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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0BE04 it is the complementary color #2F41FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0BE04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0BE04 shade: #D5BE00, #E6D012, #F7E225, #FFF438 and #FFFF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0BE04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0BE04 shade: #D0BE04, #BFAC00, #AE9A00, #9D8800 and #8C7600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0BE04 shade: #D2C004, #D28804, #D25104, #D21904 and #D20404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0BE04 shade: #D2C004, #ADD204, #75D204, #3ED204 and #06D204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0BE04 shade matches the following richer shades: #D2C004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0BE04 shade: #D2C004, #C1B216, #AFA327, #9E9538 and #8D874A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0BE04 shade: #D25004, #D28704, #D2BD04, #B0D204 and #79D204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0BE04 shade: #817603, #A99B03, #D2C004, #FAE406 and #FBE92E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0BE04 shade: #D0BE04, #04D219 and #6B04D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0BE04 shade: #D0BE04, #04D2BD and #BD04D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0BE04 shade: #D0BE04, #04D219, #0419D2 and #D204BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0BE04 shade: #D0BE04, #04D257, #0419D2 and #D20480

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 98 / 18

HEX #D0BE04

RGB 208 190 4

HSL 54.71, 0.96%, 0.42%

LAB 76.22, -9.4, 77.12

 

Complementary color

CMYK 81 / 74 / 0 / 2

HEX #2F41FB

RGB 47 65 251

HSL 234.71, 0.96%, 0.58%

LAB 40.16, 57.65, -92.5

 

CMYK 0 / 11 / 100 / 16

HEX #D5BE00

RGB 213 190 0

HSL 53.52, 1%, 0.42%

LAB 76.66, -7.26, 78.06

 

CMYK 0 / 10 / 92 / 10

HEX #E6D012

RGB 230 208 18

HSL 53.77, 0.85%, 0.49%

LAB 82.9, -8.89, 81.44

 

CMYK 0 / 9 / 85 / 3

HEX #F7E225

RGB 247 226 37

HSL 54, 0.93%, 0.56%

LAB 89.06, -10.35, 83.63

 

CMYK 0 / 4 / 78 / 0

HEX #FFF438

RGB 255 244 56

HSL 56.68, 1%, 0.61%

LAB 94.42, -15.33, 83.81

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 0 / 9 / 98 / 18

HEX #D0BE04

RGB 208 190 4

HSL 54.71, 0.96%, 0.42%

LAB 76.22, -9.4, 77.12

 

CMYK 0 / 10 / 100 / 25

HEX #BFAC00

RGB 191 172 0

HSL 54.03, 1%, 0.37%

LAB 69.88, -7.62, 72.29

 

CMYK 0 / 11 / 100 / 32

HEX #AE9A00

RGB 174 154 0

HSL 53.1, 1%, 0.34%

LAB 63.43, -5.74, 66.95

 

CMYK 0 / 13 / 100 / 38

HEX #9D8800

RGB 157 136 0

HSL 51.97, 1%, 0.31%

LAB 56.86, -3.78, 61.51

 

CMYK 0 / 16 / 100 / 45

HEX #8C7600

RGB 140 118 0

HSL 50.57, 1%, 0.27%

LAB 50.14, -1.74, 55.95

 

CMYK 0 / 9 / 98 / 18

HEX #D2C004

RGB 210 192 4

HSL 54.76, 0.96%, 0.42%

LAB 76.93, -9.55, 77.72

 

CMYK 0 / 35 / 98 / 18

HEX #D28804

RGB 210 136 4

HSL 38.45, 0.96%, 0.42%

LAB 62.78, 20.21, 67.74

 

CMYK 0 / 61 / 98 / 18

HEX #D25104

RGB 210 81 4

HSL 22.43, 0.96%, 0.42%

LAB 51.38, 48.28, 60.56

 

CMYK 0 / 88 / 98 / 18

HEX #D21904

RGB 210 25 4

HSL 6.12, 0.96%, 0.42%

LAB 44.81, 66.36, 57.17

 

CMYK 0 / 98 / 98 / 18

HEX #D20404

RGB 210 4 4

HSL 0, 0.96%, 0.42%

LAB 43.94, 68.87, 56.79

 

CMYK 0 / 9 / 98 / 18

HEX #D2C004

RGB 210 192 4

HSL 54.76, 0.96%, 0.42%

LAB 76.93, -9.55, 77.72

 

CMYK 18 / 0 / 98 / 18

HEX #ADD204

RGB 173 210 4

HSL 70.78, 0.96%, 0.42%

LAB 79.03, -33.99, 78.03

 

CMYK 44 / 0 / 98 / 18

HEX #75D204

RGB 117 210 4

HSL 87.09, 0.96%, 0.42%

LAB 76, -54.59, 74.36

 

CMYK 70 / 0 / 98 / 18

HEX #3ED204

RGB 62 210 4

HSL 103.11, 0.96%, 0.42%

LAB 74.27, -68.5, 72.26

 

CMYK 97 / 0 / 98 / 18

HEX #06D204

RGB 6 210 4

HSL 119.42, 0.96%, 0.42%

LAB 73.64, -74.14, 71.48

 

CMYK 0 / 9 / 98 / 18

HEX #D2C004

RGB 210 192 4

HSL 54.76, 0.96%, 0.42%

LAB 76.93, -9.55, 77.72

 

CMYK 0 / 9 / 98 / 18

HEX #D2C004

RGB 210 192 4

HSL 54.76, 0.96%, 0.42%

LAB 76.93, -9.55, 77.72

 

