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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0AF8C it is the complementary color #2F5073. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0AF8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0AF8C shade: #D5AF87, #E6C19A, #F7D3AD, #FFE5C0 and #FFF7D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0AF8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0AF8C shade: #D0AF8C, #BF9D79, #AE8B66, #9D7953 and #8C6740

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0AF8C shade: #D0AE8B, #D09C8B and #D08B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0AF8C shade: #D0AE8B, #D0C18B, #CCD08B, #B9D08B and #A7D08B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0AF8C shade matches the following richer shades: #D0AE8B, #DDAF7E, #EAAF71 and #F7B064

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0AF8C shade: #D0AE8B, #C2AE98, #B5AEA6, #A8ADB3 and #9BADC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0AF8C shade: #D08B8D, #D09B8B, #D0AD8B, #D0C08B and #CDD08B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0AF8C shade: #B88651, #C49A6E, #D0AE8B, #DCC3A8 and #E8D7C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0AF8C shade: #D0AF8C, #A0D08B and #928BD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0AF8C shade: #D0AF8C, #8BD0AD and #AD8BD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0AF8C shade: #D0AF8C, #A0D08B, #8BADD0 and #BB8BD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0AF8C shade: #D0AF8C, #8BD08B, #8BADD0 and #D08BD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 33 / 18

HEX #D0AF8C

RGB 208 175 140

HSL 30.88, 0.42%, 0.68%

LAB 73.52, 6.91, 22.42

 

Complementary color

CMYK 59 / 30 / 0 / 55

HEX #2F5073

RGB 47 80 115

HSL 210.88, 0.42%, 0.32%

LAB 33.09, -0.67, -23.7

 

CMYK 0 / 18 / 37 / 16

HEX #D5AF87

RGB 213 175 135

HSL 30.77, 0.48%, 0.68%

LAB 73.9, 8.27, 25.71

 

CMYK 0 / 16 / 33 / 10

HEX #E6C19A

RGB 230 193 154

HSL 30.79, 0.6%, 0.75%

LAB 80.35, 7.68, 24.57

 

CMYK 0 / 15 / 30 / 3

HEX #F7D3AD

RGB 247 211 173

HSL 30.81, 0.82%, 0.82%

LAB 86.69, 7.16, 23.5

 

CMYK 0 / 10 / 25 / 0

HEX #FFE5C0

RGB 255 229 192

HSL 35.24, 1%, 0.88%

LAB 92.18, 3.38, 21.31

 

CMYK 0 / 3 / 17 / 0

HEX #FFF7D3

RGB 255 247 211

HSL 49.09, 1%, 0.91%

LAB 97.02, -3.06, 18.28

 

CMYK 0 / 16 / 33 / 18

HEX #D0AF8C

RGB 208 175 140

HSL 30.88, 0.42%, 0.68%

LAB 73.52, 6.91, 22.42

 

CMYK 0 / 18 / 37 / 25

HEX #BF9D79

RGB 191 157 121

HSL 30.86, 0.35%, 0.61%

LAB 66.95, 7.5, 23.57

 

CMYK 0 / 20 / 41 / 32

HEX #AE8B66

RGB 174 139 102

HSL 30.83, 0.31%, 0.54%

LAB 60.27, 8.19, 24.82

HEX #AE8B66

CMYK 0 / 23 / 47 / 38

HEX #9D7953

RGB 157 121 83

HSL 30.81, 0.31%, 0.47%

LAB 53.46, 9.01, 26.18

HEX #9D7953

CMYK 0 / 26 / 54 / 45

HEX #8C6740

RGB 140 103 64

HSL 30.79, 0.37%, 0.4%

LAB 46.51, 10.01, 27.66

HEX #8C6740

CMYK 0 / 16 / 33 / 18

HEX #D0AE8B

RGB 208 174 139

HSL 30.43, 0.42%, 0.68%

LAB 73.25, 7.32, 22.59

 

