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Color name
HEX #D0AB68

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0AB68 it is the complementary color #2F5497. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0AB68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0AB68 shade: #D5AB63, #E6BD76, #F7CF89, #FFE19C and #FFF3AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0AB68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0AB68 shade: #D0AB68, #BF9955, #AE8742, #9D752F and #8C631C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0AB68 shade: #D0AB67, #D08E67, #D07267 and #D06767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0AB68 shade: #D0AB67, #D0C767, #BDD067, #A0D067 and #84D067

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0AB68 shade matches the following richer shades: #D0AB67, #E0AF57 and #F0B447

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0AB68 shade: #D0AB67, #C0A677, #B0A187, #A09D97 and #9098A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0AB68 shade: #D07167, #D08D67, #D0AA67, #D0C667 and #BFD067

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0AB68 shade: #AF8436, #C79947, #D0AB67, #DABC86 and #E4CEA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0AB68 shade: #D0AB68, #78D067 and #7F67D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0AB68 shade: #D0AB68, #67D0AA and #AA67D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0AB68 shade: #D0AB68, #78D067, #678DD0 and #BF67D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0AB68 shade: #D0AB68, #67D075, #678DD0 and #D067C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 50 / 18

HEX #D0AB68

RGB 208 171 104

HSL 38.65, 0.53%, 0.61%

LAB 71.92, 5.11, 39.37

 

Complementary color

CMYK 69 / 44 / 0 / 41

HEX #2F5497

RGB 47 84 151

HSL 218.65, 0.53%, 0.39%

LAB 36.33, 9.93, -40.68

 

CMYK 0 / 20 / 54 / 16

HEX #D5AB63

RGB 213 171 99

HSL 37.89, 0.58%, 0.61%

LAB 72.34, 6.74, 42.56

 

CMYK 0 / 18 / 49 / 10

HEX #E6BD76

RGB 230 189 118

HSL 38.04, 0.69%, 0.68%

LAB 78.77, 5.89, 41.23

 

CMYK 0 / 16 / 45 / 3

HEX #F7CF89

RGB 247 207 137

HSL 38.18, 0.87%, 0.75%

LAB 85.1, 5.15, 39.96

 

CMYK 0 / 12 / 39 / 0

HEX #FFE19C

RGB 255 225 156

HSL 41.82, 1%, 0.81%

LAB 90.56, 1.03, 37.55

 

CMYK 0 / 5 / 31 / 0

HEX #FFF3AF

RGB 255 243 175

HSL 51, 1%, 0.84%

LAB 95.35, -5.87, 34.31

 

CMYK 0 / 18 / 50 / 18

HEX #D0AB68

RGB 208 171 104

HSL 38.65, 0.53%, 0.61%

LAB 71.92, 5.11, 39.37

 

CMYK 0 / 20 / 55 / 25

HEX #BF9955

RGB 191 153 85

HSL 38.49, 0.45%, 0.54%

LAB 65.37, 6, 40.72

 

CMYK 0 / 22 / 62 / 32

HEX #AE8742

RGB 174 135 66

HSL 38.33, 0.45%, 0.47%

LAB 58.71, 7.06, 42.07

 

CMYK 0 / 25 / 70 / 38

HEX #9D752F

RGB 157 117 47

HSL 38.18, 0.54%, 0.4%

LAB 51.95, 8.34, 43.34

 

CMYK 0 / 29 / 80 / 45

HEX #8C631C

RGB 140 99 28

HSL 38.04, 0.67%, 0.33%

LAB 45.06, 9.91, 44.22

 

CMYK 0 / 18 / 50 / 18

HEX #D0AB67

RGB 208 171 103

HSL 38.86, 0.53%, 0.61%

LAB 71.9, 5.01, 39.87

 

CMYK 0 / 32 / 50 / 18

HEX #D08E67

RGB 208 142 103

HSL 22.29, 0.53%, 0.61%

LAB 64.75, 20.71, 30.83

 

