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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0B68C it is the complementary color #2F4973. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0B68C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0B68C shade: #D5B687, #E6C89A, #F7DAAD, #FFECC0 and #FFFED3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0B68C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0B68C shade: #D0B68C, #BFA479, #AE9266, #9D8053 and #8C6E40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0B68C shade: #D0B58B, #D0A38B, #D0908B and #D08B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0B68C shade: #D0B58B, #D0C88B, #C5D08B, #B2D08B and #A0D08B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0B68C shade matches the following richer shades: #D0B58B, #DDB97E, #EABC71 and #F7BF64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0B68C shade: #D0B58B, #C2B298, #B5AFA6, #A8ACB3 and #9BA9C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0B68C shade: #D0918B, #D0A38B, #D0B58B, #D0C88B and #C5D08B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0B68C shade: #B89051, #C4A36E, #D0B58B, #DCC8A8 and #E8DBC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0B68C shade: #D0B68C, #98D08B and #9A8BD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0B68C shade: #D0B68C, #8BD0B5 and #B58BD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0B68C shade: #D0B68C, #98D08B, #8BA5D0 and #C38BD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0B68C shade: #D0B68C, #8BD093, #8BA5D0 and #D08BC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 33 / 18

HEX #D0B68C

RGB 208 182 140

HSL 37.06, 0.42%, 0.68%

LAB 75.3, 3.17, 24.83

 

Complementary color

CMYK 59 / 37 / 0 / 55

HEX #2F4973

RGB 47 73 115

HSL 217.06, 0.42%, 0.32%

LAB 30.9, 3.89, -27.14

 

CMYK 0 / 15 / 37 / 16

HEX #D5B687

RGB 213 182 135

HSL 36.15, 0.48%, 0.68%

LAB 75.67, 4.54, 28.07

 

CMYK 0 / 13 / 33 / 10

HEX #E6C89A

RGB 230 200 154

HSL 36.32, 0.6%, 0.75%

LAB 82.09, 4.01, 26.93

 

CMYK 0 / 12 / 30 / 3

HEX #F7DAAD

RGB 247 218 173

HSL 36.49, 0.82%, 0.82%

LAB 88.42, 3.54, 25.86

 

CMYK 0 / 7 / 25 / 0

HEX #FFECC0

RGB 255 236 192

HSL 41.9, 1%, 0.88%

LAB 93.91, -0.18, 23.7

 

CMYK 0 / 0 / 17 / 0

HEX #FFFED3

RGB 255 254 211

HSL 58.64, 1%, 0.91%

LAB 98.77, -6.55, 20.73

 

CMYK 0 / 13 / 33 / 18

HEX #D0B68C

RGB 208 182 140

HSL 37.06, 0.42%, 0.68%

LAB 75.3, 3.17, 24.83

 

CMYK 0 / 14 / 37 / 25

HEX #BFA479

RGB 191 164 121

HSL 36.86, 0.35%, 0.61%

LAB 68.76, 3.7, 25.99

 

CMYK 0 / 16 / 41 / 32

HEX #AE9266

RGB 174 146 102

HSL 36.67, 0.31%, 0.54%

LAB 62.1, 4.31, 27.23

 

CMYK 0 / 18 / 47 / 38

HEX #9D8053

RGB 157 128 83

HSL 36.49, 0.31%, 0.47%

LAB 55.31, 5.04, 28.56

 

CMYK 0 / 21 / 54 / 45

HEX #8C6E40

RGB 140 110 64

HSL 36.32, 0.37%, 0.4%

LAB 48.38, 5.94, 29.99

 

CMYK 0 / 13 / 33 / 18

HEX #D0B58B

RGB 208 181 139

HSL 36.52, 0.42%, 0.68%

LAB 75.03, 3.58, 25

 

CMYK 0 / 22 / 33 / 18

HEX #D0A38B

RGB 208 163 139

HSL 20.87, 0.42%, 0.68%

LAB 70.5, 13.26, 18.82

 

