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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0E582 it is the complementary color #2F1A7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0E582. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0E582 shade: #D5E57D, #E6F790, #F7FFA3, #FFFFB6 and #FFFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0E582. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0E582 shade: #D0E582, #BFD36F, #AEC15C, #9DAF49 and #8C9D36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0E582 shade: #D0E580, #E5DF80, #E5C480, #E5A980 and #E58D80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0E582 shade: #D0E580, #B4E580, #99E580, #80E582 and #80E59D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0E582 shade matches the following richer shades: #D0E580, #D7F174 and #DEFE67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0E582 shade: #D0E580, #C8D98C, #C1CC99, #BAC0A5 and #B3B3B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0E582 shade: #E5C380, #E5DE80, #D1E580, #B6E580 and #9BE580

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0E582 shade: #B6D73C, #C3DE5E, #D0E580, #DCECA2 and #E9F3C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0E582 shade: #D0E582, #80E5A8 and #D180E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0E582 shade: #D0E582, #80D1E5 and #E580D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0E582 shade: #D0E582, #80E5A8, #9480E5 and #E580BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0E582 shade: #D0E582, #80E5C7, #9480E5 and #E5809E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 43 / 10

HEX #D0E582

RGB 208 229 130

HSL 72.73, 0.66%, 0.7%

LAB 87.51, -21.94, 45.81

 

Complementary color

CMYK 62 / 79 / 0 / 51

HEX #2F1A7D

RGB 47 26 125

HSL 252.73, 0.66%, 0.3%

LAB 19.32, 38.08, -52.16

 

CMYK 7 / 0 / 45 / 10

HEX #D5E57D

RGB 213 229 125

HSL 69.23, 0.67%, 0.69%

LAB 87.81, -20.53, 48.67

 

CMYK 7 / 0 / 42 / 3

HEX #E6F790

RGB 230 247 144

HSL 69.9, 0.87%, 0.77%

LAB 94.04, -20.78, 47.53

 

CMYK 3 / 0 / 36 / 0

HEX #F7FFA3

RGB 247 255 163

HSL 65.22, 1%, 0.82%

LAB 97.61, -16.17, 43.1

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFC9

RGB 255 255 201

HSL 60, 1%, 0.89%

LAB 98.83, -8.47, 25.89

 

CMYK 9 / 0 / 43 / 10

HEX #D0E582

RGB 208 229 130

HSL 72.73, 0.66%, 0.7%

LAB 87.51, -21.94, 45.81

 

CMYK 9 / 0 / 47 / 17

HEX #BFD36F

RGB 191 211 111

HSL 72, 0.53%, 0.63%

LAB 81.19, -21.72, 46.96

 

CMYK 10 / 0 / 52 / 24

HEX #AEC15C

RGB 174 193 92

HSL 71.29, 0.45%, 0.56%

LAB 74.77, -21.43, 48.08

 

CMYK 10 / 0 / 58 / 31

HEX #9DAF49

RGB 157 175 73

HSL 70.59, 0.41%, 0.49%

LAB 68.25, -21.06, 49.12

 

CMYK 11 / 0 / 66 / 38

HEX #8C9D36

RGB 140 157 54

HSL 69.9, 0.49%, 0.41%

LAB 61.62, -20.56, 49.94

 

CMYK 9 / 0 / 44 / 10

HEX #D0E580

RGB 208 229 128

HSL 72.48, 0.66%, 0.7%

LAB 87.49, -22.15, 46.75

 

CMYK 0 / 3 / 44 / 10

HEX #E5DF80

RGB 229 223 128

HSL 56.44, 0.66%, 0.7%

LAB 87.48, -11.02, 47.09

 

CMYK 0 / 14 / 44 / 10

HEX #E5C480

RGB 229 196 128

HSL 40.4, 0.66%, 0.7%

LAB 80.57, 2.79, 38.4

 

