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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D137DC it is the complementary color #2EC823. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D137DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D137DC shade: #D637D7, #E749EA, #F85BFD, #FF6DFF and #FF7FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D137DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D137DC shade: #D137DC, #C025C9, #AF13B6, #9E01A3 and #8D0090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D137DC shade: #D138DC, #DC38BA, #DC388E, #DC3862 and #DC3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D137DC shade: #D138DC, #A538DC, #7838DC, #4C38DC and #3838DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D137DC shade matches the following richer shades: #D138DC and #E125EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D137DC shade: #D138DC, #C04BC9, #B05EB6, #A071A3 and #8F8490

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D137DC shade: #7938DC, #A538DC, #D138DC, #DC38BB and #DC388F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D137DC shade: #9B1DA4, #BC23C7, #D138DC, #D95BE2 and #E17EE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D137DC shade: #D137DC, #DC4D38 and #38DC8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D137DC shade: #D137DC, #DCD138 and #38DCD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D137DC shade: #D137DC, #DC4D38, #43DC38 and #38C6DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D137DC shade: #D137DC, #DC7F38, #43DC38 and #3895DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 75 / 0 / 14

HEX #D137DC

RGB 209 55 220

HSL 296, 0.7%, 0.54%

LAB 53.44, 77.17, -52.65

 

Complementary color

CMYK 77 / 0 / 83 / 22

HEX #2EC823

RGB 46 200 35

HSL 116, 0.7%, 0.46%

LAB 70.88, -67.09, 64.2

 

CMYK 0 / 74 / 0 / 16

HEX #D637D7

RGB 214 55 215

HSL 299.63, 0.67%, 0.53%

LAB 53.96, 77.36, -48.94

 

CMYK 1 / 69 / 0 / 8

HEX #E749EA

RGB 231 73 234

HSL 298.88, 0.79%, 0.6%

LAB 59.61, 78.22, -50.51

 

CMYK 2 / 64 / 0 / 1

HEX #F85BFD

RGB 248 91 253

HSL 298.15, 0.98%, 0.67%

LAB 65.38, 78.57, -51.75

 

CMYK 0 / 57 / 0 / 0

HEX #FF6DFF

RGB 255 109 255

HSL 300, 1%, 0.71%

LAB 69.05, 73.36, -46.99

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 5 / 75 / 0 / 14

HEX #D137DC

RGB 209 55 220

HSL 296, 0.7%, 0.54%

LAB 53.44, 77.17, -52.65

 

CMYK 4 / 82 / 0 / 21

HEX #C025C9

RGB 192 37 201

HSL 296.71, 0.69%, 0.47%

LAB 47.94, 75.62, -50.72

 

CMYK 4 / 90 / 0 / 29

HEX #AF13B6

RGB 175 19 182

HSL 297.42, 0.81%, 0.39%

LAB 42.7, 73.04, -48.18

 

CMYK 3 / 99 / 0 / 36

HEX #9E01A3

RGB 158 1 163

HSL 298.15, 0.99%, 0.32%

LAB 37.73, 69.36, -44.99

 

CMYK 2 / 100 / 0 / 44

HEX #8D0090

RGB 141 0 144

HSL 298.75, 1%, 0.28%

LAB 33.3, 63.69, -40.69

 

CMYK 5 / 75 / 0 / 14

HEX #D138DC

RGB 209 56 220

HSL 295.98, 0.7%, 0.54%

LAB 53.55, 76.87, -52.48

 

CMYK 0 / 75 / 15 / 14

HEX #DC38BA

RGB 220 56 186

HSL 312.44, 0.7%, 0.54%

LAB 53.59, 74.09, -32.79

 

CMYK 0 / 75 / 35 / 14

HEX #DC388E

RGB 220 56 142

HSL 328.54, 0.7%, 0.54%

LAB 51.83, 68.75, -9.56

 

CMYK 0 / 75 / 55 / 14

HEX #DC3862

RGB 220 56 98

HSL 344.63, 0.7%, 0.54%

LAB 50.6, 64.83, 15.19

 

CMYK 0 / 75 / 75 / 14

HEX #DC3838

RGB 220 56 56

HSL 0, 0.7%, 0.54%

LAB 49.89, 62.51, 39.18

 

CMYK 5 / 75 / 0 / 14

HEX #D138DC

RGB 209 56 220

HSL 295.98, 0.7%, 0.54%

LAB 53.55, 76.87, -52.48

 

CMYK 25 / 75 / 0 / 14

HEX #A538DC

RGB 165 56 220

HSL 279.88, 0.7%, 0.54%

LAB 46.97, 68.45, -63.41

 

CMYK 45 / 75 / 0 / 14

HEX #7838DC

RGB 120 56 220

HSL 263.41, 0.7%, 0.54%

LAB 41.2, 60.81, -73.05

 

CMYK 65 / 75 / 0 / 14

HEX #4C38DC

RGB 76 56 220

HSL 247.32, 0.7%, 0.54%

LAB 36.99, 55.03, -80.13

 

CMYK 75 / 75 / 0 / 14

HEX #3838DC

RGB 56 56 220

HSL 240, 0.7%, 0.54%

LAB 35.67, 53.16, -82.35

 

CMYK 5 / 75 / 0 / 14

HEX #D138DC

RGB 209 56 220

HSL 295.98, 0.7%, 0.54%

LAB 53.55, 76.87, -52.48

 

CMYK 6 / 85 / 0 / 6

HEX #E125EF

RGB 225 37 239

HSL 295.84, 0.86%, 0.54%

LAB 55.65, 87.38, -59.69

 

CMYK 5 / 75 / 0 / 14

HEX #D138DC

RGB 209 56 220

HSL 295.98, 0.7%, 0.54%

LAB 53.55, 76.87, -52.48

 

