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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D063E2 it is the complementary color #2F9C1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D063E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D063E2 shade: #D563DD, #E675F0, #F787FF, #FF99FF and #FFABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D063E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D063E2 shade: #D063E2, #BF51CF, #AE3FBC, #9D2DA9 and #8C1B96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D063E2 shade: #D164E3, #E364D2, #E364B0, #E3648E and #E3646C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D063E2 shade: #D164E3, #AE64E3, #8C64E3, #6A64E3 and #6464E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D063E2 shade matches the following richer shades: #D164E3 and #DB55F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D063E2 shade: #D164E3, #C673D4, #BB82C5, #B190B6 and #A69FA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D063E2 shade: #8C64E3, #AE64E3, #D064E3, #E364D4 and #E364B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D063E2 shade: #B626CE, #C641DC, #D164E3, #DB87E9 and #E5AAEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D063E2 shade: #D063E2, #E36A64 and #64E39D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D063E2 shade: #D063E2, #E3D064 and #64E3D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D063E2 shade: #D063E2, #E36A64, #77E364 and #64DCE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D063E2 shade: #D063E2, #E39064, #77E364 and #64B6E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 56 / 0 / 11

HEX #D063E2

RGB 208 99 226

HSL 291.5, 0.69%, 0.64%

LAB 59.73, 60.96, -46.05

 

Complementary color

CMYK 70 / 0 / 81 / 39

HEX #2F9C1D

RGB 47 156 29

HSL 111.5, 0.69%, 0.36%

LAB 56.56, -53.27, 52.6

 

CMYK 4 / 55 / 0 / 13

HEX #D563DD

RGB 213 99 221

HSL 296.07, 0.64%, 0.63%

LAB 60.15, 61.33, -42.54

 

CMYK 4 / 51 / 0 / 6

HEX #E675F0

RGB 230 117 240

HSL 295.12, 0.8%, 0.7%

LAB 66.4, 60.8, -43.15

 

CMYK 3 / 47 / 0 / 0

HEX #F787FF

RGB 247 135 255

HSL 296, 1%, 0.76%

LAB 72.44, 59.46, -41.74

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 8 / 56 / 0 / 11

HEX #D063E2

RGB 208 99 226

HSL 291.5, 0.69%, 0.64%

LAB 59.73, 60.96, -46.05

 

CMYK 8 / 61 / 0 / 19

HEX #BF51CF

RGB 191 81 207

HSL 292.38, 0.57%, 0.56%

LAB 53.46, 61.35, -45.39

 

CMYK 7 / 66 / 0 / 26

HEX #AE3FBC

RGB 174 63 188

HSL 293.28, 0.5%, 0.49%

LAB 47.22, 61.44, -44.49

 

CMYK 7 / 73 / 0 / 34

HEX #9D2DA9

RGB 157 45 169

HSL 294.19, 0.58%, 0.42%

LAB 41.07, 61.02, -43.24

 

CMYK 7 / 82 / 0 / 41

HEX #8C1B96

RGB 140 27 150

HSL 295.12, 0.69%, 0.35%

LAB 35.13, 59.75, -41.45

 

CMYK 8 / 56 / 0 / 11

HEX #D164E3

RGB 209 100 227

HSL 291.5, 0.69%, 0.64%

LAB 60.08, 60.93, -46.05

 

CMYK 0 / 56 / 7 / 11

HEX #E364D2

RGB 227 100 210

HSL 308.03, 0.69%, 0.64%

LAB 61.74, 62.73, -33.73

 

CMYK 0 / 56 / 22 / 11

HEX #E364B0

RGB 227 100 176

HSL 324.09, 0.69%, 0.64%

LAB 60.41, 57.65, -16.42

 

CMYK 0 / 56 / 37 / 11

HEX #E3648E

RGB 227 100 142

HSL 340.16, 0.69%, 0.64%

LAB 59.34, 53.41, 1.65

 

CMYK 0 / 56 / 52 / 11

HEX #E3646C

RGB 227 100 108

HSL 356.22, 0.69%, 0.64%

LAB 58.53, 50.09, 20.28

 

CMYK 8 / 56 / 0 / 11

HEX #D164E3

RGB 209 100 227

HSL 291.5, 0.69%, 0.64%

LAB 60.08, 60.93, -46.05

 

CMYK 23 / 56 / 0 / 11

HEX #AE64E3

RGB 174 100 227

HSL 274.96, 0.69%, 0.64%

LAB 55.74, 52.11, -53.21

 

CMYK 38 / 56 / 0 / 11

HEX #8C64E3

RGB 140 100 227

HSL 258.9, 0.69%, 0.64%

LAB 52.1, 43.98, -59.24

 

CMYK 53 / 56 / 0 / 11

HEX #6A64E3

RGB 106 100 227

HSL 242.83, 0.69%, 0.64%

LAB 49.16, 36.77, -64.14

 

CMYK 56 / 56 / 0 / 11

HEX #6464E3

RGB 100 100 227

HSL 240, 0.69%, 0.64%

LAB 48.72, 35.63, -64.86

 

CMYK 8 / 56 / 0 / 11

HEX #D164E3

RGB 209 100 227

HSL 291.5, 0.69%, 0.64%

LAB 60.08, 60.93, -46.05

 

CMYK 9 / 65 / 0 / 5

HEX #DB55F1

RGB 219 85 241

HSL 291.54, 0.85%, 0.64%

LAB 59.81, 72.36, -54.22

 

CMYK 8 / 56 / 0 / 11

HEX #D164E3

RGB 209 100 227

HSL 291.5, 0.69%, 0.64%

LAB 60.08, 60.93, -46.05

 

