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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0EF55 it is the complementary color #2F10AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0EF55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0EF55 shade: #D5EF50, #E6FF63, #F7FF76, #FFFF89 and #FFFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0EF55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0EF55 shade: #D0EF55, #BFDD42, #AECB2F, #9DB91C and #8CA709

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0EF55 shade: #D1EF57, #EFE557, #EFBC57, #EF9357 and #EF6A57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0EF55 shade: #D1EF57, #A8EF57, #7FEF57, #57EF59 and #57EF82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0EF55 shade matches the following richer shades: #D1EF57 and #DAFE48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0EF55 shade: #D1EF57, #C8E166, #BFD275, #B6C384 and #ADB492

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0EF55 shade: #EFBD57, #EFE557, #D1EF57, #A8EF57 and #80EF57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0EF55 shade: #B6DF15, #C6EC31, #D1EF57, #DBF37D and #E6F6A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0EF55 shade: #D0EF55, #57EF94 and #D157EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0EF55 shade: #D0EF55, #57D1EF and #EF57D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0EF55 shade: #D0EF55, #57EF94, #7557EF and #EF57B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0EF55 shade: #D0EF55, #57EFC2, #7557EF and #EF5785

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 64 / 6

HEX #D0EF55

RGB 208 239 85

HSL 72.08, 0.83%, 0.64%

LAB 89.77, -30.53, 68.4

 

Complementary color

CMYK 72 / 91 / 0 / 33

HEX #2F10AA

RGB 47 16 170

HSL 252.08, 0.83%, 0.36%

LAB 23.26, 55.36, -73.52

 

CMYK 11 / 0 / 67 / 6

HEX #D5EF50

RGB 213 239 80

HSL 69.81, 0.83%, 0.63%

LAB 90.07, -28.87, 70.73

 

CMYK 10 / 0 / 61 / 0

HEX #E6FF63

RGB 230 255 99

HSL 69.62, 1%, 0.69%

LAB 95.68, -28.47, 69.59

 

CMYK 3 / 0 / 54 / 0

HEX #F7FF76

RGB 247 255 118

HSL 63.5, 1%, 0.73%

LAB 97.07, -20.46, 63.46

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 13 / 0 / 64 / 6

HEX #D0EF55

RGB 208 239 85

HSL 72.08, 0.83%, 0.64%

LAB 89.77, -30.53, 68.4

 

CMYK 14 / 0 / 70 / 13

HEX #BFDD42

RGB 191 221 66

HSL 71.61, 0.7%, 0.56%

LAB 83.54, -29.97, 68.78

 

CMYK 14 / 0 / 77 / 20

HEX #AECB2F

RGB 174 203 47

HSL 71.15, 0.62%, 0.49%

LAB 77.23, -29.28, 68.63

 

CMYK 15 / 0 / 85 / 27

HEX #9DB91C

RGB 157 185 28

HSL 70.7, 0.74%, 0.42%

LAB 70.84, -28.42, 67.6

 

CMYK 16 / 0 / 95 / 35

HEX #8CA709

RGB 140 167 9

HSL 70.25, 0.9%, 0.35%

LAB 64.35, -27.33, 65.18

 

CMYK 13 / 0 / 64 / 6

HEX #D1EF57

RGB 209 239 87

HSL 71.84, 0.83%, 0.64%

LAB 89.85, -30.01, 67.72

 

CMYK 0 / 4 / 64 / 6

HEX #EFE557

RGB 239 229 87

HSL 56.05, 0.83%, 0.64%

LAB 89.43, -13.16, 67.96

 

CMYK 0 / 21 / 64 / 6

HEX #EFBC57

RGB 239 188 87

HSL 39.87, 0.83%, 0.64%

LAB 79.04, 7.74, 56.77

 

CMYK 0 / 38 / 64 / 6

HEX #EF9357

RGB 239 147 87

HSL 23.68, 0.83%, 0.64%

LAB 69.4, 29.37, 45.82

 

CMYK 0 / 56 / 64 / 6

HEX #EF6A57

RGB 239 106 87

HSL 7.5, 0.83%, 0.64%

LAB 61.09, 49.99, 35.85

 

CMYK 13 / 0 / 64 / 6

HEX #D1EF57

RGB 209 239 87

HSL 71.84, 0.83%, 0.64%

LAB 89.85, -30.01, 67.72

 

CMYK 30 / 0 / 64 / 6

HEX #A8EF57

RGB 168 239 87

HSL 88.03, 0.83%, 0.64%

LAB 87.36, -45.33, 64.32

 

CMYK 47 / 0 / 64 / 6

HEX #7FEF57

RGB 127 239 87

HSL 104.21, 0.83%, 0.64%

LAB 85.47, -58.54, 61.72

 

CMYK 64 / 0 / 63 / 6

HEX #57EF59

RGB 87 239 89

HSL 120.79, 0.83%, 0.64%

LAB 84.22, -68.2, 59.16

 

CMYK 64 / 0 / 46 / 6

HEX #57EF82

RGB 87 239 130

HSL 136.97, 0.83%, 0.64%

LAB 84.67, -62.95, 41.03

 

CMYK 13 / 0 / 64 / 6

HEX #D1EF57

RGB 209 239 87

HSL 71.84, 0.83%, 0.64%

LAB 89.85, -30.01, 67.72

 

CMYK 14 / 0 / 72 / 0

HEX #DAFE48

RGB 218 254 72

HSL 71.87, 0.99%, 0.64%

LAB 94.42, -34.26, 77.98

 

CMYK 13 / 0 / 64 / 6

HEX #D1EF57

RGB 209 239 87

HSL 71.84, 0.83%, 0.64%

LAB 89.85, -30.01, 67.72

 

