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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0AF9A it is the complementary color #2F5065. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0AF9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0AF9A shade: #D5AF95, #E6C1A8, #F7D3BB, #FFE5CE and #FFF7E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0AF9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0AF9A shade: #D0AF9A, #BF9D87, #AE8B74, #9D7961 and #8C674E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0AF9A shade: #D0AF9A, #D0A19A and #D09A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0AF9A shade: #D0AF9A, #D0BD9A, #D0CC9A, #C5D09A and #B7D09A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0AF9A shade matches the following richer shades: #D0AF9A, #DCAC8E, #E8AA82 and #F4A777

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0AF9A shade: #D0AF9A, #C4B2A6, #B8B4B2, #ACB7BE and #A0BACA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0AF9A shade: #D09AA2, #D0A19A, #D0AF9A, #D0BD9A and #D0CB9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0AF9A shade: #B58362, #C2997E, #D0AF9A, #DDC5B6 and #EADCD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0AF9A shade: #D0AF9A, #B1D09A and #9A9BD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0AF9A shade: #D0AF9A, #9AD0AF and #AF9AD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0AF9A shade: #D0AF9A, #B1D09A, #9ABBD0 and #B99AD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0AF9A shade: #D0AF9A, #A1D09A, #9ABBD0 and #C99AD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 26 / 18

HEX #D0AF9A

RGB 208 175 154

HSL 23.33, 0.36%, 0.71%

LAB 73.81, 8.78, 15.22

 

Complementary color

CMYK 53 / 21 / 0 / 60

HEX #2F5065

RGB 47 80 101

HSL 203.33, 0.36%, 0.29%

LAB 32.44, -5.48, -15.92

 

CMYK 0 / 18 / 30 / 16

HEX #D5AF95

RGB 213 175 149

HSL 24.38, 0.43%, 0.71%

LAB 74.17, 10.03, 18.52

 

CMYK 0 / 16 / 27 / 10

HEX #E6C1A8

RGB 230 193 168

HSL 24.19, 0.55%, 0.78%

LAB 80.62, 9.5, 17.5

 

CMYK 0 / 15 / 24 / 3

HEX #F7D3BB

RGB 247 211 187

HSL 24, 0.79%, 0.85%

LAB 86.97, 9.02, 16.55

 

CMYK 0 / 10 / 19 / 0

HEX #FFE5CE

RGB 255 229 206

HSL 28.16, 1%, 0.9%

LAB 92.47, 5.34, 14.45

 

CMYK 0 / 3 / 12 / 0

HEX #FFF7E1

RGB 255 247 225

HSL 44, 1%, 0.94%

LAB 97.32, -0.94, 11.52

 

CMYK 0 / 16 / 26 / 18

HEX #D0AF9A

RGB 208 175 154

HSL 23.33, 0.36%, 0.71%

LAB 73.81, 8.78, 15.22

 

CMYK 0 / 18 / 29 / 25

HEX #BF9D87

RGB 191 157 135

HSL 23.57, 0.3%, 0.64%

LAB 67.23, 9.31, 16.24

 

CMYK 0 / 20 / 33 / 32

HEX #AE8B74

RGB 174 139 116

HSL 23.79, 0.26%, 0.57%

LAB 60.54, 9.92, 17.34

 

CMYK 0 / 23 / 38 / 38

HEX #9D7961

RGB 157 121 97

HSL 24, 0.24%, 0.5%

LAB 53.71, 10.63, 18.55

 

CMYK 0 / 26 / 44 / 45

HEX #8C674E

RGB 140 103 78

HSL 24.19, 0.28%, 0.43%

LAB 46.75, 11.48, 19.9

 

CMYK 0 / 16 / 26 / 18

HEX #D0AF9A

RGB 208 175 154

HSL 23.33, 0.36%, 0.71%

LAB 73.81, 8.78, 15.22

 

CMYK 0 / 23 / 26 / 18

HEX #D0A19A

RGB 208 161 154

HSL 7.78, 0.36%, 0.71%

LAB 70.34, 16.36, 10.33

 

