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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D098AD it is the complementary color #2F6752. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D098AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D098AD shade: #D598A8, #E6AABB, #F7BCCE, #FFCEE1 and #FFE0F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D098AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D098AD shade: #D098AD, #BF869A, #AE7487, #9D6274 and #8C5061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D098AD shade: #D09AAE, #D09A9F and #D09A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D098AD shade: #D09AAE, #D09ABD, #D09ACC, #C69AD0 and #B89AD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D098AD shade matches the following richer shades: #D09AAE, #DC8EAB, #E882A8 and #F476A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D098AD shade: #D09AAE, #C4A6B1, #B8B2B4, #ADBEB7 and #A1CABA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D098AD shade: #D09ACC, #D09ABD, #D09AAF, #D09AA0 and #D0A29A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D098AD shade: #B66181, #C37D98, #D09AAE, #DDB6C5 and #EAD2DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D098AD shade: #D098AD, #D0C69A and #9AC5D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D098AD shade: #D098AD, #AFD09A and #9AAFD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D098AD shade: #D098AD, #D0C69A, #9AD0BB and #9AA4D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D098AD shade: #D098AD, #CAD09A, #9AD0BB and #A09AD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 17 / 18

HEX #D098AD

RGB 208 152 173

HSL 337.5, 0.37%, 0.71%

LAB 68.67, 24.13, -2.64

 

Complementary color

CMYK 54 / 0 / 20 / 60

HEX #2F6752

RGB 47 103 82

HSL 157.5, 0.37%, 0.29%

LAB 39.44, -24.05, 6.28

 

CMYK 0 / 29 / 21 / 16

HEX #D598A8

RGB 213 152 168

HSL 344.26, 0.42%, 0.72%

LAB 69.06, 25.17, 0.79

 

CMYK 0 / 26 / 19 / 10

HEX #E6AABB

RGB 230 170 187

HSL 343, 0.55%, 0.78%

LAB 75.55, 24.49, -0.02

 

CMYK 0 / 24 / 17 / 3

HEX #F7BCCE

RGB 247 188 206

HSL 341.69, 0.79%, 0.85%

LAB 81.95, 23.88, -0.78

 

CMYK 0 / 19 / 12 / 0

HEX #FFCEE1

RGB 255 206 225

HSL 336.73, 1%, 0.9%

LAB 87.41, 20.19, -2.82

 

CMYK 0 / 12 / 4 / 0

HEX #FFE0F4

RGB 255 224 244

HSL 321.29, 1%, 0.94%

LAB 92.18, 13.97, -5.8

 

CMYK 0 / 27 / 17 / 18

HEX #D098AD

RGB 208 152 173

HSL 337.5, 0.37%, 0.71%

LAB 68.67, 24.13, -2.64

 

CMYK 0 / 30 / 19 / 25

HEX #BF869A

RGB 191 134 154

HSL 338.95, 0.31%, 0.64%

LAB 62.05, 24.82, -1.86

 

CMYK 0 / 33 / 22 / 32

HEX #AE7487

RGB 174 116 135

HSL 340.34, 0.26%, 0.57%

LAB 55.32, 25.58, -1

 

CMYK 0 / 38 / 26 / 38

HEX #9D6274

RGB 157 98 116

HSL 341.69, 0.23%, 0.5%

LAB 48.47, 26.42, -0.04

 

CMYK 0 / 43 / 31 / 45

HEX #8C5061

RGB 140 80 97

HSL 343, 0.27%, 0.43%

LAB 41.49, 27.34, 1.09

 

CMYK 0 / 26 / 16 / 18

HEX #D09AAE

RGB 208 154 174

HSL 337.78, 0.36%, 0.71%

LAB 69.17, 23.2, -2.47

 

CMYK 0 / 26 / 24 / 18

HEX #D09A9F

RGB 208 154 159

HSL 354.44, 0.36%, 0.71%

LAB 68.77, 20.9, 5.31

 

