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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0E563 it is the complementary color #2F1A9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0E563. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0E563 shade: #D5E55E, #E6F771, #F7FF84, #FFFF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0E563. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0E563 shade: #D0E563, #BFD350, #AEC13D, #9DAF2A and #8C9D17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0E563 shade: #CFE462, #E4D662, #E4B362, #E49062 and #E46D62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0E563 shade: #CFE462, #ACE462, #89E462, #66E462 and #62E481

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0E563 shade matches the following richer shades: #CFE462 and #D9F353

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0E563 shade: #CFE462, #C5D671, #BBC780, #B1B88F and #A7A99D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0E563 shade: #E4B262, #E4D562, #D1E462, #AEE462 and #8BE462

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0E563 shade: #B5D123, #C5DE3F, #CFE462, #DAEA85 and #E5F0A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0E563 shade: #D0E563, #62E490 and #C462E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0E563 shade: #D0E563, #62D1E4 and #E462D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0E563 shade: #D0E563, #62E490, #7662E4 and #E462B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0E563 shade: #D0E563, #62E4B7, #7662E4 and #E46290

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 57 / 10

HEX #D0E563

RGB 208 229 99

HSL 69.69, 0.71%, 0.64%

LAB 87.17, -24.82, 59.78

 

Complementary color

CMYK 70 / 83 / 0 / 39

HEX #2F1A9C

RGB 47 26 156

HSL 249.69, 0.71%, 0.36%

LAB 22.8, 47.6, -65.76

 

CMYK 7 / 0 / 59 / 10

HEX #D5E55E

RGB 213 229 94

HSL 67.11, 0.72%, 0.63%

LAB 87.48, -23.21, 62.38

 

CMYK 7 / 0 / 54 / 3

HEX #E6F771

RGB 230 247 113

HSL 67.61, 0.89%, 0.71%

LAB 93.68, -23.67, 61.46

 

CMYK 3 / 0 / 48 / 0

HEX #F7FF84

RGB 247 255 132

HSL 63.9, 1%, 0.76%

LAB 97.21, -19.3, 57.35

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 9 / 0 / 57 / 10

HEX #D0E563

RGB 208 229 99

HSL 69.69, 0.71%, 0.64%

LAB 87.17, -24.82, 59.78

 

CMYK 9 / 0 / 62 / 17

HEX #BFD350

RGB 191 211 80

HSL 69.16, 0.6%, 0.57%

LAB 80.87, -24.35, 60.62

 

CMYK 10 / 0 / 68 / 24

HEX #AEC13D

RGB 174 193 61

HSL 68.64, 0.52%, 0.5%

LAB 74.49, -23.77, 61.19

 

CMYK 10 / 0 / 76 / 31

HEX #9DAF2A

RGB 157 175 42

HSL 68.12, 0.61%, 0.43%

LAB 68.02, -23.03, 61.22

 

CMYK 11 / 0 / 85 / 38

HEX #8C9D17

RGB 140 157 23

HSL 67.61, 0.74%, 0.35%

LAB 61.44, -22.09, 60.31

 

CMYK 9 / 0 / 57 / 11

HEX #CFE462

RGB 207 228 98

HSL 69.69, 0.71%, 0.64%

LAB 86.82, -24.81, 59.8

 

CMYK 0 / 6 / 57 / 11

HEX #E4D662

RGB 228 214 98

HSL 53.54, 0.71%, 0.64%

LAB 84.72, -9.46, 57.89

 

CMYK 0 / 21 / 57 / 11

HEX #E4B362

RGB 228 179 98

HSL 37.38, 0.71%, 0.64%

LAB 75.83, 8.65, 47.6

 

CMYK 0 / 37 / 57 / 11

HEX #E49062

RGB 228 144 98

HSL 21.23, 0.71%, 0.64%

LAB 67.52, 27.3, 37.52

 

CMYK 0 / 52 / 57 / 11

HEX #E46D62

RGB 228 109 98

HSL 5.08, 0.71%, 0.64%

LAB 60.17, 45.33, 28.2

 

CMYK 9 / 0 / 57 / 11

HEX #CFE462

RGB 207 228 98

HSL 69.69, 0.71%, 0.64%

LAB 86.82, -24.81, 59.8

 

CMYK 25 / 0 / 57 / 11

HEX #ACE462

RGB 172 228 98

HSL 85.85, 0.71%, 0.64%

LAB 84.56, -38.15, 56.63

 

CMYK 40 / 0 / 57 / 11

HEX #89E462

RGB 137 228 98

HSL 102, 0.71%, 0.64%

LAB 82.75, -50.11, 54.08

 

CMYK 55 / 0 / 57 / 11

HEX #66E462

RGB 102 228 98

HSL 118.15, 0.71%, 0.64%

LAB 81.4, -59.98, 52.17

 

CMYK 57 / 0 / 43 / 11

HEX #62E481

RGB 98 228 129

HSL 134.31, 0.71%, 0.64%

LAB 81.66, -56.7, 37.73

 

CMYK 9 / 0 / 57 / 11

HEX #CFE462

RGB 207 228 98

HSL 69.69, 0.71%, 0.64%

LAB 86.82, -24.81, 59.8

 

CMYK 11 / 0 / 66 / 5

HEX #D9F353

RGB 217 243 83

HSL 69.75, 0.87%, 0.64%

LAB 91.45, -28.99, 71.11

 

CMYK 9 / 0 / 57 / 11

HEX #CFE462

RGB 207 228 98

HSL 69.69, 0.71%, 0.64%

LAB 86.82, -24.81, 59.8

 

