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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0E39D it is the complementary color #2F1C62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0E39D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0E39D shade: #D5E398, #E6F5AB, #F7FFBE, #FFFFD1 and #FFFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0E39D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0E39D shade: #D0E39D, #BFD18A, #AEBF77, #9DAD64 and #8C9B51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0E39D shade: #D0E39C, #E3E39C, #E3D09C, #E3BD9C and #E3A99C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0E39D shade: #D0E39C, #BCE39C, #A9E39C, #9CE3A1 and #9CE3B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0E39D shade matches the following richer shades: #D0E39C, #D4ED91 and #D9F887

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0E39D shade: #D0E39C, #CBD9A6, #C6CEB0, #C1C4BA and #BDBAC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0E39D shade: #E3D09C, #E3E39C, #D0E39C, #BDE39C and #AAE39C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0E39D shade: #B1D15B, #C0DA7B, #D0E39C, #DFECBC and #EEF5DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0E39D shade: #D0E39D, #9CE3BD and #D99CE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0E39D shade: #D0E39D, #9CD0E3 and #E39CD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0E39D shade: #D0E39D, #9CE3BD, #AF9CE3 and #E39CC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0E39D shade: #D0E39D, #9CE3D2, #AF9CE3 and #E39CAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 31 / 11

HEX #D0E39D

RGB 208 227 157

HSL 76.29, 0.56%, 0.75%

LAB 87.38, -17.72, 32.17

 

Complementary color

CMYK 52 / 71 / 0 / 62

HEX #2F1C62

RGB 47 28 98

HSL 256.29, 0.56%, 0.25%

LAB 17.07, 28.32, -38.35

 

CMYK 6 / 0 / 33 / 11

HEX #D5E398

RGB 213 227 152

HSL 71.2, 0.57%, 0.74%

LAB 87.66, -16.5, 35.14

 

CMYK 6 / 0 / 30 / 4

HEX #E6F5AB

RGB 230 245 171

HSL 72.16, 0.79%, 0.82%

LAB 93.91, -16.63, 34.06

 

CMYK 3 / 0 / 25 / 0

HEX #F7FFBE

RGB 247 255 190

HSL 67.38, 1%, 0.87%

LAB 98.04, -12.84, 30.26

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 8 / 0 / 31 / 11

HEX #D0E39D

RGB 208 227 157

HSL 76.29, 0.56%, 0.75%

LAB 87.38, -17.72, 32.17

 

CMYK 9 / 0 / 34 / 18

HEX #BFD18A

RGB 191 209 138

HSL 75.21, 0.44%, 0.68%

LAB 81.02, -17.63, 33.26

 

CMYK 9 / 0 / 38 / 25

HEX #AEBF77

RGB 174 191 119

HSL 74.17, 0.36%, 0.61%

LAB 74.57, -17.51, 34.4

 

CMYK 9 / 0 / 42 / 32

HEX #9DAD64

RGB 157 173 100

HSL 73.15, 0.31%, 0.54%

LAB 68, -17.36, 35.59

 

CMYK 10 / 0 / 48 / 39

HEX #8C9B51

RGB 140 155 81

HSL 72.16, 0.31%, 0.46%

LAB 61.32, -17.14, 36.8

 

CMYK 8 / 0 / 31 / 11

HEX #D0E39C

RGB 208 227 156

HSL 76.06, 0.56%, 0.75%

LAB 87.36, -17.85, 32.65

 

CMYK 0 / 0 / 31 / 11

HEX #E3E39C

RGB 227 227 156

HSL 60, 0.56%, 0.75%

LAB 88.77, -10.73, 34.77

 

CMYK 0 / 8 / 31 / 11

HEX #E3D09C

RGB 227 208 156

HSL 43.94, 0.56%, 0.75%

LAB 83.88, -1.06, 28.26

 

