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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D0A74D it is the complementary color #2F58B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D0A74D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D0A74D shade: #D5A748, #E6B95B, #F7CB6E, #FFDD81 and #FFEF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D0A74D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D0A74D shade: #D0A74D, #BF953A, #AE8327, #9D7114 and #8C5F01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D0A74D shade: #D0A74E, #D0844E, #D0614E and #D04E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D0A74D shade: #D0A74E, #D0CA4E, #B2D04E, #8FD04E and #6CD04E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D0A74D shade matches the following richer shades: #D0A74E, #E2AE3C and #F4B529

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D0A74D shade: #D0A74E, #BEA060, #AC9A72, #999384 and #878C96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D0A74D shade: #D0614E, #D0844E, #D0A74E, #D0C94E and #B4D04E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D0A74D shade: #A07C2B, #C19533, #D0A74E, #D9B76E and #E1C78F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D0A74D shade: #D0A74D, #5DD04E and #734ED0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D0A74D shade: #D0A74D, #4ED0A7 and #A74ED0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D0A74D shade: #D0A74D, #5DD04E, #4E77D0 and #C14ED0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D0A74D shade: #D0A74D, #4ED066, #4E77D0 and #D04EB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 63 / 18

HEX #D0A74D

RGB 208 167 77

HSL 41.22, 0.58%, 0.56%

LAB 70.58, 5.11, 51.11

 

Complementary color

CMYK 74 / 51 / 0 / 30

HEX #2F58B2

RGB 47 88 178

HSL 221.22, 0.58%, 0.44%

LAB 39.24, 17.51, -52.1

 

CMYK 0 / 22 / 66 / 16

HEX #D5A748

RGB 213 167 72

HSL 40.43, 0.63%, 0.56%

LAB 71.04, 6.94, 54.05

 

CMYK 0 / 20 / 60 / 10

HEX #E6B95B

RGB 230 185 91

HSL 40.58, 0.74%, 0.63%

LAB 77.45, 5.82, 52.89

 

CMYK 0 / 18 / 55 / 3

HEX #F7CB6E

RGB 247 203 110

HSL 40.73, 0.9%, 0.7%

LAB 83.76, 4.85, 51.64

 

CMYK 0 / 13 / 49 / 0

HEX #FFDD81

RGB 255 221 129

HSL 43.81, 1%, 0.75%

LAB 89.19, 0.41, 49.2

 

CMYK 0 / 6 / 42 / 0

HEX #FFEF94

RGB 255 239 148

HSL 51.03, 1%, 0.79%

LAB 93.94, -6.86, 45.87

 

CMYK 0 / 20 / 63 / 18

HEX #D0A74D

RGB 208 167 77

HSL 41.22, 0.58%, 0.56%

LAB 70.58, 5.11, 51.11

 

CMYK 0 / 22 / 70 / 25

HEX #BF953A

RGB 191 149 58

HSL 41.05, 0.53%, 0.49%

LAB 64.06, 6.32, 52.19

 

CMYK 0 / 25 / 78 / 32

HEX #AE8327

RGB 174 131 39

HSL 40.89, 0.63%, 0.42%

LAB 57.44, 7.76, 52.91

 

CMYK 0 / 28 / 87 / 38

HEX #9D7114

RGB 157 113 20

HSL 40.73, 0.77%, 0.35%

LAB 50.72, 9.49, 52.78

 

CMYK 0 / 32 / 99 / 45

HEX #8C5F01

RGB 140 95 1

HSL 40.58, 0.99%, 0.28%

LAB 43.89, 11.53, 51.39

 

CMYK 0 / 20 / 63 / 18

HEX #D0A74E

RGB 208 167 78

HSL 41.08, 0.58%, 0.56%

LAB 70.59, 5.18, 50.65

 

CMYK 0 / 37 / 63 / 18

HEX #D0844E

RGB 208 132 78

HSL 24.92, 0.58%, 0.56%

LAB 62.05, 24.12, 40.84

 

