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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0E441 it is the complementary color #2F1BBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0E441. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0E441 shade: #D5E43C, #E6F64F, #F7FF62, #FFFF75 and #FFFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0E441. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0E441 shade: #D0E441, #BFD22E, #AEC01B, #9DAE08 and #8C9C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0E441 shade: #CFE43F, #E4CB3F, #E49F3F, #E4733F and #E4463F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0E441 shade: #CFE43F, #A3E43F, #77E43F, #4AE43F and #3FE460

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0E441 shade matches the following richer shades: #CFE43F and #DDF52D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0E441 shade: #CFE43F, #C2D251, #B5C063, #A7AE74 and #9A9D86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0E441 shade: #E49F3F, #E4CB3F, #D0E43F, #A5E43F and #79E43F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0E441 shade: #A3B61A, #C3DA1F, #CFE43F, #D8E963 and #E1EE87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0E441 shade: #D0E441, #3FE473 and #B53FE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0E441 shade: #D0E441, #3FD0E4 and #E43FD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0E441 shade: #D0E441, #3FE473, #523FE4 and #E43FB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0E441 shade: #D0E441, #3FE4A5, #523FE4 and #E43F7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 71 / 11

HEX #D0E441

RGB 208 228 65

HSL 67.36, 0.75%, 0.57%

LAB 86.64, -26.5, 72.56

 

Complementary color

CMYK 75 / 86 / 0 / 25

HEX #2F1BBE

RGB 47 27 190

HSL 247.36, 0.75%, 0.43%

LAB 27.03, 57.12, -79.2

 

CMYK 7 / 0 / 74 / 11

HEX #D5E43C

RGB 213 228 60

HSL 65.36, 0.76%, 0.56%

LAB 86.98, -24.7, 74.65

 

CMYK 7 / 0 / 68 / 4

HEX #E6F64F

RGB 230 246 79

HSL 65.75, 0.9%, 0.64%

LAB 93.15, -25.46, 74.6

 

CMYK 3 / 0 / 62 / 0

HEX #F7FF62

RGB 247 255 98

HSL 63.06, 1%, 0.69%

LAB 96.89, -21.87, 71.65

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF88

RGB 255 255 136

HSL 60, 1%, 0.77%

LAB 97.86, -15.85, 56.42

 

CMYK 9 / 0 / 71 / 11

HEX #D0E441

RGB 208 228 65

HSL 67.36, 0.75%, 0.57%

LAB 86.64, -26.5, 72.56

 

CMYK 9 / 0 / 78 / 18

HEX #BFD22E

RGB 191 210 46

HSL 66.95, 0.65%, 0.5%

LAB 80.39, -25.68, 72.24

 

CMYK 9 / 0 / 86 / 25

HEX #AEC01B

RGB 174 192 27

HSL 66.55, 0.75%, 0.43%

LAB 74.05, -24.69, 70.99

 

CMYK 10 / 0 / 95 / 32

HEX #9DAE08

RGB 157 174 8

HSL 66.14, 0.91%, 0.36%

LAB 67.62, -23.49, 68.37

 

CMYK 10 / 0 / 100 / 39

HEX #8C9C00

RGB 140 156 0

HSL 66.15, 1%, 0.31%

LAB 61.09, -22.06, 63.93

 

CMYK 9 / 0 / 72 / 11

HEX #CFE43F

RGB 207 228 63

HSL 67.64, 0.75%, 0.57%

LAB 86.56, -27, 73.13

 

CMYK 0 / 11 / 72 / 11

HEX #E4CB3F

RGB 228 203 63

HSL 50.91, 0.75%, 0.57%

LAB 81.6, -5.95, 68.94

 

CMYK 0 / 30 / 72 / 11

HEX #E49F3F

RGB 228 159 63

HSL 34.91, 0.75%, 0.57%

LAB 70.63, 17.14, 58.07

 

CMYK 0 / 50 / 72 / 11

HEX #E4733F

RGB 228 115 63

HSL 18.91, 0.75%, 0.57%

LAB 60.88, 40.23, 47.87

 

CMYK 0 / 69 / 72 / 11

HEX #E4463F

RGB 228 70 63

HSL 2.55, 0.75%, 0.57%

LAB 53.2, 60.37, 39.38

 

CMYK 9 / 0 / 72 / 11

HEX #CFE43F

RGB 207 228 63

HSL 67.64, 0.75%, 0.57%

LAB 86.56, -27, 73.13

 

CMYK 29 / 0 / 72 / 11

HEX #A3E43F

RGB 163 228 63

HSL 83.64, 0.75%, 0.57%

LAB 83.77, -44.02, 69.47

 

CMYK 48 / 0 / 72 / 11

HEX #77E43F

RGB 119 228 63

HSL 99.64, 0.75%, 0.57%

LAB 81.71, -58.58, 66.74

 

CMYK 68 / 0 / 72 / 11

HEX #4AE43F

RGB 74 228 63

HSL 116, 0.75%, 0.57%

LAB 80.35, -69.41, 64.92

 

CMYK 72 / 0 / 58 / 11

HEX #3FE460

RGB 63 228 96

HSL 132, 0.75%, 0.57%

LAB 80.4, -68.02, 51.64

 

CMYK 9 / 0 / 72 / 11

HEX #CFE43F

RGB 207 228 63

HSL 67.64, 0.75%, 0.57%

LAB 86.56, -27, 73.13

 

CMYK 10 / 0 / 82 / 4

HEX #DDF52D

RGB 221 245 45

HSL 67.2, 0.91%, 0.57%

LAB 92.07, -30.01, 83.56

 

CMYK 9 / 0 / 72 / 11

HEX #CFE43F

RGB 207 228 63

HSL 67.64, 0.75%, 0.57%

LAB 86.56, -27, 73.13

 

