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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D08AA3 it is the complementary color #2F755C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D08AA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D08AA3 shade: #D58A9E, #E69CB1, #F7AEC4, #FFC0D7 and #FFD2EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D08AA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D08AA3 shade: #D08AA3, #BF7890, #AE667D, #9D546A and #8C4257

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D08AA3 shade: #D08AA3, #D08A90 and #D08A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D08AA3 shade: #D08AA3, #D08AB6, #D08AC9, #C58AD0 and #B28AD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D08AA3 shade matches the following richer shades: #D08AA3, #DE7DA0, #EB709C and #F86398

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D08AA3 shade: #D08AA3, #C398A7, #B6A5AB, #A9B2AF and #9CBFB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D08AA3 shade: #D08AC9, #D08AB7, #D08AA4, #D08A91 and #D0968A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D08AA3 shade: #B94F75, #C56D8C, #D08AA3, #DCA8BB and #E8C5D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D08AA3 shade: #D08AA3, #D0C58A and #8AC0D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D08AA3 shade: #D08AA3, #A4D08A and #8AA4D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D08AA3 shade: #D08AA3, #D0C58A, #8AD0B7 and #8A96D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D08AA3 shade: #D08AA3, #C7D08A, #8AD0B7 and #948AD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 22 / 18

HEX #D08AA3

RGB 208 138 163

HSL 338.57, 0.43%, 0.68%

LAB 65.15, 30.2, -2.2

 

Complementary color

CMYK 60 / 0 / 21 / 54

HEX #2F755C

RGB 47 117 92

HSL 158.57, 0.43%, 0.32%

LAB 44.38, -28.48, 7.29

 

CMYK 0 / 35 / 26 / 16

HEX #D58A9E

RGB 213 138 158

HSL 344, 0.47%, 0.69%

LAB 65.59, 31.28, 1.34

 

CMYK 0 / 32 / 23 / 10

HEX #E69CB1

RGB 230 156 177

HSL 342.97, 0.6%, 0.76%

LAB 72.08, 30.49, 0.41

 

CMYK 0 / 30 / 21 / 3

HEX #F7AEC4

RGB 247 174 196

HSL 341.92, 0.82%, 0.83%

LAB 78.48, 29.76, -0.44

 

CMYK 0 / 25 / 16 / 0

HEX #FFC0D7

RGB 255 192 215

HSL 338.1, 1%, 0.88%

LAB 83.9, 25.96, -2.65

 

CMYK 0 / 18 / 8 / 0

HEX #FFD2EA

RGB 255 210 234

HSL 328, 1%, 0.91%

LAB 88.59, 19.57, -5.84

 

CMYK 0 / 34 / 22 / 18

HEX #D08AA3

RGB 208 138 163

HSL 338.57, 0.43%, 0.68%

LAB 65.15, 30.2, -2.2

 

CMYK 0 / 37 / 25 / 25

HEX #BF7890

RGB 191 120 144

HSL 339.72, 0.36%, 0.61%

LAB 58.53, 31.01, -1.28

 

CMYK 0 / 41 / 28 / 32

HEX #AE667D

RGB 174 102 125

HSL 340.83, 0.31%, 0.54%

LAB 51.82, 31.88, -0.24

 

CMYK 0 / 46 / 32 / 38

HEX #9D546A

RGB 157 84 106

HSL 341.92, 0.3%, 0.47%

LAB 45.01, 32.81, 0.97

 

CMYK 0 / 53 / 38 / 45

HEX #8C4257

RGB 140 66 87

HSL 342.97, 0.36%, 0.4%

LAB 38.13, 33.75, 2.45

 

CMYK 0 / 34 / 22 / 18

HEX #D08AA3

RGB 208 138 163

HSL 338.57, 0.43%, 0.68%

LAB 65.15, 30.2, -2.2

 

CMYK 0 / 34 / 31 / 18

HEX #D08A90

RGB 208 138 144

HSL 354.86, 0.43%, 0.68%

LAB 64.64, 27.51, 7.82

 

