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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D09DA3 it is the complementary color #2F625C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D09DA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D09DA3 shade: #D59D9E, #E6AFB1, #F7C1C4, #FFD3D7 and #FFE5EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D09DA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D09DA3 shade: #D09DA3, #BF8B90, #AE797D, #9D676A and #8C5557

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D09DA3 shade: #D09EA4 and #D09E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D09DA3 shade: #D09EA4, #D09EB1, #D09EBF, #D09ECC and #C69ED0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D09DA3 shade matches the following richer shades: #D09EA4, #DC939B, #E78792, #F37B89 and #FE7081

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D09DA3 shade: #D09EA4, #C5AAAD, #B9B5B6, #ADC1BE and #A2CCC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D09DA3 shade: #D09EBF, #D09EB2, #D09EA5, #D0A59E and #D0B29E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D09DA3 shade: #B56670, #C3828A, #D09EA4, #DDBABE and #EBD6D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D09DA3 shade: #D09DA3, #CDD09E and #9EB9D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D09DA3 shade: #D09DA3, #A5D09E and #9EA5D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D09DA3 shade: #D09DA3, #CDD09E, #9ED0C9 and #A19ED0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D09DA3 shade: #D09DA3, #BED09E, #9ED0C9 and #B09ED0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 22 / 18

HEX #D09DA3

RGB 208 157 163

HSL 352.94, 0.35%, 0.72%

LAB 69.59, 19.85, 4.27

 

Complementary color

CMYK 52 / 0 / 6 / 62

HEX #2F625C

RGB 47 98 92

HSL 172.94, 0.35%, 0.28%

LAB 38.04, -18.76, -1.86

 

CMYK 0 / 26 / 26 / 16

HEX #D59D9E

RGB 213 157 158

HSL 358.93, 0.4%, 0.73%

LAB 69.99, 20.99, 7.68

 

CMYK 0 / 24 / 23 / 10

HEX #E6AFB1

RGB 230 175 177

HSL 357.82, 0.52%, 0.79%

LAB 76.47, 20.33, 6.77

 

CMYK 0 / 22 / 21 / 3

HEX #F7C1C4

RGB 247 193 196

HSL 356.67, 0.77%, 0.86%

LAB 82.86, 19.73, 5.92

 

CMYK 0 / 17 / 16 / 0

HEX #FFD3D7

RGB 255 211 215

HSL 354.55, 1%, 0.91%

LAB 88.33, 16, 3.81

 

CMYK 0 / 10 / 8 / 0

HEX #FFE5EA

RGB 255 229 234

HSL 348.46, 1%, 0.95%

LAB 93.12, 9.7, 0.8

 

CMYK 0 / 25 / 22 / 18

HEX #D09DA3

RGB 208 157 163

HSL 352.94, 0.35%, 0.72%

LAB 69.59, 19.85, 4.27

 

CMYK 0 / 27 / 25 / 25

HEX #BF8B90

RGB 191 139 144

HSL 354.23, 0.29%, 0.65%

LAB 62.97, 20.53, 5.17

 

CMYK 0 / 30 / 28 / 32

HEX #AE797D

RGB 174 121 125

HSL 355.47, 0.25%, 0.58%

LAB 56.24, 21.28, 6.16

 

CMYK 0 / 34 / 32 / 38

HEX #9D676A

RGB 157 103 106

HSL 356.67, 0.22%, 0.51%

LAB 49.39, 22.14, 7.27

 

CMYK 0 / 39 / 38 / 45

HEX #8C5557

RGB 140 85 87

HSL 357.82, 0.24%, 0.44%

LAB 42.4, 23.1, 8.55

 

CMYK 0 / 24 / 21 / 18

HEX #D09EA4

RGB 208 158 164

HSL 352.8, 0.35%, 0.72%

LAB 69.86, 19.46, 4.1

 

CMYK 0 / 24 / 24 / 18

HEX #D09E9E

RGB 208 158 158

HSL 0, 0.35%, 0.72%

LAB 69.71, 18.57, 7.21

 

