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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D11CD9 it is the complementary color #2EE326. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D11CD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D11CD9 shade: #D61CD4, #E72EE7, #F840FA, #FF52FF and #FF64FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D11CD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D11CD9 shade: #D11CD9, #C00AC6, #AF00B3, #9E00A0 and #8D008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D11CD9 shade: #D11CD9, #D91CAE, #D91C7B, #D91C48 and #D91C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D11CD9 shade: #D11CD9, #9E1CD9, #6B1CD9, #381CD9 and #1C1CD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D11CD9 shade matches the following richer shades: #D11CD9 and #E308EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D11CD9 shade: #D11CD9, #BF30C5, #AC44B1, #9A589D and #886B89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D11CD9 shade: #6B1CD9, #9D1CD9, #CF1CD9, #D91CB0 and #D91C7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D11CD9 shade: #8A1390, #AD17B4, #D11CD9, #DE39E5 and #E45DEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D11CD9 shade: #D11CD9, #D9381C and #1CD984

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D11CD9 shade: #D11CD9, #D9CF1C and #1CD9CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D11CD9 shade: #D11CD9, #D9381C, #26D91C and #1CBCD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D11CD9 shade: #D11CD9, #D9711C, #26D91C and #1C84D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 87 / 0 / 15

HEX #D11CD9

RGB 209 28 217

HSL 297.46, 0.77%, 0.48%

LAB 51.15, 82.86, -54.61

 

Complementary color

CMYK 80 / 0 / 83 / 11

HEX #2EE326

RGB 46 227 38

HSL 117.46, 0.77%, 0.52%

LAB 79.42, -74.89, 71.22

 

CMYK 0 / 87 / 1 / 16

HEX #D61CD4

RGB 214 28 212

HSL 300.65, 0.77%, 0.47%

LAB 51.7, 82.97, -50.82

 

CMYK 0 / 80 / 0 / 9

HEX #E72EE7

RGB 231 46 231

HSL 300, 0.79%, 0.54%

LAB 56.79, 85.39, -53.31

 

CMYK 1 / 74 / 0 / 2

HEX #F840FA

RGB 248 64 250

HSL 299.35, 0.95%, 0.62%

LAB 62.1, 86.95, -55.29

 

CMYK 0 / 68 / 0 / 0

HEX #FF52FF

RGB 255 82 255

HSL 300, 1%, 0.66%

LAB 65.37, 83.62, -52.8

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 4 / 87 / 0 / 15

HEX #D11CD9

RGB 209 28 217

HSL 297.46, 0.77%, 0.48%

LAB 51.15, 82.86, -54.61

 

CMYK 3 / 95 / 0 / 22

HEX #C00AC6

RGB 192 10 198

HSL 298.09, 0.9%, 0.41%

LAB 46.31, 79.39, -51.58

 

CMYK 2 / 100 / 0 / 30

HEX #AF00B3

RGB 175 0 179

HSL 298.66, 1%, 0.35%

LAB 41.8, 74.69, -47.85

 

CMYK 1 / 100 / 0 / 37

HEX #9E00A0

RGB 158 0 160

HSL 299.25, 1%, 0.31%

LAB 37.49, 69.01, -43.55

 

CMYK 0 / 100 / 0 / 45

HEX #8D008D

RGB 141 0 141

HSL 300, 1%, 0.28%

LAB 33.1, 63.22, -39.15

 

CMYK 4 / 87 / 0 / 15

HEX #D11CD9

RGB 209 28 217

HSL 297.46, 0.77%, 0.48%

LAB 51.15, 82.86, -54.61

 

CMYK 0 / 87 / 20 / 15

HEX #D91CAE

RGB 217 28 174

HSL 313.65, 0.77%, 0.48%

LAB 50.26, 78.39, -31.01

 

CMYK 0 / 87 / 43 / 15

HEX #D91C7B

RGB 217 28 123

HSL 329.84, 0.77%, 0.48%

LAB 48.28, 72.97, -3.44

 

