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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0F23B it is the complementary color #2F0DC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0F23B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0F23B shade: #D5F236, #E6FF49, #F7FF5C, #FFFF6F and #FFFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0F23B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0F23B shade: #D0F23B, #BFE028, #AECE15, #9DBC02 and #8CAA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0F23B shade: #D0F23A, #F2E33A, #F2B13A, #F2803A and #F24E3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0F23B shade: #D0F23A, #9FF23A, #6DF23A, #3BF23A and #3AF26B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0F23B shade matches the following richer shades: #D0F23A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0F23B shade: #D0F23A, #C6E24B, #BBD15C, #B0C06D and #A6AF7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0F23B shade: #F2B23A, #F2E33A, #D1F23A, #A0F23A and #6FF23A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0F23B shade: #AACD0D, #C7F014, #D0F23A, #D9F561 and #E3F788

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0F23B shade: #D0F23B, #3AF281 and #CB3AF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0F23B shade: #D0F23B, #3AD1F2 and #F23AD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0F23B shade: #D0F23B, #3AF281, #5C3AF2 and #F23AAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0F23B shade: #D0F23B, #3AF2B8, #5C3AF2 and #F23A75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 76 / 5

HEX #D0F23B

RGB 208 242 59

HSL 71.15, 0.88%, 0.59%

LAB 90.43, -33.29, 78.05

 

Complementary color

CMYK 76 / 93 / 0 / 23

HEX #2F0DC4

RGB 47 13 196

HSL 251.15, 0.88%, 0.41%

LAB 26.38, 63.03, -83.83

 

CMYK 12 / 0 / 78 / 5

HEX #D5F236

RGB 213 242 54

HSL 69.26, 0.88%, 0.58%

LAB 90.74, -31.51, 79.89

 

CMYK 10 / 0 / 71 / 0

HEX #E6FF49

RGB 230 255 73

HSL 68.24, 1%, 0.64%

LAB 95.51, -29.97, 78.98

 

CMYK 3 / 0 / 64 / 0

HEX #F7FF5C

RGB 247 255 92

HSL 62.94, 1%, 0.68%

LAB 96.85, -22.23, 73.94

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF6F

RGB 255 255 111

HSL 60, 1%, 0.72%

LAB 97.6, -17.84, 67.25

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF82

RGB 255 255 130

HSL 60, 1%, 0.75%

LAB 97.79, -16.37, 59.1

 

CMYK 14 / 0 / 76 / 5

HEX #D0F23B

RGB 208 242 59

HSL 71.15, 0.88%, 0.59%

LAB 90.43, -33.29, 78.05

 

CMYK 15 / 0 / 82 / 12

HEX #BFE028

RGB 191 224 40

HSL 70.76, 0.75%, 0.52%

LAB 84.25, -32.48, 77.2

 

CMYK 16 / 0 / 90 / 19

HEX #AECE15

RGB 174 206 21

HSL 70.38, 0.81%, 0.45%

LAB 77.99, -31.49, 75.3

 

CMYK 16 / 0 / 99 / 26

HEX #9DBC02

RGB 157 188 2

HSL 70, 0.98%, 0.37%

LAB 71.65, -30.33, 72.15

 

CMYK 18 / 0 / 100 / 33

HEX #8CAA00

RGB 140 170 0

HSL 70.59, 1%, 0.33%

LAB 65.22, -28.92, 67.02

 

CMYK 14 / 0 / 76 / 5

HEX #D0F23A

RGB 208 242 58

HSL 71.09, 0.88%, 0.59%

LAB 90.42, -33.34, 78.34

 

CMYK 0 / 6 / 76 / 5

HEX #F2E33A

RGB 242 227 58

HSL 55.11, 0.88%, 0.59%

LAB 88.98, -12.32, 77.95

 

CMYK 0 / 27 / 76 / 5

HEX #F2B13A

RGB 242 177 58

HSL 38.8, 0.88%, 0.59%

LAB 76.45, 13.31, 66.32

 

CMYK 0 / 47 / 76 / 5

HEX #F2803A

RGB 242 128 58

HSL 22.83, 0.88%, 0.59%

LAB 65.45, 38.9, 55.61

 

CMYK 0 / 68 / 76 / 5

HEX #F24E3A

RGB 242 78 58

HSL 6.52, 0.88%, 0.59%

LAB 56.71, 61.6, 46.63

 

CMYK 14 / 0 / 76 / 5

HEX #D0F23A

RGB 208 242 58

HSL 71.09, 0.88%, 0.59%

LAB 90.42, -33.34, 78.34

 

CMYK 34 / 0 / 76 / 5

HEX #9FF23A

RGB 159 242 58

HSL 87.07, 0.88%, 0.59%

LAB 87.57, -51.57, 74.65

 

CMYK 55 / 0 / 76 / 5

HEX #6DF23A

RGB 109 242 58

HSL 103.37, 0.88%, 0.59%

LAB 85.53, -66.67, 71.99

 

CMYK 76 / 0 / 76 / 5

HEX #3BF23A

RGB 59 242 58

HSL 119.67, 0.88%, 0.59%

LAB 84.35, -76.5, 70.44

 

CMYK 76 / 0 / 56 / 5

HEX #3AF26B

RGB 58 242 107

HSL 135.98, 0.88%, 0.59%

LAB 84.72, -71.88, 51.78

 

CMYK 14 / 0 / 76 / 5

HEX #D0F23A

RGB 208 242 58

HSL 71.09, 0.88%, 0.59%

LAB 90.42, -33.34, 78.34

 

CMYK 14 / 0 / 76 / 5

HEX #D0F23A

RGB 208 242 58

HSL 71.09, 0.88%, 0.59%

LAB 90.42, -33.34, 78.34

 