CMYK 0 / 26 / 26 / 18

HEX #D09A9A

RGB 208 154 154

HSL 0, 0.36%, 0.71%

LAB 68.65, 20.17, 7.92

 

CMYK 0 / 16 / 26 / 18

HEX #D0AF9A

RGB 208 175 154

HSL 23.33, 0.36%, 0.71%

LAB 73.81, 8.78, 15.22

 

CMYK 0 / 9 / 26 / 18

HEX #D0BD9A

RGB 208 189 154

HSL 38.89, 0.36%, 0.71%

LAB 77.36, 1.31, 20.16

 

CMYK 0 / 2 / 26 / 18

HEX #D0CC9A

RGB 208 204 154

HSL 55.56, 0.36%, 0.71%

LAB 81.25, -6.52, 25.48

 

CMYK 5 / 0 / 26 / 18

HEX #C5D09A

RGB 197 208 154

HSL 72.22, 0.36%, 0.71%

LAB 81.46, -12.71, 25.63

 

CMYK 12 / 0 / 26 / 18

HEX #B7D09A

RGB 183 208 154

HSL 87.78, 0.36%, 0.71%

LAB 80.47, -17.86, 24.11

 

CMYK 0 / 16 / 26 / 18

HEX #D0AF9A

RGB 208 175 154

HSL 23.33, 0.36%, 0.71%

LAB 73.81, 8.78, 15.22

 

CMYK 0 / 22 / 35 / 14

HEX #DCAC8E

RGB 220 172 142

HSL 23.08, 0.53%, 0.71%

LAB 73.98, 13.48, 22.15

 

CMYK 0 / 27 / 44 / 9

HEX #E8AA82

RGB 232 170 130

HSL 23.53, 0.69%, 0.71%

LAB 74.52, 17.94, 29.54

 

CMYK 0 / 32 / 51 / 4

HEX #F4A777

RGB 244 167 119

HSL 23.04, 0.85%, 0.71%

LAB 74.95, 23.24, 36.19

 

CMYK 0 / 16 / 26 / 18

HEX #D0AF9A

RGB 208 175 154

HSL 23.33, 0.36%, 0.71%

LAB 73.81, 8.78, 15.22

 

CMYK 0 / 9 / 15 / 23

HEX #C4B2A6

RGB 196 178 166

HSL 24, 0.2%, 0.71%

LAB 73.76, 4.44, 8.46

 

CMYK 0 / 2 / 3 / 28

HEX #B8B4B2

RGB 184 180 178

HSL 20, 0.04%, 0.71%

LAB 73.58, 1.05, 1.51

 

CMYK 9 / 4 / 0 / 25

HEX #ACB7BE

RGB 172 183 190

HSL 203.33, 0.12%, 0.71%

LAB 73.78, -2.41, -4.87

 

CMYK 21 / 8 / 0 / 21

HEX #A0BACA

RGB 160 186 202

HSL 202.86, 0.28%, 0.71%

LAB 74.1, -5.36, -11.02

 

CMYK 0 / 26 / 22 / 18

HEX #D09AA2

RGB 208 154 162

HSL 351.11, 0.36%, 0.71%

LAB 68.85, 21.34, 3.75

 

CMYK 0 / 23 / 26 / 18

HEX #D0A19A

RGB 208 161 154

HSL 7.78, 0.36%, 0.71%

LAB 70.34, 16.36, 10.33

 

CMYK 0 / 16 / 26 / 18

HEX #D0AF9A

RGB 208 175 154

HSL 23.33, 0.36%, 0.71%

LAB 73.81, 8.78, 15.22

 

CMYK 0 / 9 / 26 / 18

HEX #D0BD9A

RGB 208 189 154

HSL 38.89, 0.36%, 0.71%

LAB 77.36, 1.31, 20.16

 

CMYK 0 / 2 / 26 / 18

HEX #D0CB9A

RGB 208 203 154

HSL 54.44, 0.36%, 0.71%

LAB 80.99, -6, 25.13

 