CMYK 8 / 0 / 47 / 16

HEX #C5D671

RGB 197 214 113

HSL 70.1, 0.55%, 0.64%

LAB 82.46, -20.64, 47.64

 

CMYK 6 / 0 / 36 / 22

HEX #BBC780

RGB 187 199 128

HSL 70.14, 0.39%, 0.64%

LAB 77.86, -15.4, 34.21

 

CMYK 4 / 0 / 22 / 28

HEX #B1B88F

RGB 177 184 143

HSL 70.24, 0.22%, 0.64%

LAB 73.29, -9.47, 20.06

 

CMYK 1 / 0 / 7 / 34

HEX #A7A99D

RGB 167 169 157

HSL 70, 0.07%, 0.64%

LAB 68.77, -2.92, 5.94

 

CMYK 0 / 22 / 57 / 11

HEX #E4B262

RGB 228 178 98

HSL 36.92, 0.71%, 0.64%

LAB 75.59, 9.18, 47.31

 

CMYK 0 / 7 / 57 / 11

HEX #E4D562

RGB 228 213 98

HSL 53.08, 0.71%, 0.64%

LAB 84.47, -8.96, 57.59

 

CMYK 8 / 0 / 57 / 11

HEX #D1E462

RGB 209 228 98

HSL 68.77, 0.71%, 0.64%

LAB 86.96, -24.02, 60

 

CMYK 24 / 0 / 57 / 11

HEX #AEE462

RGB 174 228 98

HSL 84.92, 0.71%, 0.64%

LAB 84.67, -37.42, 56.8

 

CMYK 39 / 0 / 57 / 11

HEX #8BE462

RGB 139 228 98

HSL 101.08, 0.71%, 0.64%

LAB 82.84, -49.48, 54.21

 

CMYK 13 / 0 / 83 / 18

HEX #B5D123

RGB 181 209 35

HSL 69.66, 0.71%, 0.48%

LAB 79.35, -29.69, 73.9

 

CMYK 11 / 0 / 72 / 13

HEX #C5DE3F

RGB 197 222 63

HSL 69.43, 0.71%, 0.56%

LAB 84.21, -28.2, 70.62

 

CMYK 9 / 0 / 57 / 11

HEX #CFE462

RGB 207 228 98

HSL 69.69, 0.71%, 0.64%

LAB 86.82, -24.81, 59.8

 

CMYK 7 / 0 / 43 / 8

HEX #DAEA85

RGB 218 234 133

HSL 69.5, 0.71%, 0.72%

LAB 89.6, -20.22, 47.11

 

CMYK 5 / 0 / 30 / 6

HEX #E5F0A9

RGB 229 240 169

HSL 69.3, 0.7%, 0.8%

LAB 92.51, -14.8, 33.18

 

CMYK 9 / 0 / 57 / 10

HEX #D0E563

RGB 208 229 99

HSL 69.69, 0.71%, 0.64%

LAB 87.17, -24.82, 59.78

 

CMYK 57 / 0 / 37 / 11

HEX #62E490

RGB 98 228 144

HSL 141.23, 0.71%, 0.64%

LAB 81.89, -54.2, 30.49

 

CMYK 14 / 57 / 0 / 11

HEX #C462E4

RGB 196 98 228

HSL 285.23, 0.71%, 0.64%

LAB 58.11, 58.79, -49.85

 

CMYK 9 / 0 / 57 / 10

HEX #D0E563

RGB 208 229 99

HSL 69.69, 0.71%, 0.64%

LAB 87.17, -24.82, 59.78

 

CMYK 57 / 8 / 0 / 11

HEX #62D1E4

RGB 98 209 228

HSL 188.77, 0.71%, 0.64%

LAB 78.34, -26.3, -18.99

 

CMYK 0 / 57 / 8 / 11

HEX #E462D1

RGB 228 98 209

HSL 308.77, 0.71%, 0.64%

LAB 61.51, 63.72, -33.51

 

CMYK 9 / 0 / 57 / 10

HEX #D0E563

RGB 208 229 99

HSL 69.69, 0.71%, 0.64%

LAB 87.17, -24.82, 59.78

 

CMYK 57 / 0 / 37 / 11

HEX #62E490

RGB 98 228 144

HSL 141.23, 0.71%, 0.64%

LAB 81.89, -54.2, 30.49

 

CMYK 48 / 57 / 0 / 11

HEX #7662E4

RGB 118 98 228

HSL 249.23, 0.71%, 0.64%

LAB 49.72, 40.63, -63.74

 

CMYK 0 / 57 / 20 / 11

HEX #E462B7

RGB 228 98 183

HSL 320.77, 0.71%, 0.64%

LAB 60.47, 59.83, -20.33

 

CMYK 9 / 0 / 57 / 10

HEX #D0E563

RGB 208 229 99

HSL 69.69, 0.71%, 0.64%

LAB 87.17, -24.82, 59.78

 

CMYK 57 / 0 / 20 / 11

HEX #62E4B7

RGB 98 228 183

HSL 159.23, 0.71%, 0.64%

LAB 82.65, -46.41, 11.29

 

CMYK 48 / 57 / 0 / 11

HEX #7662E4

RGB 118 98 228

HSL 249.23, 0.71%, 0.64%

LAB 49.72, 40.63, -63.74

 

CMYK 0 / 57 / 37 / 11

HEX #E46290

RGB 228 98 144

HSL 338.77, 0.71%, 0.64%

LAB 59.2, 54.87, 0.29

 

Description

Color code: HEX #D0E563 | qconv.com Color code: HEX #D0E563 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 229 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 229 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 57 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 57% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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