CMYK 0 / 53 / 63 / 18

HEX #D0614E

RGB 208 97 78

HSL 8.77, 0.58%, 0.56%

LAB 54.56, 42.46, 31.78

 

CMYK 0 / 63 / 63 / 18

HEX #D04E4E

RGB 208 78 78

HSL 0, 0.58%, 0.56%

LAB 51.16, 51.36, 27.51

 

CMYK 0 / 20 / 63 / 18

HEX #D0A74E

RGB 208 167 78

HSL 41.08, 0.58%, 0.56%

LAB 70.59, 5.18, 50.65

 

CMYK 0 / 3 / 63 / 18

HEX #D0CA4E

RGB 208 202 78

HSL 57.23, 0.58%, 0.56%

LAB 79.73, -13.05, 60.62

 

CMYK 14 / 0 / 63 / 18

HEX #B2D04E

RGB 178 208 78

HSL 73.85, 0.58%, 0.56%

LAB 79.11, -28.26, 59.29

 

CMYK 31 / 0 / 63 / 18

HEX #8FD04E

RGB 143 208 78

HSL 90, 0.58%, 0.56%

LAB 76.98, -41.52, 56.36

 

CMYK 48 / 0 / 63 / 18

HEX #6CD04E

RGB 108 208 78

HSL 106.15, 0.58%, 0.56%

LAB 75.36, -52.92, 54.11

 

CMYK 0 / 20 / 63 / 18

HEX #D0A74E

RGB 208 167 78

HSL 41.08, 0.58%, 0.56%

LAB 70.59, 5.18, 50.65

 

CMYK 0 / 23 / 73 / 11

HEX #E2AE3C

RGB 226 174 60

HSL 41.2, 0.74%, 0.56%

LAB 74.04, 8.17, 62.64

 

CMYK 0 / 26 / 83 / 4

HEX #F4B529

RGB 244 181 41

HSL 41.38, 0.9%, 0.56%

LAB 77.54, 11.5, 73.01

 

CMYK 0 / 20 / 63 / 18

HEX #D0A74E

RGB 208 167 78

HSL 41.08, 0.58%, 0.56%

LAB 70.59, 5.18, 50.65

 

CMYK 0 / 16 / 49 / 25

HEX #BEA060

RGB 190 160 96

HSL 40.85, 0.42%, 0.56%

LAB 67.23, 2.75, 37.29

 

CMYK 0 / 10 / 34 / 33

HEX #AC9A72

RGB 172 154 114

HSL 41.38, 0.26%, 0.56%

LAB 64.24, 0.54, 23.45

 

CMYK 0 / 4 / 14 / 40

HEX #999384

RGB 153 147 132

HSL 42.86, 0.09%, 0.56%

LAB 61.05, -0.47, 8.73

 

CMYK 10 / 7 / 0 / 41

HEX #878C96

RGB 135 140 150

HSL 220, 0.07%, 0.56%

LAB 58.14, 0.25, -5.95

 

CMYK 0 / 53 / 63 / 18

HEX #D0614E

RGB 208 97 78

HSL 8.77, 0.58%, 0.56%

LAB 54.56, 42.46, 31.78

 

CMYK 0 / 37 / 63 / 18

HEX #D0844E

RGB 208 132 78

HSL 24.92, 0.58%, 0.56%

LAB 62.05, 24.12, 40.84

 

CMYK 0 / 20 / 63 / 18

HEX #D0A74E

RGB 208 167 78

HSL 41.08, 0.58%, 0.56%

LAB 70.59, 5.18, 50.65

 

CMYK 0 / 3 / 63 / 18

HEX #D0C94E

RGB 208 201 78

HSL 56.77, 0.58%, 0.56%

LAB 79.46, -12.54, 60.34

 

CMYK 13 / 0 / 63 / 18

HEX #B4D04E

RGB 180 208 78

HSL 72.92, 0.58%, 0.56%

LAB 79.25, -27.46, 59.48

 