CMYK 0 / 45 / 50 / 18

HEX #D07267

RGB 208 114 103

HSL 6.29, 0.53%, 0.61%

LAB 58.44, 35.74, 22.55

 

CMYK 0 / 50 / 50 / 18

HEX #D06767

RGB 208 103 103

HSL 0, 0.53%, 0.61%

LAB 56.18, 41.41, 19.51

 

CMYK 0 / 18 / 50 / 18

HEX #D0AB67

RGB 208 171 103

HSL 38.86, 0.53%, 0.61%

LAB 71.9, 5.01, 39.87

 

CMYK 0 / 4 / 50 / 18

HEX #D0C767

RGB 208 199 103

HSL 54.86, 0.53%, 0.61%

LAB 79.18, -9.64, 48.7

 

CMYK 9 / 0 / 50 / 18

HEX #BDD067

RGB 189 208 103

HSL 70.86, 0.53%, 0.61%

LAB 80.13, -21.81, 49.47

 

CMYK 23 / 0 / 50 / 18

HEX #A0D067

RGB 160 208 103

HSL 87.43, 0.53%, 0.61%

LAB 78.21, -32.93, 46.71

 

CMYK 37 / 0 / 50 / 18

HEX #84D067

RGB 132 208 103

HSL 103.43, 0.53%, 0.61%

LAB 76.68, -42.73, 44.5

 

CMYK 0 / 18 / 50 / 18

HEX #D0AB67

RGB 208 171 103

HSL 38.86, 0.53%, 0.61%

LAB 71.9, 5.01, 39.87

 

CMYK 0 / 22 / 61 / 12

HEX #E0AF57

RGB 224 175 87

HSL 38.54, 0.69%, 0.61%

LAB 74.31, 8.31, 51.04

 

CMYK 0 / 25 / 70 / 6

HEX #F0B447

RGB 240 180 71

HSL 38.7, 0.85%, 0.61%

LAB 77.05, 11.46, 61.68

 

CMYK 0 / 18 / 50 / 18

HEX #D0AB67

RGB 208 171 103

HSL 38.86, 0.53%, 0.61%

LAB 71.9, 5.01, 39.87

 

CMYK 0 / 14 / 38 / 25

HEX #C0A677

RGB 192 166 119

HSL 38.63, 0.37%, 0.61%

LAB 69.33, 2.78, 27.85

 

CMYK 0 / 9 / 23 / 31

HEX #B0A187

RGB 176 161 135

HSL 38.05, 0.21%, 0.61%

LAB 66.88, 1.23, 15.53

 

CMYK 0 / 2 / 6 / 37

HEX #A09D97

RGB 160 157 151

HSL 40, 0.05%, 0.61%

LAB 64.82, -0.02, 3.51

 

CMYK 14 / 9 / 0 / 35

HEX #9098A7

RGB 144 152 167

HSL 219.13, 0.12%, 0.61%

LAB 62.66, 0.28, -8.82

 

CMYK 0 / 46 / 50 / 18

HEX #D07167

RGB 208 113 103

HSL 5.71, 0.53%, 0.61%

LAB 58.23, 36.27, 22.27

 

CMYK 0 / 32 / 50 / 18

HEX #D08D67

RGB 208 141 103

HSL 21.71, 0.53%, 0.61%

LAB 64.51, 21.25, 30.53

 

CMYK 0 / 18 / 50 / 18

HEX #D0AA67

RGB 208 170 103

HSL 38.29, 0.53%, 0.61%

LAB 71.65, 5.55, 39.55

 

CMYK 0 / 5 / 50 / 18

HEX #D0C667

RGB 208 198 103

HSL 54.29, 0.53%, 0.61%

LAB 78.91, -9.13, 48.38

 

CMYK 8 / 0 / 50 / 18

HEX #BFD067

RGB 191 208 103

HSL 69.71, 0.53%, 0.61%

LAB 80.27, -21.02, 49.68

 

