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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0F1AA it is the complementary color #2F0E55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0F1AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0F1AA shade: #D5F1A5, #E6FFB8, #F7FFCB, #FFFFDE and #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0F1AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0F1AA shade: #D0F1AA, #BFDF97, #AECD84, #9DBB71 and #8CA95E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0F1AA shade: #D1F1AC, #E4F1AC, #F1ECAC, #F1D9AC and #F1C7AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0F1AA shade: #D1F1AC, #BEF1AC, #ACF1AC, #ACF1BF and #ACF1D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0F1AA shade matches the following richer shades: #D1F1AC and #D2F9A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0F1AA shade: #D1F1AC, #D0EAB4, #D0E2BB, #CFDAC3 and #CFD2CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0F1AA shade: #F1ECAC, #E5F1AC, #D2F1AC, #BFF1AC and #ADF1AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0F1AA shade: #AAE665, #BDEC88, #D1F1AC, #E5F7CF and #F8FDF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0F1AA shade: #D0F1AA, #ACF1D9 and #F1ACEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0F1AA shade: #D0F1AA, #ACD2F1 and #F1ACD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0F1AA shade: #D0F1AA, #ACF1D9, #CBACF1 and #F1ACC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0F1AA shade: #D0F1AA, #ACF1EE, #CBACF1 and #F1ACAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 29 / 5

HEX #D0F1AA

RGB 208 241 170

HSL 87.89, 0.72%, 0.81%

LAB 91.33, -22.76, 30.85

 

Complementary color

CMYK 45 / 84 / 0 / 67

HEX #2F0E55

RGB 47 14 85

HSL 267.89, 0.72%, 0.19%

LAB 13.07, 32.16, -36.15

 

CMYK 12 / 0 / 32 / 5

HEX #D5F1A5

RGB 213 241 165

HSL 82.11, 0.73%, 0.8%

LAB 91.58, -21.66, 33.77

 

CMYK 10 / 0 / 28 / 0

HEX #E6FFB8

RGB 230 255 184

HSL 81.13, 1%, 0.86%

LAB 96.74, -19.75, 31.32

 

CMYK 3 / 0 / 20 / 0

HEX #F7FFCB

RGB 247 255 203

HSL 69.23, 1%, 0.9%

LAB 98.28, -11.04, 24.02

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 14 / 0 / 29 / 5

HEX #D0F1AA

RGB 208 241 170

HSL 87.89, 0.72%, 0.81%

LAB 91.33, -22.76, 30.85

 

CMYK 14 / 0 / 32 / 13

HEX #BFDF97

RGB 191 223 151

HSL 86.67, 0.53%, 0.73%

LAB 85.04, -22.79, 31.91

 

CMYK 15 / 0 / 36 / 20

HEX #AECD84

RGB 174 205 132

HSL 85.48, 0.42%, 0.66%

LAB 78.65, -22.81, 33.01

 

CMYK 16 / 0 / 40 / 27

HEX #9DBB71

RGB 157 187 113

HSL 84.32, 0.35%, 0.59%

LAB 72.16, -22.81, 34.17

 

CMYK 17 / 0 / 44 / 34

HEX #8CA95E

RGB 140 169 94

HSL 83.2, 0.3%, 0.52%

LAB 65.56, -22.78, 35.36

 

CMYK 13 / 0 / 29 / 5

HEX #D1F1AC

RGB 209 241 172

HSL 87.83, 0.71%, 0.81%

LAB 91.44, -22.12, 29.98

 

CMYK 5 / 0 / 29 / 5

HEX #E4F1AC

RGB 228 241 172

HSL 71.3, 0.71%, 0.81%

LAB 92.74, -15.27, 31.97

 

CMYK 0 / 2 / 29 / 5

HEX #F1ECAC

RGB 241 236 172

HSL 55.65, 0.71%, 0.81%

LAB 92.43, -7.98, 31.72

 

