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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D08C92 it is the complementary color #2F736D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D08C92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D08C92 shade: #D58C8D, #E69EA0, #F7B0B3, #FFC2C6 and #FFD4D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D08C92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D08C92 shade: #D08C92, #BF7A7F, #AE686C, #9D5659 and #8C4446

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D08C92 shade: #D08B91 and #D08B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D08C92 shade: #D08B91, #D08BA4, #D08BB6, #D08BC9 and #C48BD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D08C92 shade matches the following richer shades: #D08B91, #DD7E86, #EA717B and #F76471

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D08C92 shade: #D08B91, #C2989C, #B5A6A7, #A8B3B2 and #9BC0BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D08C92 shade: #D08BB7, #D08BA4, #D08B92, #D0978B and #D0A98B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D08C92 shade: #B8515A, #C46E75, #D08B91, #DCA8AD and #E8C6C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D08C92 shade: #D08C92, #C9D08B and #8BADD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D08C92 shade: #D08C92, #92D08B and #8B92D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D08C92 shade: #D08C92, #C9D08B, #8BD0C9 and #928BD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D08C92 shade: #D08C92, #B4D08B, #8BD0C9 and #A78BD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 30 / 18

HEX #D08C92

RGB 208 140 146

HSL 354.71, 0.42%, 0.68%

LAB 65.15, 26.69, 7.41

 

Complementary color

CMYK 59 / 0 / 5 / 55

HEX #2F736D

RGB 47 115 109

HSL 174.71, 0.42%, 0.32%

LAB 44.19, -22.9, -3.14

 

CMYK 0 / 34 / 34 / 16

HEX #D58C8D

RGB 213 140 141

HSL 359.18, 0.46%, 0.69%

LAB 65.61, 27.93, 10.96

 

CMYK 0 / 31 / 30 / 10

HEX #E69EA0

RGB 230 158 160

HSL 358.33, 0.59%, 0.76%

LAB 72.1, 27.08, 9.85

 

CMYK 0 / 29 / 28 / 3

HEX #F7B0B3

RGB 247 176 179

HSL 357.46, 0.82%, 0.83%

LAB 78.51, 26.32, 8.83

 

CMYK 0 / 24 / 22 / 0

HEX #FFC2C6

RGB 255 194 198

HSL 356.07, 1%, 0.88%

LAB 83.92, 22.38, 6.48

 

CMYK 0 / 17 / 15 / 0

HEX #FFD4D9

RGB 255 212 217

HSL 353.02, 1%, 0.92%

LAB 88.62, 15.79, 3.17

 

CMYK 0 / 33 / 30 / 18

HEX #D08C92

RGB 208 140 146

HSL 354.71, 0.42%, 0.68%

LAB 65.15, 26.69, 7.41

 

CMYK 0 / 36 / 34 / 25

HEX #BF7A7F

RGB 191 122 127

HSL 355.65, 0.35%, 0.61%

LAB 58.53, 27.56, 8.54

 

CMYK 0 / 40 / 38 / 32

HEX #AE686C

RGB 174 104 108

HSL 356.57, 0.3%, 0.55%

LAB 51.82, 28.53, 9.82

 

CMYK 0 / 45 / 43 / 38

HEX #9D5659

RGB 157 86 89

HSL 357.46, 0.29%, 0.48%

LAB 45, 29.59, 11.32

 

CMYK 0 / 51 / 50 / 45

HEX #8C4446

RGB 140 68 70

HSL 358.33, 0.35%, 0.41%

LAB 38.11, 30.73, 13.12

 

CMYK 0 / 33 / 30 / 18

HEX #D08B91

RGB 208 139 145

HSL 354.78, 0.42%, 0.68%

LAB 64.9, 27.1, 7.61

 

CMYK 0 / 33 / 33 / 18

HEX #D08B8B

RGB 208 139 139

HSL 0, 0.42%, 0.68%

LAB 64.76, 26.32, 10.8

 

CMYK 0 / 33 / 30 / 18

HEX #D08B91

RGB 208 139 145

HSL 354.78, 0.42%, 0.68%

LAB 64.9, 27.1, 7.61

 

CMYK 0 / 33 / 21 / 18

HEX #D08BA4

RGB 208 139 164

HSL 338.26, 0.42%, 0.68%

LAB 65.4, 29.81, -2.39

 

CMYK 0 / 33 / 13 / 18

HEX #D08BB6

RGB 208 139 182

HSL 322.61, 0.42%, 0.68%

LAB 65.94, 32.66, -11.73

 

CMYK 0 / 33 / 3 / 18

HEX #D08BC9

RGB 208 139 201

HSL 306.09, 0.42%, 0.68%

LAB 66.59, 35.97, -21.4

 

CMYK 6 / 33 / 0 / 18

HEX #C48BD0

RGB 196 139 208

HSL 289.57, 0.42%, 0.68%

LAB 65.56, 33.43, -27

 

CMYK 0 / 33 / 30 / 18

HEX #D08B91

RGB 208 139 145

HSL 354.78, 0.42%, 0.68%

LAB 64.9, 27.1, 7.61

 

CMYK 0 / 43 / 39 / 13

HEX #DD7E86

RGB 221 126 134

HSL 354.95, 0.58%, 0.68%

LAB 63.36, 37.52, 11.88

 

CMYK 0 / 52 / 47 / 8

HEX #EA717B

RGB 234 113 123

HSL 355.04, 0.74%, 0.68%

LAB 62.28, 47.64, 16.93

 

CMYK 0 / 60 / 54 / 3

HEX #F76471

RGB 247 100 113

HSL 354.69, 0.9%, 0.68%

LAB 61.72, 57.25, 22.22

 

