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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D063EB it is the complementary color #2F9C14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D063EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D063EB shade: #D563E6, #E675F9, #F787FF, #FF99FF and #FFABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D063EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D063EB shade: #D063EB, #BF51D8, #AE3FC5, #9D2DB2 and #8C1B9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D063EB shade: #CF61EA, #EA61E1, #EA61BC, #EA6197 and #EA6171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D063EB shade: #CF61EA, #AA61EA, #8561EA and #6161EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D063EB shade matches the following richer shades: #CF61EA and #D853F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D063EB shade: #CF61EA, #C66FDC, #BE7ECE, #B58CBF and #AC9BB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D063EB shade: #8661EA, #AA61EA, #CF61EA, #EA61E1 and #EA61BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D063EB shade: #B61DDC, #C43DE6, #CF61EA, #DA86EF and #E5AAF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D063EB shade: #D063EB, #EA6161 and #61EA98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D063EB shade: #D063EB, #EACF61 and #61EACF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D063EB shade: #D063EB, #EA6161, #7DEA61 and #61EAEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D063EB shade: #D063EB, #EA8A61, #7DEA61 and #61C1EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 58 / 0 / 8

HEX #D063EB

RGB 208 99 235

HSL 288.09, 0.77%, 0.65%

LAB 60.19, 62.66, -50.36

 

Complementary color

CMYK 70 / 0 / 87 / 39

HEX #2F9C14

RGB 47 156 20

HSL 108.09, 0.77%, 0.35%

LAB 56.52, -53.73, 54.96

 

CMYK 7 / 57 / 0 / 10

HEX #D563E6

RGB 213 99 230

HSL 292.21, 0.72%, 0.65%

LAB 60.59, 62.96, -46.89

 

CMYK 8 / 53 / 0 / 2

HEX #E675F9

RGB 230 117 249

HSL 291.36, 0.92%, 0.72%

LAB 66.81, 62.45, -47.45

 

CMYK 3 / 47 / 0 / 0

HEX #F787FF

RGB 247 135 255

HSL 296, 1%, 0.76%

LAB 72.44, 59.46, -41.74

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 11 / 58 / 0 / 8

HEX #D063EB

RGB 208 99 235

HSL 288.09, 0.77%, 0.65%

LAB 60.19, 62.66, -50.36

 

CMYK 12 / 63 / 0 / 15

HEX #BF51D8

RGB 191 81 216

HSL 288.89, 0.63%, 0.58%

LAB 53.94, 63.03, -49.74

 

CMYK 12 / 68 / 0 / 23

HEX #AE3FC5

RGB 174 63 197

HSL 289.7, 0.54%, 0.51%

LAB 47.73, 63.1, -48.89

 

CMYK 12 / 75 / 0 / 30

HEX #9D2DB2

RGB 157 45 178

HSL 290.53, 0.6%, 0.44%

LAB 41.63, 62.65, -47.7

 

CMYK 12 / 83 / 0 / 38

HEX #8C1B9F

RGB 140 27 159

HSL 291.36, 0.71%, 0.36%

LAB 35.72, 61.34, -45.97

 

CMYK 12 / 59 / 0 / 8

HEX #CF61EA

RGB 207 97 234

HSL 288.18, 0.77%, 0.65%

LAB 59.67, 63.14, -50.64

 

CMYK 0 / 59 / 4 / 8

HEX #EA61E1

RGB 234 97 225

HSL 303.94, 0.77%, 0.65%

LAB 62.91, 68.28, -40.25

 

CMYK 0 / 59 / 20 / 8

HEX #EA61BC

RGB 234 97 188

HSL 320.15, 0.77%, 0.65%

LAB 61.37, 62.69, -21.73

 

CMYK 0 / 59 / 35 / 8

HEX #EA6197

RGB 234 97 151

HSL 336.35, 0.77%, 0.65%

LAB 60.14, 58, -2.29

 

CMYK 0 / 59 / 52 / 8

HEX #EA6171

RGB 234 97 113

HSL 352.99, 0.77%, 0.65%

LAB 59.19, 54.27, 18.45

 

CMYK 12 / 59 / 0 / 8

HEX #CF61EA

RGB 207 97 234

HSL 288.18, 0.77%, 0.65%

LAB 59.67, 63.14, -50.64

 

CMYK 27 / 59 / 0 / 8

HEX #AA61EA

RGB 170 97 234

HSL 271.97, 0.77%, 0.65%

LAB 55.11, 54.26, -58.17

 

CMYK 43 / 59 / 0 / 8

HEX #8561EA

RGB 133 97 234

HSL 255.77, 0.77%, 0.65%

LAB 51.24, 46, -64.6

 

CMYK 59 / 59 / 0 / 8

HEX #6161EA

RGB 97 97 234

HSL 240, 0.77%, 0.65%

LAB 48.3, 39.12, -69.51

 

CMYK 12 / 59 / 0 / 8

HEX #CF61EA

RGB 207 97 234

HSL 288.18, 0.77%, 0.65%

LAB 59.67, 63.14, -50.64

 

CMYK 13 / 67 / 0 / 2

HEX #D853F9

RGB 216 83 249

HSL 288.07, 0.93%, 0.65%

LAB 59.55, 73.94, -59.09

 

CMYK 12 / 59 / 0 / 8

HEX #CF61EA

RGB 207 97 234

HSL 288.18, 0.77%, 0.65%

LAB 59.67, 63.14, -50.64

 