CMYK 11 / 0 / 55 / 12

HEX #C8E166

RGB 200 225 102

HSL 72.2, 0.67%, 0.64%

LAB 85.55, -25.8, 56.46

 

CMYK 9 / 0 / 44 / 18

HEX #BFD275

RGB 191 210 117

HSL 72.26, 0.51%, 0.64%

LAB 80.99, -20.6, 43.79

 

CMYK 7 / 0 / 32 / 24

HEX #B6C384

RGB 182 195 132

HSL 72.38, 0.34%, 0.64%

LAB 76.46, -14.79, 30.24

 

CMYK 4 / 0 / 19 / 29

HEX #ADB492

RGB 173 180 146

HSL 72.35, 0.18%, 0.64%

LAB 71.96, -8.42, 16.55

 

CMYK 0 / 21 / 64 / 6

HEX #EFBD57

RGB 239 189 87

HSL 40.26, 0.83%, 0.64%

LAB 79.29, 7.22, 57.04

 

CMYK 0 / 4 / 64 / 6

HEX #EFE557

RGB 239 229 87

HSL 56.05, 0.83%, 0.64%

LAB 89.43, -13.16, 67.96

 

CMYK 13 / 0 / 64 / 6

HEX #D1EF57

RGB 209 239 87

HSL 71.84, 0.83%, 0.64%

LAB 89.85, -30.01, 67.72

 

CMYK 30 / 0 / 64 / 6

HEX #A8EF57

RGB 168 239 87

HSL 88.03, 0.83%, 0.64%

LAB 87.36, -45.33, 64.32

 

CMYK 46 / 0 / 64 / 6

HEX #80EF57

RGB 128 239 87

HSL 103.82, 0.83%, 0.64%

LAB 85.51, -58.25, 61.77

 

CMYK 18 / 0 / 91 / 13

HEX #B6DF15

RGB 182 223 21

HSL 72.18, 0.83%, 0.48%

LAB 83.32, -36.08, 79.79

 

CMYK 16 / 0 / 79 / 7

HEX #C6EC31

RGB 198 236 49

HSL 72.19, 0.83%, 0.56%

LAB 88.07, -34.89, 78.47

 

CMYK 13 / 0 / 64 / 6

HEX #D1EF57

RGB 209 239 87

HSL 71.84, 0.83%, 0.64%

LAB 89.85, -30.01, 67.72

 

CMYK 10 / 0 / 49 / 5

HEX #DBF37D

RGB 219 243 125

HSL 72.2, 0.83%, 0.72%

LAB 91.97, -24.96, 53.82

 

CMYK 7 / 0 / 34 / 4

HEX #E6F6A3

RGB 230 246 163

HSL 71.57, 0.82%, 0.8%

LAB 94.05, -18.12, 38.24

 

CMYK 13 / 0 / 64 / 6

HEX #D0EF55

RGB 208 239 85

HSL 72.08, 0.83%, 0.64%

LAB 89.77, -30.53, 68.4

 

CMYK 64 / 0 / 38 / 6

HEX #57EF94

RGB 87 239 148

HSL 144.08, 0.83%, 0.64%

LAB 84.94, -59.97, 32.47

 

CMYK 13 / 64 / 0 / 6

HEX #D157EF

RGB 209 87 239

HSL 288.16, 0.83%, 0.64%

LAB 58.61, 68.94, -55.1

 

CMYK 13 / 0 / 64 / 6

HEX #D0EF55

RGB 208 239 85

HSL 72.08, 0.83%, 0.64%

LAB 89.77, -30.53, 68.4

 

CMYK 64 / 13 / 0 / 6

HEX #57D1EF

RGB 87 209 239

HSL 191.84, 0.83%, 0.64%

LAB 78.38, -25.03, -24.85

 

CMYK 0 / 64 / 13 / 6

HEX #EF57D1

RGB 239 87 209

HSL 311.84, 0.83%, 0.64%

LAB 61.46, 71.14, -33.47

 

CMYK 13 / 0 / 64 / 6

HEX #D0EF55

RGB 208 239 85

HSL 72.08, 0.83%, 0.64%

LAB 89.77, -30.53, 68.4

 

CMYK 64 / 0 / 38 / 6

HEX #57EF94

RGB 87 239 148

HSL 144.08, 0.83%, 0.64%

LAB 84.94, -59.97, 32.47

 

CMYK 51 / 64 / 0 / 6

HEX #7557EF

RGB 117 87 239

HSL 251.84, 0.83%, 0.64%

LAB 48.05, 49.86, -72.66

 

CMYK 0 / 64 / 26 / 6

HEX #EF57B2

RGB 239 87 178

HSL 324.08, 0.83%, 0.64%

LAB 60.23, 66.92, -17.67

 

CMYK 13 / 0 / 64 / 6

HEX #D0EF55

RGB 208 239 85

HSL 72.08, 0.83%, 0.64%

LAB 89.77, -30.53, 68.4

 

CMYK 64 / 0 / 19 / 6

HEX #57EFC2

RGB 87 239 194

HSL 162.24, 0.83%, 0.64%

LAB 85.83, -50.59, 10.03

 

CMYK 51 / 64 / 0 / 6

HEX #7557EF

RGB 117 87 239

HSL 251.84, 0.83%, 0.64%

LAB 48.05, 49.86, -72.66

 

CMYK 0 / 64 / 44 / 6

HEX #EF5785

RGB 239 87 133

HSL 341.84, 0.83%, 0.64%

LAB 58.85, 61.94, 6.42

 

Description

Color code: HEX #D0EF55 | qconv.com Color code: HEX #D0EF55 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 239 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 239 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 64 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 64% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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