CMYK 0 / 24 / 21 / 18

HEX #D09EA4

RGB 208 158 164

HSL 352.8, 0.35%, 0.72%

LAB 69.86, 19.46, 4.1

 

CMYK 0 / 24 / 15 / 18

HEX #D09EB1

RGB 208 158 177

HSL 337.2, 0.35%, 0.72%

LAB 70.2, 21.5, -2.61

 

CMYK 0 / 24 / 8 / 18

HEX #D09EBF

RGB 208 158 191

HSL 320.4, 0.35%, 0.72%

LAB 70.61, 23.86, -9.77

 

CMYK 0 / 24 / 2 / 18

HEX #D09ECC

RGB 208 158 204

HSL 304.8, 0.35%, 0.72%

LAB 71.02, 26.19, -16.34

 

CMYK 5 / 24 / 0 / 18

HEX #C69ED0

RGB 198 158 208

HSL 288, 0.35%, 0.72%

LAB 70.19, 23.62, -19.91

 

CMYK 0 / 24 / 21 / 18

HEX #D09EA4

RGB 208 158 164

HSL 352.8, 0.35%, 0.72%

LAB 69.86, 19.46, 4.1

 

CMYK 0 / 33 / 30 / 14

HEX #DC939B

RGB 220 147 155

HSL 353.42, 0.51%, 0.72%

LAB 68.35, 28.6, 7.12

 

CMYK 0 / 42 / 37 / 9

HEX #E78792

RGB 231 135 146

HSL 353.13, 0.67%, 0.72%

LAB 66.82, 37.87, 10.16

 

CMYK 0 / 49 / 44 / 5

HEX #F37B89

RGB 243 123 137

HSL 353, 0.83%, 0.72%

LAB 65.77, 47.26, 14

 

CMYK 0 / 56 / 49 / 0

HEX #FE7081

RGB 254 112 129

HSL 352.82, 0.99%, 0.72%

LAB 65.16, 55.5, 17.93

 

CMYK 0 / 24 / 21 / 18

HEX #D09EA4

RGB 208 158 164

HSL 352.8, 0.35%, 0.72%

LAB 69.86, 19.46, 4.1

 

CMYK 0 / 14 / 12 / 23

HEX #C5AAAD

RGB 197 170 173

HSL 353.33, 0.19%, 0.72%

LAB 71.99, 10.29, 2.08

 

CMYK 0 / 2 / 2 / 27

HEX #B9B5B6

RGB 185 181 182

HSL 345, 0.03%, 0.72%

LAB 74.02, 1.6, -0.02

 

CMYK 10 / 0 / 2 / 24

HEX #ADC1BE

RGB 173 193 190

HSL 171, 0.14%, 0.72%

LAB 76.52, -7.39, -0.82

 

CMYK 21 / 0 / 2 / 20

HEX #A2CCC7

RGB 162 204 199

HSL 172.86, 0.29%, 0.72%

LAB 79.04, -14.81, -2.08

 

CMYK 0 / 24 / 8 / 18

HEX #D09EBF

RGB 208 158 191

HSL 320.4, 0.35%, 0.72%

LAB 70.61, 23.86, -9.77

 

CMYK 0 / 24 / 14 / 18

HEX #D09EB2

RGB 208 158 178

HSL 336, 0.35%, 0.72%

LAB 70.23, 21.66, -3.13

 

CMYK 0 / 24 / 21 / 18

HEX #D09EA5

RGB 208 158 165

HSL 351.6, 0.35%, 0.72%

LAB 69.88, 19.61, 3.58

 

CMYK 0 / 21 / 24 / 18

HEX #D0A59E

RGB 208 165 158

HSL 8.4, 0.35%, 0.72%

LAB 71.41, 14.76, 9.65

 

CMYK 0 / 14 / 24 / 18

HEX #D0B29E

RGB 208 178 158

HSL 24, 0.35%, 0.72%

LAB 74.65, 7.74, 14.22

 

