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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D09ADA it is the complementary color #2F6525. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D09ADA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D09ADA shade: #D59AD5, #E6ACE8, #F7BEFB, #FFD0FF and #FFE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D09ADA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D09ADA shade: #D09ADA, #BF88C7, #AE76B4, #9D64A1 and #8C528E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D09ADA shade: #D09ADA, #DA9AD3, #DA9AC2, #DA9AB0 and #DA9A9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D09ADA shade: #D09ADA, #BF9ADA, #AE9ADA, #9D9ADA and #9A9ADA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D09ADA shade matches the following richer shades: #D09ADA, #D88FE5, #DF84F0 and #E779FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D09ADA shade: #D09ADA, #C8A6CF, #C1B1C4, #B9BCB8 and #B1C7AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D09ADA shade: #AD9ADA, #BE9ADA, #CF9ADA, #DA9AD3 and #DA9AC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D09ADA shade: #B45EC4, #C27CCF, #D09ADA, #DEB9E5 and #ECD7F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D09ADA shade: #D09ADA, #DA9D9A and #9ADAB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D09ADA shade: #D09ADA, #DACF9A and #9ADACF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D09ADA shade: #D09ADA, #DA9D9A, #A5DA9A and #9AD8DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D09ADA shade: #D09ADA, #DAB09A, #A5DA9A and #9AC5DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 29 / 0 / 15

HEX #D09ADA

RGB 208 154 218

HSL 290.63, 0.46%, 0.73%

LAB 70.58, 31.03, -24.73

 

Complementary color

CMYK 53 / 0 / 63 / 60

HEX #2F6525

RGB 47 101 37

HSL 110.63, 0.46%, 0.27%

LAB 37.92, -31.59, 30.21

 

CMYK 0 / 28 / 0 / 16

HEX #D59AD5

RGB 213 154 213

HSL 300, 0.41%, 0.72%

LAB 70.91, 31.69, -21.42

 

CMYK 1 / 26 / 0 / 9

HEX #E6ACE8

RGB 230 172 232

HSL 298, 0.57%, 0.79%

LAB 77.37, 31.05, -21.82

 

CMYK 2 / 24 / 0 / 2

HEX #F7BEFB

RGB 247 190 251

HSL 296.07, 0.88%, 0.86%

LAB 83.74, 30.44, -22.2

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 5 / 29 / 0 / 15

HEX #D09ADA

RGB 208 154 218

HSL 290.63, 0.46%, 0.73%

LAB 70.58, 31.03, -24.73

 

CMYK 4 / 32 / 0 / 22

HEX #BF88C7

RGB 191 136 199

HSL 292.38, 0.36%, 0.66%

LAB 64.01, 31.7, -24.4

 

CMYK 3 / 34 / 0 / 29

HEX #AE76B4

RGB 174 118 180

HSL 294.19, 0.29%, 0.58%

LAB 57.32, 32.43, -24.05

 

CMYK 2 / 38 / 0 / 37

HEX #9D64A1

RGB 157 100 161

HSL 296.07, 0.24%, 0.51%

LAB 50.52, 33.19, -23.67

 

CMYK 1 / 42 / 0 / 44

HEX #8C528E

RGB 140 82 142

HSL 298, 0.27%, 0.44%

LAB 43.6, 33.99, -23.24

 

CMYK 5 / 29 / 0 / 15

HEX #D09ADA

RGB 208 154 218

HSL 290.63, 0.46%, 0.73%

LAB 70.58, 31.03, -24.73

 

CMYK 0 / 29 / 3 / 15

HEX #DA9AD3

RGB 218 154 211

HSL 306.56, 0.46%, 0.73%

LAB 71.36, 32.96, -19.59

 

CMYK 0 / 29 / 11 / 15

HEX #DA9AC2

RGB 218 154 194

HSL 322.5, 0.46%, 0.73%

LAB 70.81, 30, -11.03

 

CMYK 0 / 29 / 19 / 15

HEX #DA9AB0

RGB 218 154 176

HSL 339.38, 0.46%, 0.73%

LAB 70.28, 27.11, -1.82

 

