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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D131DA it is the complementary color #2ECE25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D131DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D131DA shade: #D631D5, #E743E8, #F855FB, #FF67FF and #FF79FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D131DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D131DA shade: #D131DA, #C01FC7, #AF0DB4, #9E00A1 and #8D008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D131DA shade: #D12FDA, #DA2FB5, #DA2F87, #DA2F59 and #DA2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D131DA shade: #D12FDA, #A32FDA, #752FDA, #472FDA and #2F2FDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D131DA shade matches the following richer shades: #D12FDA and #E31BEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D131DA shade: #D12FDA, #BF43C6, #AE57B3, #9C6A9F and #8A7E8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D131DA shade: #732FDA, #A12FDA, #CF2FDA, #DA2FB8 and #DA2F8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D131DA shade: #941B9B, #B622BE, #D12FDA, #D952E0 and #E175E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D131DA shade: #D131DA, #DA462F and #2FDA8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D131DA shade: #D131DA, #DACF2F and #2FDACF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D131DA shade: #D131DA, #DA462F, #3ADA2F and #2FC3DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D131DA shade: #D131DA, #DA792F, #3ADA2F and #2F90DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 78 / 0 / 15

HEX #D131DA

RGB 209 49 218

HSL 296.8, 0.7%, 0.52%

LAB 52.75, 78.53, -52.63

 

Complementary color

CMYK 78 / 0 / 82 / 19

HEX #2ECE25

RGB 46 206 37

HSL 116.8, 0.7%, 0.48%

LAB 72.8, -68.79, 65.44

 

CMYK 0 / 77 / 0 / 16

HEX #D631D5

RGB 214 49 213

HSL 300.36, 0.67%, 0.52%

LAB 53.27, 78.71, -48.89

 

CMYK 0 / 71 / 0 / 9

HEX #E743E8

RGB 231 67 232

HSL 299.64, 0.78%, 0.59%

LAB 58.82, 79.87, -50.66

 

CMYK 1 / 66 / 0 / 2

HEX #F855FB

RGB 248 85 251

HSL 298.92, 0.95%, 0.66%

LAB 64.5, 80.44, -52.04

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 4 / 78 / 0 / 15

HEX #D131DA

RGB 209 49 218

HSL 296.8, 0.7%, 0.52%

LAB 52.75, 78.53, -52.63

 

CMYK 4 / 84 / 0 / 22

HEX #C01FC7

RGB 192 31 199

HSL 297.5, 0.73%, 0.45%

LAB 47.38, 76.59, -50.46

 

CMYK 3 / 93 / 0 / 29

HEX #AF0DB4

RGB 175 13 180

HSL 298.2, 0.87%, 0.38%

LAB 42.3, 73.52, -47.63

 

CMYK 2 / 100 / 0 / 37

HEX #9E00A1

RGB 158 0 161

HSL 298.88, 1%, 0.32%

LAB 37.56, 69.16, -44.05

 

CMYK 1 / 100 / 0 / 44

HEX #8D008E

RGB 141 0 142

HSL 299.58, 1%, 0.28%

LAB 33.17, 63.37, -39.66

 

CMYK 4 / 78 / 0 / 15

HEX #D12FDA

RGB 209 47 218

HSL 296.84, 0.7%, 0.52%

LAB 52.56, 79.05, -52.91

 

CMYK 0 / 78 / 17 / 15

HEX #DA2FB5

RGB 218 47 181

HSL 312.98, 0.7%, 0.52%

LAB 52.15, 75.48, -32.15

 

CMYK 0 / 78 / 38 / 15

HEX #DA2F87

RGB 218 47 135

HSL 329.12, 0.7%, 0.52%

LAB 50.32, 70.13, -7.67

 

CMYK 0 / 78 / 59 / 15

HEX #DA2F59

RGB 218 47 89

HSL 345.26, 0.7%, 0.52%

LAB 49.08, 66.35, 18.53

 

CMYK 0 / 78 / 78 / 15

HEX #DA2F2F

RGB 218 47 47

HSL 0, 0.7%, 0.52%

LAB 48.44, 64.34, 42.5

 

CMYK 4 / 78 / 0 / 15

HEX #D12FDA

RGB 209 47 218

HSL 296.84, 0.7%, 0.52%

LAB 52.56, 79.05, -52.91

 

CMYK 25 / 78 / 0 / 15

HEX #A32FDA

RGB 163 47 218

HSL 280.7, 0.7%, 0.52%

LAB 45.47, 70.77, -64.7

 

CMYK 46 / 78 / 0 / 15

HEX #752FDA

RGB 117 47 218

HSL 264.56, 0.7%, 0.52%

LAB 39.37, 63.63, -74.91

 

CMYK 67 / 78 / 0 / 15

HEX #472FDA

RGB 71 47 218

HSL 248.42, 0.7%, 0.52%

LAB 34.87, 58.35, -82.49

 

CMYK 78 / 78 / 0 / 15

HEX #2F2FDA

RGB 47 47 218

HSL 240, 0.7%, 0.52%

LAB 33.35, 56.55, -85.06

 

CMYK 4 / 78 / 0 / 15

HEX #D12FDA

RGB 209 47 218

HSL 296.84, 0.7%, 0.52%

LAB 52.56, 79.05, -52.91

 

CMYK 5 / 89 / 0 / 7

HEX #E31BEE

RGB 227 27 238

HSL 296.87, 0.86%, 0.52%

LAB 55.37, 89.17, -59.56

 

CMYK 4 / 78 / 0 / 15

HEX #D12FDA

RGB 209 47 218

HSL 296.84, 0.7%, 0.52%

LAB 52.56, 79.05, -52.91

 