CMYK 12 / 0 / 67 / 11

HEX #C6E24B

RGB 198 226 75

HSL 71.13, 0.72%, 0.59%

LAB 85.46, -29.02, 67.56

 

CMYK 11 / 0 / 56 / 18

HEX #BBD15C

RGB 187 209 92

HSL 71.28, 0.56%, 0.59%

LAB 80.14, -24.07, 54.53

 

CMYK 8 / 0 / 43 / 25

HEX #B0C06D

RGB 176 192 109

HSL 71.57, 0.4%, 0.59%

LAB 74.85, -18.41, 39.89

 

CMYK 5 / 0 / 28 / 31

HEX #A6AF7E

RGB 166 175 126

HSL 71.02, 0.23%, 0.59%

LAB 69.66, -11.47, 24.13

 

CMYK 0 / 26 / 76 / 5

HEX #F2B23A

RGB 242 178 58

HSL 39.13, 0.88%, 0.59%

LAB 76.69, 12.78, 66.55

 

CMYK 0 / 6 / 76 / 5

HEX #F2E33A

RGB 242 227 58

HSL 55.11, 0.88%, 0.59%

LAB 88.98, -12.32, 77.95

 

CMYK 14 / 0 / 76 / 5

HEX #D1F23A

RGB 209 242 58

HSL 70.76, 0.88%, 0.59%

LAB 90.49, -32.94, 78.42

 

CMYK 34 / 0 / 76 / 5

HEX #A0F23A

RGB 160 242 58

HSL 86.74, 0.88%, 0.59%

LAB 87.62, -51.22, 74.72

 

CMYK 54 / 0 / 76 / 5

HEX #6FF23A

RGB 111 242 58

HSL 102.72, 0.88%, 0.59%

LAB 85.6, -66.16, 72.08

 

CMYK 17 / 0 / 94 / 20

HEX #AACD0D

RGB 170 205 13

HSL 70.94, 0.88%, 0.43%

LAB 77.42, -32.79, 75.81

 

CMYK 17 / 0 / 92 / 6

HEX #C7F014

RGB 199 240 20

HSL 71.18, 0.88%, 0.51%

LAB 89.16, -37.04, 85.02

 

CMYK 14 / 0 / 76 / 5

HEX #D0F23A

RGB 208 242 58

HSL 71.09, 0.88%, 0.59%

LAB 90.42, -33.34, 78.34

 

CMYK 11 / 0 / 60 / 4

HEX #D9F561

RGB 217 245 97

HSL 71.35, 0.88%, 0.67%

LAB 92.1, -29, 66.26

 

CMYK 8 / 0 / 45 / 3

HEX #E3F788

RGB 227 247 136

HSL 70.81, 0.87%, 0.75%

LAB 93.72, -22.74, 50.92

 

CMYK 14 / 0 / 76 / 5

HEX #D0F23B

RGB 208 242 59

HSL 71.15, 0.88%, 0.59%

LAB 90.43, -33.29, 78.05

 

CMYK 76 / 0 / 47 / 5

HEX #3AF281

RGB 58 242 129

HSL 143.15, 0.88%, 0.59%

LAB 84.99, -68.72, 41.8

 

CMYK 16 / 76 / 0 / 5

HEX #CB3AF2

RGB 203 58 242

HSL 287.28, 0.88%, 0.59%

LAB 54.17, 78.9, -63.93

 

CMYK 14 / 0 / 76 / 5

HEX #D0F23B

RGB 208 242 59

HSL 71.15, 0.88%, 0.59%

LAB 90.43, -33.29, 78.05

 

CMYK 76 / 14 / 0 / 5

HEX #3AD1F2

RGB 58 209 242

HSL 190.76, 0.88%, 0.59%

LAB 77.82, -27.93, -27.37

 

CMYK 0 / 76 / 14 / 5

HEX #F23AD1

RGB 242 58 209

HSL 310.76, 0.88%, 0.59%

LAB 58.52, 81.47, -38.03

 

CMYK 14 / 0 / 76 / 5

HEX #D0F23B

RGB 208 242 59

HSL 71.15, 0.88%, 0.59%

LAB 90.43, -33.29, 78.05

 

CMYK 76 / 0 / 47 / 5

HEX #3AF281

RGB 58 242 129

HSL 143.15, 0.88%, 0.59%

LAB 84.99, -68.72, 41.8

 

CMYK 62 / 76 / 0 / 5

HEX #5C3AF2

RGB 92 58 242

HSL 251.09, 0.88%, 0.59%

LAB 40.76, 62.15, -86.38

 

CMYK 0 / 76 / 29 / 5

HEX #F23AAC

RGB 242 58 172

HSL 322.83, 0.88%, 0.59%

LAB 56.96, 76.87, -19.13

 

CMYK 14 / 0 / 76 / 5

HEX #D0F23B

RGB 208 242 59

HSL 71.15, 0.88%, 0.59%

LAB 90.43, -33.29, 78.05

 

CMYK 76 / 0 / 24 / 5

HEX #3AF2B8

RGB 58 242 184

HSL 161.09, 0.88%, 0.59%

LAB 85.94, -58.1, 15.3

 

CMYK 62 / 76 / 0 / 5

HEX #5C3AF2

RGB 92 58 242

HSL 251.09, 0.88%, 0.59%

LAB 40.76, 62.15, -86.38

 

CMYK 0 / 76 / 52 / 5

HEX #F23A75

RGB 242 58 117

HSL 340.76, 0.88%, 0.59%

LAB 55.27, 71.66, 10.86

 

Description

Color code: HEX #D0F23B | qconv.com Color code: HEX #D0F23B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 242 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 242 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 76 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 76% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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