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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D09ACE it is the complementary color #2F6531. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D09ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D09ACE shade: #D59AC9, #E6ACDC, #F7BEEF, #FFD0FF and #FFE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D09ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D09ACE shade: #D09ACE, #BF88BB, #AE76A8, #9D6495 and #8C5282

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D09ACE shade: #D09ACE, #D09ABF, #D09AB1, #D09AA3 and #D09A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D09ACE shade: #D09ACE, #C39AD0, #B59AD0, #A79AD0 and #9A9AD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D09ACE shade matches the following richer shades: #D09ACE, #DC8ED9, #E882E4 and #F477EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D09ACE shade: #D09ACE, #C4A6C3, #B8B2B8, #ACBEAC and #A0CAA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D09ACE shade: #B59AD0, #C39AD0, #D09ACE, #D09AC0 and #D09AB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D09ACE shade: #B562B2, #C27EC0, #D09ACE, #DDB6DB and #EAD3E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D09ACE shade: #D09ACE, #D0A79A and #9AD0BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D09ACE shade: #D09ACE, #CED09A and #9ACED0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D09ACE shade: #D09ACE, #D0A79A, #9AD09C and #9AC3D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D09ACE shade: #D09ACE, #D0B79A, #9AD09C and #9AB3D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 1 / 18

HEX #D09ACE

RGB 208 154 206

HSL 302.22, 0.36%, 0.71%

LAB 70.16, 28.74, -18.75

 

Complementary color

CMYK 53 / 0 / 51 / 60

HEX #2F6531

RGB 47 101 49

HSL 122.22, 0.36%, 0.29%

LAB 38.08, -29.9, 23.96

 

CMYK 0 / 28 / 6 / 16

HEX #D59AC9

RGB 213 154 201

HSL 312.2, 0.41%, 0.72%

LAB 70.51, 29.51, -15.41

 

CMYK 0 / 25 / 4 / 10

HEX #E6ACDC

RGB 230 172 220

HSL 310.34, 0.54%, 0.79%

LAB 76.98, 28.87, -15.91

 

CMYK 0 / 23 / 3 / 3

HEX #F7BEEF

RGB 247 190 239

HSL 308.42, 0.78%, 0.86%

LAB 83.35, 28.28, -16.38

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 0 / 26 / 1 / 18

HEX #D09ACE

RGB 208 154 206

HSL 302.22, 0.36%, 0.71%

LAB 70.16, 28.74, -18.75

 

CMYK 0 / 29 / 2 / 25

HEX #BF88BB

RGB 191 136 187

HSL 304.36, 0.3%, 0.64%

LAB 63.57, 29.4, -18.31

 

CMYK 0 / 32 / 3 / 32

HEX #AE76A8

RGB 174 118 168

HSL 306.43, 0.26%, 0.57%

LAB 56.86, 30.12, -17.85

 

CMYK 0 / 36 / 5 / 38

HEX #9D6495

RGB 157 100 149

HSL 308.42, 0.23%, 0.5%

LAB 50.04, 30.87, -17.34

 

CMYK 0 / 41 / 7 / 45

HEX #8C5282

RGB 140 82 130

HSL 310.34, 0.26%, 0.44%

LAB 43.1, 31.67, -16.75

 

CMYK 0 / 26 / 1 / 18

HEX #D09ACE

RGB 208 154 206

HSL 302.22, 0.36%, 0.71%

LAB 70.16, 28.74, -18.75

 

CMYK 0 / 26 / 8 / 18

HEX #D09ABF

RGB 208 154 191

HSL 318.89, 0.36%, 0.71%

LAB 69.67, 26.04, -11.18

 

CMYK 0 / 26 / 15 / 18

HEX #D09AB1

RGB 208 154 177

HSL 334.44, 0.36%, 0.71%

LAB 69.25, 23.68, -4.01

 

CMYK 0 / 26 / 22 / 18

HEX #D09AA3

RGB 208 154 163

HSL 350, 0.36%, 0.71%

LAB 68.87, 21.49, 3.23

 