CMYK 0 / 26 / 44 / 10

HEX #E5A980

RGB 229 169 128

HSL 24.36, 0.66%, 0.7%

LAB 73.93, 17.07, 29.77

 

CMYK 0 / 38 / 44 / 10

HEX #E58D80

RGB 229 141 128

HSL 7.72, 0.66%, 0.7%

LAB 67.48, 31.99, 21.12

 

CMYK 9 / 0 / 44 / 10

HEX #D0E580

RGB 208 229 128

HSL 72.48, 0.66%, 0.7%

LAB 87.49, -22.15, 46.75

 

CMYK 21 / 0 / 44 / 10

HEX #B4E580

RGB 180 229 128

HSL 89.11, 0.66%, 0.7%

LAB 85.66, -32.57, 44.07

 

CMYK 33 / 0 / 44 / 10

HEX #99E580

RGB 153 229 128

HSL 105.15, 0.66%, 0.7%

LAB 84.16, -41.87, 41.86

 

CMYK 44 / 0 / 43 / 10

HEX #80E582

RGB 128 229 130

HSL 121.19, 0.66%, 0.7%

LAB 83.04, -49.26, 39.22

 

CMYK 44 / 0 / 31 / 10

HEX #80E59D

RGB 128 229 157

HSL 137.23, 0.66%, 0.7%

LAB 83.48, -44.91, 26.15

 

CMYK 9 / 0 / 44 / 10

HEX #D0E580

RGB 208 229 128

HSL 72.48, 0.66%, 0.7%

LAB 87.49, -22.15, 46.75

 

CMYK 11 / 0 / 52 / 5

HEX #D7F174

RGB 215 241 116

HSL 72.48, 0.82%, 0.7%

LAB 91.06, -26.37, 56.81

 

CMYK 13 / 0 / 59 / 0

HEX #DEFE67

RGB 222 254 103

HSL 72.72, 0.99%, 0.7%

LAB 94.9, -30.81, 66.95

 

CMYK 9 / 0 / 44 / 10

HEX #D0E580

RGB 208 229 128

HSL 72.48, 0.66%, 0.7%

LAB 87.49, -22.15, 46.75

 

CMYK 8 / 0 / 35 / 15

HEX #C8D98C

RGB 200 217 140

HSL 73.25, 0.5%, 0.7%

LAB 83.86, -17.95, 36.07

 

CMYK 5 / 0 / 25 / 20

HEX #C1CC99

RGB 193 204 153

HSL 72.94, 0.33%, 0.7%

LAB 80.08, -12.31, 24.22

 

CMYK 3 / 0 / 14 / 25

HEX #BAC0A5

RGB 186 192 165

HSL 73.33, 0.18%, 0.7%

LAB 76.59, -6.85, 12.91

 

CMYK 0 / 0 / 1 / 30

HEX #B3B3B2

RGB 179 179 178

HSL 60, 0.01%, 0.7%

LAB 72.92, -0.18, 0.5

 

CMYK 0 / 15 / 44 / 10

HEX #E5C380

RGB 229 195 128

HSL 39.8, 0.66%, 0.7%

LAB 80.32, 3.31, 38.08

 

CMYK 0 / 3 / 44 / 10

HEX #E5DE80

RGB 229 222 128

HSL 55.84, 0.66%, 0.7%

LAB 87.22, -10.52, 46.77

 

CMYK 9 / 0 / 44 / 10

HEX #D1E580

RGB 209 229 128

HSL 71.88, 0.66%, 0.7%

LAB 87.56, -21.77, 46.85

 

CMYK 21 / 0 / 44 / 10

HEX #B6E580

RGB 182 229 128

HSL 87.92, 0.66%, 0.7%

LAB 85.78, -31.84, 44.25

 

CMYK 32 / 0 / 44 / 10

HEX #9BE580

RGB 155 229 128

HSL 103.96, 0.66%, 0.7%

LAB 84.26, -41.21, 42.01

 