CMYK 0 / 25 / 69 / 31

HEX #AF8436

RGB 175 132 54

HSL 38.68, 0.53%, 0.45%

LAB 57.93, 8.39, 47.02

 

CMYK 0 / 23 / 64 / 22

HEX #C79947

RGB 199 153 71

HSL 38.44, 0.53%, 0.53%

LAB 66.04, 8.4, 48.62

 

CMYK 0 / 18 / 50 / 18

HEX #D0AB67

RGB 208 171 103

HSL 38.86, 0.53%, 0.61%

LAB 71.9, 5.01, 39.87

 

CMYK 0 / 14 / 39 / 15

HEX #DABC86

RGB 218 188 134

HSL 38.57, 0.53%, 0.69%

LAB 77.63, 3.23, 31.29

 

CMYK 0 / 10 / 27 / 11

HEX #E4CEA6

RGB 228 206 166

HSL 38.71, 0.53%, 0.77%

LAB 83.65, 1.65, 22.72

 

CMYK 0 / 18 / 50 / 18

HEX #D0AB68

RGB 208 171 104

HSL 38.65, 0.53%, 0.61%

LAB 71.92, 5.11, 39.37

 

CMYK 42 / 0 / 50 / 18

HEX #78D067

RGB 120 208 103

HSL 110.29, 0.53%, 0.61%

LAB 76.12, -46.54, 43.69

 

CMYK 39 / 50 / 0 / 18

HEX #7F67D0

RGB 127 103 208

HSL 253.71, 0.53%, 0.61%

LAB 50.41, 34.04, -51.25

 

CMYK 0 / 18 / 50 / 18

HEX #D0AB68

RGB 208 171 104

HSL 38.65, 0.53%, 0.61%

LAB 71.92, 5.11, 39.37

 

CMYK 50 / 0 / 18 / 18

HEX #67D0AA

RGB 103 208 170

HSL 158.29, 0.53%, 0.61%

LAB 76.62, -39.45, 9.63

 

CMYK 18 / 50 / 0 / 18

HEX #AA67D0

RGB 170 103 208

HSL 278.29, 0.53%, 0.61%

LAB 54.87, 45.3, -43.89

 

CMYK 0 / 18 / 50 / 18

HEX #D0AB68

RGB 208 171 104

HSL 38.65, 0.53%, 0.61%

LAB 71.92, 5.11, 39.37

 

CMYK 42 / 0 / 50 / 18

HEX #78D067

RGB 120 208 103

HSL 110.29, 0.53%, 0.61%

LAB 76.12, -46.54, 43.69

 

CMYK 50 / 32 / 0 / 18

HEX #678DD0

RGB 103 141 208

HSL 218.29, 0.53%, 0.61%

LAB 58.5, 5.55, -38.56

 

CMYK 8 / 50 / 0 / 18

HEX #BF67D0

RGB 191 103 208

HSL 290.29, 0.53%, 0.61%

LAB 57.4, 51.08, -39.74

 

CMYK 0 / 18 / 50 / 18

HEX #D0AB68

RGB 208 171 104

HSL 38.65, 0.53%, 0.61%

LAB 71.92, 5.11, 39.37

 

CMYK 50 / 0 / 44 / 18

HEX #67D075

RGB 103 208 117

HSL 128, 0.53%, 0.61%

LAB 75.62, -49.43, 36.02

 

CMYK 50 / 32 / 0 / 18

HEX #678DD0

RGB 103 141 208

HSL 218.29, 0.53%, 0.61%

LAB 58.5, 5.55, -38.56

 

CMYK 0 / 50 / 7 / 18

HEX #D067C2

RGB 208 103 194

HSL 308, 0.53%, 0.61%

LAB 58.98, 53.37, -29.14

 

Description

Color code: HEX #D0AB68 | qconv.com Color code: HEX #D0AB68 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 171 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 171 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 50 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 50% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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