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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0C210 it is the complementary color #2F3DEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0C210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0C210 shade: #D5C20B, #E6D41E, #F7E631, #FFF844 and #FFFF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0C210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0C210 shade: #D0C210, #BFB000, #AE9E00, #9D8C00 and #8C7A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0C210 shade: #D1C310, #D18F10, #D15B10, #D12710 and #D11010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0C210 shade: #D1C310, #ABD110, #77D110, #43D110 and #10D111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0C210 shade matches the following richer shades: #D1C310

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0C210 shade: #D1C310, #BFB322, #ACA434, #9A9446 and #888558

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0C210 shade: #D15A10, #D18D10, #D1C110, #ADD110 and #7AD110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0C210 shade: #847B0A, #AA9F0D, #D1C310, #EEDF1C and #F1E442

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0C210 shade: #D0C210, #10D126 and #7310D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0C210 shade: #D0C210, #10D1C1 and #C110D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0C210 shade: #D0C210, #10D126, #1020D1 and #D110BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0C210 shade: #D0C210, #10D160, #1020D1 and #D11080

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 92 / 18

HEX #D0C210

RGB 208 194 16

HSL 55.63, 0.86%, 0.44%

LAB 77.3, -11.31, 76.61

 

Complementary color

CMYK 80 / 74 / 0 / 6

HEX #2F3DEF

RGB 47 61 239

HSL 235.63, 0.86%, 0.56%

LAB 38.15, 55.94, -89.08

 

CMYK 0 / 9 / 95 / 16

HEX #D5C20B

RGB 213 194 11

HSL 54.36, 0.9%, 0.44%

LAB 77.73, -9.2, 77.72

 

CMYK 0 / 8 / 87 / 10

HEX #E6D41E

RGB 230 212 30

HSL 54.6, 0.8%, 0.51%

LAB 83.97, -10.71, 80.33

 

CMYK 0 / 7 / 80 / 3

HEX #F7E631

RGB 247 230 49

HSL 54.85, 0.93%, 0.58%

LAB 90.13, -12.02, 81.69

 

CMYK 0 / 3 / 73 / 0

HEX #FFF844

RGB 255 248 68

HSL 57.75, 1%, 0.63%

LAB 95.5, -16.83, 81.25

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF57

RGB 255 255 87

HSL 60, 1%, 0.67%

LAB 97.42, -19.31, 76.59

 

CMYK 0 / 7 / 92 / 18

HEX #D0C210

RGB 208 194 16

HSL 55.63, 0.86%, 0.44%

LAB 77.3, -11.31, 76.61

 

CMYK 0 / 8 / 100 / 25

HEX #BFB000

RGB 191 176 0

HSL 55.29, 1%, 0.37%

LAB 70.96, -9.7, 73.06

 

CMYK 0 / 9 / 100 / 32

HEX #AE9E00

RGB 174 158 0

HSL 54.48, 1%, 0.34%

LAB 64.53, -7.87, 67.73

 

CMYK 0 / 11 / 100 / 38

HEX #9D8C00

RGB 157 140 0

HSL 53.5, 1%, 0.31%

LAB 57.97, -5.97, 62.3

 

CMYK 0 / 13 / 100 / 45

HEX #8C7A00

RGB 140 122 0

HSL 52.29, 1%, 0.27%

LAB 51.26, -3.99, 56.75

 

CMYK 0 / 7 / 92 / 18

HEX #D1C310

RGB 209 195 16

HSL 55.65, 0.86%, 0.44%

LAB 77.65, -11.38, 76.91

 

CMYK 0 / 32 / 92 / 18

HEX #D18F10

RGB 209 143 16

HSL 39.48, 0.86%, 0.44%

LAB 64.35, 16.12, 66.93

 

CMYK 0 / 56 / 92 / 18

HEX #D15B10

RGB 209 91 16

HSL 23.32, 0.86%, 0.44%

LAB 53.03, 43.37, 58.81

 

CMYK 0 / 81 / 92 / 18

HEX #D12710

RGB 209 39 16

HSL 7.15, 0.86%, 0.44%

LAB 45.69, 63.22, 53.91

 

CMYK 0 / 92 / 92 / 18

HEX #D11010

RGB 209 16 16

HSL 0, 0.86%, 0.44%

LAB 44.18, 67.55, 52.95

 

CMYK 0 / 7 / 92 / 18

HEX #D1C310

RGB 209 195 16

HSL 55.65, 0.86%, 0.44%

LAB 77.65, -11.38, 76.91

 

CMYK 18 / 0 / 92 / 18

HEX #ABD110

RGB 171 209 16

HSL 71.81, 0.86%, 0.44%

LAB 78.63, -34.19, 76.43

 

CMYK 43 / 0 / 92 / 18

HEX #77D110

RGB 119 209 16

HSL 87.98, 0.86%, 0.44%

LAB 75.8, -53.36, 72.97

 

CMYK 68 / 0 / 92 / 18

HEX #43D110

RGB 67 209 16

HSL 104.15, 0.86%, 0.44%

LAB 74.08, -67.04, 70.85

 

CMYK 92 / 0 / 92 / 18

HEX #10D111

RGB 16 209 17

HSL 120.31, 0.86%, 0.44%

LAB 73.38, -73.18, 69.85

 

CMYK 0 / 7 / 92 / 18

HEX #D1C310

RGB 209 195 16

HSL 55.65, 0.86%, 0.44%

LAB 77.65, -11.38, 76.91

 

CMYK 0 / 7 / 92 / 18

HEX #D1C310

RGB 209 195 16

HSL 55.65, 0.86%, 0.44%

LAB 77.65, -11.38, 76.91

 

