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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D08037 it is the complementary color #2F7FC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D08037. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D08037 shade: #D58032, #E69245, #F7A458, #FFB66B and #FFC87E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D08037. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D08037 shade: #D08037, #BF6E24, #AE5C11, #9D4A00 and #8C3800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D08037 shade: #D08139, #D05839 and #D03939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D08037 shade: #D08139, #D0AA39, #CED039, #A5D039 and #7CD039

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D08037 shade matches the following richer shades: #D08139, #E48025 and #F87F11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D08037 shade: #D08139, #BD824D, #A98360, #958474 and #818588

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D08037 shade: #D03943, #D05739, #D08039, #D0A839 and #D0D039

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D08037 shade: #945923, #B56D2B, #D08139, #D8965A and #E0AC7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D08037 shade: #D08037, #6BD039 and #4339D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D08037 shade: #D08037, #39D080 and #8039D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D08037 shade: #D08037, #6BD039, #398AD0 and #9E39D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D08037 shade: #D08037, #3ED039, #398AD0 and #CB39D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 74 / 18

HEX #D08037

RGB 208 128 55

HSL 28.63, 0.62%, 0.52%

LAB 60.89, 24.97, 50.87

 

Complementary color

CMYK 77 / 37 / 0 / 22

HEX #2F7FC8

RGB 47 127 200

HSL 208.63, 0.62%, 0.48%

LAB 51.78, 1.14, -44.77

 

CMYK 0 / 40 / 77 / 16

HEX #D58032

RGB 213 128 50

HSL 28.71, 0.66%, 0.52%

LAB 61.49, 26.85, 53.92

 

CMYK 0 / 37 / 70 / 10

HEX #E69245

RGB 230 146 69

HSL 28.7, 0.76%, 0.59%

LAB 67.88, 25.19, 52.59

 

CMYK 0 / 34 / 64 / 3

HEX #F7A458

RGB 247 164 88

HSL 28.68, 0.91%, 0.66%

LAB 74.21, 23.73, 51.11

 

CMYK 0 / 29 / 58 / 0

HEX #FFB66B

RGB 255 182 107

HSL 30.41, 1%, 0.71%

LAB 79.49, 18.81, 48.2

 

CMYK 0 / 22 / 51 / 0

HEX #FFC87E

RGB 255 200 126

HSL 34.42, 1%, 0.75%

LAB 84, 10.95, 44.27

 

CMYK 0 / 38 / 74 / 18

HEX #D08037

RGB 208 128 55

HSL 28.63, 0.62%, 0.52%

LAB 60.89, 24.97, 50.87

 

CMYK 0 / 42 / 81 / 25

HEX #BF6E24

RGB 191 110 36

HSL 28.65, 0.68%, 0.45%

LAB 54.4, 26.76, 52.03

 

CMYK 0 / 47 / 90 / 32

HEX #AE5C11

RGB 174 92 17

HSL 28.66, 0.82%, 0.37%

LAB 47.87, 28.79, 52.34

 

CMYK 0 / 53 / 100 / 38

HEX #9D4A00

RGB 157 74 0

HSL 28.28, 1%, 0.31%

LAB 41.32, 31.02, 51.24

 

CMYK 0 / 60 / 100 / 45

HEX #8C3800

RGB 140 56 0

HSL 24, 1%, 0.27%

LAB 34.81, 33.41, 46.04

 

CMYK 0 / 38 / 73 / 18

HEX #D08139

RGB 208 129 57

HSL 28.61, 0.62%, 0.52%

LAB 61.14, 24.52, 50.21

 

CMYK 0 / 58 / 73 / 18

HEX #D05839

RGB 208 88 57

HSL 12.32, 0.62%, 0.52%

LAB 52.6, 45.64, 41.05

 

CMYK 0 / 73 / 73 / 18

HEX #D03939

RGB 208 57 57

HSL 0, 0.62%, 0.52%

LAB 47.79, 58.57, 35.64

 

CMYK 0 / 38 / 73 / 18

HEX #D08139

RGB 208 129 57

HSL 28.61, 0.62%, 0.52%

LAB 61.14, 24.52, 50.21

 

CMYK 0 / 18 / 73 / 18

HEX #D0AA39

RGB 208 170 57

HSL 44.9, 0.62%, 0.52%

LAB 71.18, 2.39, 60.39

 

CMYK 1 / 0 / 73 / 18

HEX #CED039

RGB 206 208 57

HSL 60.79, 0.62%, 0.52%

LAB 81.03, -18.01, 69.84

 

CMYK 21 / 0 / 73 / 18

HEX #A5D039

RGB 165 208 57

HSL 77.09, 0.62%, 0.52%

LAB 78.11, -34.72, 66.02

 

CMYK 40 / 0 / 73 / 18

HEX #7CD039

RGB 124 208 57

HSL 93.38, 0.62%, 0.52%

LAB 75.88, -49.63, 63.07

 

CMYK 0 / 38 / 73 / 18

HEX #D08139

RGB 208 129 57

HSL 28.61, 0.62%, 0.52%

LAB 61.14, 24.52, 50.21

 

CMYK 0 / 44 / 84 / 11

HEX #E48025

RGB 228 128 37

HSL 28.59, 0.78%, 0.52%

LAB 63.4, 32.61, 61.52

 

CMYK 0 / 49 / 93 / 3

HEX #F87F11

RGB 248 127 17

HSL 28.57, 0.94%, 0.52%

LAB 65.89, 40.75, 70.17

 

CMYK 0 / 38 / 73 / 18

HEX #D08139

RGB 208 129 57

HSL 28.61, 0.62%, 0.52%

LAB 61.14, 24.52, 50.21

 

