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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D135DF it is the complementary color #2ECA20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D135DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D135DF shade: #D635DA, #E747ED, #F859FF, #FF6BFF and #FF7DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D135DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D135DF shade: #D135DF, #C023CC, #AF11B9, #9E00A6 and #8D0093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D135DF shade: #D134DF, #DF34BF, #DF3491, #DF3463 and #DF3435

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D135DF shade: #D134DF, #A334DF, #7534DF, #4734DF and #3434DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D135DF shade matches the following richer shades: #D134DF and #E121F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D135DF shade: #D134DF, #C147CC, #B25AB9, #A26DA6 and #928093

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D135DF shade: #7634DF, #A334DF, #D134DF, #DF34C0 and #DF3492

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D135DF shade: #9B1AA7, #BC20CB, #D134DF, #D958E5 and #E17BEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D135DF shade: #D135DF, #DF4834 and #34DF8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D135DF shade: #D135DF, #DFD134 and #34DFD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D135DF shade: #D135DF, #DF4834, #42DF34 and #34CBDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D135DF shade: #D135DF, #DF7B34, #42DF34 and #3498DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 76 / 0 / 13

HEX #D135DF

RGB 209 53 223

HSL 295.06, 0.73%, 0.54%

LAB 53.42, 78.24, -54.39

 

Complementary color

CMYK 77 / 0 / 84 / 21

HEX #2ECA20

RGB 46 202 32

HSL 115.06, 0.73%, 0.46%

LAB 71.5, -67.84, 65.51

 

CMYK 2 / 76 / 0 / 15

HEX #D635DA

RGB 214 53 218

HSL 298.55, 0.69%, 0.53%

LAB 53.93, 78.4, -50.7

 

CMYK 3 / 70 / 0 / 7

HEX #E747ED

RGB 231 71 237

HSL 297.83, 0.82%, 0.6%

LAB 59.53, 79.37, -52.31

 

CMYK 3 / 65 / 0 / 0

HEX #F859FF

RGB 248 89 255

HSL 297.47, 1%, 0.67%

LAB 65.22, 79.64, -53.11

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 6 / 76 / 0 / 13

HEX #D135DF

RGB 209 53 223

HSL 295.06, 0.73%, 0.54%

LAB 53.42, 78.24, -54.39

 

CMYK 6 / 83 / 0 / 20

HEX #C023CC

RGB 192 35 204

HSL 295.74, 0.71%, 0.47%

LAB 47.97, 76.55, -52.41

 

CMYK 5 / 91 / 0 / 27

HEX #AF11B9

RGB 175 17 185

HSL 296.43, 0.83%, 0.4%

LAB 42.79, 73.8, -49.8

 

CMYK 5 / 100 / 0 / 35

HEX #9E00A6

RGB 158 0 166

HSL 297.11, 1%, 0.33%

LAB 37.88, 69.94, -46.54

 

CMYK 4 / 100 / 0 / 42

HEX #8D0093

RGB 141 0 147

HSL 297.55, 1%, 0.29%

LAB 33.5, 64.16, -42.21

 

CMYK 6 / 77 / 0 / 13

HEX #D134DF

RGB 209 52 223

HSL 295.09, 0.73%, 0.54%

LAB 53.32, 78.52, -54.55

 

CMYK 0 / 77 / 14 / 13

HEX #DF34BF

RGB 223 52 191

HSL 311.23, 0.73%, 0.54%

LAB 53.93, 76.58, -35.12

 

CMYK 0 / 77 / 35 / 13

HEX #DF3491

RGB 223 52 145

HSL 327.37, 0.73%, 0.54%

LAB 52.05, 71.01, -10.98

 

CMYK 0 / 77 / 56 / 13

HEX #DF3463

RGB 223 52 99

HSL 343.51, 0.73%, 0.54%

LAB 50.74, 66.96, 14.87

 

CMYK 0 / 77 / 76 / 13

HEX #DF3435

RGB 223 52 53

HSL 359.65, 0.73%, 0.54%

LAB 49.98, 64.53, 41.11

 

CMYK 6 / 77 / 0 / 13

HEX #D134DF

RGB 209 52 223

HSL 295.09, 0.73%, 0.54%

LAB 53.32, 78.52, -54.55

 

CMYK 27 / 77 / 0 / 13

HEX #A334DF

RGB 163 52 223

HSL 278.95, 0.73%, 0.54%

LAB 46.41, 70.12, -66.04

 

CMYK 48 / 77 / 0 / 13

HEX #7534DF

RGB 117 52 223

HSL 262.81, 0.73%, 0.54%

LAB 40.52, 62.84, -75.9

 

CMYK 68 / 77 / 0 / 13

HEX #4734DF

RGB 71 52 223

HSL 246.67, 0.73%, 0.54%

LAB 36.22, 57.43, -83.13

 

CMYK 77 / 77 / 0 / 13

HEX #3434DF

RGB 52 52 223

HSL 240, 0.73%, 0.54%

LAB 35.03, 55.91, -85.13

 

CMYK 6 / 77 / 0 / 13

HEX #D134DF

RGB 209 52 223

HSL 295.09, 0.73%, 0.54%

LAB 53.32, 78.52, -54.55

 

CMYK 7 / 86 / 0 / 5

HEX #E121F2

RGB 225 33 242

HSL 295.12, 0.89%, 0.54%

LAB 55.59, 88.55, -61.47

 

CMYK 6 / 77 / 0 / 13

HEX #D134DF

RGB 209 52 223

HSL 295.09, 0.73%, 0.54%

LAB 53.32, 78.52, -54.55

 

