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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0E2D9 it is the complementary color #2F1D26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0E2D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0E2D9 shade: #D5E2D4, #E6F4E7, #F7FFFA and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0E2D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0E2D9 shade: #D0E2D9, #BFD0C6, #AEBEB3, #9DACA0 and #8C9A8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0E2D9 shade: #D0E2D9, #D0E2D4, #D0E2D0, #D5E2D0 and #DAE2D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0E2D9 shade: #D0E2D9, #D0E2DE, #D0E1E2, #D0DCE2 and #D0D7E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0E2D9 shade matches the following richer shades: #D0E2D9, #C9E8D9, #C3EED9, #BDF4D9 and #B7FBD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0E2D9 shade: #D0E2D9, #D6DCD9, #DCD6D9, #E2CFD9 and #E8C9D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0E2D9 shade: #D0E2D0, #D0E2D4, #D0E2D9, #D0E2DE and #D0E1E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0E2D9 shade: #9CC3AF, #B6D2C4, #D0E2D9, #E9F2ED and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0E2D9 shade: #D0E2D9, #D0D5E2 and #E2D1D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0E2D9 shade: #D0E2D9, #D9D0E2 and #E2D9D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0E2D9 shade: #D0E2D9, #D0D5E2, #E2D0D9 and #E2DCD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0E2D9 shade: #D0E2D9, #D0D0E2, #E2D0D9 and #E2E2D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 4 / 11

HEX #D0E2D9

RGB 208 226 217

HSL 150, 0.24%, 0.85%

LAB 88.36, -7.65, 2.33

 

Complementary color

CMYK 0 / 38 / 19 / 82

HEX #2F1D26

RGB 47 29 38

HSL 330, 0.24%, 0.15%

LAB 13.37, 10.55, -2.51

 

CMYK 6 / 0 / 6 / 11

HEX #D5E2D4

RGB 213 226 212

HSL 115.71, 0.19%, 0.86%

LAB 88.59, -6.88, 5.33

 

CMYK 6 / 0 / 5 / 4

HEX #E6F4E7

RGB 230 244 231

HSL 124.29, 0.39%, 0.93%

LAB 94.86, -6.94, 4.66

 

CMYK 3 / 0 / 2 / 0

HEX #F7FFFA

RGB 247 255 250

HSL 142.5, 1%, 0.98%

LAB 99.3, -3.5, 1.46

 

CMYK 8 / 0 / 4 / 11

HEX #D0E2D9

RGB 208 226 217

HSL 150, 0.24%, 0.85%

LAB 88.36, -7.65, 2.33

 

CMYK 8 / 0 / 5 / 18

HEX #BFD0C6

RGB 191 208 198

HSL 144.71, 0.15%, 0.78%

LAB 81.98, -7.62, 2.99

 

CMYK 8 / 0 / 6 / 25

HEX #AEBEB3

RGB 174 190 179

HSL 138.75, 0.11%, 0.71%

LAB 75.5, -7.6, 3.66

 

CMYK 9 / 0 / 7 / 33

HEX #9DACA0

RGB 157 172 160

HSL 132, 0.08%, 0.65%

LAB 68.9, -7.58, 4.37

 

CMYK 9 / 0 / 8 / 40

HEX #8C9A8D

RGB 140 154 141

HSL 124.29, 0.06%, 0.58%

LAB 62.18, -7.56, 5.12

 

CMYK 8 / 0 / 4 / 11

HEX #D0E2D9

RGB 208 226 217

HSL 150, 0.24%, 0.85%

LAB 88.36, -7.65, 2.33

 

CMYK 8 / 0 / 6 / 11

HEX #D0E2D4

RGB 208 226 212

HSL 133.33, 0.24%, 0.85%

LAB 88.24, -8.57, 4.78

 

CMYK 8 / 0 / 8 / 11

HEX #D0E2D0

RGB 208 226 208

HSL 120, 0.24%, 0.85%

LAB 88.14, -9.28, 6.74

 

