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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D15780 it is the complementary color #2EA87F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D15780. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D15780 shade: #D6577B, #E7698E, #F87BA1, #FF8DB4 and #FF9FC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D15780. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D15780 shade: #D15780, #C0456D, #AF335A, #9E2147 and #8D0F34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D15780 shade: #D15780, #D1575F and #D15757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D15780 shade: #D15780, #D157A1, #D157C2, #BF57D1 and #9E57D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D15780 shade matches the following richer shades: #D15780, #E2467A and #F43475

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D15780 shade: #D15780, #C06886, #AE7A8B, #9D8B91 and #8C9C97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D15780 shade: #D157C3, #D157A2, #D15782, #D15761 and #D16D57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D15780 shade: #A72E57, #C83767, #D15780, #DA7798 and #E398B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D15780 shade: #D15780, #D1BF57 and #57B2D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D15780 shade: #D15780, #82D157 and #5782D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D15780 shade: #D15780, #D1BF57, #57D1A6 and #5769D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D15780 shade: #D15780, #BFD157, #57D1A6 and #6957D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 39 / 18

HEX #D15780

RGB 209 87 128

HSL 339.84, 0.57%, 0.58%

LAB 53.95, 52.01, 1.7

 

Complementary color

CMYK 73 / 0 / 24 / 34

HEX #2EA87F

RGB 46 168 127

HSL 159.84, 0.57%, 0.42%

LAB 61.76, -43.01, 11.77

 

CMYK 0 / 59 / 43 / 16

HEX #D6577B

RGB 214 87 123

HSL 342.99, 0.61%, 0.59%

LAB 54.6, 53.1, 5.69

 

CMYK 0 / 55 / 39 / 9

HEX #E7698E

RGB 231 105 142

HSL 342.38, 0.72%, 0.66%

LAB 60.82, 52.38, 3.86

 

CMYK 0 / 50 / 35 / 3

HEX #F87BA1

RGB 248 123 161

HSL 341.76, 0.9%, 0.73%

LAB 67.05, 51.57, 2.31

 

CMYK 0 / 45 / 29 / 0

HEX #FF8DB4

RGB 255 141 180

HSL 339.47, 1%, 0.78%

LAB 71.96, 47.38, -1.07

 

CMYK 0 / 38 / 22 / 0

HEX #FF9FC7

RGB 255 159 199

HSL 335, 1%, 0.81%

LAB 76.18, 40.8, -5.35

 

CMYK 0 / 58 / 39 / 18

HEX #D15780

RGB 209 87 128

HSL 339.84, 0.57%, 0.58%

LAB 53.95, 52.01, 1.7

 

CMYK 0 / 64 / 43 / 25

HEX #C0456D

RGB 192 69 109

HSL 340.49, 0.49%, 0.51%

LAB 47.71, 52.55, 3.73

 

CMYK 0 / 71 / 49 / 31

HEX #AF335A

RGB 175 51 90

HSL 341.13, 0.55%, 0.44%

LAB 41.56, 52.75, 6.27

 

CMYK 0 / 79 / 55 / 38

HEX #9E2147

RGB 158 33 71

HSL 341.76, 0.65%, 0.37%

LAB 35.62, 52.32, 9.53

 

CMYK 0 / 89 / 63 / 45

HEX #8D0F34

RGB 141 15 52

HSL 342.38, 0.81%, 0.31%

LAB 30.04, 50.81, 13.82

 

CMYK 0 / 58 / 39 / 18

HEX #D15780

RGB 209 87 128

HSL 339.84, 0.57%, 0.58%

LAB 53.95, 52.01, 1.7

 

CMYK 0 / 58 / 55 / 18

HEX #D1575F

RGB 209 87 95

HSL 356.07, 0.57%, 0.58%

LAB 53.17, 48.87, 20.16

 

CMYK 0 / 58 / 58 / 18

HEX #D15757

RGB 209 87 87

HSL 0, 0.57%, 0.58%

LAB 53.01, 48.25, 24.66

 

CMYK 0 / 58 / 39 / 18

HEX #D15780

RGB 209 87 128

HSL 339.84, 0.57%, 0.58%

LAB 53.95, 52.01, 1.7

 

CMYK 0 / 58 / 23 / 18

HEX #D157A1

RGB 209 87 161

HSL 323.61, 0.57%, 0.58%

LAB 55.02, 56.12, -16.17

 

CMYK 0 / 58 / 7 / 18

HEX #D157C2

RGB 209 87 194

HSL 307.38, 0.57%, 0.58%

LAB 56.35, 61.07, -33.21

 

CMYK 9 / 58 / 0 / 18

HEX #BF57D1

RGB 191 87 209

HSL 291.15, 0.57%, 0.58%

LAB 54.55, 59.01, -44.79

 

CMYK 24 / 58 / 0 / 18

HEX #9E57D1

RGB 158 87 209

HSL 274.92, 0.57%, 0.58%

LAB 50.32, 50.81, -51.78

 

CMYK 0 / 58 / 39 / 18

HEX #D15780

RGB 209 87 128

HSL 339.84, 0.57%, 0.58%

LAB 53.95, 52.01, 1.7

 

CMYK 0 / 69 / 46 / 11

HEX #E2467A

RGB 226 70 122

HSL 340, 0.73%, 0.58%

LAB 53.98, 63.67, 5.66

 

CMYK 0 / 79 / 52 / 4

HEX #F43475

RGB 244 52 117

HSL 339.69, 0.9%, 0.58%

LAB 55.04, 73.84, 10.6

 

CMYK 0 / 58 / 39 / 18

HEX #D15780

RGB 209 87 128

HSL 339.84, 0.57%, 0.58%

LAB 53.95, 52.01, 1.7

 

