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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D09D7F it is the complementary color #2F6280. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D09D7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D09D7F shade: #D59D7A, #E6AF8D, #F7C1A0, #FFD3B3 and #FFE5C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D09D7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D09D7F shade: #D09D7F, #BF8B6C, #AE7959, #9D6746 and #8C5533

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D09D7F shade: #D09E80, #D08880 and #D08080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D09D7F shade: #D09E80, #D0B380, #D0C980, #C2D080 and #ACD080

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D09D7F shade matches the following richer shades: #D09E80, #DE9A72, #EC9764 and #FA9356

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D09D7F shade: #D09E80, #C2A28E, #B4A59C, #A6A9AB and #98ADB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D09D7F shade: #D0808E, #D08880, #D09E80, #D0B380 and #D0C880

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D09D7F shade: #B97045, #C58762, #D09E80, #DBB59F and #E6CCBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D09D7F shade: #D09D7F, #A3D080 and #8083D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D09D7F shade: #D09D7F, #80D09E and #9E80D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D09D7F shade: #D09D7F, #A3D080, #80B3D0 and #AE80D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D09D7F shade: #D09D7F, #8BD080, #80B3D0 and #C680D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 39 / 18

HEX #D09D7F

RGB 208 157 127

HSL 22.22, 0.46%, 0.66%

LAB 68.79, 15.05, 23.06

 

Complementary color

CMYK 63 / 23 / 0 / 50

HEX #2F6280

RGB 47 98 128

HSL 202.22, 0.46%, 0.34%

LAB 39.41, -7.31, -21.88

 

CMYK 0 / 26 / 43 / 16

HEX #D59D7A

RGB 213 157 122

HSL 23.08, 0.52%, 0.66%

LAB 69.23, 16.5, 26.47

 

CMYK 0 / 24 / 39 / 10

HEX #E6AF8D

RGB 230 175 141

HSL 22.92, 0.64%, 0.73%

LAB 75.7, 15.68, 25.2

 

CMYK 0 / 22 / 35 / 3

HEX #F7C1A0

RGB 247 193 160

HSL 22.76, 0.84%, 0.8%

LAB 82.08, 14.95, 24.03

 

CMYK 0 / 17 / 30 / 0

HEX #FFD3B3

RGB 255 211 179

HSL 25.26, 1%, 0.85%

LAB 87.54, 10.93, 21.64

 

CMYK 0 / 10 / 22 / 0

HEX #FFE5C6

RGB 255 229 198

HSL 32.63, 1%, 0.89%

LAB 92.3, 4.2, 18.37

 

CMYK 0 / 25 / 39 / 18

HEX #D09D7F

RGB 208 157 127

HSL 22.22, 0.46%, 0.66%

LAB 68.79, 15.05, 23.06

 

CMYK 0 / 27 / 43 / 25

HEX #BF8B6C

RGB 191 139 108

HSL 22.41, 0.39%, 0.59%

LAB 62.19, 15.9, 24.36

 

CMYK 0 / 30 / 49 / 32

HEX #AE7959

RGB 174 121 89

HSL 22.59, 0.34%, 0.52%

LAB 55.48, 16.89, 25.8

 

CMYK 0 / 34 / 55 / 38

HEX #9D6746

RGB 157 103 70

HSL 22.76, 0.38%, 0.45%

LAB 48.65, 18.04, 27.39

 

CMYK 0 / 39 / 64 / 45

HEX #8C5533

RGB 140 85 51

HSL 22.92, 0.47%, 0.37%

LAB 41.71, 19.42, 29.16

 

CMYK 0 / 24 / 38 / 18

HEX #D09E80

RGB 208 158 128

HSL 22.5, 0.46%, 0.66%

LAB 69.06, 14.63, 22.87

 

CMYK 0 / 35 / 38 / 18

HEX #D08880

RGB 208 136 128

HSL 6, 0.46%, 0.66%

LAB 63.82, 26.59, 15.69

 

