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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D14BCE it is the complementary color #2EB431. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D14BCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D14BCE shade: #D64BC9, #E75DDC, #F86FEF, #FF81FF and #FF93FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D14BCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D14BCE shade: #D14BCE, #C039BB, #AF27A8, #9E1595 and #8D0382

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D14BCE shade: #D14DCE, #D14DAA, #D14D87, #D14D63 and #D14D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D14BCE shade: #D14DCE, #B04DD1, #8D4DD1, #694DD1 and #4D4DD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D14BCE shade matches the following richer shades: #D14DCE, #E33ADF and #F528F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D14BCE shade: #D14DCE, #BF5FBD, #AD71AB, #9B839A and #889589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D14BCE shade: #8D4DD1, #B04DD1, #D14DCF, #D14DAB and #D14D88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D14BCE shade: #A12A9F, #C232BF, #D14DCE, #D96DD7 and #E28EE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D14BCE shade: #D14BCE, #D1694D and #4DD19E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D14BCE shade: #D14BCE, #CFD14D and #4DCFD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D14BCE shade: #D14BCE, #D1694D, #4DD14F and #4DB4D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D14BCE shade: #D14BCE, #D1914D, #4DD14F and #4D8DD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 1 / 18

HEX #D14BCE

RGB 209 75 206

HSL 301.34, 0.59%, 0.56%

LAB 55.12, 68, -42.02

 

Complementary color

CMYK 74 / 0 / 73 / 29

HEX #2EB431

RGB 46 180 49

HSL 121.34, 0.59%, 0.44%

LAB 64.52, -59.92, 53.64

 

CMYK 0 / 65 / 6 / 16

HEX #D64BC9

RGB 214 75 201

HSL 305.61, 0.63%, 0.57%

LAB 55.63, 68.4, -38.3

 

CMYK 0 / 60 / 5 / 9

HEX #E75DDC

RGB 231 93 220

HSL 304.78, 0.74%, 0.64%

LAB 61.64, 68.39, -39.47

 

CMYK 0 / 55 / 4 / 3

HEX #F86FEF

RGB 248 111 239

HSL 303.94, 0.91%, 0.7%

LAB 67.69, 68.11, -40.4

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 64 / 1 / 18

HEX #D14BCE

RGB 209 75 206

HSL 301.34, 0.59%, 0.56%

LAB 55.12, 68, -42.02

 

CMYK 0 / 70 / 3 / 25

HEX #C039BB

RGB 192 57 187

HSL 302.22, 0.54%, 0.49%

LAB 49.16, 67.61, -40.65

 

CMYK 0 / 78 / 4 / 31

HEX #AF27A8

RGB 175 39 168

HSL 303.09, 0.64%, 0.42%

LAB 43.35, 66.55, -38.84

 

CMYK 0 / 87 / 6 / 38

HEX #9E1595

RGB 158 21 149

HSL 303.94, 0.77%, 0.35%

LAB 37.8, 64.48, -36.39

 

CMYK 0 / 98 / 8 / 45

HEX #8D0382

RGB 141 3 130

HSL 304.78, 0.96%, 0.28%

LAB 32.57, 61.14, -33.16

 

CMYK 0 / 63 / 1 / 18

HEX #D14DCE

RGB 209 77 206

HSL 301.36, 0.59%, 0.56%

LAB 55.4, 67.21, -41.57

 

CMYK 0 / 63 / 19 / 18

HEX #D14DAA

RGB 209 77 170

HSL 317.73, 0.59%, 0.56%

LAB 53.78, 61.68, -23.32

 

CMYK 0 / 63 / 35 / 18

HEX #D14D87

RGB 209 77 135

HSL 333.64, 0.59%, 0.56%

LAB 52.52, 57.2, -4.56

 

CMYK 0 / 63 / 53 / 18

HEX #D14D63

RGB 209 77 99

HSL 350, 0.59%, 0.56%

LAB 51.57, 53.67, 15.61

 

CMYK 0 / 63 / 63 / 18

HEX #D14D4D

RGB 209 77 77

HSL 0, 0.59%, 0.56%

LAB 51.15, 52.08, 28.11

 

CMYK 0 / 63 / 1 / 18

HEX #D14DCE

RGB 209 77 206

HSL 301.36, 0.59%, 0.56%

LAB 55.4, 67.21, -41.57

 

CMYK 16 / 63 / 0 / 18

HEX #B04DD1

RGB 176 77 209

HSL 285, 0.59%, 0.56%

LAB 50.85, 59.92, -50.8

 

CMYK 33 / 63 / 0 / 18

HEX #8D4DD1

RGB 141 77 209

HSL 269.09, 0.59%, 0.56%

LAB 46.41, 51.98, -58.17

 

CMYK 50 / 63 / 0 / 18

HEX #694DD1

RGB 105 77 209

HSL 252.73, 0.59%, 0.56%

LAB 42.63, 44.6, -64.46

 

CMYK 63 / 63 / 0 / 18

HEX #4D4DD1

RGB 77 77 209

HSL 240, 0.59%, 0.56%

LAB 40.39, 39.87, -68.21

 

CMYK 0 / 63 / 1 / 18

HEX #D14DCE

RGB 209 77 206

HSL 301.36, 0.59%, 0.56%

LAB 55.4, 67.21, -41.57

 

CMYK 0 / 74 / 2 / 11

HEX #E33ADF

RGB 227 58 223

HSL 301.42, 0.75%, 0.56%

LAB 56.77, 80.36, -48.88

 

CMYK 0 / 84 / 2 / 4

HEX #F528F1

RGB 245 40 241

HSL 301.17, 0.91%, 0.56%

LAB 59.23, 90.58, -54.89

 

