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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0BBF7 it is the complementary color #2F4408. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0BBF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0BBF7 shade: #D5BBF2, #E6CDFF, #F7DFFF and #FFF1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0BBF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0BBF7 shade: #D0BBF7, #BFA9E4, #AE97D1, #9D85BE and #8C73AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0BBF7 shade: #D0BBF7, #E0BBF7, #F0BBF7, #F7BBED and #F7BBDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0BBF7 shade: #D0BBF7, #BFBBF7 and #BBBBF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0BBF7 shade matches the following richer shades: #D0BBF7 and #CEB4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0BBF7 shade: #D0BBF7, #D2C1F1, #D3C7EB, #D5CDE4 and #D7D3DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0BBF7 shade: #BBC6F7, #C0BBF7, #D0BBF7, #E0BBF7 and #F0BBF7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0BBF7 shade: #9D71EE, #B696F3, #D0BBF7, #E9DFFB and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0BBF7 shade: #D0BBF7, #F7BBD6 and #BEF7BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0BBF7 shade: #D0BBF7, #F7D0BB and #BBF7D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0BBF7 shade: #D0BBF7, #F7BBD6, #E2F7BB and #BBF7DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0BBF7 shade: #D0BBF7, #F7BBC4, #E2F7BB and #BBF7EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 24 / 0 / 3

HEX #D0BBF7

RGB 208 187 247

HSL 261, 0.79%, 0.85%

LAB 79.42, 18.97, -26.95

 

Complementary color

CMYK 31 / 0 / 88 / 73

HEX #2F4408

RGB 47 68 8

HSL 81, 0.79%, 0.15%

LAB 26.03, -18.32, 30.94

 

CMYK 12 / 23 / 0 / 5

HEX #D5BBF2

RGB 213 187 242

HSL 268.36, 0.68%, 0.84%

LAB 79.67, 19.48, -23.86

 

CMYK 10 / 20 / 0 / 0

HEX #E6CDFF

RGB 230 205 255

HSL 270, 1%, 0.9%

LAB 85.86, 17.83, -21.25

 

CMYK 3 / 13 / 0 / 0

HEX #F7DFFF

RGB 247 223 255

HSL 285, 1%, 0.94%

LAB 91.58, 13.81, -12.51

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 16 / 24 / 0 / 3

HEX #D0BBF7

RGB 208 187 247

HSL 261, 0.79%, 0.85%

LAB 79.42, 18.97, -26.95

 

CMYK 16 / 26 / 0 / 11

HEX #BFA9E4

RGB 191 169 228

HSL 262.37, 0.52%, 0.78%

LAB 72.93, 19.45, -26.75

 

CMYK 17 / 28 / 0 / 18

HEX #AE97D1

RGB 174 151 209

HSL 263.79, 0.39%, 0.71%

LAB 66.32, 19.97, -26.57

 

CMYK 17 / 30 / 0 / 25

HEX #9D85BE

RGB 157 133 190

HSL 265.26, 0.3%, 0.63%

LAB 59.58, 20.55, -26.41

 

CMYK 18 / 33 / 0 / 33

HEX #8C73AB

RGB 140 115 171

HSL 266.79, 0.25%, 0.56%

LAB 52.7, 21.18, -26.27

 

CMYK 16 / 24 / 0 / 3

HEX #D0BBF7

RGB 208 187 247

HSL 261, 0.79%, 0.85%

LAB 79.42, 18.97, -26.95

 

CMYK 9 / 24 / 0 / 3

HEX #E0BBF7

RGB 224 187 247

HSL 277, 0.79%, 0.85%

LAB 80.8, 23.97, -24.73

 

CMYK 3 / 24 / 0 / 3

HEX #F0BBF7

RGB 240 187 247

HSL 293, 0.79%, 0.85%

LAB 82.26, 29.05, -22.37

 

CMYK 0 / 24 / 4 / 3

HEX #F7BBED

RGB 247 187 237

HSL 310, 0.79%, 0.85%

LAB 82.61, 29.52, -16.43

 

CMYK 0 / 24 / 11 / 3

HEX #F7BBDD

RGB 247 187 221

HSL 326, 0.79%, 0.85%

LAB 82.13, 26.8, -8.57

 

CMYK 16 / 24 / 0 / 3

HEX #D0BBF7

RGB 208 187 247

HSL 261, 0.79%, 0.85%

LAB 79.42, 18.97, -26.95

 

CMYK 23 / 24 / 0 / 3

HEX #BFBBF7

RGB 191 187 247

HSL 244, 0.79%, 0.85%

LAB 78.07, 13.8, -29.14

 

CMYK 24 / 24 / 0 / 3

HEX #BBBBF7

RGB 187 187 247

HSL 240, 0.79%, 0.85%

LAB 77.77, 12.61, -29.63

 

CMYK 16 / 24 / 0 / 3

HEX #D0BBF7

RGB 208 187 247

HSL 261, 0.79%, 0.85%

LAB 79.42, 18.97, -26.95

 

CMYK 19 / 29 / 0 / 1

HEX #CEB4FD

RGB 206 180 253

HSL 261.37, 0.95%, 0.85%

LAB 77.79, 23.47, -32.7

 

CMYK 16 / 24 / 0 / 3

HEX #D0BBF7

RGB 208 187 247

HSL 261, 0.79%, 0.85%

LAB 79.42, 18.97, -26.95

 

