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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D09522 it is the complementary color #2F6ADD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D09522. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D09522 shade: #D5951D, #E6A730, #F7B943, #FFCB56 and #FFDD69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D09522. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D09522 shade: #D09522, #BF830F, #AE7100, #9D5F00 and #8C4D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D09522 shade: #CE9422, #CE6522, #CE3722 and #CE2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D09522 shade: #CE9422, #CEC222, #ACCE22, #7DCE22 and #4ECE22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D09522 shade matches the following richer shades: #CE9422 and #E29A0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D09522 shade: #CE9422, #BB8D35, #A78748, #94815C and #817B6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D09522 shade: #CE3622, #CE6422, #CE9222, #CEC022 and #AFCE22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D09522 shade: #876116, #AB7A1C, #CE9422, #DFA73A and #E5B75E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D09522 shade: #D09522, #3BCE22 and #4D22CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D09522 shade: #D09522, #22CE92 and #9222CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D09522 shade: #D09522, #3BCE22, #225ECE and #B422CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D09522 shade: #D09522, #22CE3B, #225ECE and #CE22B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 84 / 18

HEX #D09522

RGB 208 149 34

HSL 39.66, 0.72%, 0.47%

LAB 65.76, 12.81, 63.53

 

Complementary color

CMYK 79 / 52 / 0 / 13

HEX #2F6ADD

RGB 47 106 221

HSL 219.66, 0.72%, 0.53%

LAB 47.15, 22.09, -64.15

 

CMYK 0 / 30 / 86 / 16

HEX #D5951D

RGB 213 149 29

HSL 39.13, 0.76%, 0.47%

LAB 66.31, 14.86, 65.67

 

CMYK 0 / 27 / 79 / 10

HEX #E6A730

RGB 230 167 48

HSL 39.23, 0.78%, 0.55%

LAB 72.68, 13.12, 65.95

 

CMYK 0 / 25 / 73 / 3

HEX #F7B943

RGB 247 185 67

HSL 39.33, 0.92%, 0.62%

LAB 78.97, 11.6, 65.48

 

CMYK 0 / 20 / 66 / 0

HEX #FFCB56

RGB 255 203 86

HSL 41.54, 1%, 0.67%

LAB 84.3, 6.55, 63.38

 

CMYK 0 / 13 / 59 / 0

HEX #FFDD69

RGB 255 221 105

HSL 46.4, 1%, 0.71%

LAB 88.92, -1.47, 60.12

 

CMYK 0 / 28 / 84 / 18

HEX #D09522

RGB 208 149 34

HSL 39.66, 0.72%, 0.47%

LAB 65.76, 12.81, 63.53

 

CMYK 0 / 31 / 92 / 25

HEX #BF830F

RGB 191 131 15

HSL 39.55, 0.85%, 0.4%

LAB 59.29, 14.72, 62.42

 

CMYK 0 / 35 / 100 / 32

HEX #AE7100

RGB 174 113 0

HSL 38.97, 1%, 0.34%

LAB 52.74, 16.91, 59.59

 

CMYK 0 / 39 / 100 / 38

HEX #9D5F00

RGB 157 95 0

HSL 36.31, 1%, 0.31%

LAB 46.11, 19.39, 54.19

 

CMYK 0 / 45 / 100 / 45

HEX #8C4D00

RGB 140 77 0

HSL 33, 1%, 0.27%

LAB 39.38, 21.96, 48.74

 

CMYK 0 / 28 / 83 / 19

HEX #CE9422

RGB 206 148 34

HSL 39.77, 0.72%, 0.47%

LAB 65.29, 12.48, 63.04

 

CMYK 0 / 51 / 83 / 19

HEX #CE6522

RGB 206 101 34

HSL 23.37, 0.72%, 0.47%

LAB 54.6, 37.61, 53.81

 

CMYK 0 / 73 / 83 / 19

HEX #CE3722

RGB 206 55 34

HSL 7.33, 0.72%, 0.47%

LAB 46.93, 57.85, 47

 

CMYK 0 / 83 / 83 / 19

HEX #CE2222

RGB 206 34 34

HSL 0, 0.72%, 0.47%

LAB 44.77, 63.92, 45.04

 

CMYK 0 / 28 / 83 / 19

HEX #CE9422

RGB 206 148 34

HSL 39.77, 0.72%, 0.47%

LAB 65.29, 12.48, 63.04

 

CMYK 0 / 6 / 83 / 19

HEX #CEC222

RGB 206 194 34

HSL 55.81, 0.72%, 0.47%

LAB 77.17, -11.81, 73.07

 

CMYK 17 / 0 / 83 / 19

HEX #ACCE22

RGB 172 206 34

HSL 71.86, 0.72%, 0.47%

LAB 77.89, -31.98, 72.64

 

CMYK 39 / 0 / 83 / 19

HEX #7DCE22

RGB 125 206 34

HSL 88.26, 0.72%, 0.47%

LAB 75.21, -49.66, 69.27

 

CMYK 62 / 0 / 83 / 19

HEX #4ECE22

RGB 78 206 34

HSL 104.65, 0.72%, 0.47%

LAB 73.47, -63.14, 67.05

 

CMYK 0 / 28 / 83 / 19

HEX #CE9422

RGB 206 148 34

HSL 39.77, 0.72%, 0.47%

LAB 65.29, 12.48, 63.04

 

CMYK 0 / 32 / 94 / 11

HEX #E29A0E

RGB 226 154 14

HSL 39.62, 0.88%, 0.47%

LAB 68.98, 17.56, 71.53

 

CMYK 0 / 28 / 83 / 19

HEX #CE9422

RGB 206 148 34

HSL 39.77, 0.72%, 0.47%

LAB 65.29, 12.48, 63.04

 