CMYK 4 / 63 / 0 / 21

HEX #C04BC9

RGB 192 75 201

HSL 295.71, 0.54%, 0.54%

LAB 52.35, 63.08, -43.7

 

CMYK 3 / 48 / 0 / 29

HEX #B05EB6

RGB 176 94 182

HSL 295.91, 0.38%, 0.54%

LAB 52.52, 46.4, -32.61

 

CMYK 2 / 31 / 0 / 36

HEX #A071A3

RGB 160 113 163

HSL 296.4, 0.21%, 0.54%

LAB 53.95, 27.23, -19.54

 

CMYK 1 / 8 / 0 / 44

HEX #8F8490

RGB 143 132 144

HSL 295, 0.05%, 0.54%

LAB 56.44, 6.45, -4.94

 

CMYK 45 / 75 / 0 / 14

HEX #7938DC

RGB 121 56 220

HSL 263.78, 0.7%, 0.54%

LAB 41.31, 60.97, -72.86

 

CMYK 25 / 75 / 0 / 14

HEX #A538DC

RGB 165 56 220

HSL 279.88, 0.7%, 0.54%

LAB 46.97, 68.45, -63.41

 

CMYK 5 / 75 / 0 / 14

HEX #D138DC

RGB 209 56 220

HSL 295.98, 0.7%, 0.54%

LAB 53.55, 76.87, -52.48

 

CMYK 0 / 75 / 15 / 14

HEX #DC38BB

RGB 220 56 187

HSL 312.07, 0.7%, 0.54%

LAB 53.63, 74.23, -33.3

 

CMYK 0 / 75 / 35 / 14

HEX #DC388F

RGB 220 56 143

HSL 328.17, 0.7%, 0.54%

LAB 51.87, 68.85, -10.11

 

CMYK 5 / 82 / 0 / 36

HEX #9B1DA4

RGB 155 29 164

HSL 296, 0.7%, 0.38%

LAB 38.77, 64.53, -43.94

 

CMYK 6 / 82 / 0 / 22

HEX #BC23C7

RGB 188 35 199

HSL 295.98, 0.7%, 0.46%

LAB 47, 75.02, -51.11

 

CMYK 5 / 75 / 0 / 14

HEX #D138DC

RGB 209 56 220

HSL 295.98, 0.7%, 0.54%

LAB 53.55, 76.87, -52.48

 

CMYK 4 / 60 / 0 / 11

HEX #D95BE2

RGB 217 91 226

HSL 296, 0.7%, 0.62%

LAB 59.64, 66.77, -46.12

 

CMYK 3 / 46 / 0 / 9

HEX #E17EE8

RGB 225 126 232

HSL 296.04, 0.7%, 0.7%

LAB 67.09, 53.58, -37.69

 

CMYK 5 / 75 / 0 / 14

HEX #D137DC

RGB 209 55 220

HSL 296, 0.7%, 0.54%

LAB 53.44, 77.17, -52.65

 

CMYK 0 / 65 / 75 / 14

HEX #DC4D38

RGB 220 77 56

HSL 7.68, 0.7%, 0.54%

LAB 52.74, 54.71, 42.3

 

CMYK 75 / 0 / 35 / 14

HEX #38DC8F

RGB 56 220 143

HSL 151.83, 0.7%, 0.54%

LAB 78.47, -58.69, 26.24

 

CMYK 5 / 75 / 0 / 14

HEX #D137DC

RGB 209 55 220

HSL 296, 0.7%, 0.54%

LAB 53.44, 77.17, -52.65

 

CMYK 0 / 5 / 75 / 14

HEX #DCD138

RGB 220 209 56

HSL 55.98, 0.7%, 0.54%

LAB 82.43, -12.66, 71.89

 

CMYK 75 / 0 / 5 / 14

HEX #38DCD1

RGB 56 220 209

HSL 175.98, 0.7%, 0.54%

LAB 79.97, -42.97, -6.5

 

CMYK 5 / 75 / 0 / 14

HEX #D137DC

RGB 209 55 220

HSL 296, 0.7%, 0.54%

LAB 53.44, 77.17, -52.65

 

CMYK 0 / 65 / 75 / 14

HEX #DC4D38

RGB 220 77 56

HSL 7.68, 0.7%, 0.54%

LAB 52.74, 54.71, 42.3

 

CMYK 70 / 0 / 75 / 14

HEX #43DC38

RGB 67 220 56

HSL 115.98, 0.7%, 0.54%

LAB 77.68, -68.64, 64.57

 

CMYK 75 / 10 / 0 / 14

HEX #38C6DC

RGB 56 198 220

HSL 188.05, 0.7%, 0.54%

LAB 73.8, -29.57, -21.67

 

CMYK 5 / 75 / 0 / 14

HEX #D137DC

RGB 209 55 220

HSL 296, 0.7%, 0.54%

LAB 53.44, 77.17, -52.65

 

CMYK 0 / 42 / 75 / 14

HEX #DC7F38

RGB 220 127 56

HSL 25.98, 0.7%, 0.54%

LAB 62.24, 30.53, 52.29

 

CMYK 70 / 0 / 75 / 14

HEX #43DC38

RGB 67 220 56

HSL 115.98, 0.7%, 0.54%

LAB 77.68, -68.64, 64.57

 

CMYK 75 / 32 / 0 / 14

HEX #3895DC

RGB 56 149 220

HSL 205.98, 0.7%, 0.54%

LAB 59.44, -3.54, -43.92

 

Description

Color code: HEX #D137DC | qconv.com Color code: HEX #D137DC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 55 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 55 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 75 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 75% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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