CMYK 10 / 50 / 0 / 14

HEX #C66FDC

RGB 198 111 220

HSL 287.89, 0.61%, 0.65%

LAB 60.38, 51.31, -41.76

 

CMYK 8 / 39 / 0 / 19

HEX #BE7ECE

RGB 190 126 206

HSL 288, 0.45%, 0.65%

LAB 61.93, 38.26, -31.53

 

CMYK 5 / 27 / 0 / 25

HEX #B58CBF

RGB 181 140 191

HSL 288.24, 0.28%, 0.65%

LAB 63.62, 24.61, -20.57

 

CMYK 3 / 12 / 0 / 31

HEX #AC9BB1

RGB 172 155 177

HSL 286.36, 0.12%, 0.65%

LAB 66.05, 10.33, -9.14

 

CMYK 43 / 59 / 0 / 8

HEX #8661EA

RGB 134 97 234

HSL 256.2, 0.77%, 0.65%

LAB 51.33, 46.21, -64.45

 

CMYK 27 / 59 / 0 / 8

HEX #AA61EA

RGB 170 97 234

HSL 271.97, 0.77%, 0.65%

LAB 55.11, 54.26, -58.17

 

CMYK 12 / 59 / 0 / 8

HEX #CF61EA

RGB 207 97 234

HSL 288.18, 0.77%, 0.65%

LAB 59.67, 63.14, -50.64

 

CMYK 0 / 59 / 4 / 8

HEX #EA61E1

RGB 234 97 225

HSL 303.94, 0.77%, 0.65%

LAB 62.91, 68.28, -40.25

 

CMYK 0 / 59 / 19 / 8

HEX #EA61BD

RGB 234 97 189

HSL 319.71, 0.77%, 0.65%

LAB 61.41, 62.83, -22.25

 

CMYK 17 / 87 / 0 / 14

HEX #B61DDC

RGB 182 29 220

HSL 288.06, 0.77%, 0.49%

LAB 46.96, 78.78, -63.29

 

CMYK 15 / 73 / 0 / 10

HEX #C43DE6

RGB 196 61 230

HSL 287.93, 0.77%, 0.57%

LAB 52.71, 74.46, -59.58

 

CMYK 12 / 59 / 0 / 8

HEX #CF61EA

RGB 207 97 234

HSL 288.18, 0.77%, 0.65%

LAB 59.67, 63.14, -50.64

 

CMYK 9 / 44 / 0 / 6

HEX #DA86EF

RGB 218 134 239

HSL 288, 0.77%, 0.73%

LAB 68.16, 48.84, -39.94

 

CMYK 6 / 30 / 0 / 4

HEX #E5AAF4

RGB 229 170 244

HSL 287.84, 0.77%, 0.81%

LAB 77.24, 34.07, -28.51

 

CMYK 11 / 58 / 0 / 8

HEX #D063EB

RGB 208 99 235

HSL 288.09, 0.77%, 0.65%

LAB 60.19, 62.66, -50.36

 

CMYK 0 / 59 / 59 / 8

HEX #EA6161

RGB 234 97 97

HSL 0, 0.77%, 0.65%

LAB 58.89, 53.04, 27.28

 

CMYK 59 / 0 / 35 / 8

HEX #61EA98

RGB 97 234 152

HSL 144.09, 0.77%, 0.65%

LAB 83.79, -55.35, 28.94

 

CMYK 11 / 58 / 0 / 8

HEX #D063EB

RGB 208 99 235

HSL 288.09, 0.77%, 0.65%

LAB 60.19, 62.66, -50.36

 

CMYK 0 / 12 / 59 / 8

HEX #EACF61

RGB 234 207 97

HSL 48.18, 0.77%, 0.65%

LAB 83.43, -3.51, 57.02

 

CMYK 59 / 0 / 12 / 8

HEX #61EACF

RGB 97 234 207

HSL 168.18, 0.77%, 0.65%

LAB 84.94, -43.63, 1.96

 

CMYK 11 / 58 / 0 / 8

HEX #D063EB

RGB 208 99 235

HSL 288.09, 0.77%, 0.65%

LAB 60.19, 62.66, -50.36

 

CMYK 0 / 59 / 59 / 8

HEX #EA6161

RGB 234 97 97

HSL 0, 0.77%, 0.65%

LAB 58.89, 53.04, 27.28

 

CMYK 47 / 0 / 59 / 8

HEX #7DEA61

RGB 125 234 97

HSL 107.74, 0.77%, 0.65%

LAB 84, -56.23, 55.83

 

CMYK 59 / 0 / 0 / 8

HEX #61EAEA

RGB 97 234 234

HSL 180, 0.77%, 0.65%

LAB 85.67, -36.76, -11.18

 

CMYK 11 / 58 / 0 / 8

HEX #D063EB

RGB 208 99 235

HSL 288.09, 0.77%, 0.65%

LAB 60.19, 62.66, -50.36

 

CMYK 0 / 41 / 59 / 8

HEX #EA8A61

RGB 234 138 97

HSL 17.96, 0.77%, 0.65%

LAB 66.92, 32.78, 37.48

 

CMYK 47 / 0 / 59 / 8

HEX #7DEA61

RGB 125 234 97

HSL 107.74, 0.77%, 0.65%

LAB 84, -56.23, 55.83

 

CMYK 59 / 18 / 0 / 8

HEX #61C1EA

RGB 97 193 234

HSL 197.96, 0.77%, 0.65%

LAB 73.95, -16.63, -28.92

 

Description

Color code: HEX #D063EB | qconv.com Color code: HEX #D063EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 99 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 99 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 58 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 58% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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