CMYK 5 / 65 / 0 / 20

HEX #C147CC

RGB 193 71 204

HSL 295.04, 0.57%, 0.54%

LAB 52.07, 65.48, -45.86

 

CMYK 4 / 51 / 0 / 27

HEX #B25AB9

RGB 178 90 185

HSL 295.58, 0.4%, 0.54%

LAB 52.15, 49.57, -34.91

 

CMYK 2 / 34 / 0 / 35

HEX #A26DA6

RGB 162 109 166

HSL 295.79, 0.24%, 0.54%

LAB 53.35, 30.76, -22.17

 

CMYK 1 / 13 / 0 / 42

HEX #928093

RGB 146 128 147

HSL 296.84, 0.08%, 0.54%

LAB 55.74, 10.44, -7.68

 

CMYK 47 / 77 / 0 / 13

HEX #7634DF

RGB 118 52 223

HSL 263.16, 0.73%, 0.54%

LAB 40.63, 62.98, -75.71

 

CMYK 27 / 77 / 0 / 13

HEX #A334DF

RGB 163 52 223

HSL 278.95, 0.73%, 0.54%

LAB 46.41, 70.12, -66.04

 

CMYK 6 / 77 / 0 / 13

HEX #D134DF

RGB 209 52 223

HSL 295.09, 0.73%, 0.54%

LAB 53.32, 78.52, -54.55

 

CMYK 0 / 77 / 14 / 13

HEX #DF34C0

RGB 223 52 192

HSL 310.88, 0.73%, 0.54%

LAB 53.97, 76.71, -35.62

 

CMYK 0 / 77 / 35 / 13

HEX #DF3492

RGB 223 52 146

HSL 327.02, 0.73%, 0.54%

LAB 52.08, 71.11, -11.52

 

CMYK 7 / 84 / 0 / 35

HEX #9B1AA7

RGB 155 26 167

HSL 294.89, 0.73%, 0.38%

LAB 38.72, 65.74, -45.83

 

CMYK 7 / 84 / 0 / 20

HEX #BC20CB

RGB 188 32 203

HSL 294.74, 0.73%, 0.46%

LAB 47.02, 76.32, -53.38

 

CMYK 6 / 77 / 0 / 13

HEX #D134DF

RGB 209 52 223

HSL 295.09, 0.73%, 0.54%

LAB 53.32, 78.52, -54.55

 

CMYK 5 / 62 / 0 / 10

HEX #D958E5

RGB 217 88 229

HSL 294.89, 0.73%, 0.62%

LAB 59.33, 68.56, -48.29

 

CMYK 4 / 47 / 0 / 8

HEX #E17BEA

RGB 225 123 234

HSL 295.14, 0.73%, 0.7%

LAB 66.61, 55.44, -39.55

 

CMYK 6 / 76 / 0 / 13

HEX #D135DF

RGB 209 53 223

HSL 295.06, 0.73%, 0.54%

LAB 53.42, 78.24, -54.39

 

CMYK 0 / 68 / 77 / 13

HEX #DF4834

RGB 223 72 52

HSL 7.02, 0.73%, 0.54%

LAB 52.48, 57.57, 44.31

 

CMYK 77 / 0 / 37 / 13

HEX #34DF8D

RGB 52 223 141

HSL 151.23, 0.73%, 0.54%

LAB 79.29, -60.68, 28.36

 

CMYK 6 / 76 / 0 / 13

HEX #D135DF

RGB 209 53 223

HSL 295.06, 0.73%, 0.54%

LAB 53.42, 78.24, -54.39

 

CMYK 0 / 6 / 77 / 13

HEX #DFD134

RGB 223 209 52

HSL 55.09, 0.73%, 0.54%

LAB 82.67, -11.55, 73.46

 

CMYK 77 / 0 / 6 / 13

HEX #34DFD1

RGB 52 223 209

HSL 175.09, 0.73%, 0.54%

LAB 80.8, -44.7, -5.28

 

CMYK 6 / 76 / 0 / 13

HEX #D135DF

RGB 209 53 223

HSL 295.06, 0.73%, 0.54%

LAB 53.42, 78.24, -54.39

 

CMYK 0 / 68 / 77 / 13

HEX #DF4834

RGB 223 72 52

HSL 7.02, 0.73%, 0.54%

LAB 52.48, 57.57, 44.31

 

CMYK 70 / 0 / 77 / 13

HEX #42DF34

RGB 66 223 52

HSL 115.09, 0.73%, 0.54%

LAB 78.57, -70.03, 66.72

 

CMYK 77 / 9 / 0 / 13

HEX #34CBDF

RGB 52 203 223

HSL 187.02, 0.73%, 0.54%

LAB 75.31, -31.5, -21.01

 

CMYK 6 / 76 / 0 / 13

HEX #D135DF

RGB 209 53 223

HSL 295.06, 0.73%, 0.54%

LAB 53.42, 78.24, -54.39

 

CMYK 0 / 45 / 77 / 13

HEX #DF7B34

RGB 223 123 52

HSL 24.91, 0.73%, 0.54%

LAB 61.74, 33.68, 53.73

 

CMYK 70 / 0 / 77 / 13

HEX #42DF34

RGB 66 223 52

HSL 115.09, 0.73%, 0.54%

LAB 78.57, -70.03, 66.72

 

CMYK 77 / 32 / 0 / 13

HEX #3498DF

RGB 52 152 223

HSL 204.91, 0.73%, 0.54%

LAB 60.35, -4.67, -44.16

 

Description

Color code: HEX #D135DF | qconv.com Color code: HEX #D135DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 53 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 53 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 76 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 76% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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