CMYK 6 / 0 / 8 / 11

HEX #D5E2D0

RGB 213 226 208

HSL 103.33, 0.24%, 0.85%

LAB 88.49, -7.58, 7.3

 

CMYK 4 / 0 / 8 / 11

HEX #DAE2D0

RGB 218 226 208

HSL 86.67, 0.24%, 0.85%

LAB 88.85, -5.87, 7.86

 

CMYK 8 / 0 / 4 / 11

HEX #D0E2D9

RGB 208 226 217

HSL 150, 0.24%, 0.85%

LAB 88.36, -7.65, 2.33

 

CMYK 8 / 0 / 2 / 11

HEX #D0E2DE

RGB 208 226 222

HSL 166.67, 0.24%, 0.85%

LAB 88.48, -6.72, -0.11

 

CMYK 8 / 0 / 0 / 11

HEX #D0E1E2

RGB 208 225 226

HSL 183.33, 0.24%, 0.85%

LAB 88.33, -5.45, -2.44

 

CMYK 8 / 3 / 0 / 11

HEX #D0DCE2

RGB 208 220 226

HSL 200, 0.24%, 0.85%

LAB 87.04, -2.87, -4.33

 

CMYK 8 / 5 / 0 / 11

HEX #D0D7E2

RGB 208 215 226

HSL 216.67, 0.24%, 0.85%

LAB 85.76, -0.27, -6.23

 

CMYK 8 / 0 / 4 / 11

HEX #D0E2D9

RGB 208 226 217

HSL 150, 0.24%, 0.85%

LAB 88.36, -7.65, 2.33

 

CMYK 13 / 0 / 6 / 9

HEX #C9E8D9

RGB 201 232 217

HSL 150.97, 0.4%, 0.85%

LAB 89.46, -12.99, 3.87

 

CMYK 18 / 0 / 9 / 7

HEX #C3EED9

RGB 195 238 217

HSL 150.7, 0.56%, 0.85%

LAB 90.67, -17.91, 5.58

 

CMYK 23 / 0 / 11 / 4

HEX #BDF4D9

RGB 189 244 217

HSL 150.55, 0.71%, 0.85%

LAB 91.92, -22.73, 7.33

 

CMYK 27 / 0 / 14 / 2

HEX #B7FBD9

RGB 183 251 217

HSL 150, 0.89%, 0.85%

LAB 93.48, -27.91, 9.53

 

CMYK 8 / 0 / 4 / 11

HEX #D0E2D9

RGB 208 226 217

HSL 150, 0.24%, 0.85%

LAB 88.36, -7.65, 2.33

 

CMYK 3 / 0 / 1 / 14

HEX #D6DCD9

RGB 214 220 217

HSL 150, 0.08%, 0.85%

LAB 87.24, -2.56, 0.76

 

CMYK 0 / 3 / 1 / 14

HEX #DCD6D9

RGB 220 214 217

HSL 330, 0.08%, 0.85%

LAB 86.17, 2.59, -0.76

 

CMYK 0 / 8 / 4 / 11

HEX #E2CFD9

RGB 226 207 217

HSL 328.42, 0.25%, 0.85%

LAB 84.9, 8.31, -2.56

 

CMYK 0 / 13 / 6 / 9

HEX #E8C9D9

RGB 232 201 217

HSL 329.03, 0.4%, 0.85%

LAB 83.93, 13.55, -3.91

 

CMYK 8 / 0 / 8 / 11

HEX #D0E2D0

RGB 208 226 208

HSL 120, 0.24%, 0.85%

LAB 88.14, -9.28, 6.74

 

CMYK 8 / 0 / 6 / 11

HEX #D0E2D4

RGB 208 226 212

HSL 133.33, 0.24%, 0.85%

LAB 88.24, -8.57, 4.78

 

CMYK 8 / 0 / 4 / 11

HEX #D0E2D9

RGB 208 226 217

HSL 150, 0.24%, 0.85%

LAB 88.36, -7.65, 2.33

 