CMYK 4 / 66 / 0 / 22

HEX #BF43C6

RGB 191 67 198

HSL 296.79, 0.53%, 0.52%

LAB 50.88, 65.55, -44.3

 

CMYK 3 / 51 / 0 / 30

HEX #AE57B3

RGB 174 87 179

HSL 296.74, 0.38%, 0.52%

LAB 50.77, 48.81, -33.64

 

CMYK 2 / 33 / 0 / 38

HEX #9C6A9F

RGB 156 106 159

HSL 296.6, 0.22%, 0.52%

LAB 51.7, 29.07, -20.69

 

CMYK 1 / 9 / 0 / 45

HEX #8A7E8B

RGB 138 126 139

HSL 295.38, 0.05%, 0.52%

LAB 54.23, 7.07, -5.37

 

CMYK 47 / 78 / 0 / 15

HEX #732FDA

RGB 115 47 218

HSL 263.86, 0.7%, 0.52%

LAB 39.14, 63.36, -75.31

 

CMYK 26 / 78 / 0 / 15

HEX #A12FDA

RGB 161 47 218

HSL 280, 0.7%, 0.52%

LAB 45.18, 70.43, -65.19

 

CMYK 5 / 78 / 0 / 15

HEX #CF2FDA

RGB 207 47 218

HSL 296.14, 0.7%, 0.52%

LAB 52.24, 78.68, -53.45

 

CMYK 0 / 78 / 16 / 15

HEX #DA2FB8

RGB 218 47 184

HSL 311.93, 0.7%, 0.52%

LAB 52.29, 75.88, -33.69

 

CMYK 0 / 78 / 37 / 15

HEX #DA2F8A

RGB 218 47 138

HSL 328.07, 0.7%, 0.52%

LAB 50.42, 70.43, -9.32

 

CMYK 5 / 83 / 0 / 39

HEX #941B9B

RGB 148 27 155

HSL 296.72, 0.7%, 0.36%

LAB 36.83, 62.16, -41.69

 

CMYK 4 / 82 / 0 / 25

HEX #B622BE

RGB 182 34 190

HSL 296.92, 0.7%, 0.44%

LAB 45.37, 72.7, -48.53

 

CMYK 4 / 78 / 0 / 15

HEX #D12FDA

RGB 209 47 218

HSL 296.84, 0.7%, 0.52%

LAB 52.56, 79.05, -52.91

 

CMYK 3 / 63 / 0 / 12

HEX #D952E0

RGB 217 82 224

HSL 297.04, 0.7%, 0.6%

LAB 58.2, 70.14, -47.28

 

CMYK 3 / 49 / 0 / 9

HEX #E175E7

RGB 225 117 231

HSL 296.84, 0.7%, 0.68%

LAB 65.36, 57.83, -39.84

 

CMYK 4 / 78 / 0 / 15

HEX #D131DA

RGB 209 49 218

HSL 296.8, 0.7%, 0.52%

LAB 52.75, 78.53, -52.63

 

CMYK 0 / 68 / 78 / 15

HEX #DA462F

RGB 218 70 47

HSL 8.07, 0.7%, 0.52%

LAB 51.26, 56.54, 45.38

 

CMYK 78 / 0 / 37 / 15

HEX #2FDA8A

RGB 47 218 138

HSL 151.93, 0.7%, 0.52%

LAB 77.63, -60.02, 27.67

 

CMYK 4 / 78 / 0 / 15

HEX #D131DA

RGB 209 49 218

HSL 296.8, 0.7%, 0.52%

LAB 52.75, 78.53, -52.63

 

CMYK 0 / 5 / 78 / 15

HEX #DACF2F

RGB 218 207 47

HSL 56.14, 0.7%, 0.52%

LAB 81.69, -12.84, 73.92

 

CMYK 78 / 0 / 5 / 15

HEX #2FDACF

RGB 47 218 207

HSL 176.14, 0.7%, 0.52%

LAB 79.19, -43.55, -6.6

 

CMYK 4 / 78 / 0 / 15

HEX #D131DA

RGB 209 49 218

HSL 296.8, 0.7%, 0.52%

LAB 52.75, 78.53, -52.63

 

CMYK 0 / 68 / 78 / 15

HEX #DA462F

RGB 218 70 47

HSL 8.07, 0.7%, 0.52%

LAB 51.26, 56.54, 45.38

 

CMYK 73 / 0 / 78 / 15

HEX #3ADA2F

RGB 58 218 47

HSL 116.14, 0.7%, 0.52%

LAB 76.83, -70.11, 66.51

 

CMYK 78 / 11 / 0 / 15

HEX #2FC3DA

RGB 47 195 218

HSL 188.07, 0.7%, 0.52%

LAB 72.69, -29.66, -22.29

 

CMYK 4 / 78 / 0 / 15

HEX #D131DA

RGB 209 49 218

HSL 296.8, 0.7%, 0.52%

LAB 52.75, 78.53, -52.63

 

CMYK 0 / 44 / 78 / 15

HEX #DA792F

RGB 218 121 47

HSL 25.96, 0.7%, 0.52%

LAB 60.59, 32.51, 54.56

 

CMYK 73 / 0 / 78 / 15

HEX #3ADA2F

RGB 58 218 47

HSL 116.14, 0.7%, 0.52%

LAB 76.83, -70.11, 66.51

 

CMYK 78 / 34 / 0 / 15

HEX #2F90DA

RGB 47 144 218

HSL 205.96, 0.7%, 0.52%

LAB 57.67, -2.38, -45.62

 

Description

Color code: HEX #D131DA | qconv.com Color code: HEX #D131DA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 49 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 49 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 78 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 78% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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