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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1527B it is the complementary color #2EAD84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1527B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1527B shade: #D65276, #E76489, #F8769C, #FF88AF and #FF9AC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1527B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1527B shade: #D1527B, #C04068, #AF2E55, #9E1C42 and #8D0A2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1527B shade: #D1527B, #D15259 and #D15252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1527B shade: #D1527B, #D1529D, #D152BF, #C052D1 and #9E52D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1527B shade matches the following richer shades: #D1527B, #E34075 and #F42E6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1527B shade: #D1527B, #BF6381, #AD7587, #9C878E and #8A9994

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1527B shade: #D152C0, #D1529E, #D1527C, #D1525A and #D16B52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1527B shade: #A42C53, #C53463, #D1527B, #DA7294 and #E293AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1527B shade: #D1527B, #D1C052 and #52AFD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1527B shade: #D1527B, #7CD152 and #527CD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1527B shade: #D1527B, #D1C052, #52D1A7 and #5263D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1527B shade: #D1527B, #BCD152, #52D1A7 and #6752D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 41 / 18

HEX #D1527B

RGB 209 82 123

HSL 340.63, 0.58%, 0.57%

LAB 52.97, 53.73, 3.25

 

Complementary color

CMYK 73 / 0 / 24 / 32

HEX #2EAD84

RGB 46 173 132

HSL 160.63, 0.58%, 0.43%

LAB 63.45, -43.92, 11.39

 

CMYK 0 / 62 / 45 / 16

HEX #D65276

RGB 214 82 118

HSL 343.64, 0.62%, 0.58%

LAB 53.64, 54.82, 7.29

 

CMYK 0 / 57 / 41 / 9

HEX #E76489

RGB 231 100 137

HSL 343.05, 0.73%, 0.65%

LAB 59.81, 54.17, 5.3

 

CMYK 0 / 52 / 37 / 3

HEX #F8769C

RGB 248 118 156

HSL 342.46, 0.9%, 0.72%

LAB 65.99, 53.39, 3.62

 

CMYK 0 / 47 / 31 / 0

HEX #FF88AF

RGB 255 136 175

HSL 340.34, 1%, 0.77%

LAB 70.85, 49.23, 0.09

 

CMYK 0 / 40 / 24 / 0

HEX #FF9AC2

RGB 255 154 194

HSL 336.24, 1%, 0.8%

LAB 74.99, 42.66, -4.36

 

CMYK 0 / 61 / 41 / 18

HEX #D1527B

RGB 209 82 123

HSL 340.63, 0.58%, 0.57%

LAB 52.97, 53.73, 3.25

 

CMYK 0 / 67 / 46 / 25

HEX #C04068

RGB 192 64 104

HSL 341.25, 0.5%, 0.5%

LAB 46.81, 54.15, 5.49

 

CMYK 0 / 74 / 51 / 31

HEX #AF2E55

RGB 175 46 85

HSL 341.86, 0.58%, 0.43%

LAB 40.77, 54.14, 8.29

 

CMYK 0 / 82 / 58 / 38

HEX #9E1C42

RGB 158 28 66

HSL 342.46, 0.7%, 0.36%

LAB 34.99, 53.39, 11.9

 

CMYK 0 / 93 / 67 / 45

HEX #8D0A2F

RGB 141 10 47

HSL 343.05, 0.87%, 0.3%

LAB 29.63, 51.39, 16.61

 

CMYK 0 / 61 / 41 / 18

HEX #D1527B

RGB 209 82 123

HSL 340.63, 0.58%, 0.57%

LAB 52.97, 53.73, 3.25

 

CMYK 0 / 61 / 57 / 18

HEX #D15259

RGB 209 82 89

HSL 356.69, 0.58%, 0.57%

LAB 52.19, 50.69, 22.39

 

CMYK 0 / 61 / 61 / 18

HEX #D15252

RGB 209 82 82

HSL 0, 0.58%, 0.57%

LAB 52.06, 50.19, 26.35

 

CMYK 0 / 61 / 41 / 18

HEX #D1527B

RGB 209 82 123

HSL 340.63, 0.58%, 0.57%

LAB 52.97, 53.73, 3.25

 

CMYK 0 / 61 / 25 / 18

HEX #D1529D

RGB 209 82 157

HSL 324.57, 0.58%, 0.57%

LAB 54.05, 57.78, -15.28

 

CMYK 0 / 61 / 9 / 18

HEX #D152BF

RGB 209 82 191

HSL 308.5, 0.58%, 0.57%

LAB 55.43, 62.74, -32.93

 

CMYK 8 / 61 / 0 / 18

HEX #C052D1

RGB 192 82 209

HSL 291.97, 0.58%, 0.57%

LAB 53.86, 61.52, -45.88

 

CMYK 24 / 61 / 0 / 18

HEX #9E52D1

RGB 158 82 209

HSL 275.91, 0.58%, 0.57%

LAB 49.38, 53.33, -53.28

 

CMYK 0 / 61 / 41 / 18

HEX #D1527B

RGB 209 82 123

HSL 340.63, 0.58%, 0.57%

LAB 52.97, 53.73, 3.25

 

CMYK 0 / 72 / 48 / 11

HEX #E34075

RGB 227 64 117

HSL 340.49, 0.74%, 0.57%

LAB 53.26, 65.65, 7.64

 

CMYK 0 / 81 / 55 / 4

HEX #F42E6E

RGB 244 46 110

HSL 340.61, 0.9%, 0.57%

LAB 54.36, 74.83, 13.84

 

CMYK 0 / 61 / 41 / 18

HEX #D1527B

RGB 209 82 123

HSL 340.63, 0.58%, 0.57%

LAB 52.97, 53.73, 3.25

 