CMYK 0 / 34 / 34 / 18

HEX #D08A8A

RGB 208 138 138

HSL 0, 0.43%, 0.68%

LAB 64.5, 26.73, 11

 

CMYK 0 / 34 / 22 / 18

HEX #D08AA3

RGB 208 138 163

HSL 338.57, 0.43%, 0.68%

LAB 65.15, 30.2, -2.2

 

CMYK 0 / 34 / 13 / 18

HEX #D08AB6

RGB 208 138 182

HSL 322.29, 0.43%, 0.68%

LAB 65.72, 33.2, -12.06

 

CMYK 0 / 34 / 3 / 18

HEX #D08AC9

RGB 208 138 201

HSL 306, 0.43%, 0.68%

LAB 66.37, 36.5, -21.74

 

CMYK 5 / 34 / 0 / 18

HEX #C58AD0

RGB 197 138 208

HSL 290.57, 0.43%, 0.68%

LAB 65.44, 34.3, -27.18

 

CMYK 14 / 34 / 0 / 18

HEX #B28AD0

RGB 178 138 208

HSL 274.29, 0.43%, 0.68%

LAB 63.5, 28.32, -30.32

 

CMYK 0 / 34 / 22 / 18

HEX #D08AA3

RGB 208 138 163

HSL 338.57, 0.43%, 0.68%

LAB 65.15, 30.2, -2.2

 

CMYK 0 / 44 / 28 / 13

HEX #DE7DA0

RGB 222 125 160

HSL 338.35, 0.6%, 0.68%

LAB 63.95, 41.62, -2.06

 

CMYK 0 / 52 / 34 / 8

HEX #EB709C

RGB 235 112 156

HSL 338.54, 0.75%, 0.68%

LAB 63.05, 51.98, -0.88

 

CMYK 0 / 60 / 39 / 3

HEX #F86398

RGB 248 99 152

HSL 338.66, 0.91%, 0.68%

LAB 62.63, 61.55, 1.03

 

CMYK 0 / 34 / 22 / 18

HEX #D08AA3

RGB 208 138 163

HSL 338.57, 0.43%, 0.68%

LAB 65.15, 30.2, -2.2

 

CMYK 0 / 22 / 14 / 24

HEX #C398A7

RGB 195 152 167

HSL 339.07, 0.26%, 0.68%

LAB 67.16, 18.43, -1.65

 

CMYK 0 / 9 / 6 / 29

HEX #B6A5AB

RGB 182 165 171

HSL 338.82, 0.1%, 0.68%

LAB 69.32, 7.22, -0.86

 

CMYK 5 / 0 / 2 / 30

HEX #A9B2AF

RGB 169 178 175

HSL 160, 0.06%, 0.68%

LAB 71.81, -3.72, 0.43

 

CMYK 18 / 0 / 7 / 25

HEX #9CBFB2

RGB 156 191 178

HSL 157.71, 0.21%, 0.68%

LAB 74.54, -14.37, 2.66

 

CMYK 0 / 34 / 3 / 18

HEX #D08AC9

RGB 208 138 201

HSL 306, 0.43%, 0.68%

LAB 66.37, 36.5, -21.74

 

CMYK 0 / 34 / 12 / 18

HEX #D08AB7

RGB 208 138 183

HSL 321.43, 0.43%, 0.68%

LAB 65.75, 33.37, -12.58

 

CMYK 0 / 34 / 21 / 18

HEX #D08AA4

RGB 208 138 164

HSL 337.71, 0.43%, 0.68%

LAB 65.17, 30.35, -2.72

 

CMYK 0 / 34 / 30 / 18

HEX #D08A91

RGB 208 138 145

HSL 354, 0.43%, 0.68%

LAB 64.67, 27.64, 7.29

 

CMYK 0 / 28 / 34 / 18

HEX #D0968A

RGB 208 150 138

HSL 10.29, 0.43%, 0.68%

LAB 67.32, 20.2, 14.96

 

