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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0B2ED it is the complementary color #2F4D12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0B2ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0B2ED shade: #D5B2E8, #E6C4FB, #F7D6FF, #FFE8FF and #FFFAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0B2ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0B2ED shade: #D0B2ED, #BFA0DA, #AE8EC7, #9D7CB4 and #8C6AA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0B2ED shade: #CFB1ED, #DFB1ED, #EDB1EA, #EDB1DA and #EDB1C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0B2ED shade: #CFB1ED, #BFB1ED and #B1B1ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0B2ED shade matches the following richer shades: #CFB1ED, #CFA9F4 and #CFA1FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0B2ED shade: #CFB1ED, #CFB8E5, #CFC0DD, #CFC8D5 and #CFD0CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0B2ED shade: #B1B3ED, #BFB1ED, #CFB1ED, #DFB1ED and #EDB1EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0B2ED shade: #A66EDD, #BB8FE5, #CFB1ED, #E3D2F4 and #F8F3FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0B2ED shade: #D0B2ED, #EDB1C3 and #B1EDB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0B2ED shade: #D0B2ED, #EDCFB1 and #B1EDCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0B2ED shade: #D0B2ED, #EDB1C3, #CFEDB1 and #B1EDDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0B2ED shade: #D0B2ED, #EDB1B1, #CFEDB1 and #B1EDED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 25 / 0 / 7

HEX #D0B2ED

RGB 208 178 237

HSL 270.51, 0.62%, 0.81%

LAB 76.9, 21.76, -25.43

 

Complementary color

CMYK 39 / 0 / 77 / 70

HEX #2F4D12

RGB 47 77 18

HSL 90.51, 0.62%, 0.19%

LAB 29.3, -22.29, 30.01

 

CMYK 8 / 23 / 0 / 9

HEX #D5B2E8

RGB 213 178 232

HSL 278.89, 0.54%, 0.8%

LAB 77.17, 22.33, -22.28

 

CMYK 8 / 22 / 0 / 2

HEX #E6C4FB

RGB 230 196 251

HSL 277.09, 0.87%, 0.88%

LAB 83.58, 21.83, -22.58

 

CMYK 3 / 16 / 0 / 0

HEX #F7D6FF

RGB 247 214 255

HSL 288.29, 1%, 0.92%

LAB 89.43, 18.52, -15.72

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 0 / 2 / 0 / 0

HEX #FFFAFF

RGB 255 250 255

HSL 300, 1%, 0.99%

LAB 98.77, 2.53, -1.81

 

CMYK 12 / 25 / 0 / 7

HEX #D0B2ED

RGB 208 178 237

HSL 270.51, 0.62%, 0.81%

LAB 76.9, 21.76, -25.43

 

CMYK 12 / 27 / 0 / 15

HEX #BFA0DA

RGB 191 160 218

HSL 272.07, 0.44%, 0.74%

LAB 70.37, 22.29, -25.19

 

CMYK 13 / 29 / 0 / 22

HEX #AE8EC7

RGB 174 142 199

HSL 273.68, 0.34%, 0.67%

LAB 63.73, 22.86, -24.97

 

CMYK 13 / 31 / 0 / 29

HEX #9D7CB4

RGB 157 124 180

HSL 275.36, 0.27%, 0.6%

LAB 56.96, 23.49, -24.75

 

CMYK 13 / 34 / 0 / 37

HEX #8C6AA1

RGB 140 106 161

HSL 277.09, 0.23%, 0.52%

LAB 50.05, 24.18, -24.55

 

CMYK 13 / 25 / 0 / 7

HEX #CFB1ED

RGB 207 177 237

HSL 270, 0.63%, 0.81%

LAB 76.57, 21.99, -25.94

 

CMYK 6 / 25 / 0 / 7

HEX #DFB1ED

RGB 223 177 237

HSL 286, 0.63%, 0.81%

LAB 78.02, 27.06, -23.6

 

CMYK 0 / 25 / 1 / 7

HEX #EDB1EA

RGB 237 177 234

HSL 303, 0.63%, 0.81%

LAB 79.26, 31.01, -19.96

 

CMYK 0 / 25 / 8 / 7

HEX #EDB1DA

RGB 237 177 218

HSL 319, 0.63%, 0.81%

LAB 78.76, 28.2, -12.08

 

CMYK 0 / 25 / 15 / 7

HEX #EDB1C9

RGB 237 177 201

HSL 336, 0.63%, 0.81%

LAB 78.27, 25.41, -3.59

 

CMYK 13 / 25 / 0 / 7

HEX #CFB1ED

RGB 207 177 237

HSL 270, 0.63%, 0.81%

LAB 76.57, 21.99, -25.94

 

CMYK 19 / 25 / 0 / 7

HEX #BFB1ED

RGB 191 177 237

HSL 254, 0.63%, 0.81%

LAB 75.22, 17.02, -28.12

 

CMYK 25 / 25 / 0 / 7

HEX #B1B1ED

RGB 177 177 237

HSL 240, 0.63%, 0.81%

LAB 74.13, 12.81, -29.9

 

CMYK 13 / 25 / 0 / 7

HEX #CFB1ED

RGB 207 177 237

HSL 270, 0.63%, 0.81%

LAB 76.57, 21.99, -25.94

 

CMYK 15 / 31 / 0 / 4

HEX #CFA9F4

RGB 207 169 244

HSL 270.4, 0.77%, 0.81%

LAB 74.93, 27.83, -32.24

 

CMYK 18 / 36 / 0 / 1

HEX #CFA1FC

RGB 207 161 252

HSL 270.33, 0.94%, 0.81%

LAB 73.4, 33.92, -38.94

 

CMYK 13 / 25 / 0 / 7

HEX #CFB1ED

RGB 207 177 237

HSL 270, 0.63%, 0.81%

LAB 76.57, 21.99, -25.94

 

