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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0E44B it is the complementary color #2F1BB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0E44B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0E44B shade: #D5E446, #E6F659, #F7FF6C, #FFFF7F and #FFFF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0E44B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0E44B shade: #D0E44B, #BFD238, #AEC025, #9DAE12 and #8C9C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0E44B shade: #D0E449, #E4CE49, #E4A549, #E47B49 and #E45149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0E44B shade: #D0E449, #A6E449, #7CE449, #52E449 and #49E469

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0E44B shade matches the following richer shades: #D0E449 and #DCF538

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0E44B shade: #D0E449, #C3D35A, #B7C26B, #AAB17C and #9EA08D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0E44B shade: #E4A349, #E4CD49, #D2E449, #A9E449 and #7FE449

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0E44B shade: #A9BE1C, #C6DE25, #D0E449, #D9E96D and #E2EF91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0E44B shade: #D0E44B, #49E47A and #B849E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0E44B shade: #D0E44B, #49D2E4 and #E449D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0E44B shade: #D0E44B, #49E47A, #5B49E4 and #E449B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0E44B shade: #D0E44B, #49E4A9, #5B49E4 and #E44984

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 67 / 11

HEX #D0E44B

RGB 208 228 75

HSL 67.84, 0.74%, 0.59%

LAB 86.7, -25.97, 69.06

 

Complementary color

CMYK 74 / 85 / 0 / 29

HEX #2F1BB4

RGB 47 27 180

HSL 247.84, 0.74%, 0.41%

LAB 25.81, 54.25, -75.29

 

CMYK 7 / 0 / 69 / 11

HEX #D5E446

RGB 213 228 70

HSL 65.7, 0.75%, 0.58%

LAB 87.03, -24.22, 71.33

 

CMYK 7 / 0 / 64 / 4

HEX #E6F659

RGB 230 246 89

HSL 66.11, 0.9%, 0.66%

LAB 93.21, -24.89, 70.93

 

CMYK 3 / 0 / 58 / 0

HEX #F7FF6C

RGB 247 255 108

HSL 63.27, 1%, 0.71%

LAB 96.97, -21.2, 67.65

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 9 / 0 / 67 / 11

HEX #D0E44B

RGB 208 228 75

HSL 67.84, 0.74%, 0.59%

LAB 86.7, -25.97, 69.06

 

CMYK 9 / 0 / 73 / 18

HEX #BFD238

RGB 191 210 56

HSL 67.4, 0.63%, 0.52%

LAB 80.43, -25.26, 69.2

 

CMYK 9 / 0 / 81 / 25

HEX #AEC025

RGB 174 192 37

HSL 66.97, 0.68%, 0.45%

LAB 74.08, -24.39, 68.65

 

CMYK 10 / 0 / 90 / 32

HEX #9DAE12

RGB 157 174 18

HSL 66.54, 0.81%, 0.38%

LAB 67.64, -23.32, 66.97

 

CMYK 10 / 0 / 100 / 39

HEX #8C9C00

RGB 140 156 0

HSL 66.15, 1%, 0.31%

LAB 61.09, -22.06, 63.93

 

CMYK 9 / 0 / 68 / 11

HEX #D0E449

RGB 208 228 73

HSL 67.74, 0.74%, 0.59%

LAB 86.69, -26.08, 69.79

 

CMYK 0 / 10 / 68 / 11

HEX #E4CE49

RGB 228 206 73

HSL 51.48, 0.74%, 0.59%

LAB 82.44, -6.98, 66.01

 

CMYK 0 / 28 / 68 / 11

HEX #E4A549

RGB 228 165 73

HSL 35.61, 0.74%, 0.59%

LAB 72.15, 14.45, 55.26

 

CMYK 0 / 46 / 68 / 11

HEX #E47B49

RGB 228 123 73

HSL 19.35, 0.74%, 0.59%

LAB 62.63, 36.66, 44.76

 

CMYK 0 / 64 / 68 / 11

HEX #E45149

RGB 228 81 73

HSL 3.1, 0.74%, 0.59%

LAB 54.93, 56.51, 35.78

 

CMYK 9 / 0 / 68 / 11

HEX #D0E449

RGB 208 228 73

HSL 67.74, 0.74%, 0.59%

LAB 86.69, -26.08, 69.79

 

CMYK 27 / 0 / 68 / 11

HEX #A6E449

RGB 166 228 73

HSL 84, 0.74%, 0.59%

LAB 84, -42.31, 66.19

 

CMYK 46 / 0 / 68 / 11

HEX #7CE449

RGB 124 228 73

HSL 100.26, 0.74%, 0.59%

LAB 81.98, -56.38, 63.45

 

CMYK 64 / 0 / 68 / 11

HEX #52E449

RGB 82 228 73

HSL 116.52, 0.74%, 0.59%

LAB 80.61, -67.03, 61.59

 

CMYK 68 / 0 / 54 / 11

HEX #49E469

RGB 73 228 105

HSL 132.39, 0.74%, 0.59%

LAB 80.7, -65.23, 47.95

 

CMYK 9 / 0 / 68 / 11

HEX #D0E449

RGB 208 228 73

HSL 67.74, 0.74%, 0.59%

LAB 86.69, -26.08, 69.79

 

CMYK 10 / 0 / 77 / 4

HEX #DCF538

RGB 220 245 56

HSL 67.94, 0.9%, 0.59%

LAB 92.05, -30.04, 80.69

 

CMYK 9 / 0 / 68 / 11

HEX #D0E449

RGB 208 228 73

HSL 67.74, 0.74%, 0.59%

LAB 86.69, -26.08, 69.79

 