CMYK 0 / 38 / 38 / 18

HEX #D08080

RGB 208 128 128

HSL 0, 0.46%, 0.66%

LAB 62, 30.91, 13.16

 

CMYK 0 / 24 / 38 / 18

HEX #D09E80

RGB 208 158 128

HSL 22.5, 0.46%, 0.66%

LAB 69.06, 14.63, 22.87

 

CMYK 0 / 14 / 38 / 18

HEX #D0B380

RGB 208 179 128

HSL 38.25, 0.46%, 0.66%

LAB 74.32, 3.32, 29.91

 

CMYK 0 / 3 / 38 / 18

HEX #D0C980

RGB 208 201 128

HSL 54.75, 0.46%, 0.66%

LAB 80.03, -8.18, 37.35

 

CMYK 7 / 0 / 38 / 18

HEX #C2D080

RGB 194 208 128

HSL 70.5, 0.46%, 0.66%

LAB 80.82, -17.21, 38.13

 

CMYK 17 / 0 / 38 / 18

HEX #ACD080

RGB 172 208 128

HSL 87, 0.46%, 0.66%

LAB 79.29, -25.54, 35.87

 

CMYK 0 / 24 / 38 / 18

HEX #D09E80

RGB 208 158 128

HSL 22.5, 0.46%, 0.66%

LAB 69.06, 14.63, 22.87

 

CMYK 0 / 31 / 49 / 13

HEX #DE9A72

RGB 222 154 114

HSL 22.22, 0.62%, 0.66%

LAB 69.37, 20.92, 31.16

 

CMYK 0 / 36 / 58 / 7

HEX #EC9764

RGB 236 151 100

HSL 22.5, 0.78%, 0.66%

LAB 70.1, 26.95, 39.87

 

CMYK 0 / 41 / 66 / 2

HEX #FA9356

RGB 250 147 86

HSL 22.32, 0.94%, 0.66%

LAB 70.78, 33.69, 48.27

 

CMYK 0 / 24 / 38 / 18

HEX #D09E80

RGB 208 158 128

HSL 22.5, 0.46%, 0.66%

LAB 69.06, 14.63, 22.87

 

CMYK 0 / 16 / 27 / 24

HEX #C2A28E

RGB 194 162 142

HSL 23.08, 0.3%, 0.66%

LAB 68.94, 8.73, 14.8

 

CMYK 0 / 8 / 13 / 29

HEX #B4A59C

RGB 180 165 156

HSL 22.5, 0.14%, 0.66%

LAB 68.76, 3.89, 6.62

 

CMYK 3 / 1 / 0 / 33

HEX #A6A9AB

RGB 166 169 171

HSL 204, 0.03%, 0.66%

LAB 69.06, -0.67, -1.41

 

CMYK 18 / 6 / 0 / 27

HEX #98ADB9

RGB 152 173 185

HSL 201.82, 0.19%, 0.66%

LAB 69.52, -4.68, -8.59

 

CMYK 0 / 38 / 32 / 18

HEX #D0808E

RGB 208 128 142

HSL 349.5, 0.46%, 0.66%

LAB 62.34, 32.65, 5.65

 

CMYK 0 / 35 / 38 / 18

HEX #D08880

RGB 208 136 128

HSL 6, 0.46%, 0.66%

LAB 63.82, 26.59, 15.69

 

CMYK 0 / 24 / 38 / 18

HEX #D09E80

RGB 208 158 128

HSL 22.5, 0.46%, 0.66%

LAB 69.06, 14.63, 22.87

 

CMYK 0 / 14 / 38 / 18

HEX #D0B380

RGB 208 179 128

HSL 38.25, 0.46%, 0.66%

LAB 74.32, 3.32, 29.91

 

CMYK 0 / 4 / 38 / 18

HEX #D0C880

RGB 208 200 128

HSL 54, 0.46%, 0.66%

LAB 79.77, -7.67, 37.01

 