CMYK 0 / 26 / 26 / 18

HEX #D09A9A

RGB 208 154 154

HSL 0, 0.36%, 0.71%

LAB 68.65, 20.17, 7.92

 

CMYK 0 / 26 / 1 / 18

HEX #D09ACE

RGB 208 154 206

HSL 302.22, 0.36%, 0.71%

LAB 70.16, 28.74, -18.75

 

CMYK 6 / 26 / 0 / 18

HEX #C39AD0

RGB 195 154 208

HSL 285.56, 0.36%, 0.71%

LAB 68.94, 24.84, -21.82

 

CMYK 13 / 26 / 0 / 18

HEX #B59AD0

RGB 181 154 208

HSL 270, 0.36%, 0.71%

LAB 67.64, 20.3, -23.93

 

CMYK 20 / 26 / 0 / 18

HEX #A79AD0

RGB 167 154 208

HSL 254.44, 0.36%, 0.71%

LAB 66.43, 15.86, -25.9

 

CMYK 26 / 26 / 0 / 18

HEX #9A9AD0

RGB 154 154 208

HSL 240, 0.36%, 0.71%

LAB 65.39, 11.86, -27.59

 

CMYK 0 / 26 / 1 / 18

HEX #D09ACE

RGB 208 154 206

HSL 302.22, 0.36%, 0.71%

LAB 70.16, 28.74, -18.75

 

CMYK 0 / 35 / 1 / 14

HEX #DC8ED9

RGB 220 142 217

HSL 302.31, 0.53%, 0.71%

LAB 69.16, 41.1, -26.24

 

CMYK 0 / 44 / 2 / 9

HEX #E882E4

RGB 232 130 228

HSL 302.35, 0.69%, 0.71%

LAB 68.55, 52.89, -33.15

 

CMYK 0 / 51 / 2 / 4

HEX #F477EF

RGB 244 119 239

HSL 302.4, 0.85%, 0.71%

LAB 68.5, 63.45, -39.17

 

CMYK 0 / 26 / 1 / 18

HEX #D09ACE

RGB 208 154 206

HSL 302.22, 0.36%, 0.71%

LAB 70.16, 28.74, -18.75

 

CMYK 0 / 15 / 1 / 23

HEX #C4A6C3

RGB 196 166 195

HSL 302, 0.2%, 0.71%

LAB 71.52, 16.04, -10.75

 

CMYK 0 / 3 / 0 / 28

HEX #B8B2B8

RGB 184 178 184

HSL 300, 0.04%, 0.71%

LAB 73.21, 3.24, -2.3

 

CMYK 9 / 0 / 9 / 25

HEX #ACBEAC

RGB 172 190 172

HSL 120, 0.12%, 0.71%

LAB 75.19, -9.59, 6.99

 

CMYK 21 / 0 / 20 / 21

HEX #A0CAA1

RGB 160 202 161

HSL 121.43, 0.28%, 0.71%

LAB 77.45, -21.82, 16.01

 

CMYK 13 / 26 / 0 / 18

HEX #B59AD0

RGB 181 154 208

HSL 270, 0.36%, 0.71%

LAB 67.64, 20.3, -23.93

 

CMYK 6 / 26 / 0 / 18

HEX #C39AD0

RGB 195 154 208

HSL 285.56, 0.36%, 0.71%

LAB 68.94, 24.84, -21.82

 

CMYK 0 / 26 / 1 / 18

HEX #D09ACE

RGB 208 154 206

HSL 302.22, 0.36%, 0.71%

LAB 70.16, 28.74, -18.75

 

CMYK 0 / 26 / 8 / 18

HEX #D09AC0

RGB 208 154 192

HSL 317.78, 0.36%, 0.71%

LAB 69.7, 26.21, -11.68

 

CMYK 0 / 26 / 14 / 18

HEX #D09AB2

RGB 208 154 178

HSL 333.33, 0.36%, 0.71%

LAB 69.28, 23.84, -4.53

 