CMYK 13 / 20 / 0 / 5

HEX #D2C1F1

RGB 210 193 241

HSL 261.25, 0.63%, 0.85%

LAB 80.85, 15.08, -21.56

 

CMYK 10 / 15 / 0 / 8

HEX #D3C7EB

RGB 211 199 235

HSL 260, 0.47%, 0.85%

LAB 82.21, 10.95, -16.27

 

CMYK 7 / 10 / 0 / 11

HEX #D5CDE4

RGB 213 205 228

HSL 260.87, 0.3%, 0.85%

LAB 83.66, 7.03, -10.36

 

CMYK 3 / 5 / 0 / 13

HEX #D7D3DE

RGB 215 211 222

HSL 261.82, 0.14%, 0.85%

LAB 85.15, 3.38, -4.94

 

CMYK 24 / 20 / 0 / 3

HEX #BBC6F7

RGB 187 198 247

HSL 229, 0.79%, 0.85%

LAB 80.55, 6.64, -25.37

 

CMYK 22 / 24 / 0 / 3

HEX #C0BBF7

RGB 192 187 247

HSL 245, 0.79%, 0.85%

LAB 78.15, 14.1, -29.02

 

CMYK 16 / 24 / 0 / 3

HEX #D0BBF7

RGB 208 187 247

HSL 261, 0.79%, 0.85%

LAB 79.42, 18.97, -26.95

 

CMYK 9 / 24 / 0 / 3

HEX #E0BBF7

RGB 224 187 247

HSL 277, 0.79%, 0.85%

LAB 80.8, 23.97, -24.73

 

CMYK 3 / 24 / 0 / 3

HEX #F0BBF7

RGB 240 187 247

HSL 293, 0.79%, 0.85%

LAB 82.26, 29.05, -22.37

 

CMYK 34 / 53 / 0 / 7

HEX #9D71EE

RGB 157 113 238

HSL 261.12, 0.79%, 0.69%

LAB 57.22, 43.59, -57.1

 

CMYK 25 / 38 / 0 / 5

HEX #B696F3

RGB 182 150 243

HSL 260.65, 0.79%, 0.77%

LAB 68.19, 30.75, -42.35

 

CMYK 16 / 24 / 0 / 3

HEX #D0BBF7

RGB 208 187 247

HSL 261, 0.79%, 0.85%

LAB 79.42, 18.97, -26.95

 

CMYK 7 / 11 / 0 / 2

HEX #E9DFFB

RGB 233 223 251

HSL 261.43, 0.78%, 0.93%

LAB 90.35, 8.51, -12.37

 

CMYK 16 / 24 / 0 / 3

HEX #D0BBF7

RGB 208 187 247

HSL 261, 0.79%, 0.85%

LAB 79.42, 18.97, -26.95

 

CMYK 0 / 24 / 13 / 3

HEX #F7BBD6

RGB 247 187 214

HSL 333, 0.79%, 0.85%

LAB 81.93, 25.66, -5.1

 

CMYK 23 / 0 / 24 / 3

HEX #BEF7BB

RGB 190 247 187

HSL 117, 0.79%, 0.85%

LAB 92.16, -29.17, 23.14

 

CMYK 16 / 24 / 0 / 3

HEX #D0BBF7

RGB 208 187 247

HSL 261, 0.79%, 0.85%

LAB 79.42, 18.97, -26.95

 

CMYK 0 / 16 / 24 / 3

HEX #F7D0BB

RGB 247 208 187

HSL 21, 0.79%, 0.85%

LAB 86.24, 10.58, 15.52

 

CMYK 24 / 0 / 16 / 3

HEX #BBF7D0

RGB 187 247 208

HSL 141, 0.79%, 0.85%

LAB 92.42, -26.48, 12.68

 

CMYK 16 / 24 / 0 / 3

HEX #D0BBF7

RGB 208 187 247

HSL 261, 0.79%, 0.85%

LAB 79.42, 18.97, -26.95

 

CMYK 0 / 24 / 13 / 3

HEX #F7BBD6

RGB 247 187 214

HSL 333, 0.79%, 0.85%

LAB 81.93, 25.66, -5.1

 

CMYK 9 / 0 / 24 / 3

HEX #E2F7BB

RGB 226 247 187

HSL 81, 0.79%, 0.85%

LAB 94.43, -16.86, 26.62

 

CMYK 24 / 0 / 11 / 3

HEX #BBF7DC

RGB 187 247 220

HSL 153, 0.79%, 0.85%

LAB 92.69, -24.21, 6.87

 

CMYK 16 / 24 / 0 / 3

HEX #D0BBF7

RGB 208 187 247

HSL 261, 0.79%, 0.85%

LAB 79.42, 18.97, -26.95

 

CMYK 0 / 24 / 21 / 3

HEX #F7BBC4

RGB 247 187 196

HSL 351, 0.79%, 0.85%

LAB 81.46, 22.9, 3.89

 

CMYK 9 / 0 / 24 / 3

HEX #E2F7BB

RGB 226 247 187

HSL 81, 0.79%, 0.85%

LAB 94.43, -16.86, 26.62

 

CMYK 24 / 0 / 4 / 3

HEX #BBF7EE

RGB 187 247 238

HSL 171, 0.79%, 0.85%

LAB 93.13, -20.6, -1.82

 

Description

Color code: HEX #D0BBF7 | qconv.com Color code: HEX #D0BBF7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 187 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 187 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 24 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 24% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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