CMYK 0 / 39 / 63 / 27

HEX #B97045

RGB 185 112 69

HSL 22.24, 0.46%, 0.5%

LAB 54.38, 24.83, 35.78

 

CMYK 0 / 31 / 50 / 23

HEX #C58762

RGB 197 135 98

HSL 22.42, 0.46%, 0.58%

LAB 61.72, 19.55, 29.41

 

CMYK 0 / 24 / 38 / 18

HEX #D09E80

RGB 208 158 128

HSL 22.5, 0.46%, 0.66%

LAB 69.06, 14.63, 22.87

 

CMYK 0 / 17 / 27 / 14

HEX #DBB59F

RGB 219 181 159

HSL 22, 0.45%, 0.74%

LAB 76.44, 10.47, 16.35

 

CMYK 0 / 11 / 18 / 10

HEX #E6CCBD

RGB 230 204 189

HSL 21.95, 0.45%, 0.82%

LAB 83.8, 6.72, 10.79

 

CMYK 0 / 25 / 39 / 18

HEX #D09D7F

RGB 208 157 127

HSL 22.22, 0.46%, 0.66%

LAB 68.79, 15.05, 23.06

 

CMYK 22 / 0 / 38 / 18

HEX #A3D080

RGB 163 208 128

HSL 93.75, 0.46%, 0.66%

LAB 78.73, -28.81, 35.02

 

CMYK 38 / 37 / 0 / 18

HEX #8083D0

RGB 128 131 208

HSL 237.75, 0.46%, 0.66%

LAB 57.44, 17.73, -40.1

 

CMYK 0 / 25 / 39 / 18

HEX #D09D7F

RGB 208 157 127

HSL 22.22, 0.46%, 0.66%

LAB 68.79, 15.05, 23.06

 

CMYK 38 / 0 / 24 / 18

HEX #80D09E

RGB 128 208 158

HSL 142.5, 0.46%, 0.66%

LAB 77.38, -35.37, 17.25

 

CMYK 24 / 38 / 0 / 18

HEX #9E80D0

RGB 158 128 208

HSL 262.5, 0.46%, 0.66%

LAB 59.22, 27.94, -37.14

 

CMYK 0 / 25 / 39 / 18

HEX #D09D7F

RGB 208 157 127

HSL 22.22, 0.46%, 0.66%

LAB 68.79, 15.05, 23.06

 

CMYK 22 / 0 / 38 / 18

HEX #A3D080

RGB 163 208 128

HSL 93.75, 0.46%, 0.66%

LAB 78.73, -28.81, 35.02

 

CMYK 38 / 14 / 0 / 18

HEX #80B3D0

RGB 128 179 208

HSL 201.75, 0.46%, 0.66%

LAB 70.44, -9.48, -20

 

CMYK 16 / 38 / 0 / 18

HEX #AE80D0

RGB 174 128 208

HSL 274.5, 0.46%, 0.66%

LAB 60.77, 32.71, -34.59

 

CMYK 0 / 25 / 39 / 18

HEX #D09D7F

RGB 208 157 127

HSL 22.22, 0.46%, 0.66%

LAB 68.79, 15.05, 23.06

 

CMYK 33 / 0 / 38 / 18

HEX #8BD080

RGB 139 208 128

HSL 111.75, 0.46%, 0.66%

LAB 77.38, -37.07, 33.01

 

CMYK 38 / 14 / 0 / 18

HEX #80B3D0

RGB 128 179 208

HSL 201.75, 0.46%, 0.66%

LAB 70.44, -9.48, -20

 

CMYK 5 / 38 / 0 / 18

HEX #C680D0

RGB 198 128 208

HSL 292.5, 0.46%, 0.66%

LAB 63.34, 40.03, -30.4

 

Description

Color code: HEX #D09D7F | qconv.com Color code: HEX #D09D7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 157 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 157 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 39 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 39% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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