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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D07AF6 it is the complementary color #2F8509. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D07AF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D07AF6 shade: #D57AF1, #E68CFF, #F79EFF, #FFB0FF and #FFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D07AF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D07AF6 shade: #D07AF6, #BF68E3, #AE56D0, #9D44BD and #8C32AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D07AF6 shade: #D079F6, #F179F6, #F679D9, #F679B7 and #F67996

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D07AF6 shade: #D079F6, #AE79F6, #8D79F6 and #7979F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D07AF6 shade matches the following richer shades: #D079F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D07AF6 shade: #D079F6, #CB85EA, #C791DF, #C29CD3 and #BEA8C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D07AF6 shade: #8C79F6, #AD79F6, #CE79F6, #F079F6 and #F679DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D07AF6 shade: #B42CF0, #C253F3, #D079F6, #DDA0F8 and #EBC7FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D07AF6 shade: #D07AF6, #F67988 and #79F69D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D07AF6 shade: #D07AF6, #F6CE79 and #79F6CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D07AF6 shade: #D07AF6, #F67988, #A1F679 and #79F6E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D07AF6 shade: #D07AF6, #F69079, #A1F679 and #79DFF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 50 / 0 / 4

HEX #D07AF6

RGB 208 122 246

HSL 281.61, 0.87%, 0.72%

LAB 64.95, 53.65, -48.91

 

Complementary color

CMYK 65 / 0 / 93 / 48

HEX #2F8509

RGB 47 133 9

HSL 101.61, 0.87%, 0.28%

LAB 48.76, -46.21, 50.52

 

CMYK 12 / 49 / 0 / 5

HEX #D57AF1

RGB 213 122 241

HSL 285.88, 0.81%, 0.71%

LAB 65.29, 53.98, -45.58

 

CMYK 10 / 45 / 0 / 0

HEX #E68CFF

RGB 230 140 255

HSL 286.96, 1%, 0.77%

LAB 71.42, 52.26, -43.49

 

CMYK 3 / 38 / 0 / 0

HEX #F79EFF

RGB 247 158 255

HSL 295.05, 1%, 0.81%

LAB 76.95, 47.93, -34.74

 

CMYK 0 / 31 / 0 / 0

HEX #FFB0FF

RGB 255 176 255

HSL 300, 1%, 0.85%

LAB 81.58, 41.04, -27.55

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 15 / 50 / 0 / 4

HEX #D07AF6

RGB 208 122 246

HSL 281.61, 0.87%, 0.72%

LAB 64.95, 53.65, -48.91

 

CMYK 16 / 54 / 0 / 11

HEX #BF68E3

RGB 191 104 227

HSL 282.44, 0.69%, 0.65%

LAB 58.53, 54.38, -48.65

 

CMYK 16 / 59 / 0 / 18

HEX #AE56D0

RGB 174 86 208

HSL 283.28, 0.56%, 0.58%

LAB 52.07, 55.03, -48.3

 

CMYK 17 / 64 / 0 / 26

HEX #9D44BD

RGB 157 68 189

HSL 284.13, 0.48%, 0.5%

LAB 45.6, 55.5, -47.79

 

CMYK 18 / 71 / 0 / 33

HEX #8C32AA

RGB 140 50 170

HSL 285, 0.55%, 0.43%

LAB 39.17, 55.63, -47.03

 

CMYK 15 / 51 / 0 / 4

HEX #D079F6

RGB 208 121 246

HSL 281.76, 0.87%, 0.72%

LAB 64.75, 54.16, -49.22

 

CMYK 2 / 51 / 0 / 4

HEX #F179F6

RGB 241 121 246

HSL 297.6, 0.87%, 0.72%

LAB 68.77, 62.92, -42.62

 

CMYK 0 / 51 / 12 / 4

HEX #F679D9

RGB 246 121 217

HSL 313.92, 0.87%, 0.72%

LAB 68.22, 59.52, -27.41

 

CMYK 0 / 51 / 26 / 4

HEX #F679B7

RGB 246 121 183

HSL 330.24, 0.87%, 0.72%

LAB 67.04, 54.62, -10.16

 

CMYK 0 / 51 / 39 / 4

HEX #F67996

RGB 246 121 150

HSL 346.08, 0.87%, 0.72%

LAB 66.11, 50.63, 7.17

 

CMYK 15 / 51 / 0 / 4

HEX #D079F6

RGB 208 121 246

HSL 281.76, 0.87%, 0.72%

LAB 64.75, 54.16, -49.22

 

CMYK 29 / 51 / 0 / 4

HEX #AE79F6

RGB 174 121 246

HSL 265.44, 0.87%, 0.72%

LAB 61.07, 45.37, -55.3

 

CMYK 43 / 51 / 0 / 4

HEX #8D79F6

RGB 141 121 246

HSL 249.6, 0.87%, 0.72%

LAB 58.03, 37.43, -60.33

 

CMYK 51 / 51 / 0 / 4

HEX #7979F6

RGB 121 121 246

HSL 240, 0.87%, 0.72%

LAB 56.48, 33.08, -62.9

 

CMYK 15 / 51 / 0 / 4

HEX #D079F6

RGB 208 121 246

HSL 281.76, 0.87%, 0.72%

LAB 64.75, 54.16, -49.22

 

CMYK 15 / 51 / 0 / 4

HEX #D079F6

RGB 208 121 246

HSL 281.76, 0.87%, 0.72%

LAB 64.75, 54.16, -49.22

 