CMYK 0 / 10 / 29 / 5

HEX #F1D9AC

RGB 241 217 172

HSL 39.13, 0.71%, 0.81%

LAB 87.63, 1.67, 25.22

 

CMYK 0 / 17 / 29 / 5

HEX #F1C7AC

RGB 241 199 172

HSL 23.48, 0.71%, 0.81%

LAB 83.19, 11.02, 19.11

 

CMYK 13 / 0 / 29 / 5

HEX #D1F1AC

RGB 209 241 172

HSL 87.83, 0.71%, 0.81%

LAB 91.44, -22.12, 29.98

 

CMYK 21 / 0 / 29 / 5

HEX #BEF1AC

RGB 190 241 172

HSL 104.35, 0.71%, 0.81%

LAB 90.25, -28.71, 28.18

 

CMYK 29 / 0 / 29 / 5

HEX #ACF1AC

RGB 172 241 172

HSL 120, 0.71%, 0.81%

LAB 89.23, -34.64, 26.63

 

CMYK 29 / 0 / 21 / 5

HEX #ACF1BF

RGB 172 241 191

HSL 136.52, 0.71%, 0.81%

LAB 89.6, -31.39, 17.37

 

CMYK 29 / 0 / 13 / 5

HEX #ACF1D2

RGB 172 241 210

HSL 153.04, 0.71%, 0.81%

LAB 90.01, -27.8, 8.11

 

CMYK 13 / 0 / 29 / 5

HEX #D1F1AC

RGB 209 241 172

HSL 87.83, 0.71%, 0.81%

LAB 91.44, -22.12, 29.98

 

CMYK 16 / 0 / 34 / 2

HEX #D2F9A4

RGB 210 249 164

HSL 87.53, 0.88%, 0.81%

LAB 93.51, -26.69, 36.78

 

CMYK 13 / 0 / 29 / 5

HEX #D1F1AC

RGB 209 241 172

HSL 87.83, 0.71%, 0.81%

LAB 91.44, -22.12, 29.98

 

CMYK 11 / 0 / 23 / 8

HEX #D0EAB4

RGB 208 234 180

HSL 88.89, 0.56%, 0.81%

LAB 89.65, -17.89, 23.45

 

CMYK 8 / 0 / 17 / 11

HEX #D0E2BB

RGB 208 226 187

HSL 87.69, 0.4%, 0.81%

LAB 87.67, -12.82, 17.07

 

CMYK 5 / 0 / 11 / 15

HEX #CFDAC3

RGB 207 218 195

HSL 88.7, 0.24%, 0.81%

LAB 85.68, -7.8, 10.05

 

CMYK 1 / 0 / 3 / 18

HEX #CFD2CB

RGB 207 210 203

HSL 85.71, 0.07%, 0.81%

LAB 83.79, -2.28, 3.1

 

CMYK 0 / 2 / 29 / 5

HEX #F1ECAC

RGB 241 236 172

HSL 55.65, 0.71%, 0.81%

LAB 92.43, -7.98, 31.72

 

CMYK 5 / 0 / 29 / 5

HEX #E5F1AC

RGB 229 241 172

HSL 70.43, 0.71%, 0.81%

LAB 92.82, -14.9, 32.08

 

CMYK 13 / 0 / 29 / 5

HEX #D2F1AC

RGB 210 241 172

HSL 86.96, 0.71%, 0.81%

LAB 91.5, -21.77, 30.08

 

CMYK 21 / 0 / 29 / 5

HEX #BFF1AC

RGB 191 241 172

HSL 103.48, 0.71%, 0.81%

LAB 90.31, -28.37, 28.27

 

CMYK 28 / 0 / 29 / 5

HEX #ADF1AC

RGB 173 241 172

HSL 119.13, 0.71%, 0.81%

LAB 89.29, -34.32, 26.71

 