CMYK 0 / 26 / 26 / 18

HEX #D09A9A

RGB 208 154 154

HSL 0, 0.36%, 0.71%

LAB 68.65, 20.17, 7.92

 

CMYK 0 / 26 / 16 / 18

HEX #D09AAE

RGB 208 154 174

HSL 337.78, 0.36%, 0.71%

LAB 69.17, 23.2, -2.47

 

CMYK 0 / 26 / 9 / 18

HEX #D09ABD

RGB 208 154 189

HSL 321.11, 0.36%, 0.71%

LAB 69.61, 25.69, -10.16

 

CMYK 0 / 26 / 2 / 18

HEX #D09ACC

RGB 208 154 204

HSL 304.44, 0.36%, 0.71%

LAB 70.09, 28.37, -17.75

 

CMYK 5 / 26 / 0 / 18

HEX #C69AD0

RGB 198 154 208

HSL 288.89, 0.36%, 0.71%

LAB 69.23, 25.82, -21.36

 

CMYK 12 / 26 / 0 / 18

HEX #B89AD0

RGB 184 154 208

HSL 273.33, 0.36%, 0.71%

LAB 67.91, 21.27, -23.49

 

CMYK 0 / 26 / 16 / 18

HEX #D09AAE

RGB 208 154 174

HSL 337.78, 0.36%, 0.71%

LAB 69.17, 23.2, -2.47

 

CMYK 0 / 35 / 22 / 14

HEX #DC8EAB

RGB 220 142 171

HSL 337.69, 0.53%, 0.71%

LAB 67.65, 33.52, -2.86

 

CMYK 0 / 44 / 28 / 9

HEX #E882A8

RGB 232 130 168

HSL 337.65, 0.69%, 0.71%

LAB 66.48, 43.56, -2.73

 

CMYK 0 / 52 / 32 / 4

HEX #F476A5

RGB 244 118 165

HSL 337.62, 0.85%, 0.71%

LAB 65.68, 53.13, -2.02

 

CMYK 0 / 26 / 16 / 18

HEX #D09AAE

RGB 208 154 174

HSL 337.78, 0.36%, 0.71%

LAB 69.17, 23.2, -2.47

 

CMYK 0 / 15 / 10 / 23

HEX #C4A6B1

RGB 196 166 177

HSL 338, 0.2%, 0.71%

LAB 71, 12.79, -1.58

 

CMYK 0 / 3 / 2 / 28

HEX #B8B2B4

RGB 184 178 180

HSL 340, 0.04%, 0.71%

LAB 73.11, 2.49, -0.27

 

CMYK 9 / 0 / 4 / 25

HEX #ADBEB7

RGB 173 190 183

HSL 155.29, 0.12%, 0.71%

LAB 75.53, -7.18, 1.53

 

CMYK 20 / 0 / 8 / 21

HEX #A1CABA

RGB 161 202 186

HSL 156.59, 0.28%, 0.71%

LAB 78.09, -16.78, 3.52

 

CMYK 0 / 26 / 2 / 18

HEX #D09ACC

RGB 208 154 204

HSL 304.44, 0.36%, 0.71%

LAB 70.09, 28.37, -17.75

 

CMYK 0 / 26 / 9 / 18

HEX #D09ABD

RGB 208 154 189

HSL 321.11, 0.36%, 0.71%

LAB 69.61, 25.69, -10.16

 

CMYK 0 / 26 / 16 / 18

HEX #D09AAF

RGB 208 154 175

HSL 336.67, 0.36%, 0.71%

LAB 69.2, 23.36, -2.98

 

CMYK 0 / 26 / 23 / 18

HEX #D09AA0

RGB 208 154 160

HSL 353.33, 0.36%, 0.71%

LAB 68.79, 21.04, 4.79

 

CMYK 0 / 22 / 26 / 18

HEX #D0A29A

RGB 208 162 154

HSL 8.89, 0.36%, 0.71%

LAB 70.58, 15.82, 10.68

 