CMYK 0 / 46 / 2 / 29

HEX #B562B2

RGB 181 98 178

HSL 302.17, 0.36%, 0.55%

LAB 53.79, 45.07, -28.28

 

CMYK 0 / 35 / 1 / 24

HEX #C27EC0

RGB 194 126 192

HSL 301.76, 0.36%, 0.63%

LAB 61.82, 36.81, -23.77

 

CMYK 0 / 26 / 1 / 18

HEX #D09ACE

RGB 208 154 206

HSL 302.22, 0.36%, 0.71%

LAB 70.16, 28.74, -18.75

 

CMYK 0 / 18 / 1 / 13

HEX #DDB6DB

RGB 221 182 219

HSL 303.08, 0.36%, 0.79%

LAB 78.43, 20.3, -13.27

 

CMYK 0 / 10 / 0 / 8

HEX #EAD3E9

RGB 234 211 233

HSL 302.61, 0.35%, 0.87%

LAB 86.98, 11.78, -7.9

 

CMYK 0 / 26 / 1 / 18

HEX #D09ACE

RGB 208 154 206

HSL 302.22, 0.36%, 0.71%

LAB 70.16, 28.74, -18.75

 

CMYK 0 / 20 / 26 / 18

HEX #D0A79A

RGB 208 167 154

HSL 14.44, 0.36%, 0.71%

LAB 71.81, 13.1, 12.42

 

CMYK 26 / 0 / 10 / 18

HEX #9AD0BC

RGB 154 208 188

HSL 157.78, 0.36%, 0.71%

LAB 79.39, -21.6, 4.29

 

CMYK 0 / 26 / 1 / 18

HEX #D09ACE

RGB 208 154 206

HSL 302.22, 0.36%, 0.71%

LAB 70.16, 28.74, -18.75

 

CMYK 1 / 0 / 26 / 18

HEX #CED09A

RGB 206 208 154

HSL 62.22, 0.36%, 0.71%

LAB 82.15, -9.33, 26.67

 

CMYK 26 / 1 / 0 / 18

HEX #9ACED0

RGB 154 206 208

HSL 182.22, 0.36%, 0.71%

LAB 79.37, -16.28, -6.47

 

CMYK 0 / 26 / 1 / 18

HEX #D09ACE

RGB 208 154 206

HSL 302.22, 0.36%, 0.71%

LAB 70.16, 28.74, -18.75

 

CMYK 0 / 20 / 26 / 18

HEX #D0A79A

RGB 208 167 154

HSL 14.44, 0.36%, 0.71%

LAB 71.81, 13.1, 12.42

 

CMYK 26 / 0 / 25 / 18

HEX #9AD09C

RGB 154 208 156

HSL 122.22, 0.36%, 0.71%

LAB 78.68, -27.64, 20.32

 

CMYK 26 / 6 / 0 / 18

HEX #9AC3D0

RGB 154 195 208

HSL 194.44, 0.36%, 0.71%

LAB 76.35, -10.6, -10.96

 

CMYK 0 / 26 / 1 / 18

HEX #D09ACE

RGB 208 154 206

HSL 302.22, 0.36%, 0.71%

LAB 70.16, 28.74, -18.75

 

CMYK 0 / 12 / 26 / 18

HEX #D0B79A

RGB 208 183 154

HSL 32.22, 0.36%, 0.71%

LAB 75.83, 4.5, 18.04

 

CMYK 26 / 0 / 25 / 18

HEX #9AD09C

RGB 154 208 156

HSL 122.22, 0.36%, 0.71%

LAB 78.68, -27.64, 20.32

 

CMYK 26 / 14 / 0 / 18

HEX #9AB3D0

RGB 154 179 208

HSL 212.22, 0.36%, 0.71%

LAB 72, -2.05, -17.49

 

Description

Color code: HEX #D09ACE | qconv.com Color code: HEX #D09ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 154 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 154 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 1 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 1% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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