CMYK 0 / 6 / 82 / 25

HEX #BFB322

RGB 191 179 34

HSL 55.41, 0.7%, 0.44%

LAB 71.85, -10.65, 68.05

 

CMYK 0 / 5 / 70 / 33

HEX #ACA434

RGB 172 164 52

HSL 56, 0.54%, 0.44%

LAB 66.19, -10.43, 56.28

 

CMYK 0 / 4 / 55 / 40

HEX #9A9446

RGB 154 148 70

HSL 55.71, 0.38%, 0.44%

LAB 60.33, -8.56, 41.44

 

CMYK 0 / 2 / 35 / 47

HEX #888558

RGB 136 133 88

HSL 56.25, 0.21%, 0.44%

LAB 54.78, -6.18, 24.7

 

CMYK 0 / 57 / 92 / 18

HEX #D15A10

RGB 209 90 16

HSL 23.01, 0.86%, 0.44%

LAB 52.85, 43.85, 58.69

 

CMYK 0 / 33 / 92 / 18

HEX #D18D10

RGB 209 141 16

HSL 38.86, 0.86%, 0.44%

LAB 63.87, 17.2, 66.58

 

CMYK 0 / 8 / 92 / 18

HEX #D1C110

RGB 209 193 16

HSL 55.03, 0.86%, 0.44%

LAB 77.12, -10.37, 76.51

 

CMYK 17 / 0 / 92 / 18

HEX #ADD110

RGB 173 209 16

HSL 71.19, 0.86%, 0.44%

LAB 78.77, -33.38, 76.59

 

CMYK 42 / 0 / 92 / 18

HEX #7AD110

RGB 122 209 16

HSL 87.05, 0.86%, 0.44%

LAB 75.93, -52.38, 73.13

 

CMYK 0 / 7 / 92 / 48

HEX #847B0A

RGB 132 123 10

HSL 55.57, 0.86%, 0.28%

LAB 50.8, -8.13, 54.13

 

CMYK 0 / 6 / 92 / 33

HEX #AA9F0D

RGB 170 159 13

HSL 55.8, 0.86%, 0.36%

LAB 64.46, -10.02, 65.74

 

CMYK 0 / 7 / 92 / 18

HEX #D1C310

RGB 209 195 16

HSL 55.65, 0.86%, 0.44%

LAB 77.65, -11.38, 76.91

 

CMYK 0 / 6 / 88 / 7

HEX #EEDF1C

RGB 238 223 28

HSL 55.71, 0.86%, 0.52%

LAB 87.5, -12.83, 83.78

 

CMYK 0 / 5 / 73 / 5

HEX #F1E442

RGB 241 228 66

HSL 55.54, 0.86%, 0.6%

LAB 89.2, -12.91, 75.56

 

CMYK 0 / 7 / 92 / 18

HEX #D0C210

RGB 208 194 16

HSL 55.63, 0.86%, 0.44%

LAB 77.3, -11.31, 76.61

 

CMYK 92 / 0 / 82 / 18

HEX #10D126

RGB 16 209 38

HSL 126.84, 0.86%, 0.44%

LAB 73.45, -72.34, 65.66

 

CMYK 45 / 92 / 0 / 18

HEX #7310D1

RGB 115 16 209

HSL 270.78, 0.86%, 0.44%

LAB 35.24, 70.28, -76.53

 

CMYK 0 / 7 / 92 / 18

HEX #D0C210

RGB 208 194 16

HSL 55.63, 0.86%, 0.44%

LAB 77.3, -11.31, 76.61

 

CMYK 92 / 0 / 8 / 18

HEX #10D1C1

RGB 16 209 193

HSL 175.03, 0.86%, 0.44%

LAB 75.8, -45.55, -4.13

 

CMYK 8 / 92 / 0 / 18

HEX #C110D1

RGB 193 16 209

HSL 295.03, 0.86%, 0.44%

LAB 47.38, 80.65, -56.22

 

CMYK 0 / 7 / 92 / 18

HEX #D0C210

RGB 208 194 16

HSL 55.63, 0.86%, 0.44%

LAB 77.3, -11.31, 76.61

 

CMYK 92 / 0 / 82 / 18

HEX #10D126

RGB 16 209 38

HSL 126.84, 0.86%, 0.44%

LAB 73.45, -72.34, 65.66

 

CMYK 92 / 85 / 0 / 18

HEX #1020D1

RGB 16 32 209

HSL 235.03, 0.86%, 0.44%

LAB 28.76, 59.54, -87.5

 

CMYK 0 / 92 / 11 / 18

HEX #D110BA

RGB 209 16 186

HSL 307.15, 0.86%, 0.44%

LAB 48.85, 80.03, -40.37

 

CMYK 0 / 7 / 92 / 18

HEX #D0C210

RGB 208 194 16

HSL 55.63, 0.86%, 0.44%

LAB 77.3, -11.31, 76.61

 

CMYK 92 / 0 / 54 / 18

HEX #10D160

RGB 16 209 96

HSL 144.87, 0.86%, 0.44%

LAB 73.9, -66.63, 43.78

 

CMYK 92 / 85 / 0 / 18

HEX #1020D1

RGB 16 32 209

HSL 235.03, 0.86%, 0.44%

LAB 28.76, 59.54, -87.5

 

CMYK 0 / 92 / 39 / 18

HEX #D11080

RGB 209 16 128

HSL 325.18, 0.86%, 0.44%

LAB 46.29, 73.35, -9.62

 

Description

Color code: HEX #D0C210 | qconv.com Color code: HEX #D0C210 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 194 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 194 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 92 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 92% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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