CMYK 15 / 0 / 72 / 16

HEX #B6D73C

RGB 182 215 60

HSL 72.77, 0.66%, 0.54%

LAB 81.22, -31.08, 68.39

 

CMYK 12 / 0 / 58 / 13

HEX #C3DE5E

RGB 195 222 94

HSL 72.66, 0.66%, 0.62%

LAB 84.3, -26.99, 58.5

 

CMYK 9 / 0 / 44 / 10

HEX #D0E580

RGB 208 229 128

HSL 72.48, 0.66%, 0.7%

LAB 87.49, -22.15, 46.75

 

CMYK 7 / 0 / 31 / 7

HEX #DCECA2

RGB 220 236 162

HSL 72.97, 0.66%, 0.78%

LAB 90.7, -17.06, 34.19

 

CMYK 4 / 0 / 19 / 5

HEX #E9F3C4

RGB 233 243 196

HSL 72.77, 0.66%, 0.86%

LAB 94.06, -11.09, 21.59

 

CMYK 9 / 0 / 43 / 10

HEX #D0E582

RGB 208 229 130

HSL 72.73, 0.66%, 0.7%

LAB 87.51, -21.94, 45.81

 

CMYK 44 / 0 / 27 / 10

HEX #80E5A8

RGB 128 229 168

HSL 143.76, 0.66%, 0.7%

LAB 83.68, -42.9, 20.74

 

CMYK 9 / 44 / 0 / 10

HEX #D180E5

RGB 209 128 229

HSL 288.12, 0.66%, 0.7%

LAB 65.48, 47.42, -38.69

 

CMYK 9 / 0 / 43 / 10

HEX #D0E582

RGB 208 229 130

HSL 72.73, 0.66%, 0.7%

LAB 87.51, -21.94, 45.81

 

CMYK 44 / 9 / 0 / 10

HEX #80D1E5

RGB 128 209 229

HSL 191.88, 0.66%, 0.7%

LAB 79.53, -19.63, -17.62

 

CMYK 0 / 44 / 9 / 10

HEX #E580D1

RGB 229 128 209

HSL 311.88, 0.66%, 0.7%

LAB 67.05, 49.75, -24.94

 

CMYK 9 / 0 / 43 / 10

HEX #D0E582

RGB 208 229 130

HSL 72.73, 0.66%, 0.7%

LAB 87.51, -21.94, 45.81

 

CMYK 44 / 0 / 27 / 10

HEX #80E5A8

RGB 128 229 168

HSL 143.76, 0.66%, 0.7%

LAB 83.68, -42.9, 20.74

 

CMYK 35 / 44 / 0 / 10

HEX #9480E5

RGB 148 128 229

HSL 251.88, 0.66%, 0.7%

LAB 59.33, 30.48, -48.78

 

CMYK 0 / 44 / 17 / 10

HEX #E580BD

RGB 229 128 189

HSL 323.76, 0.66%, 0.7%

LAB 66.34, 46.58, -14.81

 

CMYK 9 / 0 / 43 / 10

HEX #D0E582

RGB 208 229 130

HSL 72.73, 0.66%, 0.7%

LAB 87.51, -21.94, 45.81

 

CMYK 44 / 0 / 13 / 10

HEX #80E5C7

RGB 128 229 199

HSL 162.18, 0.66%, 0.7%

LAB 84.36, -36.53, 5.46

 

CMYK 35 / 44 / 0 / 10

HEX #9480E5

RGB 148 128 229

HSL 251.88, 0.66%, 0.7%

LAB 59.33, 30.48, -48.78

 

CMYK 0 / 44 / 31 / 10

HEX #E5809E

RGB 229 128 158

HSL 342.18, 0.66%, 0.7%

LAB 65.41, 42.24, 1.32

 

Description

Color code: HEX #D0E582 | qconv.com Color code: HEX #D0E582 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 229 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 229 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 43 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 43% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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