CMYK 13 / 43 / 0 / 8

HEX #CB85EA

RGB 203 133 234

HSL 281.58, 0.71%, 0.72%

LAB 66.07, 44.06, -40.58

 

CMYK 11 / 35 / 0 / 13

HEX #C791DF

RGB 199 145 223

HSL 281.54, 0.55%, 0.72%

LAB 67.81, 34.11, -31.82

 

CMYK 8 / 26 / 0 / 17

HEX #C29CD3

RGB 194 156 211

HSL 281.45, 0.38%, 0.72%

LAB 69.43, 24.02, -22.75

 

CMYK 5 / 16 / 0 / 22

HEX #BEA8C8

RGB 190 168 200

HSL 281.25, 0.23%, 0.72%

LAB 71.64, 13.85, -13.38

 

CMYK 43 / 51 / 0 / 4

HEX #8C79F6

RGB 140 121 246

HSL 249.12, 0.87%, 0.72%

LAB 57.95, 37.2, -60.47

 

CMYK 30 / 51 / 0 / 4

HEX #AD79F6

RGB 173 121 246

HSL 264.96, 0.87%, 0.72%

LAB 60.97, 45.12, -55.46

 

CMYK 16 / 51 / 0 / 4

HEX #CE79F6

RGB 206 121 246

HSL 280.8, 0.87%, 0.72%

LAB 64.52, 53.63, -49.6

 

CMYK 2 / 51 / 0 / 4

HEX #F079F6

RGB 240 121 246

HSL 297.12, 0.87%, 0.72%

LAB 68.65, 62.65, -42.83

 

CMYK 0 / 51 / 11 / 4

HEX #F679DB

RGB 246 121 219

HSL 312.96, 0.87%, 0.72%

LAB 68.3, 59.83, -28.4

 

CMYK 25 / 82 / 0 / 6

HEX #B42CF0

RGB 180 44 240

HSL 281.63, 0.87%, 0.56%

LAB 49.25, 78.68, -70.94

 

CMYK 20 / 66 / 0 / 5

HEX #C253F3

RGB 194 83 243

HSL 281.63, 0.87%, 0.64%

LAB 56.21, 68.11, -61.27

 

CMYK 15 / 51 / 0 / 4

HEX #D079F6

RGB 208 121 246

HSL 281.76, 0.87%, 0.72%

LAB 64.75, 54.16, -49.22

 

CMYK 11 / 35 / 0 / 3

HEX #DDA0F8

RGB 221 160 248

HSL 281.59, 0.86%, 0.8%

LAB 74.38, 37.77, -35.16

 

CMYK 6 / 21 / 0 / 2

HEX #EBC7FB

RGB 235 199 251

HSL 281.54, 0.87%, 0.88%

LAB 84.73, 21.83, -20.81

 

CMYK 15 / 50 / 0 / 4

HEX #D07AF6

RGB 208 122 246

HSL 281.61, 0.87%, 0.72%

LAB 64.95, 53.65, -48.91

 

CMYK 0 / 51 / 45 / 4

HEX #F67988

RGB 246 121 136

HSL 352.8, 0.87%, 0.72%

LAB 65.78, 49.18, 14.65

 

CMYK 51 / 0 / 36 / 4

HEX #79F69D

RGB 121 246 157

HSL 137.28, 0.87%, 0.72%

LAB 88.17, -53.81, 32.41

 

CMYK 15 / 50 / 0 / 4

HEX #D07AF6

RGB 208 122 246

HSL 281.61, 0.87%, 0.72%

LAB 64.95, 53.65, -48.91

 

CMYK 0 / 16 / 51 / 4

HEX #F6CE79

RGB 246 206 121

HSL 40.8, 0.87%, 0.72%

LAB 84.54, 3.79, 47.22

 

CMYK 51 / 0 / 16 / 4

HEX #79F6CE

RGB 121 246 206

HSL 160.8, 0.87%, 0.72%

LAB 89.13, -44.24, 8.62

 

CMYK 15 / 50 / 0 / 4

HEX #D07AF6

RGB 208 122 246

HSL 281.61, 0.87%, 0.72%

LAB 64.95, 53.65, -48.91

 

CMYK 0 / 51 / 45 / 4

HEX #F67988

RGB 246 121 136

HSL 352.8, 0.87%, 0.72%

LAB 65.78, 49.18, 14.65

 

CMYK 35 / 0 / 51 / 4

HEX #A1F679

RGB 161 246 121

HSL 100.8, 0.87%, 0.72%

LAB 89.33, -47.44, 51.69

 

CMYK 51 / 0 / 6 / 4

HEX #79F6E7

RGB 121 246 231

HSL 172.8, 0.87%, 0.72%

LAB 89.74, -38.46, -3.49

 

CMYK 15 / 50 / 0 / 4

HEX #D07AF6

RGB 208 122 246

HSL 281.61, 0.87%, 0.72%

LAB 64.95, 53.65, -48.91

 

CMYK 0 / 41 / 51 / 4

HEX #F69079

RGB 246 144 121

HSL 11.04, 0.87%, 0.72%

LAB 70.12, 36.23, 28.9

 

CMYK 35 / 0 / 51 / 4

HEX #A1F679

RGB 161 246 121

HSL 100.8, 0.87%, 0.72%

LAB 89.33, -47.44, 51.69

 

CMYK 51 / 9 / 0 / 4

HEX #79DFF6

RGB 121 223 246

HSL 191.04, 0.87%, 0.72%

LAB 83.7, -23.69, -20.38

 

Description

Color code: HEX #D07AF6 | qconv.com Color code: HEX #D07AF6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 122 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 122 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 50 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 50% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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