CMYK 8 / 0 / 61 / 18

HEX #C2D251

RGB 194 210 81

HSL 67.44, 0.59%, 0.57%

LAB 80.83, -22.58, 60.22

 

CMYK 6 / 0 / 48 / 25

HEX #B5C063

RGB 181 192 99

HSL 67.1, 0.42%, 0.57%

LAB 75.09, -17.45, 45.22

 

CMYK 4 / 0 / 33 / 32

HEX #A7AE74

RGB 167 174 116

HSL 67.24, 0.26%, 0.57%

LAB 69.29, -11.91, 29

 

CMYK 2 / 0 / 15 / 38

HEX #9A9D86

RGB 154 157 134

HSL 67.83, 0.11%, 0.57%

LAB 63.92, -5.25, 11.68

 

CMYK 0 / 30 / 72 / 11

HEX #E49F3F

RGB 228 159 63

HSL 34.91, 0.75%, 0.57%

LAB 70.63, 17.14, 58.07

 

CMYK 0 / 11 / 72 / 11

HEX #E4CB3F

RGB 228 203 63

HSL 50.91, 0.75%, 0.57%

LAB 81.6, -5.95, 68.94

 

CMYK 9 / 0 / 72 / 11

HEX #D0E43F

RGB 208 228 63

HSL 67.27, 0.75%, 0.57%

LAB 86.63, -26.59, 73.22

 

CMYK 28 / 0 / 72 / 11

HEX #A5E43F

RGB 165 228 63

HSL 82.91, 0.75%, 0.57%

LAB 83.89, -43.29, 69.62

 

CMYK 47 / 0 / 72 / 11

HEX #79E43F

RGB 121 228 63

HSL 98.91, 0.75%, 0.57%

LAB 81.79, -57.99, 66.84

 

CMYK 10 / 0 / 86 / 29

HEX #A3B61A

RGB 163 182 26

HSL 67.31, 0.75%, 0.41%

LAB 70.4, -24.5, 67.84

 

CMYK 11 / 0 / 86 / 15

HEX #C3DA1F

RGB 195 218 31

HSL 67.38, 0.75%, 0.49%

LAB 82.83, -28.31, 78.07

 

CMYK 9 / 0 / 72 / 11

HEX #CFE43F

RGB 207 228 63

HSL 67.64, 0.75%, 0.57%

LAB 86.56, -27, 73.13

 

CMYK 7 / 0 / 58 / 9

HEX #D8E963

RGB 216 233 99

HSL 67.61, 0.75%, 0.65%

LAB 88.82, -23.57, 61.78

 

CMYK 5 / 0 / 43 / 7

HEX #E1EE87

RGB 225 238 135

HSL 67.57, 0.75%, 0.73%

LAB 91.19, -19.27, 48.24

 

CMYK 9 / 0 / 71 / 11

HEX #D0E441

RGB 208 228 65

HSL 67.36, 0.75%, 0.57%

LAB 86.64, -26.5, 72.56

 

CMYK 72 / 0 / 50 / 11

HEX #3FE473

RGB 63 228 115

HSL 138.91, 0.75%, 0.57%

LAB 80.62, -65.43, 43.08

 

CMYK 21 / 72 / 0 / 11

HEX #B53FE4

RGB 181 63 228

HSL 282.91, 0.75%, 0.57%

LAB 50.66, 70.48, -61.87

 

CMYK 9 / 0 / 71 / 11

HEX #D0E441

RGB 208 228 65

HSL 67.36, 0.75%, 0.57%

LAB 86.64, -26.5, 72.56

 

CMYK 72 / 9 / 0 / 11

HEX #3FD0E4

RGB 63 208 228

HSL 187.27, 0.75%, 0.57%

LAB 77.14, -31.18, -20.89

 

CMYK 0 / 72 / 9 / 11

HEX #E43FD0

RGB 228 63 208

HSL 307.27, 0.75%, 0.57%

LAB 56.69, 76.85, -40.49

 

CMYK 9 / 0 / 71 / 11

HEX #D0E441

RGB 208 228 65

HSL 67.36, 0.75%, 0.57%

LAB 86.64, -26.5, 72.56

 

CMYK 72 / 0 / 50 / 11

HEX #3FE473

RGB 63 228 115

HSL 138.91, 0.75%, 0.57%

LAB 80.62, -65.43, 43.08

 

CMYK 64 / 72 / 0 / 11

HEX #523FE4

RGB 82 63 228

HSL 246.91, 0.75%, 0.57%

LAB 39.5, 54.48, -80.55

 

CMYK 0 / 72 / 23 / 11

HEX #E43FB0

RGB 228 63 176

HSL 318.91, 0.75%, 0.57%

LAB 55.26, 72.49, -24.27

 

CMYK 9 / 0 / 71 / 11

HEX #D0E441

RGB 208 228 65

HSL 67.36, 0.75%, 0.57%

LAB 86.64, -26.5, 72.56

 

CMYK 72 / 0 / 28 / 11

HEX #3FE4A5

RGB 63 228 165

HSL 157.09, 0.75%, 0.57%

LAB 81.43, -56.26, 18.9

 

CMYK 64 / 72 / 0 / 11

HEX #523FE4

RGB 82 63 228

HSL 246.91, 0.75%, 0.57%

LAB 39.5, 54.48, -80.55

 

CMYK 0 / 72 / 45 / 11

HEX #E43F7E

RGB 228 63 126

HSL 337.09, 0.75%, 0.57%

LAB 53.55, 67.05, 2.7

 

Description

Color code: HEX #D0E441 | qconv.com Color code: HEX #D0E441 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 228 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 228 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 71 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 71% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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