CMYK 0 / 87 / 67 / 15

HEX #D91C48

RGB 217 28 72

HSL 346.03, 0.77%, 0.48%

LAB 47.04, 69.46, 26.21

 

CMYK 0 / 87 / 87 / 15

HEX #D91C1C

RGB 217 28 28

HSL 0, 0.77%, 0.48%

LAB 46.53, 67.99, 50.36

 

CMYK 4 / 87 / 0 / 15

HEX #D11CD9

RGB 209 28 217

HSL 297.46, 0.77%, 0.48%

LAB 51.15, 82.86, -54.61

 

CMYK 27 / 87 / 0 / 15

HEX #9E1CD9

RGB 158 28 217

HSL 281.27, 0.77%, 0.48%

LAB 42.93, 74.85, -68.3

 

CMYK 51 / 87 / 0 / 15

HEX #6B1CD9

RGB 107 28 217

HSL 265.08, 0.77%, 0.48%

LAB 35.92, 68.58, -80.07

 

CMYK 74 / 87 / 0 / 15

HEX #381CD9

RGB 56 28 217

HSL 248.89, 0.77%, 0.48%

LAB 31.07, 64.71, -88.25

 

CMYK 87 / 87 / 0 / 15

HEX #1C1CD9

RGB 28 28 217

HSL 240, 0.77%, 0.48%

LAB 29.63, 63.66, -90.68

 

CMYK 4 / 87 / 0 / 15

HEX #D11CD9

RGB 209 28 217

HSL 297.46, 0.77%, 0.48%

LAB 51.15, 82.86, -54.61

 

CMYK 4 / 97 / 0 / 7

HEX #E308EC

RGB 227 8 236

HSL 297.63, 0.93%, 0.48%

LAB 54.62, 90.74, -59.64

 

CMYK 4 / 87 / 0 / 15

HEX #D11CD9

RGB 209 28 217

HSL 297.46, 0.77%, 0.48%

LAB 51.15, 82.86, -54.61

 

CMYK 3 / 76 / 0 / 23

HEX #BF30C5

RGB 191 48 197

HSL 297.58, 0.61%, 0.48%

LAB 48.54, 71.89, -47.45

 

CMYK 3 / 62 / 0 / 31

HEX #AC44B1

RGB 172 68 177

HSL 297.25, 0.44%, 0.48%

LAB 47.08, 56.86, -38.29

 

CMYK 2 / 44 / 0 / 38

HEX #9A589D

RGB 154 88 157

HSL 297.39, 0.28%, 0.48%

LAB 47.34, 38.1, -26.25

 

CMYK 1 / 22 / 0 / 46

HEX #886B89

RGB 136 107 137

HSL 298, 0.12%, 0.48%

LAB 48.95, 17.06, -12.1

 

CMYK 51 / 87 / 0 / 15

HEX #6B1CD9

RGB 107 28 217

HSL 265.08, 0.77%, 0.48%

LAB 35.92, 68.58, -80.07

 

CMYK 28 / 87 / 0 / 15

HEX #9D1CD9

RGB 157 28 217

HSL 280.95, 0.77%, 0.48%

LAB 42.78, 74.71, -68.56

 

CMYK 5 / 87 / 0 / 15

HEX #CF1CD9

RGB 207 28 217

HSL 296.83, 0.77%, 0.48%

LAB 50.81, 82.52, -55.17

 

CMYK 0 / 87 / 19 / 15

HEX #D91CB0

RGB 217 28 176

HSL 313.02, 0.77%, 0.48%

LAB 50.35, 78.63, -32.04

 

CMYK 0 / 87 / 42 / 15

HEX #D91C7E

RGB 217 28 126

HSL 328.89, 0.77%, 0.48%

LAB 48.37, 73.23, -5.13

 

