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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D06BAE it is the complementary color #2F9451. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D06BAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D06BAE shade: #D56BA9, #E67DBC, #F78FCF, #FFA1E2 and #FFB3F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D06BAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D06BAE shade: #D06BAE, #BF599B, #AE4788, #9D3575 and #8C2362

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D06BAE shade: #D06BAE, #D06B93, #D06B78 and #D06B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D06BAE shade: #D06BAE, #D06BC9, #BC6BD0, #A06BD0 and #856BD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D06BAE shade matches the following richer shades: #D06BAE, #E05CB3 and #EF4CB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D06BAE shade: #D06BAE, #C07BA9, #B18BA4, #A19A9F and #91AA9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D06BAE shade: #BC6BD0, #D06BC9, #D06BAE, #D06B94 and #D06B79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D06BAE shade: #B13888, #C64C9D, #D06BAE, #DA8BBF and #E4AAD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D06BAE shade: #D06BAE, #D0A16B and #6BD0C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D06BAE shade: #D06BAE, #AED06B and #6BAED0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D06BAE shade: #D06BAE, #D0A16B, #6BD08D and #6B9AD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D06BAE shade: #D06BAE, #D0BF6B, #6BD08D and #6B7CD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 16 / 18

HEX #D06BAE

RGB 208 107 174

HSL 320.2, 0.52%, 0.62%

LAB 58.96, 48.17, -17.73

 

Complementary color

CMYK 68 / 0 / 45 / 42

HEX #2F9451

RGB 47 148 81

HSL 140.2, 0.52%, 0.38%

LAB 54.43, -44.32, 27.14

 

CMYK 0 / 50 / 21 / 16

HEX #D56BA9

RGB 213 107 169

HSL 324.91, 0.56%, 0.63%

LAB 59.46, 49.01, -14.03

 

CMYK 0 / 46 / 18 / 10

HEX #E67DBC

RGB 230 125 188

HSL 324, 0.68%, 0.7%

LAB 65.84, 48.27, -14.99

 

CMYK 0 / 42 / 16 / 3

HEX #F78FCF

RGB 247 143 207

HSL 323.08, 0.87%, 0.76%

LAB 72.18, 47.51, -15.83

 

CMYK 0 / 37 / 11 / 0

HEX #FFA1E2

RGB 255 161 226

HSL 318.51, 1%, 0.82%

LAB 77.42, 43.87, -18.23

 

CMYK 0 / 30 / 4 / 0

HEX #FFB3F5

RGB 255 179 245

HSL 307.89, 1%, 0.85%

LAB 81.89, 37.71, -21.73

 

CMYK 0 / 49 / 16 / 18

HEX #D06BAE

RGB 208 107 174

HSL 320.2, 0.52%, 0.62%

LAB 58.96, 48.17, -17.73

 

CMYK 0 / 53 / 19 / 25

HEX #BF599B

RGB 191 89 155

HSL 321.18, 0.44%, 0.55%

LAB 52.5, 48.84, -16.72

 

CMYK 0 / 59 / 22 / 32

HEX #AE4788

RGB 174 71 136

HSL 322.14, 0.42%, 0.48%

LAB 46.02, 49.38, -15.49

 

CMYK 0 / 66 / 25 / 38

HEX #9D3575

RGB 157 53 117

HSL 323.08, 0.5%, 0.41%

LAB 39.58, 49.62, -13.91

 

CMYK 0 / 75 / 30 / 45

HEX #8C2362

RGB 140 35 98

HSL 324, 0.6%, 0.34%

LAB 33.26, 49.31, -11.79

 

CMYK 0 / 49 / 16 / 18

HEX #D06BAE

RGB 208 107 174

HSL 320.2, 0.52%, 0.62%

LAB 58.96, 48.17, -17.73

 

CMYK 0 / 49 / 29 / 18

HEX #D06B93

RGB 208 107 147

HSL 336.24, 0.52%, 0.62%

LAB 58.07, 44.3, -3.45

 