CMYK 0 / 29 / 27 / 15

HEX #DA9A9F

RGB 218 154 159

HSL 355.31, 0.46%, 0.73%

LAB 69.84, 24.63, 6.99

 

CMYK 5 / 29 / 0 / 15

HEX #D09ADA

RGB 208 154 218

HSL 290.63, 0.46%, 0.73%

LAB 70.58, 31.03, -24.73

 

CMYK 12 / 29 / 0 / 15

HEX #BF9ADA

RGB 191 154 218

HSL 274.69, 0.46%, 0.73%

LAB 68.93, 25.61, -27.4

 

CMYK 20 / 29 / 0 / 15

HEX #AE9ADA

RGB 174 154 218

HSL 258.75, 0.46%, 0.73%

LAB 67.41, 20.32, -29.88

 

CMYK 28 / 29 / 0 / 15

HEX #9D9ADA

RGB 157 154 218

HSL 242.81, 0.46%, 0.73%

LAB 66.01, 15.21, -32.15

 

CMYK 29 / 29 / 0 / 15

HEX #9A9ADA

RGB 154 154 218

HSL 240, 0.46%, 0.73%

LAB 65.78, 14.33, -32.52

 

CMYK 5 / 29 / 0 / 15

HEX #D09ADA

RGB 208 154 218

HSL 290.63, 0.46%, 0.73%

LAB 70.58, 31.03, -24.73

 

CMYK 6 / 38 / 0 / 10

HEX #D88FE5

RGB 216 143 229

HSL 290.93, 0.62%, 0.73%

LAB 69.4, 41.58, -32.53

 

CMYK 7 / 45 / 0 / 6

HEX #DF84F0

RGB 223 132 240

HSL 290.56, 0.78%, 0.73%

LAB 68.37, 51.48, -40.11

 

CMYK 8 / 52 / 0 / 2

HEX #E779FB

RGB 231 121 251

HSL 290.77, 0.94%, 0.73%

LAB 67.75, 61.18, -47.07

 

CMYK 5 / 29 / 0 / 15

HEX #D09ADA

RGB 208 154 218

HSL 290.63, 0.46%, 0.73%

LAB 70.58, 31.03, -24.73

 

CMYK 3 / 20 / 0 / 19

HEX #C8A6CF

RGB 200 166 207

HSL 289.76, 0.3%, 0.73%

LAB 72.27, 19.69, -16.19

 

CMYK 2 / 10 / 0 / 23

HEX #C1B1C4

RGB 193 177 196

HSL 290.53, 0.14%, 0.73%

LAB 74.04, 9.17, -7.57

 

CMYK 2 / 0 / 2 / 26

HEX #B9BCB8

RGB 185 188 184

HSL 105, 0.03%, 0.73%

LAB 75.91, -1.78, 1.65

 

CMYK 11 / 0 / 13 / 22

HEX #B1C7AD

RGB 177 199 173

HSL 110.77, 0.19%, 0.73%

LAB 78, -12.33, 10.52

 

CMYK 21 / 29 / 0 / 15

HEX #AD9ADA

RGB 173 154 218

HSL 257.81, 0.46%, 0.73%

LAB 67.32, 20.01, -30.02

 

CMYK 13 / 29 / 0 / 15

HEX #BE9ADA

RGB 190 154 218

HSL 273.75, 0.46%, 0.73%

LAB 68.84, 25.3, -27.55

 

CMYK 5 / 29 / 0 / 15

HEX #CF9ADA

RGB 207 154 218

HSL 289.69, 0.46%, 0.73%

LAB 70.48, 30.71, -24.89

 

CMYK 0 / 29 / 3 / 15

HEX #DA9AD3

RGB 218 154 211

HSL 306.56, 0.46%, 0.73%

LAB 71.36, 32.96, -19.59

 

CMYK 0 / 29 / 11 / 15

HEX #DA9AC3

RGB 218 154 195

HSL 321.56, 0.46%, 0.73%

LAB 70.84, 30.17, -11.53

 

