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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D09C93 it is the complementary color #2F636C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D09C93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D09C93 shade: #D59C8E, #E6AEA1, #F7C0B4, #FFD2C7 and #FFE4DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D09C93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D09C93 shade: #D09C93, #BF8A80, #AE786D, #9D665A and #8C5447

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D09C93 shade: #D09D95 and #D09595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D09C93 shade: #D09D95, #D0AE95, #D0BE95, #D0CE95 and #C3D095

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D09C93 shade matches the following richer shades: #D09D95, #DD9588, #E98C7C and #F58370

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D09C93 shade: #D09D95, #C4A6A1, #B8AFAD, #ABB8BA and #9FC0C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D09C93 shade: #D095AD, #D0959D, #D09D95, #D0AD95 and #D0BC95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D09C93 shade: #B7695B, #C48378, #D09D95, #DDB8B1 and #EAD2CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D09C93 shade: #D09C93, #BCD095 and #95A5D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D09C93 shade: #D09C93, #95D09D and #9D95D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D09C93 shade: #D09C93, #BCD095, #95C8D0 and #A995D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D09C93 shade: #D09C93, #ABD095, #95C8D0 and #BA95D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 29 / 18

HEX #D09C93

RGB 208 156 147

HSL 8.85, 0.39%, 0.7%

LAB 68.96, 18.11, 12.26

 

Complementary color

CMYK 56 / 8 / 0 / 58

HEX #2F636C

RGB 47 99 108

HSL 188.85, 0.39%, 0.3%

LAB 38.92, -14.52, -10.4

 

CMYK 0 / 27 / 33 / 16

HEX #D59C8E

RGB 213 156 142

HSL 11.83, 0.46%, 0.7%

LAB 69.38, 19.39, 15.7

 

CMYK 0 / 24 / 30 / 10

HEX #E6AEA1

RGB 230 174 161

HSL 11.3, 0.58%, 0.77%

LAB 75.87, 18.66, 14.62

 

CMYK 0 / 22 / 27 / 3

HEX #F7C0B4

RGB 247 192 180

HSL 10.75, 0.81%, 0.84%

LAB 82.25, 18.01, 13.62

 

CMYK 0 / 18 / 22 / 0

HEX #FFD2C7

RGB 255 210 199

HSL 11.79, 1%, 0.89%

LAB 87.72, 14.15, 11.38

 

CMYK 0 / 11 / 15 / 0

HEX #FFE4DA

RGB 255 228 218

HSL 16.22, 1%, 0.93%

LAB 92.49, 7.66, 8.24

 

CMYK 0 / 25 / 29 / 18

HEX #D09C93

RGB 208 156 147

HSL 8.85, 0.39%, 0.7%

LAB 68.96, 18.11, 12.26

 

CMYK 0 / 28 / 33 / 25

HEX #BF8A80

RGB 191 138 128

HSL 9.52, 0.33%, 0.63%

LAB 62.35, 18.86, 13.35

 

CMYK 0 / 31 / 37 / 32

HEX #AE786D

RGB 174 120 109

HSL 10.15, 0.29%, 0.55%

LAB 55.62, 19.7, 14.55

 

CMYK 0 / 35 / 43 / 38

HEX #9D665A

RGB 157 102 90

HSL 10.75, 0.27%, 0.48%

LAB 48.77, 20.67, 15.91

 

CMYK 0 / 40 / 49 / 45

HEX #8C5447

RGB 140 84 71

HSL 11.3, 0.33%, 0.41%

LAB 41.8, 21.8, 17.48

 

CMYK 0 / 25 / 28 / 18

HEX #D09D95

RGB 208 157 149

HSL 8.14, 0.39%, 0.7%

LAB 69.25, 17.84, 11.56

 

CMYK 0 / 28 / 28 / 18

HEX #D09595

RGB 208 149 149

HSL 0, 0.39%, 0.7%

LAB 67.33, 22.2, 8.84

 

CMYK 0 / 25 / 28 / 18

HEX #D09D95

RGB 208 157 149

HSL 8.14, 0.39%, 0.7%

LAB 69.25, 17.84, 11.56

 

CMYK 0 / 16 / 28 / 18

HEX #D0AE95

RGB 208 174 149

HSL 25.42, 0.39%, 0.7%

LAB 73.45, 8.63, 17.44

 

CMYK 0 / 9 / 28 / 18

HEX #D0BE95

RGB 208 190 149

HSL 41.69, 0.39%, 0.7%

LAB 77.52, 0.11, 23.05

 

CMYK 0 / 1 / 28 / 18

HEX #D0CE95

RGB 208 206 149

HSL 57.97, 0.39%, 0.7%

LAB 81.69, -8.21, 28.68

 

CMYK 6 / 0 / 28 / 18

HEX #C3D095

RGB 195 208 149

HSL 73.22, 0.39%, 0.7%

LAB 81.23, -14.15, 27.89

 

CMYK 0 / 25 / 28 / 18

HEX #D09D95

RGB 208 157 149

HSL 8.14, 0.39%, 0.7%

LAB 69.25, 17.84, 11.56

 

CMYK 0 / 33 / 38 / 13

HEX #DD9588

RGB 221 149 136

HSL 9.18, 0.56%, 0.7%

LAB 68.49, 25.53, 17.92

 

CMYK 0 / 40 / 47 / 9

HEX #E98C7C

RGB 233 140 124

HSL 8.81, 0.71%, 0.7%

LAB 67.68, 33.65, 23.7

 

CMYK 0 / 47 / 54 / 4

HEX #F58370

RGB 245 131 112

HSL 8.57, 0.87%, 0.7%

LAB 67.14, 41.74, 29.9

 