CMYK 0 / 25 / 33 / 18

HEX #D09C8B

RGB 208 156 139

HSL 14.78, 0.42%, 0.68%

LAB 68.79, 17.06, 16.45

 

CMYK 0 / 33 / 33 / 18

HEX #D08B8B

RGB 208 139 139

HSL 0, 0.42%, 0.68%

LAB 64.76, 26.32, 10.8

 

CMYK 0 / 16 / 33 / 18

HEX #D0AE8B

RGB 208 174 139

HSL 30.43, 0.42%, 0.68%

LAB 73.25, 7.32, 22.59

 

CMYK 0 / 7 / 33 / 18

HEX #D0C18B

RGB 208 193 139

HSL 46.96, 0.42%, 0.68%

LAB 78.12, -2.75, 29.14

 

CMYK 2 / 0 / 33 / 18

HEX #CCD08B

RGB 204 208 139

HSL 63.48, 0.42%, 0.68%

LAB 81.74, -12.03, 33.86

 

CMYK 11 / 0 / 33 / 18

HEX #B9D08B

RGB 185 208 139

HSL 80, 0.42%, 0.68%

LAB 80.34, -19.26, 31.77

 

CMYK 20 / 0 / 33 / 18

HEX #A7D08B

RGB 167 208 139

HSL 95.65, 0.42%, 0.68%

LAB 79.15, -25.85, 29.98

 

CMYK 0 / 16 / 33 / 18

HEX #D0AE8B

RGB 208 174 139

HSL 30.43, 0.42%, 0.68%

LAB 73.25, 7.32, 22.59

 

CMYK 0 / 21 / 43 / 13

HEX #DDAF7E

RGB 221 175 126

HSL 30.95, 0.58%, 0.68%

LAB 74.53, 10.46, 31.48

 

CMYK 0 / 25 / 52 / 8

HEX #EAAF71

RGB 234 175 113

HSL 30.74, 0.74%, 0.68%

LAB 75.67, 14.46, 39.99

 

CMYK 0 / 29 / 60 / 3

HEX #F7B064

RGB 247 176 100

HSL 31.02, 0.9%, 0.68%

LAB 77.13, 18.21, 48.64

 

CMYK 0 / 16 / 33 / 18

HEX #D0AE8B

RGB 208 174 139

HSL 30.43, 0.42%, 0.68%

LAB 73.25, 7.32, 22.59

 

CMYK 0 / 10 / 22 / 24

HEX #C2AE98

RGB 194 174 152

HSL 31.43, 0.26%, 0.68%

LAB 72.23, 3.67, 13.92

 

CMYK 0 / 4 / 8 / 29

HEX #B5AEA6

RGB 181 174 166

HSL 32, 0.09%, 0.68%

LAB 71.45, 1.07, 4.98

 

CMYK 6 / 3 / 0 / 30

HEX #A8ADB3

RGB 168 173 179

HSL 212.73, 0.07%, 0.68%

LAB 70.5, -0.58, -3.69

 

CMYK 19 / 10 / 0 / 25

HEX #9BADC0

RGB 155 173 192

HSL 210.81, 0.23%, 0.68%

LAB 69.94, -2.16, -11.8

 

CMYK 0 / 33 / 32 / 18

HEX #D08B8D

RGB 208 139 141

HSL 358.26, 0.42%, 0.68%

LAB 64.8, 26.57, 9.74

 

CMYK 0 / 25 / 33 / 18

HEX #D09B8B

RGB 208 155 139

HSL 13.91, 0.42%, 0.68%

LAB 68.55, 17.6, 16.11

 

CMYK 0 / 17 / 33 / 18

HEX #D0AD8B

RGB 208 173 139

HSL 29.57, 0.42%, 0.68%

LAB 73, 7.86, 22.24

 

CMYK 0 / 8 / 33 / 18

HEX #D0C08B

RGB 208 192 139

HSL 46.09, 0.42%, 0.68%

LAB 77.86, -2.23, 28.8

 

CMYK 1 / 0 / 33 / 18

HEX #CDD08B

RGB 205 208 139

HSL 62.61, 0.42%, 0.68%

LAB 81.81, -11.64, 33.98

 