CMYK 0 / 25 / 72 / 27

HEX #BB8D35

RGB 187 141 53

HSL 39.4, 0.56%, 0.47%

LAB 61.54, 8.68, 51.65

 

CMYK 0 / 19 / 57 / 35

HEX #A78748

RGB 167 135 72

HSL 39.79, 0.4%, 0.47%

LAB 58.05, 4.44, 38.06

 

CMYK 0 / 13 / 38 / 42

HEX #94815C

RGB 148 129 92

HSL 39.64, 0.23%, 0.47%

LAB 54.83, 1.65, 22.74

 

CMYK 0 / 5 / 14 / 49

HEX #817B6F

RGB 129 123 111

HSL 40, 0.08%, 0.47%

LAB 51.82, 0.07, 7.37

 

CMYK 0 / 74 / 83 / 19

HEX #CE3622

RGB 206 54 34

HSL 6.98, 0.72%, 0.47%

LAB 46.81, 58.2, 46.89

 

CMYK 0 / 51 / 83 / 19

HEX #CE6422

RGB 206 100 34

HSL 23.02, 0.72%, 0.47%

LAB 54.4, 38.12, 53.64

 

CMYK 0 / 29 / 83 / 19

HEX #CE9222

RGB 206 146 34

HSL 39.07, 0.72%, 0.47%

LAB 64.8, 13.56, 62.62

 

CMYK 0 / 7 / 83 / 19

HEX #CEC022

RGB 206 192 34

HSL 55.12, 0.72%, 0.47%

LAB 76.64, -10.8, 72.62

 

CMYK 15 / 0 / 83 / 19

HEX #AFCE22

RGB 175 206 34

HSL 70.81, 0.72%, 0.47%

LAB 78.09, -30.76, 72.89

 

CMYK 0 / 28 / 84 / 47

HEX #876116

RGB 135 97 22

HSL 39.82, 0.72%, 0.31%

LAB 43.88, 8.5, 45.25

 

CMYK 0 / 29 / 84 / 33

HEX #AB7A1C

RGB 171 122 28

HSL 39.44, 0.72%, 0.39%

LAB 54.72, 11.04, 54.31

 

CMYK 0 / 28 / 83 / 19

HEX #CE9422

RGB 206 148 34

HSL 39.77, 0.72%, 0.47%

LAB 65.29, 12.48, 63.04

 

CMYK 0 / 25 / 74 / 13

HEX #DFA73A

RGB 223 167 58

HSL 39.64, 0.72%, 0.55%

LAB 71.98, 10.51, 61.3

 

CMYK 0 / 20 / 59 / 10

HEX #E5B75E

RGB 229 183 94

HSL 39.56, 0.72%, 0.63%

LAB 76.88, 6.66, 50.79

 

CMYK 0 / 28 / 84 / 18

HEX #D09522

RGB 208 149 34

HSL 39.66, 0.72%, 0.47%

LAB 65.76, 12.81, 63.53

 

CMYK 71 / 0 / 83 / 19

HEX #3BCE22

RGB 59 206 34

HSL 111.28, 0.72%, 0.47%

LAB 73.02, -66.94, 66.48

 

CMYK 63 / 83 / 0 / 19

HEX #4D22CE

RGB 77 34 206

HSL 255, 0.72%, 0.47%

LAB 32.21, 61.04, -79.93

 

CMYK 0 / 28 / 84 / 18

HEX #D09522

RGB 208 149 34

HSL 39.66, 0.72%, 0.47%

LAB 65.76, 12.81, 63.53

 

CMYK 83 / 0 / 29 / 19

HEX #22CE92

RGB 34 206 146

HSL 159.07, 0.72%, 0.47%

LAB 73.91, -55.15, 18.39

 

CMYK 29 / 83 / 0 / 19

HEX #9222CE

RGB 146 34 206

HSL 279.07, 0.72%, 0.47%

LAB 40.75, 69.49, -65.58

 

CMYK 0 / 28 / 84 / 18

HEX #D09522

RGB 208 149 34

HSL 39.66, 0.72%, 0.47%

LAB 65.76, 12.81, 63.53

 

CMYK 71 / 0 / 83 / 19

HEX #3BCE22

RGB 59 206 34

HSL 111.28, 0.72%, 0.47%

LAB 73.02, -66.94, 66.48

 

CMYK 83 / 54 / 0 / 19

HEX #225ECE

RGB 34 94 206

HSL 219.07, 0.72%, 0.47%

LAB 42.46, 22.94, -63.2

 

CMYK 13 / 83 / 0 / 19

HEX #B422CE

RGB 180 34 206

HSL 290.93, 0.72%, 0.47%

LAB 46.05, 75, -56.75

 

CMYK 0 / 28 / 84 / 18

HEX #D09522

RGB 208 149 34

HSL 39.66, 0.72%, 0.47%

LAB 65.76, 12.81, 63.53

 

CMYK 83 / 0 / 71 / 19

HEX #22CE3B

RGB 34 206 59

HSL 128.72, 0.72%, 0.47%

LAB 72.76, -68.67, 58.37

 

CMYK 83 / 54 / 0 / 19

HEX #225ECE

RGB 34 94 206

HSL 219.07, 0.72%, 0.47%

LAB 42.46, 22.94, -63.2

 

CMYK 0 / 83 / 13 / 19

HEX #CE22B4

RGB 206 34 180

HSL 309.07, 0.72%, 0.47%

LAB 48.96, 75.85, -36.72

 

Description

Color code: HEX #D09522 | qconv.com Color code: HEX #D09522 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 149 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 149 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 84 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 84% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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