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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1467B it is the complementary color #2EB984. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1467B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1467B shade: #D64676, #E75889, #F86A9C, #FF7CAF and #FF8EC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1467B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1467B shade: #D1467B, #C03468, #AF2255, #9E1042 and #8D002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1467B shade: #D1477C, #D14757 and #D14747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1467B shade: #D1477C, #D147A1, #D147C6, #B747D1 and #9247D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1467B shade matches the following richer shades: #D1477C, #E43578 and #F62273

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1467B shade: #D1477C, #BF5A80, #AC6D85, #997F89 and #87928E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1467B shade: #D147C6, #D147A1, #D1477C, #D14757 and #D15C47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1467B shade: #9E2855, #BF3067, #D1477C, #D96893 and #E289AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1467B shade: #D1467B, #D1B847 and #47B3D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1467B shade: #D1467B, #7CD147 and #477CD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1467B shade: #D1467B, #D1B847, #47D19C and #4761D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1467B shade: #D1467B, #C1D147, #47D19C and #5747D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 41 / 18

HEX #D1467B

RGB 209 70 123

HSL 337.12, 0.6%, 0.55%

LAB 51.11, 58.77, 0.55

 

Complementary color

CMYK 75 / 0 / 29 / 27

HEX #2EB984

RGB 46 185 132

HSL 157.12, 0.6%, 0.45%

LAB 67.24, -48.83, 16.68

 

CMYK 0 / 67 / 45 / 16

HEX #D64676

RGB 214 70 118

HSL 340, 0.64%, 0.56%

LAB 51.82, 59.77, 4.69

 

CMYK 0 / 62 / 41 / 9

HEX #E75889

RGB 231 88 137

HSL 339.44, 0.75%, 0.63%

LAB 57.82, 59.47, 2.44

 

CMYK 0 / 57 / 37 / 3

HEX #F86A9C

RGB 248 106 156

HSL 338.87, 0.91%, 0.69%

LAB 63.89, 58.92, 0.57

 

CMYK 0 / 51 / 31 / 0

HEX #FF7CAF

RGB 255 124 175

HSL 336.64, 1%, 0.74%

LAB 68.58, 55.04, -3.23

 

CMYK 0 / 44 / 24 / 0

HEX #FF8EC2

RGB 255 142 194

HSL 332.39, 1%, 0.78%

LAB 72.56, 48.73, -7.96

 

CMYK 0 / 67 / 41 / 18

HEX #D1467B

RGB 209 70 123

HSL 337.12, 0.6%, 0.55%

LAB 51.11, 58.77, 0.55

 

CMYK 0 / 73 / 46 / 25

HEX #C03468

RGB 192 52 104

HSL 337.71, 0.57%, 0.48%

LAB 45.17, 58.68, 3.13

 

CMYK 0 / 81 / 51 / 31

HEX #AF2255

RGB 175 34 85

HSL 338.3, 0.67%, 0.41%

LAB 39.44, 57.91, 6.4

 

CMYK 0 / 90 / 58 / 38

HEX #9E1042

RGB 158 16 66

HSL 338.87, 0.82%, 0.34%

LAB 34.05, 56.07, 10.61

 

CMYK 0 / 100 / 67 / 45

HEX #8D002F

RGB 141 0 47

HSL 340, 1%, 0.28%

LAB 29.08, 52.99, 15.9

 

CMYK 0 / 66 / 41 / 18

HEX #D1477C

RGB 209 71 124

HSL 336.96, 0.6%, 0.55%

LAB 51.29, 58.48, 0.2

 

CMYK 0 / 66 / 58 / 18

HEX #D14757

RGB 209 71 87

HSL 353.04, 0.6%, 0.55%

LAB 50.39, 55.27, 21.21

 

CMYK 0 / 66 / 66 / 18

HEX #D14747

RGB 209 71 71

HSL 0, 0.6%, 0.55%

LAB 50.12, 54.25, 30.33

 

CMYK 0 / 66 / 41 / 18

HEX #D1477C

RGB 209 71 124

HSL 336.96, 0.6%, 0.55%

LAB 51.29, 58.48, 0.2

 

CMYK 0 / 66 / 23 / 18

HEX #D147A1

RGB 209 71 161

HSL 320.87, 0.6%, 0.55%

LAB 52.55, 62.85, -19.93

 

CMYK 0 / 66 / 5 / 18

HEX #D147C6

RGB 209 71 198

HSL 304.78, 0.6%, 0.55%

LAB 54.17, 68.25, -38.92

 

CMYK 12 / 66 / 0 / 18

HEX #B747D1

RGB 183 71 209

HSL 288.7, 0.6%, 0.55%

LAB 50.89, 64.11, -50.68

 

CMYK 30 / 66 / 0 / 18

HEX #9247D1

RGB 146 71 209

HSL 272.61, 0.6%, 0.55%

LAB 45.94, 56.01, -58.9

 

CMYK 0 / 66 / 41 / 18

HEX #D1477C

RGB 209 71 124

HSL 336.96, 0.6%, 0.55%

LAB 51.29, 58.48, 0.2

 

CMYK 0 / 77 / 47 / 11

HEX #E43578

RGB 228 53 120

HSL 337.03, 0.76%, 0.55%

LAB 52.28, 69.63, 4.47

 

CMYK 0 / 86 / 53 / 4

HEX #F62273

RGB 246 34 115

HSL 337.08, 0.92%, 0.55%

LAB 54, 78.12, 10.39

 

CMYK 0 / 66 / 41 / 18

HEX #D1477C

RGB 209 71 124

HSL 336.96, 0.6%, 0.55%

LAB 51.29, 58.48, 0.2

 