CMYK 26 / 0 / 56 / 10

HEX #AAE665

RGB 170 230 101

HSL 87.91, 0.72%, 0.65%

LAB 85.04, -39.49, 55.82

 

CMYK 20 / 0 / 42 / 7

HEX #BDEC88

RGB 189 236 136

HSL 88.2, 0.72%, 0.73%

LAB 88.25, -31.63, 43.55

 

CMYK 13 / 0 / 29 / 5

HEX #D1F1AC

RGB 209 241 172

HSL 87.83, 0.71%, 0.81%

LAB 91.44, -22.12, 29.98

 

CMYK 7 / 0 / 16 / 3

HEX #E5F7CF

RGB 229 247 207

HSL 87, 0.71%, 0.89%

LAB 95.03, -12.79, 17.26

 

CMYK 2 / 0 / 4 / 1

HEX #F8FDF3

RGB 248 253 243

HSL 90, 0.71%, 0.97%

LAB 98.7, -3.39, 4.19

 

CMYK 14 / 0 / 29 / 5

HEX #D0F1AA

RGB 208 241 170

HSL 87.89, 0.72%, 0.81%

LAB 91.33, -22.76, 30.85

 

CMYK 29 / 0 / 10 / 5

HEX #ACF1D9

RGB 172 241 217

HSL 159.13, 0.71%, 0.81%

LAB 90.18, -26.4, 4.7

 

CMYK 0 / 29 / 1 / 5

HEX #F1ACEE

RGB 241 172 238

HSL 302.61, 0.71%, 0.81%

LAB 78.68, 35.68, -22.97

 

CMYK 14 / 0 / 29 / 5

HEX #D0F1AA

RGB 208 241 170

HSL 87.89, 0.72%, 0.81%

LAB 91.33, -22.76, 30.85

 

CMYK 29 / 13 / 0 / 5

HEX #ACD2F1

RGB 172 210 241

HSL 206.96, 0.71%, 0.81%

LAB 82.49, -5.53, -19.32

 

CMYK 0 / 29 / 13 / 5

HEX #F1ACD2

RGB 241 172 210

HSL 326.96, 0.71%, 0.81%

LAB 77.79, 30.89, -9.14

 

CMYK 14 / 0 / 29 / 5

HEX #D0F1AA

RGB 208 241 170

HSL 87.89, 0.72%, 0.81%

LAB 91.33, -22.76, 30.85

 

CMYK 29 / 0 / 10 / 5

HEX #ACF1D9

RGB 172 241 217

HSL 159.13, 0.71%, 0.81%

LAB 90.18, -26.4, 4.7

 

CMYK 16 / 29 / 0 / 5

HEX #CBACF1

RGB 203 172 241

HSL 266.96, 0.71%, 0.81%

LAB 75.17, 24.32, -30.28

 

CMYK 0 / 29 / 19 / 5

HEX #F1ACC4

RGB 241 172 196

HSL 339.13, 0.71%, 0.81%

LAB 77.4, 28.7, -2.1

 

CMYK 14 / 0 / 29 / 5

HEX #D0F1AA

RGB 208 241 170

HSL 87.89, 0.72%, 0.81%

LAB 91.33, -22.76, 30.85

 

CMYK 29 / 0 / 1 / 5

HEX #ACF1EE

RGB 172 241 238

HSL 177.39, 0.71%, 0.81%

LAB 90.71, -21.95, -5.46

 

CMYK 16 / 29 / 0 / 5

HEX #CBACF1

RGB 203 172 241

HSL 266.96, 0.71%, 0.81%

LAB 75.17, 24.32, -30.28

 

CMYK 0 / 29 / 27 / 5

HEX #F1ACAF

RGB 241 172 175

HSL 357.39, 0.71%, 0.81%

LAB 76.86, 25.69, 8.57

 

Description

Color code: HEX #D0F1AA | qconv.com Color code: HEX #D0F1AA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 241 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 241 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 29 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 29% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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