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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D11C2E it is the complementary color #2EE3D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D11C2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D11C2E shade: #D61C29, #E72E3C, #F8404F, #FF5262 and #FF6475

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D11C2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D11C2E shade: #D11C2E, #C00A1B, #AF0008, #9E0000 and #8D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D11C2E shade: #CE1C2E and #CE1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D11C2E shade: #CE1C2E, #CE1C5E, #CE1C8E, #CE1CBE and #AF1CCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D11C2E shade matches the following richer shades: #CE1C2E and #E1091F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D11C2E shade: #CE1C2E, #BB2F3D, #A8424C, #96555B and #83686B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D11C2E shade: #CE1C8D, #CE1C5E, #CE1C2E, #CE3A1C and #CE691C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D11C2E shade: #86121E, #AA1726, #CE1C2E, #E33143 and #E85564

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D11C2E shade: #D11C2E, #BDCE1C and #1C75CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D11C2E shade: #D11C2E, #2ECE1C and #1C2ECE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D11C2E shade: #D11C2E, #BDCE1C, #1CCEBD and #2E1CCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D11C2E shade: #D11C2E, #87CE1C, #1CCEBD and #631CCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 78 / 18

HEX #D11C2E

RGB 209 28 46

HSL 354.03, 0.76%, 0.46%

LAB 45.06, 66.33, 38.98

 

Complementary color

CMYK 80 / 0 / 8 / 11

HEX #2EE3D1

RGB 46 227 209

HSL 174.03, 0.76%, 0.54%

LAB 81.9, -46.98, -3.66

 

CMYK 0 / 87 / 81 / 16

HEX #D61C29

RGB 214 28 41

HSL 355.81, 0.77%, 0.47%

LAB 46.02, 67.5, 43.08

 

CMYK 0 / 80 / 74 / 9

HEX #E72E3C

RGB 231 46 60

HSL 355.46, 0.79%, 0.54%

LAB 51, 68.72, 38.73

 

CMYK 0 / 74 / 68 / 3

HEX #F8404F

RGB 248 64 79

HSL 355.11, 0.93%, 0.61%

LAB 56.28, 69.17, 34.82

 

CMYK 0 / 68 / 62 / 0

HEX #FF5262

RGB 255 82 98

HSL 354.45, 1%, 0.66%

LAB 60.05, 66.08, 28.88

 

CMYK 0 / 61 / 54 / 0

HEX #FF6475

RGB 255 100 117

HSL 353.42, 1%, 0.7%

LAB 63.06, 60.17, 21.95

 

CMYK 0 / 87 / 78 / 18

HEX #D11C2E

RGB 209 28 46

HSL 354.03, 0.76%, 0.46%

LAB 45.06, 66.33, 38.98

 

CMYK 0 / 95 / 86 / 25

HEX #C00A1B

RGB 192 10 27

HSL 354.4, 0.9%, 0.4%

LAB 40.41, 64.04, 43.67

 

CMYK 0 / 100 / 95 / 31

HEX #AF0008

RGB 175 0 8

HSL 357.26, 1%, 0.34%

LAB 36.24, 60.5, 47.38

 

CMYK 0 / 100 / 100 / 38

HEX #9E0000

RGB 158 0 0

HSL 0, 1%, 0.31%

LAB 32.41, 56.02, 46.44

 

CMYK 0 / 100 / 100 / 45

HEX #8D0000

RGB 141 0 0

HSL 0, 1%, 0.28%

LAB 28.55, 51.54, 41.86

 

CMYK 0 / 86 / 78 / 19

HEX #CE1C2E

RGB 206 28 46

HSL 353.93, 0.76%, 0.46%

LAB 44.45, 65.53, 38.14

 

CMYK 0 / 86 / 86 / 19

HEX #CE1C1C

RGB 206 28 28

HSL 0, 0.76%, 0.46%

LAB 44.28, 65.05, 47.6

 

CMYK 0 / 86 / 78 / 19

HEX #CE1C2E

RGB 206 28 46

HSL 353.93, 0.76%, 0.46%

LAB 44.45, 65.53, 38.14

 

CMYK 0 / 86 / 54 / 19

HEX #CE1C5E

RGB 206 28 94

HSL 337.75, 0.76%, 0.46%

LAB 45.3, 68.01, 9.89

 

CMYK 0 / 86 / 31 / 19

HEX #CE1C8E

RGB 206 28 142

HSL 321.57, 0.76%, 0.46%

LAB 46.85, 72.35, -17.35

 

CMYK 0 / 86 / 8 / 19

HEX #CE1CBE

RGB 206 28 190

HSL 305.39, 0.76%, 0.46%

LAB 49.09, 78.36, -42.35

 

CMYK 15 / 86 / 0 / 19

HEX #AF1CCE

RGB 175 28 206

HSL 289.55, 0.76%, 0.46%

LAB 44.8, 75.44, -58.8

 

CMYK 0 / 86 / 78 / 19

HEX #CE1C2E

RGB 206 28 46

HSL 353.93, 0.76%, 0.46%

LAB 44.45, 65.53, 38.14

 

CMYK 0 / 96 / 86 / 12

HEX #E1091F

RGB 225 9 31

HSL 353.89, 0.92%, 0.46%

LAB 47.37, 72.5, 50.31

 

CMYK 0 / 86 / 78 / 19

HEX #CE1C2E

RGB 206 28 46

HSL 353.93, 0.76%, 0.46%

LAB 44.45, 65.53, 38.14

 