CMYK 0 / 49 / 42 / 18

HEX #D06B78

RGB 208 107 120

HSL 352.28, 0.52%, 0.62%

LAB 57.35, 41.06, 11.24

 

CMYK 0 / 49 / 49 / 18

HEX #D06B6B

RGB 208 107 107

HSL 0, 0.52%, 0.62%

LAB 57.06, 39.75, 18.39

 

CMYK 0 / 49 / 16 / 18

HEX #D06BAE

RGB 208 107 174

HSL 320.2, 0.52%, 0.62%

LAB 58.96, 48.17, -17.73

 

CMYK 0 / 49 / 3 / 18

HEX #D06BC9

RGB 208 107 201

HSL 304.16, 0.52%, 0.62%

LAB 60.02, 52.61, -31.51

 

CMYK 10 / 49 / 0 / 18

HEX #BC6BD0

RGB 188 107 208

HSL 288.12, 0.52%, 0.62%

LAB 57.81, 48.19, -39.11

 

CMYK 23 / 49 / 0 / 18

HEX #A06BD0

RGB 160 107 208

HSL 271.49, 0.52%, 0.62%

LAB 54.6, 40.39, -44.39

 

CMYK 36 / 49 / 0 / 18

HEX #856BD0

RGB 133 107 208

HSL 255.45, 0.52%, 0.62%

LAB 51.9, 33.21, -48.84

 

CMYK 0 / 49 / 16 / 18

HEX #D06BAE

RGB 208 107 174

HSL 320.2, 0.52%, 0.62%

LAB 58.96, 48.17, -17.73

 

CMYK 0 / 59 / 20 / 12

HEX #E05CB3

RGB 224 92 179

HSL 320.45, 0.68%, 0.62%

LAB 58.75, 60.77, -20.72

 

CMYK 0 / 68 / 23 / 6

HEX #EF4CB8

RGB 239 76 184

HSL 320.25, 0.84%, 0.62%

LAB 58.96, 71.83, -23.07

 

CMYK 0 / 49 / 16 / 18

HEX #D06BAE

RGB 208 107 174

HSL 320.2, 0.52%, 0.62%

LAB 58.96, 48.17, -17.73

 

CMYK 0 / 36 / 12 / 25

HEX #C07BA9

RGB 192 123 169

HSL 320, 0.35%, 0.62%

LAB 60.1, 33.68, -13.32

 

CMYK 0 / 21 / 7 / 31

HEX #B18BA4

RGB 177 139 164

HSL 320.53, 0.2%, 0.62%

LAB 62.08, 18.62, -7.68

 

CMYK 0 / 4 / 1 / 37

HEX #A19A9F

RGB 161 154 159

HSL 317.14, 0.04%, 0.62%

LAB 64.32, 3.49, -1.71

 

CMYK 15 / 0 / 9 / 33

HEX #91AA9A

RGB 145 170 154

HSL 141.6, 0.13%, 0.62%

LAB 67.35, -11.87, 5.35

 

CMYK 10 / 49 / 0 / 18

HEX #BC6BD0

RGB 188 107 208

HSL 288.12, 0.52%, 0.62%

LAB 57.81, 48.19, -39.11

 

CMYK 0 / 49 / 3 / 18

HEX #D06BC9

RGB 208 107 201

HSL 304.16, 0.52%, 0.62%

LAB 60.02, 52.61, -31.51

 

CMYK 0 / 49 / 16 / 18

HEX #D06BAE

RGB 208 107 174

HSL 320.2, 0.52%, 0.62%

LAB 58.96, 48.17, -17.73

 

CMYK 0 / 49 / 29 / 18

HEX #D06B94

RGB 208 107 148

HSL 335.64, 0.52%, 0.62%

LAB 58.1, 44.43, -3.98

 

CMYK 0 / 49 / 42 / 18

HEX #D06B79

RGB 208 107 121

HSL 351.68, 0.52%, 0.62%

LAB 57.37, 41.17, 10.69

 