CMYK 0 / 8 / 89 / 24

HEX #C1B216

RGB 193 178 22

HSL 54.74, 0.8%, 0.42%

LAB 71.71, -9.55, 70.74

 

CMYK 0 / 7 / 78 / 31

HEX #AFA327

RGB 175 163 39

HSL 54.71, 0.64%, 0.42%

LAB 66.1, -9.18, 60.97

 

CMYK 0 / 6 / 65 / 38

HEX #9E9538

RGB 158 149 56

HSL 54.71, 0.48%, 0.42%

LAB 60.83, -8.4, 48.69

 

CMYK 0 / 4 / 48 / 45

HEX #8D874A

RGB 141 135 74

HSL 54.63, 0.31%, 0.42%

LAB 55.57, -6.77, 33.43

 

CMYK 0 / 62 / 98 / 18

HEX #D25004

RGB 210 80 4

HSL 22.14, 0.96%, 0.42%

LAB 51.21, 48.73, 60.46

 

CMYK 0 / 36 / 98 / 18

HEX #D28704

RGB 210 135 4

HSL 38.16, 0.96%, 0.42%

LAB 62.54, 20.75, 67.59

 

CMYK 0 / 10 / 98 / 18

HEX #D2BD04

RGB 210 189 4

HSL 53.88, 0.96%, 0.42%

LAB 76.13, -8.02, 77.14

 

CMYK 16 / 0 / 98 / 18

HEX #B0D204

RGB 176 210 4

HSL 69.9, 0.96%, 0.42%

LAB 79.23, -32.78, 78.26

 

CMYK 42 / 0 / 98 / 18

HEX #79D204

RGB 121 210 4

HSL 85.92, 0.96%, 0.42%

LAB 76.17, -53.29, 74.57

 

CMYK 0 / 9 / 98 / 49

HEX #817603

RGB 129 118 3

HSL 54.76, 0.95%, 0.26%

LAB 49.04, -6.91, 54.04

 

CMYK 0 / 8 / 98 / 34

HEX #A99B03

RGB 169 155 3

HSL 54.94, 0.97%, 0.34%

LAB 63.25, -8.49, 66.18

 

CMYK 0 / 9 / 98 / 18

HEX #D2C004

RGB 210 192 4

HSL 54.76, 0.96%, 0.42%

LAB 76.93, -9.55, 77.72

 

CMYK 0 / 9 / 98 / 2

HEX #FAE406

RGB 250 228 6

HSL 54.59, 0.96%, 0.5%

LAB 89.78, -10.51, 88.48

 

CMYK 0 / 7 / 82 / 2

HEX #FBE92E

RGB 251 233 46

HSL 54.73, 0.96%, 0.58%

LAB 91.23, -11.91, 83.52

 

CMYK 0 / 9 / 98 / 18

HEX #D0BE04

RGB 208 190 4

HSL 54.71, 0.96%, 0.42%

LAB 76.22, -9.4, 77.12

 

CMYK 98 / 0 / 88 / 18

HEX #04D219

RGB 4 210 25

HSL 126.12, 0.96%, 0.42%

LAB 73.67, -73.7, 68.76

 

CMYK 49 / 98 / 0 / 18

HEX #6B04D2

RGB 107 4 210

HSL 270, 0.96%, 0.42%

LAB 33.7, 71.51, -79.68

 

CMYK 0 / 9 / 98 / 18

HEX #D0BE04

RGB 208 190 4

HSL 54.71, 0.96%, 0.42%

LAB 76.22, -9.4, 77.12

 

CMYK 98 / 0 / 10 / 18

HEX #04D2BD

RGB 4 210 189

HSL 173.88, 0.96%, 0.42%

LAB 75.94, -47.45, -1.77

 

CMYK 10 / 98 / 0 / 18

HEX #BD04D2

RGB 189 4 210

HSL 293.88, 0.96%, 0.42%

LAB 46.39, 81.3, -58.43

 

CMYK 0 / 9 / 98 / 18

HEX #D0BE04

RGB 208 190 4

HSL 54.71, 0.96%, 0.42%

LAB 76.22, -9.4, 77.12

 

CMYK 98 / 0 / 88 / 18

HEX #04D219

RGB 4 210 25

HSL 126.12, 0.96%, 0.42%

LAB 73.67, -73.7, 68.76

 

CMYK 98 / 88 / 0 / 18

HEX #0419D2

RGB 4 25 210

HSL 233.88, 0.96%, 0.42%

LAB 27.78, 62.36, -89.74

 

CMYK 0 / 98 / 10 / 18

HEX #D204BD

RGB 210 4 189

HSL 306.12, 0.96%, 0.42%

LAB 48.84, 81.64, -42.13

 

CMYK 0 / 9 / 98 / 18

HEX #D0BE04

RGB 208 190 4

HSL 54.71, 0.96%, 0.42%

LAB 76.22, -9.4, 77.12

 

CMYK 98 / 0 / 59 / 18

HEX #04D257

RGB 4 210 87

HSL 144.17, 0.96%, 0.42%

LAB 74.07, -68.64, 48.14

 

CMYK 98 / 88 / 0 / 18

HEX #0419D2

RGB 4 25 210

HSL 233.88, 0.96%, 0.42%

LAB 27.78, 62.36, -89.74

 

CMYK 0 / 98 / 39 / 18

HEX #D20480

RGB 210 4 128

HSL 323.88, 0.96%, 0.42%

LAB 46.11, 74.68, -9.88

 

Description

Color code: HEX #D0BE04 | qconv.com Color code: HEX #D0BE04 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 190 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 190 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 98 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 98% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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