CMYK 7 / 46 / 0 / 17

HEX #C673D4

RGB 198 115 212

HSL 291.34, 0.53%, 0.64%

LAB 60.8, 47.69, -36.6

 

CMYK 5 / 34 / 0 / 23

HEX #BB82C5

RGB 187 130 197

HSL 291.04, 0.37%, 0.64%

LAB 62.14, 33.33, -26.18

 

CMYK 3 / 21 / 0 / 29

HEX #B190B6

RGB 177 144 182

HSL 292.11, 0.21%, 0.64%

LAB 63.89, 19.22, -15.14

 

CMYK 1 / 5 / 0 / 35

HEX #A69FA7

RGB 166 159 167

HSL 292.5, 0.04%, 0.64%

LAB 66.28, 4.04, -3.25

 

CMYK 38 / 56 / 0 / 11

HEX #8C64E3

RGB 140 100 227

HSL 258.9, 0.69%, 0.64%

LAB 52.1, 43.98, -59.24

 

CMYK 23 / 56 / 0 / 11

HEX #AE64E3

RGB 174 100 227

HSL 274.96, 0.69%, 0.64%

LAB 55.74, 52.11, -53.21

 

CMYK 8 / 56 / 0 / 11

HEX #D064E3

RGB 208 100 227

HSL 291.02, 0.69%, 0.64%

LAB 59.95, 60.68, -46.26

 

CMYK 0 / 56 / 7 / 11

HEX #E364D4

RGB 227 100 212

HSL 307.09, 0.69%, 0.64%

LAB 61.83, 63.05, -34.72

 

CMYK 0 / 56 / 22 / 11

HEX #E364B2

RGB 227 100 178

HSL 323.15, 0.69%, 0.64%

LAB 60.48, 57.93, -17.46

 

CMYK 12 / 82 / 0 / 19

HEX #B626CE

RGB 182 38 206

HSL 291.43, 0.69%, 0.48%

LAB 46.69, 74.4, -55.69

 

CMYK 10 / 70 / 0 / 14

HEX #C641DC

RGB 198 65 220

HSL 291.48, 0.69%, 0.56%

LAB 52.9, 71.68, -53.61

 

CMYK 8 / 56 / 0 / 11

HEX #D164E3

RGB 209 100 227

HSL 291.5, 0.69%, 0.64%

LAB 60.08, 60.93, -46.05

 

CMYK 6 / 42 / 0 / 9

HEX #DB87E9

RGB 219 135 233

HSL 291.43, 0.69%, 0.72%

LAB 68.22, 47.45, -36.54

 

CMYK 4 / 29 / 0 / 6

HEX #E5AAEF

RGB 229 170 239

HSL 291.3, 0.68%, 0.8%

LAB 77.06, 33.11, -26.08

 

CMYK 8 / 56 / 0 / 11

HEX #D063E2

RGB 208 99 226

HSL 291.5, 0.69%, 0.64%

LAB 59.73, 60.96, -46.05

 

CMYK 0 / 53 / 56 / 11

HEX #E36A64

RGB 227 106 100

HSL 2.83, 0.69%, 0.64%

LAB 59.49, 46.59, 26.14

 

CMYK 56 / 0 / 31 / 11

HEX #64E39D

RGB 100 227 157

HSL 146.93, 0.69%, 0.64%

LAB 81.88, -50.97, 23.81

 

CMYK 8 / 56 / 0 / 11

HEX #D063E2

RGB 208 99 226

HSL 291.5, 0.69%, 0.64%

LAB 59.73, 60.96, -46.05

 

CMYK 0 / 8 / 56 / 11

HEX #E3D064

RGB 227 208 100

HSL 51.02, 0.69%, 0.64%

LAB 83.11, -6.68, 55.11

 

CMYK 56 / 0 / 8 / 11

HEX #64E3D0

RGB 100 227 208

HSL 171.02, 0.69%, 0.64%

LAB 83.02, -39.7, -1.36

 

CMYK 8 / 56 / 0 / 11

HEX #D063E2

RGB 208 99 226

HSL 291.5, 0.69%, 0.64%

LAB 59.73, 60.96, -46.05

 

CMYK 0 / 53 / 56 / 11

HEX #E36A64

RGB 227 106 100

HSL 2.83, 0.69%, 0.64%

LAB 59.49, 46.59, 26.14

 

CMYK 48 / 0 / 56 / 11

HEX #77E364

RGB 119 227 100

HSL 111.02, 0.69%, 0.64%

LAB 81.72, -54.88, 51.79

 

CMYK 56 / 3 / 0 / 11

HEX #64DCE3

RGB 100 220 227

HSL 183.31, 0.69%, 0.64%

LAB 81.53, -31.53, -13.64

 

CMYK 8 / 56 / 0 / 11

HEX #D063E2

RGB 208 99 226

HSL 291.5, 0.69%, 0.64%

LAB 59.73, 60.96, -46.05

 

CMYK 0 / 37 / 56 / 11

HEX #E39064

RGB 227 144 100

HSL 20.79, 0.69%, 0.64%

LAB 67.42, 27.06, 36.31

 

CMYK 48 / 0 / 56 / 11

HEX #77E364

RGB 119 227 100

HSL 111.02, 0.69%, 0.64%

LAB 81.72, -54.88, 51.79

 

CMYK 56 / 20 / 0 / 11

HEX #64B6E3

RGB 100 182 227

HSL 201.26, 0.69%, 0.64%

LAB 70.67, -12.33, -30.16

 

Description

Color code: HEX #D063E2 | qconv.com Color code: HEX #D063E2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 99 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 99 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 56 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 56% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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