CMYK 0 / 25 / 28 / 18

HEX #D09D95

RGB 208 157 149

HSL 8.14, 0.39%, 0.7%

LAB 69.25, 17.84, 11.56

 

CMYK 0 / 15 / 18 / 23

HEX #C4A6A1

RGB 196 166 161

HSL 8.57, 0.23%, 0.7%

LAB 70.58, 10.15, 6.65

 

CMYK 0 / 5 / 6 / 28

HEX #B8AFAD

RGB 184 175 173

HSL 10.91, 0.07%, 0.7%

LAB 72.14, 2.85, 2.16

 

CMYK 8 / 1 / 0 / 27

HEX #ABB8BA

RGB 171 184 186

HSL 188, 0.1%, 0.7%

LAB 73.86, -4.09, -2.57

 

CMYK 20 / 3 / 0 / 22

HEX #9FC0C6

RGB 159 192 198

HSL 189.23, 0.25%, 0.7%

LAB 75.54, -9.73, -6.71

 

CMYK 0 / 28 / 17 / 18

HEX #D095AD

RGB 208 149 173

HSL 335.59, 0.39%, 0.7%

LAB 67.96, 25.76, -3.68

 

CMYK 0 / 28 / 25 / 18

HEX #D0959D

RGB 208 149 157

HSL 351.86, 0.39%, 0.7%

LAB 67.53, 23.33, 4.65

 

CMYK 0 / 25 / 28 / 18

HEX #D09D95

RGB 208 157 149

HSL 8.14, 0.39%, 0.7%

LAB 69.25, 17.84, 11.56

 

CMYK 0 / 17 / 28 / 18

HEX #D0AD95

RGB 208 173 149

HSL 24.41, 0.39%, 0.7%

LAB 73.2, 9.17, 17.09

 

CMYK 0 / 10 / 28 / 18

HEX #D0BC95

RGB 208 188 149

HSL 39.66, 0.39%, 0.7%

LAB 77.01, 1.16, 22.35

 

CMYK 0 / 43 / 50 / 28

HEX #B7695B

RGB 183 105 91

HSL 9.13, 0.39%, 0.54%

LAB 52.87, 29.67, 21.43

 

CMYK 0 / 33 / 39 / 23

HEX #C48378

RGB 196 131 120

HSL 8.68, 0.39%, 0.62%

LAB 61.07, 23.69, 16.19

 

CMYK 0 / 25 / 28 / 18

HEX #D09D95

RGB 208 157 149

HSL 8.14, 0.39%, 0.7%

LAB 69.25, 17.84, 11.56

 

CMYK 0 / 17 / 20 / 13

HEX #DDB8B1

RGB 221 184 177

HSL 9.55, 0.39%, 0.78%

LAB 77.77, 12.2, 8.52

 

CMYK 0 / 10 / 12 / 8

HEX #EAD2CE

RGB 234 210 206

HSL 8.57, 0.4%, 0.86%

LAB 86.03, 7.68, 5.01

 

CMYK 0 / 25 / 29 / 18

HEX #D09C93

RGB 208 156 147

HSL 8.85, 0.39%, 0.7%

LAB 68.96, 18.11, 12.26

 

CMYK 10 / 0 / 28 / 18

HEX #BCD095

RGB 188 208 149

HSL 80.34, 0.39%, 0.7%

LAB 80.72, -16.76, 27.13

 

CMYK 28 / 21 / 0 / 18

HEX #95A5D0

RGB 149 165 208

HSL 223.73, 0.39%, 0.7%

LAB 67.91, 4.16, -23.74

 

CMYK 0 / 25 / 29 / 18

HEX #D09C93

RGB 208 156 147

HSL 8.85, 0.39%, 0.7%

LAB 68.96, 18.11, 12.26

 

CMYK 28 / 0 / 25 / 18

HEX #95D09D

RGB 149 208 157

HSL 128.14, 0.39%, 0.7%

LAB 78.42, -29.1, 19.39

 

CMYK 25 / 28 / 0 / 18

HEX #9D95D0

RGB 157 149 208

HSL 248.14, 0.39%, 0.7%

LAB 64.34, 15.61, -29.19

 

CMYK 0 / 25 / 29 / 18

HEX #D09C93

RGB 208 156 147

HSL 8.85, 0.39%, 0.7%

LAB 68.96, 18.11, 12.26

 

CMYK 10 / 0 / 28 / 18

HEX #BCD095

RGB 188 208 149

HSL 80.34, 0.39%, 0.7%

LAB 80.72, -16.76, 27.13

 

CMYK 28 / 4 / 0 / 18

HEX #95C8D0

RGB 149 200 208

HSL 188.14, 0.39%, 0.7%

LAB 77.43, -14.66, -9.38

 

CMYK 19 / 28 / 0 / 18

HEX #A995D0

RGB 169 149 208

HSL 260.34, 0.39%, 0.7%

LAB 65.34, 19.31, -27.55

 

CMYK 0 / 25 / 29 / 18

HEX #D09C93

RGB 208 156 147

HSL 8.85, 0.39%, 0.7%

LAB 68.96, 18.11, 12.26

 

CMYK 18 / 0 / 28 / 18

HEX #ABD095

RGB 171 208 149

HSL 97.63, 0.39%, 0.7%

LAB 79.58, -22.93, 25.39

 

CMYK 28 / 4 / 0 / 18

HEX #95C8D0

RGB 149 200 208

HSL 188.14, 0.39%, 0.7%

LAB 77.43, -14.66, -9.38

 

CMYK 11 / 28 / 0 / 18

HEX #BA95D0

RGB 186 149 208

HSL 277.63, 0.39%, 0.7%

LAB 66.89, 24.7, -25.04

 

Description

Color code: HEX #D09C93 | qconv.com Color code: HEX #D09C93 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 156 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 156 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 29 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 29% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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