CMYK 0 / 53 / 33 / 25

HEX #BF5A80

RGB 191 90 128

HSL 337.43, 0.44%, 0.55%

LAB 51.78, 44.61, -1.81

 

CMYK 0 / 37 / 23 / 33

HEX #AC6D85

RGB 172 109 133

HSL 337.14, 0.28%, 0.55%

LAB 53.39, 28.45, -2.7

 

CMYK 0 / 17 / 10 / 40

HEX #997F89

RGB 153 127 137

HSL 336.92, 0.11%, 0.55%

LAB 55.84, 11.72, -1.66

 

CMYK 8 / 0 / 3 / 43

HEX #87928E

RGB 135 146 142

HSL 158.18, 0.05%, 0.55%

LAB 59.58, -4.77, 0.75

 

CMYK 0 / 66 / 5 / 18

HEX #D147C6

RGB 209 71 198

HSL 304.78, 0.6%, 0.55%

LAB 54.17, 68.25, -38.92

 

CMYK 0 / 66 / 23 / 18

HEX #D147A1

RGB 209 71 161

HSL 320.87, 0.6%, 0.55%

LAB 52.55, 62.85, -19.93

 

CMYK 0 / 66 / 41 / 18

HEX #D1477C

RGB 209 71 124

HSL 336.96, 0.6%, 0.55%

LAB 51.29, 58.48, 0.2

 

CMYK 0 / 66 / 58 / 18

HEX #D14757

RGB 209 71 87

HSL 353.04, 0.6%, 0.55%

LAB 50.39, 55.27, 21.21

 

CMYK 0 / 56 / 66 / 18

HEX #D15C47

RGB 209 92 71

HSL 9.13, 0.6%, 0.55%

LAB 53.67, 44.83, 34.66

 

CMYK 0 / 75 / 46 / 38

HEX #9E2855

RGB 158 40 85

HSL 337.12, 0.6%, 0.39%

LAB 36.82, 51.23, 2.22

 

CMYK 0 / 75 / 46 / 25

HEX #BF3067

RGB 191 48 103

HSL 336.92, 0.6%, 0.47%

LAB 44.48, 59.65, 2.73

 

CMYK 0 / 66 / 41 / 18

HEX #D1477C

RGB 209 71 124

HSL 336.96, 0.6%, 0.55%

LAB 51.29, 58.48, 0.2

 

CMYK 0 / 52 / 32 / 15

HEX #D96893

RGB 217 104 147

HSL 337.17, 0.6%, 0.63%

LAB 58.75, 48.81, -2.3

 

CMYK 0 / 39 / 24 / 11

HEX #E289AB

RGB 226 137 171

HSL 337.08, 0.61%, 0.71%

LAB 67.28, 38.28, -3.33

 

CMYK 0 / 67 / 41 / 18

HEX #D1467B

RGB 209 70 123

HSL 337.12, 0.6%, 0.55%

LAB 51.11, 58.77, 0.55

 

CMYK 0 / 12 / 66 / 18

HEX #D1B847

RGB 209 184 71

HSL 49.13, 0.6%, 0.55%

LAB 75.01, -3.82, 58.6

 

CMYK 66 / 14 / 0 / 18

HEX #47B3D1

RGB 71 179 209

HSL 193.04, 0.6%, 0.55%

LAB 68.16, -21.45, -24.25

 

CMYK 0 / 67 / 41 / 18

HEX #D1467B

RGB 209 70 123

HSL 337.12, 0.6%, 0.55%

LAB 51.11, 58.77, 0.55

 

CMYK 41 / 0 / 66 / 18

HEX #7CD147

RGB 124 209 71

HSL 96.96, 0.6%, 0.55%

LAB 76.28, -49.01, 58.21

 

CMYK 66 / 41 / 0 / 18

HEX #477CD1

RGB 71 124 209

HSL 216.96, 0.6%, 0.55%

LAB 52.24, 9.64, -49.11

 

CMYK 0 / 67 / 41 / 18

HEX #D1467B

RGB 209 70 123

HSL 337.12, 0.6%, 0.55%

LAB 51.11, 58.77, 0.55

 

CMYK 0 / 12 / 66 / 18

HEX #D1B847

RGB 209 184 71

HSL 49.13, 0.6%, 0.55%

LAB 75.01, -3.82, 58.6

 

CMYK 66 / 0 / 25 / 18

HEX #47D19C

RGB 71 209 156

HSL 156.96, 0.6%, 0.55%

LAB 75.66, -49.45, 15.61

 

CMYK 66 / 54 / 0 / 18

HEX #4761D1

RGB 71 97 209

HSL 228.7, 0.6%, 0.55%

LAB 44.93, 26.51, -60.85

 

CMYK 0 / 67 / 41 / 18

HEX #D1467B

RGB 209 70 123

HSL 337.12, 0.6%, 0.55%

LAB 51.11, 58.77, 0.55

 

CMYK 8 / 0 / 66 / 18

HEX #C1D147

RGB 193 209 71

HSL 66.96, 0.6%, 0.55%

LAB 80.4, -23.15, 63.8

 

CMYK 66 / 0 / 25 / 18

HEX #47D19C

RGB 71 209 156

HSL 156.96, 0.6%, 0.55%

LAB 75.66, -49.45, 15.61

 

CMYK 58 / 66 / 0 / 18

HEX #5747D1

RGB 87 71 209

HSL 246.96, 0.6%, 0.55%

LAB 39.81, 44.93, -69.14

 

Description

Color code: HEX #D1467B | qconv.com Color code: HEX #D1467B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 70 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 70 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 41 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 41% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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