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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1268D it is the complementary color #2ED972. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1268D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1268D shade: #D62688, #E7389B, #F84AAE, #FF5CC1 and #FF6ED4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1268D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1268D shade: #D1268D, #C0147A, #AF0267, #9E0054 and #8D0041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1268D shade: #CF268C, #CF265E, #CF2631 and #CF2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1268D shade: #CF268C, #CF26B9, #B726CF, #8926CF and #5C26CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1268D shade matches the following richer shades: #CF268C and #E31290

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1268D shade: #CF268C, #BB3A88, #A74E84, #936180 and #80757B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1268D shade: #B626CF, #CF26BB, #CF268E, #CF2661 and #CF2634

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1268D shade: #89195D, #AC2074, #CF268C, #DC429F and #E365B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1268D shade: #D1268D, #CF8826 and #26CFCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1268D shade: #D1268D, #8ECF26 and #268ECF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1268D shade: #D1268D, #CF8826, #26CF67 and #266CCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1268D shade: #D1268D, #CFBB26, #26CF67 and #263ACF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 33 / 18

HEX #D1268D

RGB 209 38 141

HSL 323.86, 0.69%, 0.48%

LAB 48.09, 70.85, -14.81

 

Complementary color

CMYK 79 / 0 / 47 / 15

HEX #2ED972

RGB 46 217 114

HSL 143.86, 0.69%, 0.52%

LAB 76.93, -64.06, 38.89

 

CMYK 0 / 82 / 36 / 16

HEX #D62688

RGB 214 38 136

HSL 326.59, 0.7%, 0.49%

LAB 48.83, 71.5, -10.57

 

CMYK 0 / 76 / 33 / 9

HEX #E7389B

RGB 231 56 155

HSL 326.06, 0.78%, 0.56%

LAB 54.22, 72.91, -13.5

 

CMYK 0 / 70 / 30 / 3

HEX #F84AAE

RGB 248 74 174

HSL 325.52, 0.93%, 0.63%

LAB 59.81, 73.62, -15.87

 

CMYK 0 / 64 / 24 / 0

HEX #FF5CC1

RGB 255 92 193

HSL 322.82, 1%, 0.68%

LAB 63.97, 71.18, -20.33

 

CMYK 0 / 57 / 17 / 0

HEX #FF6ED4

RGB 255 110 212

HSL 317.79, 1%, 0.72%

LAB 67.4, 66.31, -25.78

 

CMYK 0 / 82 / 33 / 18

HEX #D1268D

RGB 209 38 141

HSL 323.86, 0.69%, 0.48%

LAB 48.09, 70.85, -14.81

 

CMYK 0 / 90 / 36 / 25

HEX #C0147A

RGB 192 20 122

HSL 324.42, 0.81%, 0.42%

LAB 42.93, 68.47, -11.32

 

CMYK 0 / 99 / 41 / 31

HEX #AF0267

RGB 175 2 103

HSL 324.97, 0.98%, 0.35%

LAB 38.09, 65, -7.03

 

CMYK 0 / 100 / 47 / 38

HEX #9E0054

RGB 158 0 84

HSL 328.1, 1%, 0.31%

LAB 33.79, 59.72, -1.55

 

CMYK 0 / 100 / 54 / 45

HEX #8D0041

RGB 141 0 65

HSL 332.34, 1%, 0.28%

LAB 29.52, 54.18, 4.39

 

CMYK 0 / 82 / 32 / 19

HEX #CF268C

RGB 207 38 140

HSL 323.79, 0.69%, 0.48%

LAB 47.68, 70.27, -14.86

 

CMYK 0 / 82 / 55 / 19

HEX #CF265E

RGB 207 38 94

HSL 340.12, 0.69%, 0.48%

LAB 46.26, 66.1, 11.25

 

CMYK 0 / 82 / 76 / 19

HEX #CF2631

RGB 207 38 49

HSL 356.09, 0.69%, 0.48%

LAB 45.46, 63.69, 37.57

 

CMYK 0 / 82 / 82 / 19

HEX #CF2626

RGB 207 38 38

HSL 0, 0.69%, 0.48%

LAB 45.35, 63.34, 43.56

 

CMYK 0 / 82 / 32 / 19

HEX #CF268C

RGB 207 38 140

HSL 323.79, 0.69%, 0.48%

LAB 47.68, 70.27, -14.86

 

CMYK 0 / 82 / 11 / 19

HEX #CF26B9

RGB 207 38 185

HSL 307.81, 0.69%, 0.48%

LAB 49.68, 75.89, -38.49

 

CMYK 12 / 82 / 0 / 19

HEX #B726CF

RGB 183 38 207

HSL 291.48, 0.69%, 0.48%

LAB 46.92, 74.75, -55.9

 

CMYK 34 / 82 / 0 / 19

HEX #8926CF

RGB 137 38 207

HSL 275.15, 0.69%, 0.48%

LAB 39.93, 67.17, -67.55

 

CMYK 56 / 82 / 0 / 19

HEX #5C26CF

RGB 92 38 207

HSL 259.17, 0.69%, 0.48%

LAB 34.33, 61.26, -76.96

 

CMYK 0 / 82 / 32 / 19

HEX #CF268C

RGB 207 38 140

HSL 323.79, 0.69%, 0.48%

LAB 47.68, 70.27, -14.86

 

CMYK 0 / 92 / 37 / 11

HEX #E31290

RGB 227 18 144

HSL 323.83, 0.85%, 0.48%

LAB 50.43, 78.53, -12.75

 

CMYK 0 / 82 / 32 / 19

HEX #CF268C

RGB 207 38 140

HSL 323.79, 0.69%, 0.48%

LAB 47.68, 70.27, -14.86

 