CMYK 0 / 17 / 31 / 11

HEX #E3BD9C

RGB 227 189 156

HSL 27.89, 0.56%, 0.75%

LAB 79.11, 8.88, 21.77

 

CMYK 0 / 26 / 31 / 11

HEX #E3A99C

RGB 227 169 156

HSL 10.99, 0.56%, 0.75%

LAB 74.26, 19.55, 15.04

 

CMYK 8 / 0 / 31 / 11

HEX #D0E39C

RGB 208 227 156

HSL 76.06, 0.56%, 0.75%

LAB 87.36, -17.85, 32.65

 

CMYK 17 / 0 / 31 / 11

HEX #BCE39C

RGB 188 227 156

HSL 92.96, 0.56%, 0.75%

LAB 86.02, -25.1, 30.63

 

CMYK 26 / 0 / 31 / 11

HEX #A9E39C

RGB 169 227 156

HSL 109.01, 0.56%, 0.75%

LAB 84.88, -31.66, 28.9

 

CMYK 31 / 0 / 29 / 11

HEX #9CE3A1

RGB 156 227 161

HSL 124.23, 0.56%, 0.75%

LAB 84.27, -35.09, 25.38

 

CMYK 31 / 0 / 20 / 11

HEX #9CE3B5

RGB 156 227 181

HSL 141.13, 0.56%, 0.75%

LAB 84.66, -31.55, 15.52

 

CMYK 8 / 0 / 31 / 11

HEX #D0E39C

RGB 208 227 156

HSL 76.06, 0.56%, 0.75%

LAB 87.36, -17.85, 32.65

 

CMYK 11 / 0 / 39 / 7

HEX #D4ED91

RGB 212 237 145

HSL 76.3, 0.72%, 0.75%

LAB 90.14, -22.61, 41.85

 

CMYK 13 / 0 / 46 / 3

HEX #D9F887

RGB 217 248 135

HSL 76.46, 0.89%, 0.75%

LAB 93.29, -27.08, 50.71

 

CMYK 8 / 0 / 31 / 11

HEX #D0E39C

RGB 208 227 156

HSL 76.06, 0.56%, 0.75%

LAB 87.36, -17.85, 32.65

 

CMYK 6 / 0 / 24 / 15

HEX #CBD9A6

RGB 203 217 166

HSL 76.47, 0.4%, 0.75%

LAB 84.52, -13.31, 23.61

 

CMYK 4 / 0 / 15 / 19

HEX #C6CEB0

RGB 198 206 176

HSL 76, 0.23%, 0.75%

LAB 81.45, -7.98, 14.01

 

CMYK 2 / 0 / 5 / 23

HEX #C1C4BA

RGB 193 196 186

HSL 78, 0.08%, 0.75%

LAB 78.67, -2.85, 4.64

 

CMYK 4 / 6 / 0 / 23

HEX #BDBAC5

RGB 189 186 197

HSL 256.36, 0.09%, 0.75%

LAB 76.05, 3.12, -5.18

 

CMYK 0 / 8 / 31 / 11

HEX #E3D09C

RGB 227 208 156

HSL 43.94, 0.56%, 0.75%

LAB 83.88, -1.06, 28.26

 

CMYK 0 / 0 / 31 / 11

HEX #E3E39C

RGB 227 227 156

HSL 60, 0.56%, 0.75%

LAB 88.77, -10.73, 34.77

 

CMYK 8 / 0 / 31 / 11

HEX #D0E39C

RGB 208 227 156

HSL 76.06, 0.56%, 0.75%

LAB 87.36, -17.85, 32.65

 

CMYK 17 / 0 / 31 / 11

HEX #BDE39C

RGB 189 227 156

HSL 92.11, 0.56%, 0.75%

LAB 86.09, -24.74, 30.72

 

CMYK 25 / 0 / 31 / 11

HEX #AAE39C

RGB 170 227 156

HSL 108.17, 0.56%, 0.75%

LAB 84.94, -31.32, 28.98

 