CMYK 0 / 75 / 67 / 27

HEX #BB2F3D

RGB 187 47 61

HSL 354, 0.6%, 0.46%

LAB 42.66, 55.76, 26.18

 

CMYK 0 / 61 / 55 / 34

HEX #A8424C

RGB 168 66 76

HSL 354.12, 0.44%, 0.46%

LAB 42.37, 42.79, 15.93

 

CMYK 0 / 43 / 39 / 41

HEX #96555B

RGB 150 85 91

HSL 354.46, 0.28%, 0.46%

LAB 43.85, 27.62, 8.34

 

CMYK 0 / 21 / 18 / 49

HEX #83686B

RGB 131 104 107

HSL 353.33, 0.11%, 0.46%

LAB 46.69, 11.28, 2.42

 

CMYK 0 / 86 / 32 / 19

HEX #CE1C8D

RGB 206 28 141

HSL 321.91, 0.76%, 0.46%

LAB 46.81, 72.24, -16.81

 

CMYK 0 / 86 / 54 / 19

HEX #CE1C5E

RGB 206 28 94

HSL 337.75, 0.76%, 0.46%

LAB 45.3, 68.01, 9.89

 

CMYK 0 / 86 / 78 / 19

HEX #CE1C2E

RGB 206 28 46

HSL 353.93, 0.76%, 0.46%

LAB 44.45, 65.53, 38.14

 

CMYK 0 / 72 / 86 / 19

HEX #CE3A1C

RGB 206 58 28

HSL 10.11, 0.76%, 0.46%

LAB 47.28, 56.65, 50.07

 

CMYK 0 / 49 / 86 / 19

HEX #CE691C

RGB 206 105 28

HSL 25.96, 0.76%, 0.46%

LAB 55.39, 35.4, 56.72

 

CMYK 0 / 87 / 78 / 47

HEX #86121E

RGB 134 18 30

HSL 353.79, 0.76%, 0.3%

LAB 28.37, 47.01, 25.86

 

CMYK 0 / 86 / 78 / 33

HEX #AA1726

RGB 170 23 38

HSL 353.88, 0.76%, 0.38%

LAB 36.55, 56.48, 32.14

 

CMYK 0 / 86 / 78 / 19

HEX #CE1C2E

RGB 206 28 46

HSL 353.93, 0.76%, 0.46%

LAB 44.45, 65.53, 38.14

 

CMYK 0 / 78 / 70 / 11

HEX #E33143

RGB 227 49 67

HSL 353.93, 0.76%, 0.54%

LAB 50.61, 67.1, 34.03

 

CMYK 0 / 63 / 57 / 9

HEX #E85564

RGB 232 85 100

HSL 353.88, 0.76%, 0.62%

LAB 56.66, 57.82, 22.55

 

CMYK 0 / 87 / 78 / 18

HEX #D11C2E

RGB 209 28 46

HSL 354.03, 0.76%, 0.46%

LAB 45.06, 66.33, 38.98

 

CMYK 8 / 0 / 86 / 19

HEX #BDCE1C

RGB 189 206 28

HSL 65.73, 0.76%, 0.46%

LAB 79.07, -25.14, 75.38

 

CMYK 86 / 43 / 0 / 19

HEX #1C75CE

RGB 28 117 206

HSL 210, 0.76%, 0.46%

LAB 48.79, 7.75, -52.99

 

CMYK 0 / 87 / 78 / 18

HEX #D11C2E

RGB 209 28 46

HSL 354.03, 0.76%, 0.46%

LAB 45.06, 66.33, 38.98

 

CMYK 78 / 0 / 86 / 19

HEX #2ECE1C

RGB 46 206 28

HSL 113.93, 0.76%, 0.46%

LAB 72.76, -69.2, 67.52

 

CMYK 86 / 78 / 0 / 19

HEX #1C2ECE

RGB 28 46 206

HSL 233.93, 0.76%, 0.46%

LAB 31.01, 52.28, -82.01

 

CMYK 0 / 87 / 78 / 18

HEX #D11C2E

RGB 209 28 46

HSL 354.03, 0.76%, 0.46%

LAB 45.06, 66.33, 38.98

 

CMYK 8 / 0 / 86 / 19

HEX #BDCE1C

RGB 189 206 28

HSL 65.73, 0.76%, 0.46%

LAB 79.07, -25.14, 75.38

 

CMYK 86 / 0 / 8 / 19

HEX #1CCEBD

RGB 28 206 189

HSL 174.27, 0.76%, 0.46%

LAB 74.87, -44.79, -3.34

 

CMYK 78 / 86 / 0 / 19

HEX #2E1CCE

RGB 46 28 206

HSL 246.07, 0.76%, 0.46%

LAB 29.08, 61.21, -85.2

 

CMYK 0 / 87 / 78 / 18

HEX #D11C2E

RGB 209 28 46

HSL 354.03, 0.76%, 0.46%

LAB 45.06, 66.33, 38.98

 

CMYK 34 / 0 / 86 / 19

HEX #87CE1C

RGB 135 206 28

HSL 83.93, 0.76%, 0.46%

LAB 75.69, -46.38, 71.19

 

CMYK 86 / 0 / 8 / 19

HEX #1CCEBD

RGB 28 206 189

HSL 174.27, 0.76%, 0.46%

LAB 74.87, -44.79, -3.34

 

CMYK 52 / 86 / 0 / 19

HEX #631CCE

RGB 99 28 206

HSL 263.93, 0.76%, 0.46%

LAB 33.86, 65.16, -77.13

 

Description

Color code: HEX #D11C2E | qconv.com Color code: HEX #D11C2E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 28 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 28 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 78 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 78% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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