CMYK 0 / 27 / 56 / 28

HEX #B88651

RGB 184 134 81

HSL 30.87, 0.42%, 0.52%

LAB 59.74, 13.13, 35.81

 

CMYK 0 / 21 / 44 / 23

HEX #C49A6E

RGB 196 154 110

HSL 30.7, 0.42%, 0.6%

LAB 66.5, 9.93, 29.05

 

CMYK 0 / 16 / 33 / 18

HEX #D0AE8B

RGB 208 174 139

HSL 30.43, 0.42%, 0.68%

LAB 73.25, 7.32, 22.59

 

CMYK 0 / 11 / 24 / 14

HEX #DCC3A8

RGB 220 195 168

HSL 31.15, 0.43%, 0.76%

LAB 80.22, 4.67, 16.81

 

CMYK 0 / 7 / 15 / 9

HEX #E8D7C6

RGB 232 215 198

HSL 30, 0.43%, 0.84%

LAB 86.92, 3.09, 10.49

 

CMYK 0 / 16 / 33 / 18

HEX #D0AF8C

RGB 208 175 140

HSL 30.88, 0.42%, 0.68%

LAB 73.52, 6.91, 22.42

 

CMYK 23 / 0 / 33 / 18

HEX #A0D08B

RGB 160 208 139

HSL 101.74, 0.42%, 0.68%

LAB 78.72, -28.32, 29.33

 

CMYK 30 / 33 / 0 / 18

HEX #928BD0

RGB 146 139 208

HSL 246.09, 0.42%, 0.68%

LAB 60.9, 18.09, -34.59

 

CMYK 0 / 16 / 33 / 18

HEX #D0AF8C

RGB 208 175 140

HSL 30.88, 0.42%, 0.68%

LAB 73.52, 6.91, 22.42

 

CMYK 33 / 0 / 17 / 18

HEX #8BD0AD

RGB 139 208 173

HSL 149.57, 0.42%, 0.68%

LAB 78.24, -29.19, 10.54

 

CMYK 17 / 33 / 0 / 18

HEX #AD8BD0

RGB 173 139 208

HSL 269.57, 0.42%, 0.68%

LAB 63.26, 26.21, -30.73

 

CMYK 0 / 16 / 33 / 18

HEX #D0AF8C

RGB 208 175 140

HSL 30.88, 0.42%, 0.68%

LAB 73.52, 6.91, 22.42

 

CMYK 23 / 0 / 33 / 18

HEX #A0D08B

RGB 160 208 139

HSL 101.74, 0.42%, 0.68%

LAB 78.72, -28.32, 29.33

 

CMYK 33 / 17 / 0 / 18

HEX #8BADD0

RGB 139 173 208

HSL 210.43, 0.42%, 0.68%

LAB 69.42, -3.18, -21.5

 

CMYK 10 / 33 / 0 / 18

HEX #BB8BD0

RGB 187 139 208

HSL 281.74, 0.42%, 0.68%

LAB 64.63, 30.58, -28.51

 

CMYK 0 / 16 / 33 / 18

HEX #D0AF8C

RGB 208 175 140

HSL 30.88, 0.42%, 0.68%

LAB 73.52, 6.91, 22.42

 

CMYK 33 / 0 / 33 / 18

HEX #8BD08B

RGB 139 208 139

HSL 120, 0.42%, 0.68%

LAB 77.56, -35.37, 27.57

 

CMYK 33 / 17 / 0 / 18

HEX #8BADD0

RGB 139 173 208

HSL 210.43, 0.42%, 0.68%

LAB 69.42, -3.18, -21.5

 

CMYK 0 / 33 / 0 / 18

HEX #D08BD0

RGB 208 139 208

HSL 300, 0.42%, 0.68%

LAB 66.85, 37.25, -24.91

 

Description

Color code: HEX #D0AF8C | qconv.com Color code: HEX #D0AF8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 175 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 175 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 33 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 33% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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