CMYK 0 / 63 / 1 / 18

HEX #D14DCE

RGB 209 77 206

HSL 301.36, 0.59%, 0.56%

LAB 55.4, 67.21, -41.57

 

CMYK 0 / 50 / 1 / 25

HEX #BF5FBD

RGB 191 95 189

HSL 301.25, 0.43%, 0.56%

LAB 55.01, 51.52, -32.63

 

CMYK 0 / 35 / 1 / 32

HEX #AD71AB

RGB 173 113 171

HSL 302, 0.27%, 0.56%

LAB 55.72, 33.13, -21.33

 

CMYK 0 / 15 / 1 / 39

HEX #9B839A

RGB 155 131 154

HSL 302.5, 0.11%, 0.56%

LAB 57.59, 13.36, -8.87

 

CMYK 9 / 0 / 8 / 42

HEX #889589

RGB 136 149 137

HSL 124.62, 0.06%, 0.56%

LAB 60.37, -7.05, 4.74

 

CMYK 33 / 63 / 0 / 18

HEX #8D4DD1

RGB 141 77 209

HSL 269.09, 0.59%, 0.56%

LAB 46.41, 51.98, -58.17

 

CMYK 16 / 63 / 0 / 18

HEX #B04DD1

RGB 176 77 209

HSL 285, 0.59%, 0.56%

LAB 50.85, 59.92, -50.8

 

CMYK 0 / 63 / 1 / 18

HEX #D14DCF

RGB 209 77 207

HSL 300.91, 0.59%, 0.56%

LAB 55.45, 67.38, -42.07

 

CMYK 0 / 63 / 18 / 18

HEX #D14DAB

RGB 209 77 171

HSL 317.27, 0.59%, 0.56%

LAB 53.82, 61.82, -23.84

 

CMYK 0 / 63 / 35 / 18

HEX #D14D88

RGB 209 77 136

HSL 333.18, 0.59%, 0.56%

LAB 52.55, 57.32, -5.11

 

CMYK 0 / 74 / 1 / 37

HEX #A12A9F

RGB 161 42 159

HSL 301.01, 0.59%, 0.4%

LAB 40.79, 61.19, -37.66

 

CMYK 0 / 74 / 2 / 24

HEX #C232BF

RGB 194 50 191

HSL 301.25, 0.59%, 0.48%

LAB 48.9, 70.95, -43.37

 

CMYK 0 / 63 / 1 / 18

HEX #D14DCE

RGB 209 77 206

HSL 301.36, 0.59%, 0.56%

LAB 55.4, 67.21, -41.57

 

CMYK 0 / 50 / 1 / 15

HEX #D96DD7

RGB 217 109 215

HSL 301.11, 0.59%, 0.64%

LAB 62.16, 56.64, -35.98

 

CMYK 0 / 37 / 1 / 11

HEX #E28EE0

RGB 226 142 224

HSL 301.43, 0.59%, 0.72%

LAB 70.1, 44.23, -28.6

 

CMYK 0 / 64 / 1 / 18

HEX #D14BCE

RGB 209 75 206

HSL 301.34, 0.59%, 0.56%

LAB 55.12, 68, -42.02

 

CMYK 0 / 50 / 63 / 18

HEX #D1694D

RGB 209 105 77

HSL 12.73, 0.59%, 0.56%

LAB 56.28, 38.74, 34.48

 

CMYK 63 / 0 / 24 / 18

HEX #4DD19E

RGB 77 209 158

HSL 156.82, 0.59%, 0.56%

LAB 75.85, -47.96, 14.84

 

CMYK 0 / 64 / 1 / 18

HEX #D14BCE

RGB 209 75 206

HSL 301.34, 0.59%, 0.56%

LAB 55.12, 68, -42.02

 

CMYK 1 / 0 / 63 / 18

HEX #CFD14D

RGB 207 209 77

HSL 60.91, 0.59%, 0.56%

LAB 81.51, -17.03, 62.9

 

CMYK 63 / 1 / 0 / 18

HEX #4DCFD1

RGB 77 207 209

HSL 180.91, 0.59%, 0.56%

LAB 76.56, -34.28, -11.52

 

CMYK 0 / 64 / 1 / 18

HEX #D14BCE

RGB 209 75 206

HSL 301.34, 0.59%, 0.56%

LAB 55.12, 68, -42.02

 

CMYK 0 / 50 / 63 / 18

HEX #D1694D

RGB 209 105 77

HSL 12.73, 0.59%, 0.56%

LAB 56.28, 38.74, 34.48

 

CMYK 63 / 0 / 62 / 18

HEX #4DD14F

RGB 77 209 79

HSL 120.91, 0.59%, 0.56%

LAB 74.66, -61, 52.62

 

CMYK 63 / 14 / 0 / 18

HEX #4DB4D1

RGB 77 180 209

HSL 193.18, 0.59%, 0.56%

LAB 68.62, -20.99, -23.52

 

CMYK 0 / 64 / 1 / 18

HEX #D14BCE

RGB 209 75 206

HSL 301.34, 0.59%, 0.56%

LAB 55.12, 68, -42.02

 

CMYK 0 / 31 / 63 / 18

HEX #D1914D

RGB 209 145 77

HSL 30.91, 0.59%, 0.56%

LAB 65.23, 17.42, 45.08

 

CMYK 63 / 0 / 62 / 18

HEX #4DD14F

RGB 77 209 79

HSL 120.91, 0.59%, 0.56%

LAB 74.66, -61, 52.62

 

CMYK 63 / 33 / 0 / 18

HEX #4D8DD1

RGB 77 141 209

HSL 210.91, 0.59%, 0.56%

LAB 57.3, 0.49, -41.09

 

Description

Color code: HEX #D14BCE | qconv.com Color code: HEX #D14BCE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 75 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 75 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 1 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 1% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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