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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D141DB it is the complementary color #2EBE24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D141DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D141DB shade: #D641D6, #E753E9, #F865FC, #FF77FF and #FF89FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D141DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D141DB shade: #D141DB, #C02FC8, #AF1DB5, #9E0BA2 and #8D008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D141DB shade: #D143DB, #DB43BC, #DB4393, #DB436A and #DB4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D141DB shade: #D143DB, #A843DB, #7F43DB, #5643DB and #4343DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D141DB shade matches the following richer shades: #D143DB and #E130ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D141DB shade: #D143DB, #C155C9, #B267B7, #A279A5 and #928B92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D141DB shade: #8043DB, #A843DB, #D143DB, #DB43BD and #DB4394

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D141DB shade: #A220AB, #C227CD, #D143DB, #DA65E2 and #E288E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D141DB shade: #D141DB, #DB5743 and #43DB94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D141DB shade: #D141DB, #DBD143 and #43DBD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D141DB shade: #D141DB, #DB5743, #4DDB43 and #43C7DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D141DB shade: #D141DB, #DB8543, #4DDB43 and #4399DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 70 / 0 / 14

HEX #D141DB

RGB 209 65 219

HSL 296.1, 0.68%, 0.56%

LAB 54.5, 73.82, -50.39

 

Complementary color

CMYK 76 / 0 / 81 / 25

HEX #2EBE24

RGB 46 190 36

HSL 116.1, 0.68%, 0.44%

LAB 67.68, -63.98, 60.97

 

CMYK 0 / 70 / 0 / 16

HEX #D641D6

RGB 214 65 214

HSL 300, 0.65%, 0.55%

LAB 55, 74.07, -46.71

 

CMYK 1 / 64 / 0 / 9

HEX #E753E9

RGB 231 83 233

HSL 299.2, 0.77%, 0.62%

LAB 60.83, 74.47, -48.02

 

CMYK 2 / 60 / 0 / 1

HEX #F865FC

RGB 248 101 252

HSL 298.41, 0.96%, 0.69%

LAB 66.74, 74.49, -49.05

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 5 / 70 / 0 / 14

HEX #D141DB

RGB 209 65 219

HSL 296.1, 0.68%, 0.56%

LAB 54.5, 73.82, -50.39

 

CMYK 4 / 77 / 0 / 22

HEX #C02FC8

RGB 192 47 200

HSL 296.86, 0.62%, 0.48%

LAB 48.77, 72.87, -48.81

 

CMYK 3 / 84 / 0 / 29

HEX #AF1DB5

RGB 175 29 181

HSL 297.63, 0.72%, 0.41%

LAB 43.25, 71.07, -46.7

 

CMYK 2 / 93 / 0 / 36

HEX #9E0BA2

RGB 158 11 162

HSL 298.41, 0.87%, 0.34%

LAB 38.05, 68.05, -43.87

 

CMYK 1 / 100 / 0 / 44

HEX #8D008F

RGB 141 0 143

HSL 299.16, 1%, 0.28%

LAB 33.23, 63.53, -40.18

 

CMYK 5 / 69 / 0 / 14

HEX #D143DB

RGB 209 67 219

HSL 296.05, 0.68%, 0.56%

LAB 54.75, 73.12, -50

 

CMYK 0 / 69 / 14 / 14

HEX #DB43BC

RGB 219 67 188

HSL 312.24, 0.68%, 0.56%

LAB 54.77, 70.59, -32.12

 

CMYK 0 / 69 / 33 / 14

HEX #DB4393

RGB 219 67 147

HSL 328.42, 0.68%, 0.56%

LAB 53.15, 65.34, -10.59

 

CMYK 0 / 69 / 52 / 14

HEX #DB436A

RGB 219 67 106

HSL 344.61, 0.68%, 0.56%

LAB 51.97, 61.35, 12.23

 

CMYK 0 / 69 / 69 / 14

HEX #DB4343

RGB 219 67 67

HSL 0, 0.68%, 0.56%

LAB 51.24, 58.84, 34.43

 

CMYK 5 / 69 / 0 / 14

HEX #D143DB

RGB 209 67 219

HSL 296.05, 0.68%, 0.56%

LAB 54.75, 73.12, -50

 

CMYK 23 / 69 / 0 / 14

HEX #A843DB

RGB 168 67 219

HSL 279.87, 0.68%, 0.56%

LAB 48.83, 64.53, -59.82

 

CMYK 42 / 69 / 0 / 14

HEX #7F43DB

RGB 127 67 219

HSL 263.68, 0.68%, 0.56%

LAB 43.71, 56.64, -68.34

 

CMYK 61 / 69 / 0 / 14

HEX #5643DB

RGB 86 67 219

HSL 247.5, 0.68%, 0.56%

LAB 39.76, 50.1, -74.97

 

CMYK 69 / 69 / 0 / 14

HEX #4343DB

RGB 67 67 219

HSL 240, 0.68%, 0.56%

LAB 38.41, 47.76, -77.23

 

CMYK 5 / 69 / 0 / 14

HEX #D143DB

RGB 209 67 219

HSL 296.05, 0.68%, 0.56%

LAB 54.75, 73.12, -50

 

CMYK 5 / 80 / 0 / 7

HEX #E130ED

RGB 225 48 237

HSL 296.19, 0.84%, 0.56%

LAB 56.32, 84.75, -57.49

 

CMYK 5 / 69 / 0 / 14

HEX #D143DB

RGB 209 67 219

HSL 296.05, 0.68%, 0.56%

LAB 54.75, 73.12, -50

 

