, 0.59%

LAB 79.52, -27.62, 53.66

 

CMYK 56 / 15 / 0 / 18

HEX #5CB2D1

RGB 92 178 209

HSL 195.9, 0.56%, 0.59%

LAB 68.55, -17.17, -23.59

 

CMYK 0 / 55 / 15 / 18

HEX #D15EB2

RGB 209 94 178

HSL 316.17, 0.56%, 0.59%

LAB 56.86, 55.38, -23.23

 

CMYK 0 / 30 / 56 / 18

HEX #D1935C

RGB 209 147 92

HSL 28.21, 0.56%, 0.59%

LAB 65.9, 17.44, 38.19

 

CMYK 56 / 0 / 41 / 18

HEX #5CD17B

RGB 92 209 123

HSL 135.9, 0.56%, 0.59%

LAB 75.64, -51.61, 32.92

 

CMYK 56 / 26 / 0 / 18

HEX #5C9AD1

RGB 92 154 209

HSL 208.21, 0.56%, 0.59%

LAB 61.65, -4.07, -34.24

 

CMYK 0 / 55 / 15 / 18

HEX #D15EB2

RGB 209 94 178

HSL 316.17, 0.56%, 0.59%

LAB 56.86, 55.38, -23.23

 

CMYK 0 / 13 / 56 / 18

HEX #D1B65C

RGB 209 182 92

HSL 46.15, 0.56%, 0.59%

LAB 74.69, -1.33, 48.71

 

CMYK 56 / 0 / 41 / 18

HEX #5CD17B

RGB 92 209 123

HSL 135.9, 0.56%, 0.59%

LAB 75.64, -51.61, 32.92

 

CMYK 56 / 43 / 0 / 18

HEX #5C77D1

RGB 92 119 209

HSL 226.15, 0.56%, 0.59%

LAB 51.92, 16.64, -49.56

 

Description

Color code: HEX #D15EB2 | qconv.com Color code: HEX #D15EB2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 94 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 94 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 15 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 15% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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