CMYK 0 / 68 / 23 / 31

HEX #B13888

RGB 177 56 136

HSL 320.33, 0.52%, 0.46%

LAB 44.17, 56.65, -18.28

 

CMYK 0 / 62 / 21 / 22

HEX #C64C9D

RGB 198 76 157

HSL 320.16, 0.52%, 0.54%

LAB 51.39, 57.2, -19.49

 

CMYK 0 / 49 / 16 / 18

HEX #D06BAE

RGB 208 107 174

HSL 320.2, 0.52%, 0.62%

LAB 58.96, 48.17, -17.73

 

CMYK 0 / 36 / 12 / 15

HEX #DA8BBF

RGB 218 139 191

HSL 320.51, 0.52%, 0.7%

LAB 67.38, 37.54, -14.51

 

CMYK 0 / 25 / 9 / 11

HEX #E4AAD0

RGB 228 170 208

HSL 320.69, 0.52%, 0.78%

LAB 75.94, 27.19, -10.94

 

CMYK 0 / 49 / 16 / 18

HEX #D06BAE

RGB 208 107 174

HSL 320.2, 0.52%, 0.62%

LAB 58.96, 48.17, -17.73

 

CMYK 0 / 23 / 49 / 18

HEX #D0A16B

RGB 208 161 107

HSL 32.08, 0.52%, 0.62%

LAB 69.44, 10.77, 34.69

 

CMYK 49 / 0 / 3 / 18

HEX #6BD0C9

RGB 107 208 201

HSL 175.84, 0.52%, 0.62%

LAB 77.55, -31.18, -5.64

 

CMYK 0 / 49 / 16 / 18

HEX #D06BAE

RGB 208 107 174

HSL 320.2, 0.52%, 0.62%

LAB 58.96, 48.17, -17.73

 

CMYK 16 / 0 / 49 / 18

HEX #AED06B

RGB 174 208 107

HSL 80.2, 0.52%, 0.62%

LAB 79.14, -27.25, 46.13

 

CMYK 49 / 16 / 0 / 18

HEX #6BAED0

RGB 107 174 208

HSL 200.2, 0.52%, 0.62%

LAB 67.99, -12.06, -23.84

 

CMYK 0 / 49 / 16 / 18

HEX #D06BAE

RGB 208 107 174

HSL 320.2, 0.52%, 0.62%

LAB 58.96, 48.17, -17.73

 

CMYK 0 / 23 / 49 / 18

HEX #D0A16B

RGB 208 161 107

HSL 32.08, 0.52%, 0.62%

LAB 69.44, 10.77, 34.69

 

CMYK 49 / 0 / 32 / 18

HEX #6BD08D

RGB 107 208 141

HSL 140.2, 0.52%, 0.62%

LAB 76.17, -44.34, 24.41

 

CMYK 49 / 26 / 0 / 18

HEX #6B9AD0

RGB 107 154 208

HSL 212.08, 0.52%, 0.62%

LAB 62.33, -1.01, -32.56

 

CMYK 0 / 49 / 16 / 18

HEX #D06BAE

RGB 208 107 174

HSL 320.2, 0.52%, 0.62%

LAB 58.96, 48.17, -17.73

 

CMYK 0 / 8 / 49 / 18

HEX #D0BF6B

RGB 208 191 107

HSL 49.9, 0.52%, 0.62%

LAB 77.12, -5.16, 44.27

 

CMYK 49 / 0 / 32 / 18

HEX #6BD08D

RGB 107 208 141

HSL 140.2, 0.52%, 0.62%

LAB 76.17, -44.34, 24.41

 

CMYK 49 / 40 / 0 / 18

HEX #6B7CD0

RGB 107 124 208

HSL 229.9, 0.52%, 0.62%

LAB 54.13, 16.61, -45.43

 

Description

Color code: HEX #D06BAE | qconv.com Color code: HEX #D06BAE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 107 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 107 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 16 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 16% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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