CMYK 10 / 20 / 0 / 10

HEX #CFB8E5

RGB 207 184 229

HSL 270.67, 0.46%, 0.81%

LAB 78, 16.53, -19.45

 

CMYK 6 / 13 / 0 / 13

HEX #CFC0DD

RGB 207 192 221

HSL 271.03, 0.3%, 0.81%

LAB 79.72, 10.62, -12.54

 

CMYK 3 / 6 / 0 / 16

HEX #CFC8D5

RGB 207 200 213

HSL 272.31, 0.13%, 0.81%

LAB 81.5, 4.81, -5.6

 

CMYK 0 / 0 / 1 / 18

HEX #CFD0CD

RGB 207 208 205

HSL 80, 0.03%, 0.81%

LAB 83.33, -0.88, 1.36

 

CMYK 25 / 24 / 0 / 7

HEX #B1B3ED

RGB 177 179 237

HSL 238, 0.63%, 0.81%

LAB 74.64, 11.71, -29.12

 

CMYK 19 / 25 / 0 / 7

HEX #BFB1ED

RGB 191 177 237

HSL 254, 0.63%, 0.81%

LAB 75.22, 17.02, -28.12

 

CMYK 13 / 25 / 0 / 7

HEX #CFB1ED

RGB 207 177 237

HSL 270, 0.63%, 0.81%

LAB 76.57, 21.99, -25.94

 

CMYK 6 / 25 / 0 / 7

HEX #DFB1ED

RGB 223 177 237

HSL 286, 0.63%, 0.81%

LAB 78.02, 27.06, -23.6

 

CMYK 0 / 25 / 1 / 7

HEX #EDB1EB

RGB 237 177 235

HSL 302, 0.63%, 0.81%

LAB 79.3, 31.2, -20.45

 

CMYK 25 / 50 / 0 / 13

HEX #A66EDD

RGB 166 110 221

HSL 270.27, 0.62%, 0.65%

LAB 56.56, 43.38, -48.58

 

CMYK 18 / 38 / 0 / 10

HEX #BB8FE5

RGB 187 143 229

HSL 270.7, 0.62%, 0.73%

LAB 66.42, 32.88, -37.39

 

CMYK 13 / 25 / 0 / 7

HEX #CFB1ED

RGB 207 177 237

HSL 270, 0.63%, 0.81%

LAB 76.57, 21.99, -25.94

 

CMYK 7 / 14 / 0 / 4

HEX #E3D2F4

RGB 227 210 244

HSL 270, 0.61%, 0.89%

LAB 86.48, 12.06, -14.52

 

CMYK 2 / 4 / 0 / 1

HEX #F8F3FC

RGB 248 243 252

HSL 273.33, 0.6%, 0.97%

LAB 96.45, 3.26, -3.74

 

CMYK 12 / 25 / 0 / 7

HEX #D0B2ED

RGB 208 178 237

HSL 270.51, 0.62%, 0.81%

LAB 76.9, 21.76, -25.43

 

CMYK 0 / 25 / 18 / 7

HEX #EDB1C3

RGB 237 177 195

HSL 342, 0.63%, 0.81%

LAB 78.1, 24.48, -0.57

 

CMYK 25 / 0 / 23 / 7

HEX #B1EDB7

RGB 177 237 183

HSL 126, 0.63%, 0.81%

LAB 88.61, -29.34, 20.16

 

CMYK 12 / 25 / 0 / 7

HEX #D0B2ED

RGB 208 178 237

HSL 270.51, 0.62%, 0.81%

LAB 76.9, 21.76, -25.43

 

CMYK 0 / 13 / 25 / 7

HEX #EDCFB1

RGB 237 207 177

HSL 30, 0.63%, 0.81%

LAB 84.9, 6.01, 18.78

 

CMYK 25 / 0 / 13 / 7

HEX #B1EDCF

RGB 177 237 207

HSL 150, 0.63%, 0.81%

LAB 89.12, -24.96, 8.42

 

CMYK 12 / 25 / 0 / 7

HEX #D0B2ED

RGB 208 178 237

HSL 270.51, 0.62%, 0.81%

LAB 76.9, 21.76, -25.43

 

CMYK 0 / 25 / 18 / 7

HEX #EDB1C3

RGB 237 177 195

HSL 342, 0.63%, 0.81%

LAB 78.1, 24.48, -0.57

 

CMYK 13 / 0 / 25 / 7

HEX #CFEDB1

RGB 207 237 177

HSL 90, 0.63%, 0.81%

LAB 90.33, -20.16, 25.91

 

CMYK 25 / 0 / 8 / 7

HEX #B1EDDB

RGB 177 237 219

HSL 162, 0.63%, 0.81%

LAB 89.41, -22.58, 2.57

 

CMYK 12 / 25 / 0 / 7

HEX #D0B2ED

RGB 208 178 237

HSL 270.51, 0.62%, 0.81%

LAB 76.9, 21.76, -25.43

 

CMYK 0 / 25 / 25 / 7

HEX #EDB1B1

RGB 237 177 177

HSL 0, 0.63%, 0.81%

LAB 77.65, 21.84, 8.55

 

CMYK 13 / 0 / 25 / 7

HEX #CFEDB1

RGB 207 237 177

HSL 90, 0.63%, 0.81%

LAB 90.33, -20.16, 25.91

 

CMYK 25 / 0 / 0 / 7

HEX #B1EDED

RGB 177 237 237

HSL 180, 0.63%, 0.81%

LAB 89.87, -18.79, -6.15

 

Description

Color code: HEX #D0B2ED | qconv.com Color code: HEX #D0B2ED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 178 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 178 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 25 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 25% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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