CMYK 0 / 31 / 33 / 18

HEX #D0908B

RGB 208 144 139

HSL 4.35, 0.42%, 0.68%

LAB 65.92, 23.6, 12.44

 

CMYK 0 / 33 / 33 / 18

HEX #D08B8B

RGB 208 139 139

HSL 0, 0.42%, 0.68%

LAB 64.76, 26.32, 10.8

 

CMYK 0 / 13 / 33 / 18

HEX #D0B58B

RGB 208 181 139

HSL 36.52, 0.42%, 0.68%

LAB 75.03, 3.58, 25

 

CMYK 0 / 4 / 33 / 18

HEX #D0C88B

RGB 208 200 139

HSL 53.04, 0.42%, 0.68%

LAB 79.94, -6.39, 31.57

 

CMYK 5 / 0 / 33 / 18

HEX #C5D08B

RGB 197 208 139

HSL 69.57, 0.42%, 0.68%

LAB 81.21, -14.72, 33.07

 

CMYK 14 / 0 / 33 / 18

HEX #B2D08B

RGB 178 208 139

HSL 86.09, 0.42%, 0.68%

LAB 79.86, -21.85, 31.05

 

CMYK 23 / 0 / 33 / 18

HEX #A0D08B

RGB 160 208 139

HSL 101.74, 0.42%, 0.68%

LAB 78.72, -28.32, 29.33

 

CMYK 0 / 13 / 33 / 18

HEX #D0B58B

RGB 208 181 139

HSL 36.52, 0.42%, 0.68%

LAB 75.03, 3.58, 25

 

CMYK 0 / 16 / 43 / 13

HEX #DDB97E

RGB 221 185 126

HSL 37.26, 0.58%, 0.68%

LAB 77.03, 5.15, 34.73

 

CMYK 0 / 20 / 52 / 8

HEX #EABC71

RGB 234 188 113

HSL 37.19, 0.74%, 0.68%

LAB 78.84, 7.6, 43.93

 

CMYK 0 / 23 / 60 / 3

HEX #F7BF64

RGB 247 191 100

HSL 37.14, 0.9%, 0.68%

LAB 80.71, 10.34, 52.84

 

CMYK 0 / 13 / 33 / 18

HEX #D0B58B

RGB 208 181 139

HSL 36.52, 0.42%, 0.68%

LAB 75.03, 3.58, 25

 

CMYK 0 / 8 / 22 / 24

HEX #C2B298

RGB 194 178 152

HSL 37.14, 0.26%, 0.68%

LAB 73.27, 1.52, 15.37

 

CMYK 0 / 3 / 8 / 29

HEX #B5AFA6

RGB 181 175 166

HSL 36, 0.09%, 0.68%

LAB 71.72, 0.53, 5.36

 

CMYK 6 / 4 / 0 / 30

HEX #A8ACB3

RGB 168 172 179

HSL 218.18, 0.07%, 0.68%

LAB 70.24, -0.04, -4.08

 

CMYK 19 / 12 / 0 / 25

HEX #9BA9C0

RGB 155 169 192

HSL 217.3, 0.23%, 0.68%

LAB 68.86, 0.03, -13.42

 

CMYK 0 / 30 / 33 / 18

HEX #D0918B

RGB 208 145 139

HSL 5.22, 0.42%, 0.68%

LAB 66.16, 23.05, 12.77

 

CMYK 0 / 22 / 33 / 18

HEX #D0A38B

RGB 208 163 139

HSL 20.87, 0.42%, 0.68%

LAB 70.5, 13.26, 18.82

 

CMYK 0 / 13 / 33 / 18

HEX #D0B58B

RGB 208 181 139

HSL 36.52, 0.42%, 0.68%

LAB 75.03, 3.58, 25

 

CMYK 0 / 4 / 33 / 18

HEX #D0C88B

RGB 208 200 139

HSL 53.04, 0.42%, 0.68%

LAB 79.94, -6.39, 31.57

 

CMYK 5 / 0 / 33 / 18

HEX #C5D08B

RGB 197 208 139

HSL 69.57, 0.42%, 0.68%

LAB 81.21, -14.72, 33.07

 