CMYK 0 / 57 / 37 / 27

HEX #B94F75

RGB 185 79 117

HSL 338.49, 0.43%, 0.52%

LAB 48.5, 46.62, -0.12

 

CMYK 0 / 45 / 29 / 23

HEX #C56D8C

RGB 197 109 140

HSL 338.86, 0.43%, 0.6%

LAB 56.78, 38.51, -1.43

 

CMYK 0 / 34 / 22 / 18

HEX #D08AA3

RGB 208 138 163

HSL 338.57, 0.43%, 0.68%

LAB 65.15, 30.2, -2.2

 

CMYK 0 / 24 / 15 / 14

HEX #DCA8BB

RGB 220 168 187

HSL 338.08, 0.43%, 0.76%

LAB 74.07, 21.99, -2.32

 

CMYK 0 / 15 / 9 / 9

HEX #E8C5D2

RGB 232 197 210

HSL 337.71, 0.43%, 0.84%

LAB 82.78, 14.48, -1.87

 

CMYK 0 / 34 / 22 / 18

HEX #D08AA3

RGB 208 138 163

HSL 338.57, 0.43%, 0.68%

LAB 65.15, 30.2, -2.2

 

CMYK 0 / 5 / 34 / 18

HEX #D0C58A

RGB 208 197 138

HSL 50.57, 0.43%, 0.68%

LAB 79.14, -4.96, 31.03

 

CMYK 34 / 8 / 0 / 18

HEX #8AC0D0

RGB 138 192 208

HSL 193.71, 0.43%, 0.68%

LAB 74.61, -13.63, -13.66

 

CMYK 0 / 34 / 22 / 18

HEX #D08AA3

RGB 208 138 163

HSL 338.57, 0.43%, 0.68%

LAB 65.15, 30.2, -2.2

 

CMYK 21 / 0 / 34 / 18

HEX #A4D08A

RGB 164 208 138

HSL 97.71, 0.43%, 0.68%

LAB 78.95, -27.06, 30.19

 

CMYK 34 / 21 / 0 / 18

HEX #8AA4D0

RGB 138 164 208

HSL 217.71, 0.43%, 0.68%

LAB 66.91, 1.51, -25.35

 

CMYK 0 / 34 / 22 / 18

HEX #D08AA3

RGB 208 138 163

HSL 338.57, 0.43%, 0.68%

LAB 65.15, 30.2, -2.2

 

CMYK 0 / 5 / 34 / 18

HEX #D0C58A

RGB 208 197 138

HSL 50.57, 0.43%, 0.68%

LAB 79.14, -4.96, 31.03

 

CMYK 34 / 0 / 12 / 18

HEX #8AD0B7

RGB 138 208 183

HSL 158.57, 0.43%, 0.68%

LAB 78.42, -27.42, 5.45

 

CMYK 34 / 28 / 0 / 18

HEX #8A96D0

RGB 138 150 208

HSL 229.71, 0.43%, 0.68%

LAB 63.15, 9.44, -31.13

 

CMYK 0 / 34 / 22 / 18

HEX #D08AA3

RGB 208 138 163

HSL 338.57, 0.43%, 0.68%

LAB 65.15, 30.2, -2.2

 

CMYK 4 / 0 / 34 / 18

HEX #C7D08A

RGB 199 208 138

HSL 67.71, 0.43%, 0.68%

LAB 81.34, -14.08, 33.79

 

CMYK 34 / 0 / 12 / 18

HEX #8AD0B7

RGB 138 208 183

HSL 158.57, 0.43%, 0.68%

LAB 78.42, -27.42, 5.45

 

CMYK 29 / 34 / 0 / 18

HEX #948AD0

RGB 148 138 208

HSL 248.57, 0.43%, 0.68%

LAB 60.81, 19.25, -34.72

 

Description

Color code: HEX #D08AA3 | qconv.com Color code: HEX #D08AA3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 138 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 138 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 22 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 22% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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