CMYK 4 / 58 / 0 / 21

HEX #C155C9

RGB 193 85 201

HSL 295.86, 0.52%, 0.56%

LAB 54.08, 58.96, -40.95

 

CMYK 3 / 44 / 0 / 28

HEX #B267B7

RGB 178 103 183

HSL 296.25, 0.36%, 0.56%

LAB 54.64, 42.47, -29.87

 

CMYK 2 / 27 / 0 / 35

HEX #A279A5

RGB 162 121 165

HSL 295.91, 0.2%, 0.56%

LAB 56.16, 23.74, -17.31

 

CMYK 0 / 5 / 0 / 43

HEX #928B92

RGB 146 139 146

HSL 300, 0.03%, 0.56%

LAB 58.65, 3.95, -2.8

 

CMYK 42 / 69 / 0 / 14

HEX #8043DB

RGB 128 67 219

HSL 264.08, 0.68%, 0.56%

LAB 43.83, 56.82, -68.15

 

CMYK 23 / 69 / 0 / 14

HEX #A843DB

RGB 168 67 219

HSL 279.87, 0.68%, 0.56%

LAB 48.83, 64.53, -59.82

 

CMYK 5 / 69 / 0 / 14

HEX #D143DB

RGB 209 67 219

HSL 296.05, 0.68%, 0.56%

LAB 54.75, 73.12, -50

 

CMYK 0 / 69 / 14 / 14

HEX #DB43BD

RGB 219 67 189

HSL 311.84, 0.68%, 0.56%

LAB 54.81, 70.73, -32.63

 

CMYK 0 / 69 / 32 / 14

HEX #DB4394

RGB 219 67 148

HSL 328.03, 0.68%, 0.56%

LAB 53.18, 65.45, -11.13

 

CMYK 5 / 81 / 0 / 33

HEX #A220AB

RGB 162 32 171

HSL 296.12, 0.68%, 0.4%

LAB 40.66, 66.29, -45.04

 

CMYK 5 / 81 / 0 / 20

HEX #C227CD

RGB 194 39 205

HSL 296.02, 0.68%, 0.48%

LAB 48.67, 76.16, -51.84

 

CMYK 5 / 69 / 0 / 14

HEX #D143DB

RGB 209 67 219

HSL 296.05, 0.68%, 0.56%

LAB 54.75, 73.12, -50

 

CMYK 4 / 55 / 0 / 11

HEX #DA65E2

RGB 218 101 226

HSL 296.16, 0.68%, 0.64%

LAB 61.4, 62.6, -43.34

 

CMYK 3 / 41 / 0 / 9

HEX #E288E8

RGB 226 136 232

HSL 296.25, 0.68%, 0.72%

LAB 69.19, 48.8, -34.42

 

CMYK 5 / 70 / 0 / 14

HEX #D141DB

RGB 209 65 219

HSL 296.1, 0.68%, 0.56%

LAB 54.5, 73.82, -50.39

 

CMYK 0 / 60 / 69 / 14

HEX #DB5743

RGB 219 87 67

HSL 7.89, 0.68%, 0.56%

LAB 54.32, 50.54, 38.05

 

CMYK 69 / 0 / 32 / 14

HEX #43DB94

RGB 67 219 148

HSL 151.97, 0.68%, 0.56%

LAB 78.46, -55.76, 23.67

 

CMYK 5 / 70 / 0 / 14

HEX #D141DB

RGB 209 65 219

HSL 296.1, 0.68%, 0.56%

LAB 54.5, 73.82, -50.39

 

CMYK 0 / 5 / 69 / 14

HEX #DBD143

RGB 219 209 67

HSL 56.05, 0.68%, 0.56%

LAB 82.41, -12.59, 68.01

 

CMYK 69 / 0 / 5 / 14

HEX #43DBD1

RGB 67 219 209

HSL 176.05, 0.68%, 0.56%

LAB 79.87, -41.22, -6.62

 

CMYK 5 / 70 / 0 / 14

HEX #D141DB

RGB 209 65 219

HSL 296.1, 0.68%, 0.56%

LAB 54.5, 73.82, -50.39

 

CMYK 0 / 60 / 69 / 14

HEX #DB5743

RGB 219 87 67

HSL 7.89, 0.68%, 0.56%

LAB 54.32, 50.54, 38.05

 

CMYK 65 / 0 / 69 / 14

HEX #4DDB43

RGB 77 219 67

HSL 116.05, 0.68%, 0.56%

LAB 77.67, -65.56, 60.73

 

CMYK 69 / 9 / 0 / 14

HEX #43C7DB

RGB 67 199 219

HSL 187.89, 0.68%, 0.56%

LAB 74.29, -29.01, -20.37

 

CMYK 5 / 70 / 0 / 14

HEX #D141DB

RGB 209 65 219

HSL 296.1, 0.68%, 0.56%

LAB 54.5, 73.82, -50.39

 

CMYK 0 / 39 / 69 / 14

HEX #DB8543

RGB 219 133 67

HSL 26.05, 0.68%, 0.56%

LAB 63.54, 27.47, 48.44

 

CMYK 65 / 0 / 69 / 14

HEX #4DDB43

RGB 77 219 67

HSL 116.05, 0.68%, 0.56%

LAB 77.67, -65.56, 60.73

 

CMYK 69 / 30 / 0 / 14

HEX #4399DB

RGB 67 153 219

HSL 206.05, 0.68%, 0.56%

LAB 60.86, -4.69, -41.11

 

Description

Color code: HEX #D141DB | qconv.com Color code: HEX #D141DB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 65 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 65 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 70 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 70% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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