CMYK 8 / 52 / 0 / 23

HEX #B45EC4

RGB 180 94 196

HSL 290.59, 0.46%, 0.57%

LAB 53.7, 50.24, -38.8

 

CMYK 6 / 40 / 0 / 19

HEX #C27CCF

RGB 194 124 207

HSL 290.6, 0.46%, 0.65%

LAB 61.99, 40.76, -31.97

 

CMYK 5 / 29 / 0 / 15

HEX #D09ADA

RGB 208 154 218

HSL 290.63, 0.46%, 0.73%

LAB 70.58, 31.03, -24.73

 

CMYK 3 / 19 / 0 / 10

HEX #DEB9E5

RGB 222 185 229

HSL 290.45, 0.46%, 0.81%

LAB 79.55, 20.89, -16.98

 

CMYK 2 / 10 / 0 / 6

HEX #ECD7F0

RGB 236 215 240

HSL 290.4, 0.45%, 0.89%

LAB 88.32, 11.62, -9.59

 

CMYK 5 / 29 / 0 / 15

HEX #D09ADA

RGB 208 154 218

HSL 290.63, 0.46%, 0.73%

LAB 70.58, 31.03, -24.73

 

CMYK 0 / 28 / 29 / 15

HEX #DA9D9A

RGB 218 157 154

HSL 2.81, 0.46%, 0.73%

LAB 70.42, 22.33, 10.6

 

CMYK 29 / 0 / 17 / 15

HEX #9ADAB6

RGB 154 218 182

HSL 146.25, 0.46%, 0.73%

LAB 82.05, -27.69, 11.29

 

CMYK 5 / 29 / 0 / 15

HEX #D09ADA

RGB 208 154 218

HSL 290.63, 0.46%, 0.73%

LAB 70.58, 31.03, -24.73

 

CMYK 0 / 5 / 29 / 15

HEX #DACF9A

RGB 218 207 154

HSL 49.69, 0.46%, 0.73%

LAB 82.84, -4.25, 27.77

 

CMYK 29 / 0 / 5 / 15

HEX #9ADACF

RGB 154 218 207

HSL 169.69, 0.46%, 0.73%

LAB 82.66, -22.53, -1.1

 

CMYK 5 / 29 / 0 / 15

HEX #D09ADA

RGB 208 154 218

HSL 290.63, 0.46%, 0.73%

LAB 70.58, 31.03, -24.73

 

CMYK 0 / 28 / 29 / 15

HEX #DA9D9A

RGB 218 157 154

HSL 2.81, 0.46%, 0.73%

LAB 70.42, 22.33, 10.6

 

CMYK 24 / 0 / 29 / 15

HEX #A5DA9A

RGB 165 218 154

HSL 109.69, 0.46%, 0.73%

LAB 82.1, -29.07, 26.13

 

CMYK 29 / 1 / 0 / 15

HEX #9AD8DA

RGB 154 216 218

HSL 181.88, 0.46%, 0.73%

LAB 82.4, -19.08, -7.32

 

CMYK 5 / 29 / 0 / 15

HEX #D09ADA

RGB 208 154 218

HSL 290.63, 0.46%, 0.73%

LAB 70.58, 31.03, -24.73

 

CMYK 0 / 19 / 29 / 15

HEX #DAB09A

RGB 218 176 154

HSL 20.63, 0.46%, 0.73%

LAB 75.01, 12.09, 17.04

 

CMYK 24 / 0 / 29 / 15

HEX #A5DA9A

RGB 165 218 154

HSL 109.69, 0.46%, 0.73%

LAB 82.1, -29.07, 26.13

 

CMYK 29 / 10 / 0 / 15

HEX #9AC5DA

RGB 154 197 218

HSL 199.69, 0.46%, 0.73%

LAB 77.2, -9.31, -15.09

 

Description

Color code: HEX #D09ADA | qconv.com Color code: HEX #D09ADA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 154 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 154 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 29 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 29% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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