CMYK 0 / 48 / 32 / 25

HEX #BF6381

RGB 191 99 129

HSL 340.43, 0.42%, 0.57%

LAB 53.58, 40.16, 0.24

 

CMYK 0 / 32 / 22 / 32

HEX #AD7587

RGB 173 117 135

HSL 340.71, 0.25%, 0.57%

LAB 55.44, 24.65, -0.84

 

CMYK 0 / 13 / 9 / 39

HEX #9C878E

RGB 156 135 142

HSL 340, 0.1%, 0.57%

LAB 58.37, 9.18, -0.82

 

CMYK 10 / 0 / 3 / 40

HEX #8A9994

RGB 138 153 148

HSL 160, 0.07%, 0.57%

LAB 61.93, -6.35, 0.79

 

CMYK 0 / 61 / 8 / 18

HEX #D152C0

RGB 209 82 192

HSL 308.03, 0.58%, 0.57%

LAB 55.48, 62.9, -33.43

 

CMYK 0 / 61 / 24 / 18

HEX #D1529E

RGB 209 82 158

HSL 324.09, 0.58%, 0.57%

LAB 54.09, 57.92, -15.81

 

CMYK 0 / 61 / 41 / 18

HEX #D1527C

RGB 209 82 124

HSL 340.16, 0.58%, 0.57%

LAB 53, 53.83, 2.69

 

CMYK 0 / 61 / 57 / 18

HEX #D1525A

RGB 209 82 90

HSL 356.22, 0.58%, 0.57%

LAB 52.21, 50.76, 21.83

 

CMYK 0 / 49 / 61 / 18

HEX #D16B52

RGB 209 107 82

HSL 11.81, 0.58%, 0.57%

LAB 56.76, 38.06, 32.3

 

CMYK 0 / 73 / 49 / 36

HEX #A42C53

RGB 164 44 83

HSL 340.5, 0.58%, 0.41%

LAB 38.41, 51.4, 5.92

 

CMYK 0 / 74 / 50 / 23

HEX #C53463

RGB 197 52 99

HSL 340.55, 0.58%, 0.49%

LAB 45.94, 59.67, 7.45

 

CMYK 0 / 61 / 41 / 18

HEX #D1527B

RGB 209 82 123

HSL 340.63, 0.58%, 0.57%

LAB 52.97, 53.73, 3.25

 

CMYK 0 / 48 / 32 / 15

HEX #DA7294

RGB 218 114 148

HSL 340.38, 0.58%, 0.65%

LAB 60.85, 44.3, 0.22

 

CMYK 0 / 35 / 23 / 11

HEX #E293AD

RGB 226 147 173

HSL 340.25, 0.58%, 0.73%

LAB 69.51, 33.28, -1.18

 

CMYK 0 / 61 / 41 / 18

HEX #D1527B

RGB 209 82 123

HSL 340.63, 0.58%, 0.57%

LAB 52.97, 53.73, 3.25

 

CMYK 0 / 8 / 61 / 18

HEX #D1C052

RGB 209 192 82

HSL 51.97, 0.58%, 0.57%

LAB 77.2, -7.27, 56.18

 

CMYK 61 / 16 / 0 / 18

HEX #52AFD1

RGB 82 175 209

HSL 196.06, 0.58%, 0.57%

LAB 67.32, -17.51, -25.5

 

CMYK 0 / 61 / 41 / 18

HEX #D1527B

RGB 209 82 123

HSL 340.63, 0.58%, 0.57%

LAB 52.97, 53.73, 3.25

 

CMYK 41 / 0 / 61 / 18

HEX #7CD152

RGB 124 209 82

HSL 100.16, 0.58%, 0.57%

LAB 76.37, -48.03, 53.7

 

CMYK 61 / 41 / 0 / 18

HEX #527CD1

RGB 82 124 209

HSL 220.16, 0.58%, 0.57%

LAB 52.74, 11.59, -48.28

 

CMYK 0 / 61 / 41 / 18

HEX #D1527B

RGB 209 82 123

HSL 340.63, 0.58%, 0.57%

LAB 52.97, 53.73, 3.25

 

CMYK 0 / 8 / 61 / 18

HEX #D1C052

RGB 209 192 82

HSL 51.97, 0.58%, 0.57%

LAB 77.2, -7.27, 56.18

 

CMYK 61 / 0 / 20 / 18

HEX #52D1A7

RGB 82 209 167

HSL 160.16, 0.58%, 0.57%

LAB 76.18, -45.01, 10.52

 

CMYK 61 / 53 / 0 / 18

HEX #5263D1

RGB 82 99 209

HSL 231.97, 0.58%, 0.57%

LAB 46.07, 27.1, -58.98

 

CMYK 0 / 61 / 41 / 18

HEX #D1527B

RGB 209 82 123

HSL 340.63, 0.58%, 0.57%

LAB 52.97, 53.73, 3.25

 

CMYK 10 / 0 / 61 / 18

HEX #BCD152

RGB 188 209 82

HSL 69.92, 0.58%, 0.57%

LAB 80.12, -24.45, 58.91

 

CMYK 61 / 0 / 20 / 18

HEX #52D1A7

RGB 82 209 167

HSL 160.16, 0.58%, 0.57%

LAB 76.18, -45.01, 10.52

 

CMYK 51 / 61 / 0 / 18

HEX #6752D1

RGB 103 82 209

HSL 249.92, 0.58%, 0.57%

LAB 43.54, 41.35, -63

 

Description

Color code: HEX #D1527B | qconv.com Color code: HEX #D1527B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 82 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 82 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 41 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 41% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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