CMYK 8 / 0 / 57 / 17

HEX #C3D35A

RGB 195 211 90

HSL 67.93, 0.58%, 0.59%

LAB 81.25, -22, 56.83

 

CMYK 6 / 0 / 45 / 24

HEX #B7C26B

RGB 183 194 107

HSL 67.59, 0.42%, 0.59%

LAB 75.89, -16.85, 42.3

 

CMYK 4 / 0 / 30 / 31

HEX #AAB17C

RGB 170 177 124

HSL 67.92, 0.25%, 0.59%

LAB 70.49, -11.23, 26.36

 

CMYK 1 / 0 / 12 / 37

HEX #9EA08D

RGB 158 160 141

HSL 66.32, 0.09%, 0.59%

LAB 65.23, -4.18, 9.66

 

CMYK 0 / 29 / 68 / 11

HEX #E4A349

RGB 228 163 73

HSL 34.84, 0.74%, 0.59%

LAB 71.67, 15.51, 54.75

 

CMYK 0 / 10 / 68 / 11

HEX #E4CD49

RGB 228 205 73

HSL 51.1, 0.74%, 0.59%

LAB 82.18, -6.48, 65.74

 

CMYK 8 / 0 / 68 / 11

HEX #D2E449

RGB 210 228 73

HSL 66.97, 0.74%, 0.59%

LAB 86.83, -25.28, 69.98

 

CMYK 26 / 0 / 68 / 11

HEX #A9E449

RGB 169 228 73

HSL 82.84, 0.74%, 0.59%

LAB 84.18, -41.2, 66.42

 

CMYK 44 / 0 / 68 / 11

HEX #7FE449

RGB 127 228 73

HSL 99.1, 0.74%, 0.59%

LAB 82.1, -55.47, 63.62

 

CMYK 11 / 0 / 85 / 25

HEX #A9BE1C

RGB 169 190 28

HSL 67.78, 0.74%, 0.43%

LAB 73.12, -25.8, 69.86

 

CMYK 11 / 0 / 83 / 13

HEX #C6DE25

RGB 198 222 37

HSL 67.78, 0.74%, 0.51%

LAB 84.16, -28.81, 78.01

 

CMYK 9 / 0 / 68 / 11

HEX #D0E449

RGB 208 228 73

HSL 67.74, 0.74%, 0.59%

LAB 86.69, -26.08, 69.79

 

CMYK 7 / 0 / 53 / 9

HEX #D9E96D

RGB 217 233 109

HSL 67.74, 0.74%, 0.67%

LAB 88.99, -22.38, 57.59

 

CMYK 5 / 0 / 39 / 6

HEX #E2EF91

RGB 226 239 145

HSL 68.3, 0.75%, 0.75%

LAB 91.66, -18.31, 43.99

 

CMYK 9 / 0 / 67 / 11

HEX #D0E44B

RGB 208 228 75

HSL 67.84, 0.74%, 0.59%

LAB 86.7, -25.97, 69.06

 

CMYK 68 / 0 / 46 / 11

HEX #49E47A

RGB 73 228 122

HSL 138.97, 0.74%, 0.59%

LAB 80.91, -62.77, 40.09

 

CMYK 19 / 68 / 0 / 11

HEX #B849E4

RGB 184 73 228

HSL 282.97, 0.74%, 0.59%

LAB 52.46, 67.19, -58.95

 

CMYK 9 / 0 / 67 / 11

HEX #D0E44B

RGB 208 228 75

HSL 67.84, 0.74%, 0.59%

LAB 86.7, -25.97, 69.06

 

CMYK 68 / 8 / 0 / 11

HEX #49D2E4

RGB 73 210 228

HSL 186.97, 0.74%, 0.59%

LAB 77.94, -30.85, -19.66

 

CMYK 0 / 68 / 8 / 11

HEX #E449D2

RGB 228 73 210

HSL 306.97, 0.74%, 0.59%

LAB 57.95, 73.83, -39.63

 

CMYK 9 / 0 / 67 / 11

HEX #D0E44B

RGB 208 228 75

HSL 67.84, 0.74%, 0.59%

LAB 86.7, -25.97, 69.06

 

CMYK 68 / 0 / 46 / 11

HEX #49E47A

RGB 73 228 122

HSL 138.97, 0.74%, 0.59%

LAB 80.91, -62.77, 40.09

 

CMYK 60 / 68 / 0 / 11

HEX #5B49E4

RGB 91 73 228

HSL 246.97, 0.74%, 0.59%

LAB 42.14, 50.22, -76.18

 

CMYK 0 / 68 / 21 / 11

HEX #E449B3

RGB 228 73 179

HSL 318.97, 0.74%, 0.59%

LAB 56.6, 69.46, -23.96

 

CMYK 9 / 0 / 67 / 11

HEX #D0E44B

RGB 208 228 75

HSL 67.84, 0.74%, 0.59%

LAB 86.7, -25.97, 69.06

 

CMYK 68 / 0 / 26 / 11

HEX #49E4A9

RGB 73 228 169

HSL 157.16, 0.74%, 0.59%

LAB 81.71, -53.96, 17.22

 

CMYK 60 / 68 / 0 / 11

HEX #5B49E4

RGB 91 73 228

HSL 246.97, 0.74%, 0.59%

LAB 42.14, 50.22, -76.18

 

CMYK 0 / 68 / 42 / 11

HEX #E44984

RGB 228 73 132

HSL 337.16, 0.74%, 0.59%

LAB 55, 64.07, 1.22

 

Description

Color code: HEX #D0E44B | qconv.com Color code: HEX #D0E44B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 228 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 228 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 67 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 67% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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