CMYK 4 / 87 / 0 / 44

HEX #8A1390

RGB 138 19 144

HSL 297.12, 0.77%, 0.32%

LAB 33.74, 60.24, -40.02

 

CMYK 4 / 87 / 0 / 29

HEX #AD17B4

RGB 173 23 180

HSL 297.32, 0.77%, 0.4%

LAB 42.45, 71.72, -47.41

 

CMYK 4 / 87 / 0 / 15

HEX #D11CD9

RGB 209 28 217

HSL 297.46, 0.77%, 0.48%

LAB 51.15, 82.86, -54.61

 

CMYK 3 / 75 / 0 / 10

HEX #DE39E5

RGB 222 57 229

HSL 297.56, 0.77%, 0.56%

LAB 56.2, 80.58, -53.22

 

CMYK 3 / 60 / 0 / 8

HEX #E45DEA

RGB 228 93 234

HSL 297.45, 0.77%, 0.64%

LAB 61.88, 69.97, -46.95

 

CMYK 4 / 87 / 0 / 15

HEX #D11CD9

RGB 209 28 217

HSL 297.46, 0.77%, 0.48%

LAB 51.15, 82.86, -54.61

 

CMYK 0 / 74 / 87 / 15

HEX #D9381C

RGB 217 56 28

HSL 8.89, 0.77%, 0.48%

LAB 49.09, 60.79, 52.39

 

CMYK 87 / 0 / 39 / 15

HEX #1CD984

RGB 28 217 132

HSL 153.02, 0.77%, 0.48%

LAB 77, -62.52, 29.89

 

CMYK 4 / 87 / 0 / 15

HEX #D11CD9

RGB 209 28 217

HSL 297.46, 0.77%, 0.48%

LAB 51.15, 82.86, -54.61

 

CMYK 0 / 5 / 87 / 15

HEX #D9CF1C

RGB 217 207 28

HSL 56.83, 0.77%, 0.48%

LAB 81.54, -13.78, 78.31

 

CMYK 87 / 0 / 5 / 15

HEX #1CD9CF

RGB 28 217 207

HSL 176.83, 0.77%, 0.48%

LAB 78.68, -44.5, -7.38

 

CMYK 4 / 87 / 0 / 15

HEX #D11CD9

RGB 209 28 217

HSL 297.46, 0.77%, 0.48%

LAB 51.15, 82.86, -54.61

 

CMYK 0 / 74 / 87 / 15

HEX #D9381C

RGB 217 56 28

HSL 8.89, 0.77%, 0.48%

LAB 49.09, 60.79, 52.39

 

CMYK 82 / 0 / 87 / 15

HEX #26D91C

RGB 38 217 28

HSL 116.83, 0.77%, 0.48%

LAB 76.14, -73.34, 70.44

 

CMYK 87 / 13 / 0 / 15

HEX #1CBCD9

RGB 28 188 217

HSL 189.21, 0.77%, 0.48%

LAB 70.33, -28, -25.37

 

CMYK 4 / 87 / 0 / 15

HEX #D11CD9

RGB 209 28 217

HSL 297.46, 0.77%, 0.48%

LAB 51.15, 82.86, -54.61

 

CMYK 0 / 48 / 87 / 15

HEX #D9711C

RGB 217 113 28

HSL 26.98, 0.77%, 0.48%

LAB 58.65, 35.71, 60.01

 

CMYK 82 / 0 / 87 / 15

HEX #26D91C

RGB 38 217 28

HSL 116.83, 0.77%, 0.48%

LAB 76.14, -73.34, 70.44

 

CMYK 87 / 39 / 0 / 15

HEX #1C84D9

RGB 28 132 217

HSL 206.98, 0.77%, 0.48%

LAB 53.77, 2.75, -51.27

 

Description

Color code: HEX #D11CD9 | qconv.com Color code: HEX #D11CD9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 28 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 28 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 87 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 87% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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