CMYK 0 / 69 / 27 / 27

HEX #BB3A88

RGB 187 58 136

HSL 323.72, 0.53%, 0.48%

LAB 46.13, 58.62, -15.12

 

CMYK 0 / 53 / 21 / 35

HEX #A74E84

RGB 167 78 132

HSL 323.6, 0.36%, 0.48%

LAB 46.08, 43.19, -13.07

 

CMYK 0 / 34 / 13 / 42

HEX #936180

RGB 147 97 128

HSL 322.8, 0.2%, 0.48%

LAB 47.38, 25.21, -8.98

 

CMYK 0 / 9 / 4 / 50

HEX #80757B

RGB 128 117 123

HSL 327.27, 0.04%, 0.48%

LAB 50.38, 5.39, -1.76

 

CMYK 12 / 82 / 0 / 19

HEX #B626CF

RGB 182 38 207

HSL 291.12, 0.69%, 0.48%

LAB 46.76, 74.57, -56.16

 

CMYK 0 / 82 / 10 / 19

HEX #CF26BB

RGB 207 38 187

HSL 307.1, 0.69%, 0.48%

LAB 49.79, 76.17, -39.5

 

CMYK 0 / 82 / 31 / 19

HEX #CF268E

RGB 207 38 142

HSL 323.08, 0.69%, 0.48%

LAB 47.76, 70.49, -15.95

 

CMYK 0 / 82 / 53 / 19

HEX #CF2661

RGB 207 38 97

HSL 339.05, 0.69%, 0.48%

LAB 46.33, 66.32, 9.5

 

CMYK 0 / 82 / 75 / 19

HEX #CF2634

RGB 207 38 52

HSL 355.03, 0.69%, 0.48%

LAB 45.5, 63.8, 35.87

 

CMYK 0 / 82 / 32 / 46

HEX #89195D

RGB 137 25 93

HSL 323.57, 0.69%, 0.32%

LAB 31.36, 51.09, -11.51

 

CMYK 0 / 81 / 33 / 33

HEX #AC2074

RGB 172 32 116

HSL 324, 0.69%, 0.4%

LAB 39.69, 60.7, -12.87

 

CMYK 0 / 82 / 32 / 19

HEX #CF268C

RGB 207 38 140

HSL 323.79, 0.69%, 0.48%

LAB 47.68, 70.27, -14.86

 

CMYK 0 / 70 / 28 / 14

HEX #DC429F

RGB 220 66 159

HSL 323.77, 0.69%, 0.56%

LAB 53.62, 67.37, -16.96

 

CMYK 0 / 56 / 22 / 11

HEX #E365B1

RGB 227 101 177

HSL 323.81, 0.69%, 0.64%

LAB 60.62, 57.33, -16.68

 

CMYK 0 / 82 / 33 / 18

HEX #D1268D

RGB 209 38 141

HSL 323.86, 0.69%, 0.48%

LAB 48.09, 70.85, -14.81

 

CMYK 0 / 34 / 82 / 19

HEX #CF8826

RGB 207 136 38

HSL 34.79, 0.69%, 0.48%

LAB 62.52, 19.55, 59.35

 

CMYK 82 / 0 / 1 / 19

HEX #26CFCC

RGB 38 207 204

HSL 178.93, 0.69%, 0.48%

LAB 75.7, -40.27, -10.19

 

CMYK 0 / 82 / 33 / 18

HEX #D1268D

RGB 209 38 141

HSL 323.86, 0.69%, 0.48%

LAB 48.09, 70.85, -14.81

 

CMYK 31 / 0 / 82 / 19

HEX #8ECF26

RGB 142 207 38

HSL 83.08, 0.69%, 0.48%

LAB 76.39, -43.91, 69.65

 

CMYK 82 / 31 / 0 / 19

HEX #268ECF

RGB 38 142 207

HSL 203.08, 0.69%, 0.48%

LAB 56.35, -6.1, -41.53

 

CMYK 0 / 82 / 33 / 18

HEX #D1268D

RGB 209 38 141

HSL 323.86, 0.69%, 0.48%

LAB 48.09, 70.85, -14.81

 

CMYK 0 / 34 / 82 / 19

HEX #CF8826

RGB 207 136 38

HSL 34.79, 0.69%, 0.48%

LAB 62.52, 19.55, 59.35

 

CMYK 82 / 0 / 50 / 19

HEX #26CF67

RGB 38 207 103

HSL 143.08, 0.69%, 0.48%

LAB 73.56, -63.28, 40.03

 

CMYK 82 / 48 / 0 / 19

HEX #266CCF

RGB 38 108 207

HSL 215.15, 0.69%, 0.48%

LAB 46.5, 14.63, -57.23

 

CMYK 0 / 82 / 33 / 18

HEX #D1268D

RGB 209 38 141

HSL 323.86, 0.69%, 0.48%

LAB 48.09, 70.85, -14.81

 

CMYK 0 / 10 / 82 / 19

HEX #CFBB26

RGB 207 187 38

HSL 52.9, 0.69%, 0.48%

LAB 75.42, -7.69, 70.59

 

CMYK 82 / 0 / 50 / 19

HEX #26CF67

RGB 38 207 103

HSL 143.08, 0.69%, 0.48%

LAB 73.56, -63.28, 40.03

 

CMYK 82 / 72 / 0 / 19

HEX #263ACF

RGB 38 58 207

HSL 232.9, 0.69%, 0.48%

LAB 33.86, 46.43, -77.86

 

Description

Color code: HEX #D1268D | qconv.com Color code: HEX #D1268D | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 38 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 38 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 33 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 33% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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