CMYK 0 / 23 / 73 / 37

HEX #A07C2B

RGB 160 124 43

HSL 41.54, 0.58%, 0.4%

LAB 54.09, 5.52, 47.47

 

CMYK 0 / 23 / 74 / 24

HEX #C19533

RGB 193 149 51

HSL 41.41, 0.58%, 0.48%

LAB 64.22, 6.84, 55.39

 

CMYK 0 / 20 / 63 / 18

HEX #D0A74E

RGB 208 167 78

HSL 41.08, 0.58%, 0.56%

LAB 70.59, 5.18, 50.65

 

CMYK 0 / 16 / 49 / 15

HEX #D9B76E

RGB 217 183 110

HSL 40.93, 0.58%, 0.64%

LAB 75.91, 3, 41.46

 

CMYK 0 / 12 / 36 / 12

HEX #E1C78F

RGB 225 199 143

HSL 40.98, 0.58%, 0.72%

LAB 81.2, 1.27, 31.41

 

CMYK 0 / 20 / 63 / 18

HEX #D0A74D

RGB 208 167 77

HSL 41.22, 0.58%, 0.56%

LAB 70.58, 5.11, 51.11

 

CMYK 55 / 0 / 63 / 18

HEX #5DD04E

RGB 93 208 78

HSL 113.08, 0.58%, 0.56%

LAB 74.82, -57.01, 53.35

 

CMYK 45 / 63 / 0 / 18

HEX #734ED0

RGB 115 78 208

HSL 257.08, 0.58%, 0.56%

LAB 43.72, 45.7, -62.08

 

CMYK 0 / 20 / 63 / 18

HEX #D0A74D

RGB 208 167 77

HSL 41.22, 0.58%, 0.56%

LAB 70.58, 5.11, 51.11

 

CMYK 63 / 0 / 20 / 18

HEX #4ED0A7

RGB 78 208 167

HSL 161.08, 0.58%, 0.56%

LAB 75.77, -45.32, 9.93

 

CMYK 20 / 63 / 0 / 18

HEX #A74ED0

RGB 167 78 208

HSL 281.08, 0.58%, 0.56%

LAB 49.76, 57.16, -52.04

 

CMYK 0 / 20 / 63 / 18

HEX #D0A74D

RGB 208 167 77

HSL 41.22, 0.58%, 0.56%

LAB 70.58, 5.11, 51.11

 

CMYK 55 / 0 / 63 / 18

HEX #5DD04E

RGB 93 208 78

HSL 113.08, 0.58%, 0.56%

LAB 74.82, -57.01, 53.35

 

CMYK 63 / 43 / 0 / 18

HEX #4E77D0

RGB 78 119 208

HSL 221.08, 0.58%, 0.56%

LAB 51.11, 13.58, -50.32

 

CMYK 7 / 63 / 0 / 18

HEX #C14ED0

RGB 193 78 208

HSL 293.08, 0.58%, 0.56%

LAB 53.32, 63.31, -46.16

 

CMYK 0 / 20 / 63 / 18

HEX #D0A74D

RGB 208 167 77

HSL 41.22, 0.58%, 0.56%

LAB 70.58, 5.11, 51.11

 

CMYK 63 / 0 / 51 / 18

HEX #4ED066

RGB 78 208 102

HSL 131.08, 0.58%, 0.56%

LAB 74.63, -57.57, 42.01

 

CMYK 63 / 43 / 0 / 18

HEX #4E77D0

RGB 78 119 208

HSL 221.08, 0.58%, 0.56%

LAB 51.11, 13.58, -50.32

 

CMYK 0 / 63 / 12 / 18

HEX #D04EB8

RGB 208 78 184

HSL 311.08, 0.58%, 0.56%

LAB 54.36, 63.06, -30.56

 

Description

Color code: HEX #D0A74D | qconv.com Color code: HEX #D0A74D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 167 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 167 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 63 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 63% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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