CMYK 15 / 0 / 56 / 18

HEX #B1D15B

RGB 177 209 91

HSL 76.27, 0.56%, 0.59%

LAB 79.44, -28.1, 54

 

CMYK 12 / 0 / 44 / 15

HEX #C0DA7B

RGB 192 218 123

HSL 76.42, 0.56%, 0.67%

LAB 83.33, -23.47, 43.77

 

CMYK 8 / 0 / 31 / 11

HEX #D0E39C

RGB 208 227 156

HSL 76.06, 0.56%, 0.75%

LAB 87.36, -17.85, 32.65

 

CMYK 6 / 0 / 20 / 7

HEX #DFECBC

RGB 223 236 188

HSL 76.25, 0.56%, 0.83%

LAB 91.37, -12.36, 21.87

 

CMYK 3 / 0 / 10 / 4

HEX #EEF5DC

RGB 238 245 220

HSL 76.8, 0.56%, 0.91%

LAB 95.43, -6.6, 11.24

 

CMYK 8 / 0 / 31 / 11

HEX #D0E39D

RGB 208 227 157

HSL 76.29, 0.56%, 0.75%

LAB 87.38, -17.72, 32.17

 

CMYK 31 / 0 / 17 / 11

HEX #9CE3BD

RGB 156 227 189

HSL 147.89, 0.56%, 0.75%

LAB 84.83, -30.02, 11.57

 

CMYK 4 / 31 / 0 / 11

HEX #D99CE3

RGB 217 156 227

HSL 291.55, 0.56%, 0.75%

LAB 72.28, 34.55, -26.99

 

CMYK 8 / 0 / 31 / 11

HEX #D0E39D

RGB 208 227 157

HSL 76.29, 0.56%, 0.75%

LAB 87.38, -17.72, 32.17

 

CMYK 31 / 8 / 0 / 11

HEX #9CD0E3

RGB 156 208 227

HSL 196.06, 0.56%, 0.75%

LAB 80.59, -12.34, -14.82

 

CMYK 0 / 31 / 8 / 11

HEX #E39CD0

RGB 227 156 208

HSL 316.06, 0.56%, 0.75%

LAB 72.67, 34.34, -15.87

 

CMYK 8 / 0 / 31 / 11

HEX #D0E39D

RGB 208 227 157

HSL 76.29, 0.56%, 0.75%

LAB 87.38, -17.72, 32.17

 

CMYK 31 / 0 / 17 / 11

HEX #9CE3BD

RGB 156 227 189

HSL 147.89, 0.56%, 0.75%

LAB 84.83, -30.02, 11.57

 

CMYK 23 / 31 / 0 / 11

HEX #AF9CE3

RGB 175 156 227

HSL 256.06, 0.56%, 0.75%

LAB 68.34, 21.58, -33.39

 

CMYK 0 / 31 / 15 / 11

HEX #E39CC2

RGB 227 156 194

HSL 327.89, 0.56%, 0.75%

LAB 72.23, 32.03, -8.81

 

CMYK 8 / 0 / 31 / 11

HEX #D0E39D

RGB 208 227 157

HSL 76.29, 0.56%, 0.75%

LAB 87.38, -17.72, 32.17

 

CMYK 31 / 0 / 7 / 11

HEX #9CE3D2

RGB 156 227 210

HSL 165.63, 0.56%, 0.75%

LAB 85.33, -25.72, 1.23

 

CMYK 23 / 31 / 0 / 11

HEX #AF9CE3

RGB 175 156 227

HSL 256.06, 0.56%, 0.75%

LAB 68.34, 21.58, -33.39

 

CMYK 0 / 31 / 24 / 11

HEX #E39CAC

RGB 227 156 172

HSL 346.48, 0.56%, 0.75%

LAB 71.61, 28.69, 2.46

 

Description

Color code: HEX #D0E39D | qconv.com Color code: HEX #D0E39D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 227 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 227 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 31 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 31% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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