CMYK 0 / 33 / 30 / 18

HEX #D08B91

RGB 208 139 145

HSL 354.78, 0.42%, 0.68%

LAB 64.9, 27.1, 7.61

 

CMYK 0 / 22 / 20 / 24

HEX #C2989C

RGB 194 152 156

HSL 354.29, 0.26%, 0.68%

LAB 66.77, 16.29, 3.92

 

CMYK 0 / 8 / 8 / 29

HEX #B5A6A7

RGB 181 166 167

HSL 356, 0.09%, 0.68%

LAB 69.39, 5.6, 1.44

 

CMYK 6 / 0 / 1 / 30

HEX #A8B3B2

RGB 168 179 178

HSL 174.55, 0.07%, 0.68%

LAB 72.08, -4.02, -0.82

 

CMYK 19 / 0 / 2 / 25

HEX #9BC0BD

RGB 155 192 189

HSL 175.14, 0.23%, 0.68%

LAB 75.04, -12.93, -2.59

 

CMYK 0 / 33 / 12 / 18

HEX #D08BB7

RGB 208 139 183

HSL 321.74, 0.42%, 0.68%

LAB 65.98, 32.83, -12.24

 

CMYK 0 / 33 / 21 / 18

HEX #D08BA4

RGB 208 139 164

HSL 338.26, 0.42%, 0.68%

LAB 65.4, 29.81, -2.39

 

CMYK 0 / 33 / 30 / 18

HEX #D08B92

RGB 208 139 146

HSL 353.91, 0.42%, 0.68%

LAB 64.92, 27.24, 7.08

 

CMYK 0 / 27 / 33 / 18

HEX #D0978B

RGB 208 151 139

HSL 10.43, 0.42%, 0.68%

LAB 67.58, 19.78, 14.77

 

CMYK 0 / 19 / 33 / 18

HEX #D0A98B

RGB 208 169 139

HSL 26.09, 0.42%, 0.68%

LAB 71.99, 10.01, 20.87

 

CMYK 0 / 56 / 51 / 28

HEX #B8515A

RGB 184 81 90

HSL 354.76, 0.42%, 0.52%

LAB 48.02, 42.48, 15.51

 

CMYK 0 / 44 / 40 / 23

HEX #C46E75

RGB 196 110 117

HSL 355.12, 0.42%, 0.6%

LAB 56.26, 34.74, 11.21

 

CMYK 0 / 33 / 30 / 18

HEX #D08B91

RGB 208 139 145

HSL 354.78, 0.42%, 0.68%

LAB 64.9, 27.1, 7.61

 

CMYK 0 / 24 / 21 / 14

HEX #DCA8AD

RGB 220 168 173

HSL 354.23, 0.43%, 0.76%

LAB 73.7, 19.82, 4.84

 

CMYK 0 / 15 / 13 / 9

HEX #E8C6C9

RGB 232 198 201

HSL 354.71, 0.43%, 0.84%

LAB 82.79, 12.48, 2.96

 

CMYK 0 / 33 / 30 / 18

HEX #D08C92

RGB 208 140 146

HSL 354.71, 0.42%, 0.68%

LAB 65.15, 26.69, 7.41

 

CMYK 3 / 0 / 33 / 18

HEX #C9D08B

RGB 201 208 139

HSL 66.09, 0.42%, 0.68%

LAB 81.51, -13.19, 33.52

 

CMYK 33 / 17 / 0 / 18

HEX #8BADD0

RGB 139 173 208

HSL 210.43, 0.42%, 0.68%

LAB 69.42, -3.18, -21.5

 

CMYK 0 / 33 / 30 / 18

HEX #D08C92

RGB 208 140 146

HSL 354.71, 0.42%, 0.68%

LAB 65.15, 26.69, 7.41

 

CMYK 30 / 0 / 33 / 18

HEX #92D08B

RGB 146 208 139

HSL 113.91, 0.42%, 0.68%

LAB 77.93, -33.09, 28.13

 

CMYK 33 / 30 / 0 / 18

HEX #8B92D0

RGB 139 146 208

HSL 233.91, 0.42%, 0.68%

LAB 62.17, 12.02, -32.65

 

CMYK 0 / 33 / 30 / 18

HEX #D08C92

RGB 208 140 146

HSL 354.71, 0.42%, 0.68%

LAB 65.15, 26.69, 7.41

 

CMYK 3 / 0 / 33 / 18

HEX #C9D08B

RGB 201 208 139

HSL 66.09, 0.42%, 0.68%

LAB 81.51, -13.19, 33.52

 

CMYK 33 / 0 / 3 / 18

HEX #8BD0C9

RGB 139 208 201

HSL 173.91, 0.42%, 0.68%

LAB 78.94, -23.16, -3.44

 

CMYK 30 / 33 / 0 / 18

HEX #928BD0

RGB 146 139 208

HSL 246.09, 0.42%, 0.68%

LAB 60.9, 18.09, -34.59

 

CMYK 0 / 33 / 30 / 18

HEX #D08C92

RGB 208 140 146

HSL 354.71, 0.42%, 0.68%

LAB 65.15, 26.69, 7.41

 

CMYK 13 / 0 / 33 / 18

HEX #B4D08B

RGB 180 208 139

HSL 84.35, 0.42%, 0.68%

LAB 80, -21.12, 31.25

 

CMYK 33 / 0 / 3 / 18

HEX #8BD0C9

RGB 139 208 201

HSL 173.91, 0.42%, 0.68%

LAB 78.94, -23.16, -3.44

 

CMYK 20 / 33 / 0 / 18

HEX #A78BD0

RGB 167 139 208

HSL 264.35, 0.42%, 0.68%

LAB 62.71, 24.36, -31.64

 

Description

Color code: HEX #D08C92 | qconv.com Color code: HEX #D08C92 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 140 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 140 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 30 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 30% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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