CMYK 0 / 46 / 30 / 25

HEX #C06886

RGB 192 104 134

HSL 339.55, 0.41%, 0.58%

LAB 54.9, 38.56, -0.77

 

CMYK 0 / 30 / 20 / 32

HEX #AE7A8B

RGB 174 122 139

HSL 340.38, 0.24%, 0.58%

LAB 56.86, 22.84, -1.07

 

CMYK 0 / 11 / 8 / 38

HEX #9D8B91

RGB 157 139 145

HSL 340, 0.08%, 0.58%

LAB 59.6, 7.83, -0.72

 

CMYK 10 / 0 / 3 / 39

HEX #8C9C97

RGB 140 156 151

HSL 161.25, 0.07%, 0.58%

LAB 63, -6.68, 0.67

 

CMYK 0 / 58 / 7 / 18

HEX #D157C3

RGB 209 87 195

HSL 306.89, 0.57%, 0.58%

LAB 56.4, 61.23, -33.72

 

CMYK 0 / 58 / 22 / 18

HEX #D157A2

RGB 209 87 162

HSL 323.11, 0.57%, 0.58%

LAB 55.05, 56.25, -16.69

 

CMYK 0 / 58 / 38 / 18

HEX #D15782

RGB 209 87 130

HSL 338.85, 0.57%, 0.58%

LAB 54.01, 52.24, 0.59

 

CMYK 0 / 58 / 54 / 18

HEX #D15761

RGB 209 87 97

HSL 355.08, 0.57%, 0.58%

LAB 53.21, 49.03, 19.03

 

CMYK 0 / 48 / 58 / 18

HEX #D16D57

RGB 209 109 87

HSL 10.82, 0.57%, 0.58%

LAB 57.25, 37.39, 30.11

 

CMYK 0 / 72 / 48 / 35

HEX #A72E57

RGB 167 46 87

HSL 339.67, 0.57%, 0.42%

LAB 39.34, 51.93, 4.79

 

CMYK 0 / 73 / 49 / 22

HEX #C83767

RGB 200 55 103

HSL 340.14, 0.57%, 0.5%

LAB 46.96, 59.84, 6.51

 

CMYK 0 / 58 / 39 / 18

HEX #D15780

RGB 209 87 128

HSL 339.84, 0.57%, 0.58%

LAB 53.95, 52.01, 1.7

 

CMYK 0 / 45 / 30 / 15

HEX #DA7798

RGB 218 119 152

HSL 340, 0.57%, 0.66%

LAB 61.97, 42.26, -0.45

 

CMYK 0 / 33 / 22 / 11

HEX #E398B1

RGB 227 152 177

HSL 340, 0.57%, 0.74%

LAB 70.84, 31.55, -1.43

 

CMYK 0 / 58 / 39 / 18

HEX #D15780

RGB 209 87 128

HSL 339.84, 0.57%, 0.58%

LAB 53.95, 52.01, 1.7

 

CMYK 0 / 9 / 58 / 18

HEX #D1BF57

RGB 209 191 87

HSL 51.15, 0.57%, 0.58%

LAB 76.98, -6.4, 53.69

 

CMYK 58 / 15 / 0 / 18

HEX #57B2D1

RGB 87 178 209

HSL 195.25, 0.57%, 0.58%

LAB 68.37, -18.15, -23.88

 

CMYK 0 / 58 / 39 / 18

HEX #D15780

RGB 209 87 128

HSL 339.84, 0.57%, 0.58%

LAB 53.95, 52.01, 1.7

 

CMYK 38 / 0 / 58 / 18

HEX #82D157

RGB 130 209 87

HSL 98.85, 0.57%, 0.58%

LAB 76.7, -45.59, 51.94

 

CMYK 58 / 38 / 0 / 18

HEX #5782D1

RGB 87 130 209

HSL 218.85, 0.57%, 0.58%

LAB 54.65, 8.93, -45.24

 

CMYK 0 / 58 / 39 / 18

HEX #D15780

RGB 209 87 128

HSL 339.84, 0.57%, 0.58%

LAB 53.95, 52.01, 1.7

 

CMYK 0 / 9 / 58 / 18

HEX #D1BF57

RGB 209 191 87

HSL 51.15, 0.57%, 0.58%

LAB 76.98, -6.4, 53.69

 

CMYK 58 / 0 / 21 / 18

HEX #57D1A6

RGB 87 209 166

HSL 158.85, 0.57%, 0.58%

LAB 76.3, -44.27, 11.25

 

CMYK 58 / 50 / 0 / 18

HEX #5769D1

RGB 87 105 209

HSL 231.15, 0.57%, 0.58%

LAB 47.92, 24.28, -55.98

 

CMYK 0 / 58 / 39 / 18

HEX #D15780

RGB 209 87 128

HSL 339.84, 0.57%, 0.58%

LAB 53.95, 52.01, 1.7

 

CMYK 9 / 0 / 58 / 18

HEX #BFD157

RGB 191 209 87

HSL 68.85, 0.57%, 0.58%

LAB 80.38, -22.87, 57.1

 

CMYK 58 / 0 / 21 / 18

HEX #57D1A6

RGB 87 209 166

HSL 158.85, 0.57%, 0.58%

LAB 76.3, -44.27, 11.25

 

CMYK 50 / 58 / 0 / 18

HEX #6957D1

RGB 105 87 209

HSL 248.85, 0.57%, 0.58%

LAB 44.83, 38.82, -60.9

 

Description

Color code: HEX #D15780 | qconv.com Color code: HEX #D15780 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 87 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 87 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 39 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 39% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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