CMYK 8 / 0 / 2 / 11

HEX #D0E2DE

RGB 208 226 222

HSL 166.67, 0.24%, 0.85%

LAB 88.48, -6.72, -0.11

 

CMYK 8 / 0 / 0 / 11

HEX #D0E1E2

RGB 208 225 226

HSL 183.33, 0.24%, 0.85%

LAB 88.33, -5.45, -2.44

 

CMYK 20 / 0 / 10 / 24

HEX #9CC3AF

RGB 156 195 175

HSL 149.23, 0.25%, 0.69%

LAB 75.57, -17.03, 5.78

 

CMYK 13 / 0 / 7 / 18

HEX #B6D2C4

RGB 182 210 196

HSL 150, 0.24%, 0.77%

LAB 81.85, -12.04, 3.79

 

CMYK 8 / 0 / 4 / 11

HEX #D0E2D9

RGB 208 226 217

HSL 150, 0.24%, 0.85%

LAB 88.36, -7.65, 2.33

 

CMYK 4 / 0 / 2 / 5

HEX #E9F2ED

RGB 233 242 237

HSL 146.67, 0.26%, 0.93%

LAB 94.71, -3.87, 1.36

 

CMYK 8 / 0 / 4 / 11

HEX #D0E2D9

RGB 208 226 217

HSL 150, 0.24%, 0.85%

LAB 88.36, -7.65, 2.33

 

CMYK 8 / 6 / 0 / 11

HEX #D0D5E2

RGB 208 213 226

HSL 223.33, 0.24%, 0.85%

LAB 85.25, 0.78, -6.98

 

CMYK 0 / 8 / 8 / 11

HEX #E2D1D0

RGB 226 209 208

HSL 3.33, 0.24%, 0.85%

LAB 85.16, 5.71, 2.61

 

CMYK 8 / 0 / 4 / 11

HEX #D0E2D9

RGB 208 226 217

HSL 150, 0.24%, 0.85%

LAB 88.36, -7.65, 2.33

 

CMYK 4 / 8 / 0 / 11

HEX #D9D0E2

RGB 217 208 226

HSL 270, 0.24%, 0.85%

LAB 84.67, 6.38, -7.77

 

CMYK 0 / 4 / 8 / 11

HEX #E2D9D0

RGB 226 217 208

HSL 30, 0.24%, 0.85%

LAB 87.17, 1.54, 5.51

 

CMYK 8 / 0 / 4 / 11

HEX #D0E2D9

RGB 208 226 217

HSL 150, 0.24%, 0.85%

LAB 88.36, -7.65, 2.33

 

CMYK 8 / 6 / 0 / 11

HEX #D0D5E2

RGB 208 213 226

HSL 223.33, 0.24%, 0.85%

LAB 85.25, 0.78, -6.98

 

CMYK 0 / 8 / 4 / 11

HEX #E2D0D9

RGB 226 208 217

HSL 330, 0.24%, 0.85%

LAB 85.14, 7.79, -2.2

 

CMYK 0 / 3 / 8 / 11

HEX #E2DCD0

RGB 226 220 208

HSL 40, 0.24%, 0.85%

LAB 87.92, -0.01, 6.61

 

CMYK 8 / 0 / 4 / 11

HEX #D0E2D9

RGB 208 226 217

HSL 150, 0.24%, 0.85%

LAB 88.36, -7.65, 2.33

 

CMYK 8 / 8 / 0 / 11

HEX #D0D0E2

RGB 208 208 226

HSL 240, 0.24%, 0.85%

LAB 83.97, 3.4, -8.87

 

CMYK 0 / 8 / 4 / 11

HEX #E2D0D9

RGB 226 208 217

HSL 330, 0.24%, 0.85%

LAB 85.14, 7.79, -2.2

 

CMYK 0 / 0 / 8 / 11

HEX #E2E2D0

RGB 226 226 208

HSL 60, 0.24%, 0.85%

LAB 89.45, -3.1, 8.79

 

Description

Color code: HEX #D0E2D9 | qconv.com Color code: HEX #D0E2D9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 226 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 226 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 4 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 4% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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