CMYK 0 / 47 / 29 / 29

HEX #B66181

RGB 182 97 129

HSL 337.41, 0.37%, 0.55%

LAB 51.93, 38.03, -2.33

 

CMYK 0 / 36 / 22 / 24

HEX #C37D98

RGB 195 125 152

HSL 336.86, 0.37%, 0.63%

LAB 60.37, 30.92, -3.13

 

CMYK 0 / 26 / 16 / 18

HEX #D09AAE

RGB 208 154 174

HSL 337.78, 0.36%, 0.71%

LAB 69.17, 23.2, -2.47

 

CMYK 0 / 18 / 11 / 13

HEX #DDB6C5

RGB 221 182 197

HSL 336.92, 0.36%, 0.79%

LAB 77.79, 16.44, -2.3

 

CMYK 0 / 10 / 6 / 8

HEX #EAD2DB

RGB 234 210 219

HSL 337.5, 0.36%, 0.87%

LAB 86.36, 9.84, -1.4

 

CMYK 0 / 27 / 17 / 18

HEX #D098AD

RGB 208 152 173

HSL 337.5, 0.37%, 0.71%

LAB 68.67, 24.13, -2.64

 

CMYK 0 / 5 / 26 / 18

HEX #D0C69A

RGB 208 198 154

HSL 48.89, 0.36%, 0.71%

LAB 79.69, -3.41, 23.35

 

CMYK 26 / 5 / 0 / 18

HEX #9AC5D0

RGB 154 197 208

HSL 192.22, 0.36%, 0.71%

LAB 76.89, -11.64, -10.15

 

CMYK 0 / 27 / 17 / 18

HEX #D098AD

RGB 208 152 173

HSL 337.5, 0.37%, 0.71%

LAB 68.67, 24.13, -2.64

 

CMYK 16 / 0 / 26 / 18

HEX #AFD09A

RGB 175 208 154

HSL 96.67, 0.36%, 0.71%

LAB 79.93, -20.74, 23.29

 

CMYK 26 / 16 / 0 / 18

HEX #9AAFD0

RGB 154 175 208

HSL 216.67, 0.36%, 0.71%

LAB 70.93, 0.13, -19.12

 

CMYK 0 / 27 / 17 / 18

HEX #D098AD

RGB 208 152 173

HSL 337.5, 0.37%, 0.71%

LAB 68.67, 24.13, -2.64

 

CMYK 0 / 5 / 26 / 18

HEX #D0C69A

RGB 208 198 154

HSL 48.89, 0.36%, 0.71%

LAB 79.69, -3.41, 23.35

 

CMYK 26 / 0 / 10 / 18

HEX #9AD0BB

RGB 154 208 187

HSL 156.67, 0.36%, 0.71%

LAB 79.37, -21.8, 4.79

 

CMYK 26 / 21 / 0 / 18

HEX #9AA4D0

RGB 154 164 208

HSL 228.89, 0.36%, 0.71%

LAB 68, 6.22, -23.57

 

CMYK 0 / 27 / 17 / 18

HEX #D098AD

RGB 208 152 173

HSL 337.5, 0.37%, 0.71%

LAB 68.67, 24.13, -2.64

 

CMYK 3 / 0 / 26 / 18

HEX #CAD09A

RGB 202 208 154

HSL 66.67, 0.36%, 0.71%

LAB 81.84, -10.84, 26.2

 

CMYK 26 / 0 / 10 / 18

HEX #9AD0BB

RGB 154 208 187

HSL 156.67, 0.36%, 0.71%

LAB 79.37, -21.8, 4.79

 

CMYK 23 / 26 / 0 / 18

HEX #A09AD0

RGB 160 154 208

HSL 246.67, 0.36%, 0.71%

LAB 65.86, 13.69, -26.82

 

Description

Color code: HEX #D098AD | qconv.com Color code: HEX #D098AD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 152 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 152 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 17 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 17% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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