CMYK 0 / 31 / 59 / 26

HEX #BD824D

RGB 189 130 77

HSL 28.39, 0.46%, 0.52%

LAB 59.27, 17.16, 37.49

 

CMYK 0 / 22 / 43 / 34

HEX #A98360

RGB 169 131 96

HSL 28.77, 0.3%, 0.52%

LAB 57.57, 9.89, 24.5

 

CMYK 0 / 11 / 22 / 42

HEX #958474

RGB 149 132 116

HSL 29.09, 0.13%, 0.52%

LAB 56.24, 3.76, 10.99

 

CMYK 5 / 2 / 0 / 47

HEX #818588

RGB 129 133 136

HSL 205.71, 0.03%, 0.52%

LAB 55.3, -0.86, -2.13

 

CMYK 0 / 73 / 68 / 18

HEX #D03943

RGB 208 57 67

HSL 356.03, 0.62%, 0.52%

LAB 47.93, 59.05, 29.96

 

CMYK 0 / 58 / 73 / 18

HEX #D05739

RGB 208 87 57

HSL 11.92, 0.62%, 0.52%

LAB 52.42, 46.11, 40.85

 

CMYK 0 / 38 / 73 / 18

HEX #D08039

RGB 208 128 57

HSL 28.21, 0.62%, 0.52%

LAB 60.91, 25.06, 49.97

 

CMYK 0 / 19 / 73 / 18

HEX #D0A839

RGB 208 168 57

HSL 44.11, 0.62%, 0.52%

LAB 70.67, 3.45, 59.88

 

CMYK 0 / 0 / 73 / 18

HEX #D0D039

RGB 208 208 57

HSL 60, 0.62%, 0.52%

LAB 81.19, -17.17, 70.04

 

CMYK 0 / 40 / 76 / 42

HEX #945923

RGB 148 89 35

HSL 28.67, 0.62%, 0.36%

LAB 43.6, 19.7, 40.02

 

CMYK 0 / 40 / 76 / 29

HEX #B56D2B

RGB 181 109 43

HSL 28.7, 0.62%, 0.44%

LAB 52.88, 23.3, 47.08

 

CMYK 0 / 38 / 73 / 18

HEX #D08139

RGB 208 129 57

HSL 28.61, 0.62%, 0.52%

LAB 61.14, 24.52, 50.21

 

CMYK 0 / 31 / 58 / 15

HEX #D8965A

RGB 216 150 90

HSL 28.57, 0.62%, 0.6%

LAB 67.39, 18.57, 41.22

 

CMYK 0 / 23 / 45 / 12

HEX #E0AC7C

RGB 224 172 124

HSL 28.8, 0.62%, 0.68%

LAB 74.07, 13.06, 31.99

 

CMYK 0 / 38 / 74 / 18

HEX #D08037

RGB 208 128 55

HSL 28.63, 0.62%, 0.52%

LAB 60.89, 24.97, 50.87

 

CMYK 49 / 0 / 73 / 18

HEX #6BD039

RGB 107 208 57

HSL 100.13, 0.62%, 0.52%

LAB 75.16, -54.94, 62.11

 

CMYK 68 / 73 / 0 / 18

HEX #4339D0

RGB 67 57 208

HSL 243.97, 0.62%, 0.52%

LAB 35.35, 49.85, -75.94

 

CMYK 0 / 38 / 74 / 18

HEX #D08037

RGB 208 128 55

HSL 28.63, 0.62%, 0.52%

LAB 60.89, 24.97, 50.87

 

CMYK 73 / 0 / 38 / 18

HEX #39D080

RGB 57 208 128

HSL 148.21, 0.62%, 0.52%

LAB 74.53, -56.99, 28.74

 

CMYK 38 / 73 / 0 / 18

HEX #8039D0

RGB 128 57 208

HSL 268.21, 0.62%, 0.52%

LAB 41.33, 58.73, -65.91

 

CMYK 0 / 38 / 74 / 18

HEX #D08037

RGB 208 128 55

HSL 28.63, 0.62%, 0.52%

LAB 60.89, 24.97, 50.87

 

CMYK 49 / 0 / 73 / 18

HEX #6BD039

RGB 107 208 57

HSL 100.13, 0.62%, 0.52%

LAB 75.16, -54.94, 62.11

 

CMYK 73 / 34 / 0 / 18

HEX #398AD0

RGB 57 138 208

HSL 207.81, 0.62%, 0.52%

LAB 55.69, -1.25, -43.12

 

CMYK 24 / 73 / 0 / 18

HEX #9E39D0

RGB 158 57 208

HSL 280.13, 0.62%, 0.52%

LAB 45.29, 64.3, -59.29

 

CMYK 0 / 38 / 74 / 18

HEX #D08037

RGB 208 128 55

HSL 28.63, 0.62%, 0.52%

LAB 60.89, 24.97, 50.87

 

CMYK 70 / 0 / 73 / 18

HEX #3ED039

RGB 62 208 57

HSL 118.01, 0.62%, 0.52%

LAB 73.82, -65.62, 60.33

 

CMYK 73 / 34 / 0 / 18

HEX #398AD0

RGB 57 138 208

HSL 207.81, 0.62%, 0.52%

LAB 55.69, -1.25, -43.12

 

CMYK 2 / 73 / 0 / 18

HEX #CB39D0

RGB 203 57 208

HSL 298.01, 0.62%, 0.52%

LAB 52.04, 73.38, -48.1

 

Description

Color code: HEX #D08037 | qconv.com Color code: HEX #D08037 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 128 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 128 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 74 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 74% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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