CMYK 0 / 44 / 38 / 29

HEX #B56670

RGB 181 102 112

HSL 352.41, 0.35%, 0.55%

LAB 52.39, 32.79, 8.41

 

CMYK 0 / 33 / 29 / 24

HEX #C3828A

RGB 195 130 138

HSL 352.62, 0.35%, 0.64%

LAB 61.14, 26.16, 6

 

CMYK 0 / 24 / 21 / 18

HEX #D09EA4

RGB 208 158 164

HSL 352.8, 0.35%, 0.72%

LAB 69.86, 19.46, 4.1

 

CMYK 0 / 16 / 14 / 13

HEX #DDBABE

RGB 221 186 190

HSL 353.14, 0.34%, 0.8%

LAB 78.58, 13.15, 2.65

 

CMYK 0 / 9 / 8 / 8

HEX #EBD6D8

RGB 235 214 216

HSL 354.29, 0.34%, 0.88%

LAB 87.35, 7.58, 1.64

 

CMYK 0 / 25 / 22 / 18

HEX #D09DA3

RGB 208 157 163

HSL 352.94, 0.35%, 0.72%

LAB 69.59, 19.85, 4.27

 

CMYK 1 / 0 / 24 / 18

HEX #CDD09E

RGB 205 208 158

HSL 63.6, 0.35%, 0.72%

LAB 82.14, -9.15, 24.56

 

CMYK 24 / 11 / 0 / 18

HEX #9EB9D0

RGB 158 185 208

HSL 207.6, 0.35%, 0.72%

LAB 73.88, -4.08, -14.63

 

CMYK 0 / 25 / 22 / 18

HEX #D09DA3

RGB 208 157 163

HSL 352.94, 0.35%, 0.72%

LAB 69.59, 19.85, 4.27

 

CMYK 21 / 0 / 24 / 18

HEX #A5D09E

RGB 165 208 158

HSL 111.6, 0.35%, 0.72%

LAB 79.37, -23.59, 20.32

 

CMYK 24 / 21 / 0 / 18

HEX #9EA5D0

RGB 158 165 208

HSL 231.6, 0.35%, 0.72%

LAB 68.56, 6.88, -22.7

 

CMYK 0 / 25 / 22 / 18

HEX #D09DA3

RGB 208 157 163

HSL 352.94, 0.35%, 0.72%

LAB 69.59, 19.85, 4.27

 

CMYK 1 / 0 / 24 / 18

HEX #CDD09E

RGB 205 208 158

HSL 63.6, 0.35%, 0.72%

LAB 82.14, -9.15, 24.56

 

CMYK 24 / 0 / 3 / 18

HEX #9ED0C9

RGB 158 208 201

HSL 171.6, 0.35%, 0.72%

LAB 79.95, -17.65, -1.83

 

CMYK 23 / 24 / 0 / 18

HEX #A19ED0

RGB 161 158 208

HSL 243.6, 0.35%, 0.72%

LAB 66.96, 11.74, -25.12

 

CMYK 0 / 25 / 22 / 18

HEX #D09DA3

RGB 208 157 163

HSL 352.94, 0.35%, 0.72%

LAB 69.59, 19.85, 4.27

 

CMYK 9 / 0 / 24 / 18

HEX #BED09E

RGB 190 208 158

HSL 81.6, 0.35%, 0.72%

LAB 81.03, -14.71, 22.86

 

CMYK 24 / 0 / 3 / 18

HEX #9ED0C9

RGB 158 208 201

HSL 171.6, 0.35%, 0.72%

LAB 79.95, -17.65, -1.83

 

CMYK 15 / 24 / 0 / 18

HEX #B09ED0

RGB 176 158 208

HSL 261.6, 0.35%, 0.72%

LAB 68.2, 16.46, -23.12

 

Description

Color code: HEX #D09DA3 | qconv.com Color code: HEX #D09DA3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 157 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 157 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 22 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 22% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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