CMYK 0 / 28 / 46 / 29

HEX #B58362

RGB 181 131 98

HSL 23.86, 0.36%, 0.55%

LAB 58.92, 15.14, 25.4

 

CMYK 0 / 21 / 35 / 24

HEX #C2997E

RGB 194 153 126

HSL 23.82, 0.36%, 0.63%

LAB 66.33, 11.52, 20.03

 

CMYK 0 / 16 / 26 / 18

HEX #D0AF9A

RGB 208 175 154

HSL 23.33, 0.36%, 0.71%

LAB 73.81, 8.78, 15.22

 

CMYK 0 / 11 / 18 / 13

HEX #DDC5B6

RGB 221 197 182

HSL 23.08, 0.36%, 0.79%

LAB 81.12, 6.05, 10.6

 

CMYK 0 / 6 / 10 / 8

HEX #EADCD3

RGB 234 220 211

HSL 23.48, 0.35%, 0.87%

LAB 88.63, 3.29, 6.12

 

CMYK 0 / 16 / 26 / 18

HEX #D0AF9A

RGB 208 175 154

HSL 23.33, 0.36%, 0.71%

LAB 73.81, 8.78, 15.22

 

CMYK 15 / 0 / 26 / 18

HEX #B1D09A

RGB 177 208 154

HSL 94.44, 0.36%, 0.71%

LAB 80.06, -20.02, 23.49

 

CMYK 26 / 25 / 0 / 18

HEX #9A9BD0

RGB 154 155 208

HSL 238.89, 0.36%, 0.71%

LAB 65.64, 11.29, -27.19

 

CMYK 0 / 16 / 26 / 18

HEX #D0AF9A

RGB 208 175 154

HSL 23.33, 0.36%, 0.71%

LAB 73.81, 8.78, 15.22

 

CMYK 26 / 0 / 16 / 18

HEX #9AD0AF

RGB 154 208 175

HSL 143.33, 0.36%, 0.71%

LAB 79.09, -24.18, 10.79

 

CMYK 16 / 26 / 0 / 18

HEX #AF9AD0

RGB 175 154 208

HSL 263.33, 0.36%, 0.71%

LAB 67.11, 18.38, -24.79

 

CMYK 0 / 16 / 26 / 18

HEX #D0AF9A

RGB 208 175 154

HSL 23.33, 0.36%, 0.71%

LAB 73.81, 8.78, 15.22

 

CMYK 15 / 0 / 26 / 18

HEX #B1D09A

RGB 177 208 154

HSL 94.44, 0.36%, 0.71%

LAB 80.06, -20.02, 23.49

 

CMYK 26 / 10 / 0 / 18

HEX #9ABBD0

RGB 154 187 208

HSL 203.33, 0.36%, 0.71%

LAB 74.17, -6.36, -14.23

 

CMYK 11 / 26 / 0 / 18

HEX #B99AD0

RGB 185 154 208

HSL 274.44, 0.36%, 0.71%

LAB 68.01, 21.59, -23.34

 

CMYK 0 / 16 / 26 / 18

HEX #D0AF9A

RGB 208 175 154

HSL 23.33, 0.36%, 0.71%

LAB 73.81, 8.78, 15.22

 

CMYK 23 / 0 / 26 / 18

HEX #A1D09A

RGB 161 208 154

HSL 112.22, 0.36%, 0.71%

LAB 79.05, -25.62, 21.95

 

CMYK 26 / 10 / 0 / 18

HEX #9ABBD0

RGB 154 187 208

HSL 203.33, 0.36%, 0.71%

LAB 74.17, -6.36, -14.23

 

CMYK 3 / 26 / 0 / 18

HEX #C99AD0

RGB 201 154 208

HSL 292.22, 0.36%, 0.71%

LAB 69.53, 26.81, -20.88

 

Description

Color code: HEX #D0AF9A | qconv.com Color code: HEX #D0AF9A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 175 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 175 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 26 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 26% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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