CMYK 0 / 22 / 56 / 28

HEX #B89051

RGB 184 144 81

HSL 36.7, 0.42%, 0.52%

LAB 62.28, 7.59, 38.89

 

CMYK 0 / 17 / 44 / 23

HEX #C4A36E

RGB 196 163 110

HSL 36.98, 0.42%, 0.6%

LAB 68.79, 5.03, 32.03

 

CMYK 0 / 13 / 33 / 18

HEX #D0B58B

RGB 208 181 139

HSL 36.52, 0.42%, 0.68%

LAB 75.03, 3.58, 25

 

CMYK 0 / 9 / 24 / 14

HEX #DCC8A8

RGB 220 200 168

HSL 36.92, 0.43%, 0.76%

LAB 81.48, 2.04, 18.57

 

CMYK 0 / 6 / 15 / 9

HEX #E8DBC6

RGB 232 219 198

HSL 37.06, 0.43%, 0.84%

LAB 87.92, 1.02, 11.92

 

CMYK 0 / 13 / 33 / 18

HEX #D0B68C

RGB 208 182 140

HSL 37.06, 0.42%, 0.68%

LAB 75.3, 3.17, 24.83

 

CMYK 27 / 0 / 33 / 18

HEX #98D08B

RGB 152 208 139

HSL 108.7, 0.42%, 0.68%

LAB 78.26, -31.08, 28.63

 

CMYK 26 / 33 / 0 / 18

HEX #9A8BD0

RGB 154 139 208

HSL 253.04, 0.42%, 0.68%

LAB 61.56, 20.44, -33.51

 

CMYK 0 / 13 / 33 / 18

HEX #D0B68C

RGB 208 182 140

HSL 37.06, 0.42%, 0.68%

LAB 75.3, 3.17, 24.83

 

CMYK 33 / 0 / 13 / 18

HEX #8BD0B5

RGB 139 208 181

HSL 156.52, 0.42%, 0.68%

LAB 78.42, -27.55, 6.53

 

CMYK 13 / 33 / 0 / 18

HEX #B58BD0

RGB 181 139 208

HSL 276.52, 0.42%, 0.68%

LAB 64.03, 28.7, -29.48

 

CMYK 0 / 13 / 33 / 18

HEX #D0B68C

RGB 208 182 140

HSL 37.06, 0.42%, 0.68%

LAB 75.3, 3.17, 24.83

 

CMYK 27 / 0 / 33 / 18

HEX #98D08B

RGB 152 208 139

HSL 108.7, 0.42%, 0.68%

LAB 78.26, -31.08, 28.63

 

CMYK 33 / 21 / 0 / 18

HEX #8BA5D0

RGB 139 165 208

HSL 217.39, 0.42%, 0.68%

LAB 67.24, 1.24, -24.83

 

CMYK 6 / 33 / 0 / 18

HEX #C38BD0

RGB 195 139 208

HSL 288.7, 0.42%, 0.68%

LAB 65.45, 33.11, -27.17

 

CMYK 0 / 13 / 33 / 18

HEX #D0B68C

RGB 208 182 140

HSL 37.06, 0.42%, 0.68%

LAB 75.3, 3.17, 24.83

 

CMYK 33 / 0 / 29 / 18

HEX #8BD093

RGB 139 208 147

HSL 126.96, 0.42%, 0.68%

LAB 77.7, -34.03, 23.58

 

CMYK 33 / 21 / 0 / 18

HEX #8BA5D0

RGB 139 165 208

HSL 217.39, 0.42%, 0.68%

LAB 67.24, 1.24, -24.83

 

CMYK 0 / 33 / 4 / 18

HEX #D08BC8

RGB 208 139 200

HSL 306.96, 0.42%, 0.68%

LAB 66.55, 35.79, -20.9

 

Description

Color code: HEX #D0B68C | qconv.com Color code: HEX #D0B68C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 182 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 182 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 33 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 33% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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