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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D06364 it is the complementary color #2F9C9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D06364. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D06364 shade: #D5635F, #E67572, #F78785, #FF9998 and #FFABAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D06364. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D06364 shade: #D06364, #BF5151, #AE3F3E, #9D2D2B and #8C1B18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D06364 shade: #D06263 and #D06262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D06364 shade: #D06263, #D06281, #D0629E, #D062BC and #C662D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D06364 shade matches the following richer shades: #D06263, #E15153 and #F14143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D06364 shade: #D06263, #C07273, #AF8383, #9F9394 and #8EA4A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D06364 shade: #D0629F, #D06281, #D06264, #D07D62 and #D09B62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D06364 shade: #AC3335, #C74243, #D06263, #DA8282 and #E3A1A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D06364 shade: #D06364, #BCD062 and #6290D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D06364 shade: #D06364, #64D062 and #6264D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D06364 shade: #D06364, #BCD062, #62D0CE and #7662D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D06364 shade: #D06364, #9BD062, #62D0CE and #9762D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 52 / 18

HEX #D06364

RGB 208 99 100

HSL 359.45, 0.54%, 0.6%

LAB 55.33, 43.15, 20.11

 

Complementary color

CMYK 70 / 0 / 1 / 39

HEX #2F9C9B

RGB 47 156 155

HSL 179.45, 0.54%, 0.4%

LAB 58.74, -29.92, -8.37

 

CMYK 0 / 54 / 55 / 16

HEX #D5635F

RGB 213 99 95

HSL 2.03, 0.58%, 0.6%

LAB 55.98, 44.55, 24.02

 

CMYK 0 / 49 / 50 / 10

HEX #E67572

RGB 230 117 114

HSL 1.55, 0.7%, 0.67%

LAB 62.3, 43.41, 22

 

CMYK 0 / 45 / 46 / 3

HEX #F78785

RGB 247 135 133

HSL 1.05, 0.88%, 0.75%

LAB 68.6, 42.31, 20.25

 

CMYK 0 / 40 / 40 / 0

HEX #FF9998

RGB 255 153 152

HSL 0.58, 1%, 0.8%

LAB 73.75, 37.99, 16.99

 

CMYK 0 / 33 / 33 / 0

HEX #FFABAB

RGB 255 171 171

HSL 0, 1%, 0.84%

LAB 78.07, 30.84, 12.67

 

CMYK 0 / 52 / 52 / 18

HEX #D06364

RGB 208 99 100

HSL 359.45, 0.54%, 0.6%

LAB 55.33, 43.15, 20.11

 

CMYK 0 / 58 / 58 / 25

HEX #BF5151

RGB 191 81 81

HSL 0, 0.46%, 0.53%

LAB 48.95, 44.25, 22.33

 

CMYK 0 / 64 / 64 / 32

HEX #AE3F3E

RGB 174 63 62

HSL 0.54, 0.47%, 0.46%

LAB 42.61, 45.25, 25

 

CMYK 0 / 71 / 73 / 38

HEX #9D2D2B

RGB 157 45 43

HSL 1.05, 0.57%, 0.39%

LAB 36.4, 45.99, 28.25

 

CMYK 0 / 81 / 83 / 45

HEX #8C1B18

RGB 140 27 24

HSL 1.55, 0.71%, 0.32%

LAB 30.46, 46.12, 32.11

 

CMYK 0 / 53 / 52 / 18

HEX #D06263

RGB 208 98 99

HSL 359.45, 0.54%, 0.6%

LAB 55.12, 43.56, 20.41

 

CMYK 0 / 53 / 53 / 18

HEX #D06262

RGB 208 98 98

HSL 0, 0.54%, 0.6%

LAB 55.1, 43.47, 20.97

 

CMYK 0 / 53 / 52 / 18

HEX #D06263

RGB 208 98 99

HSL 359.45, 0.54%, 0.6%

LAB 55.12, 43.56, 20.41

 

CMYK 0 / 53 / 38 / 18

HEX #D06281

RGB 208 98 129

HSL 343.09, 0.54%, 0.6%

LAB 55.82, 46.57, 3.79

 

CMYK 0 / 53 / 24 / 18

HEX #D0629E

RGB 208 98 158

HSL 327.27, 0.54%, 0.6%

LAB 56.7, 50.25, -11.89

 

CMYK 0 / 53 / 10 / 18

HEX #D062BC

RGB 208 98 188

HSL 310.91, 0.54%, 0.6%

LAB 57.82, 54.79, -27.5

 

CMYK 5 / 53 / 0 / 18

HEX #C662D0

RGB 198 98 208

HSL 294.55, 0.54%, 0.6%

LAB 57.36, 55.46, -39.73

 

CMYK 0 / 53 / 52 / 18

HEX #D06263

RGB 208 98 99

HSL 359.45, 0.54%, 0.6%

LAB 55.12, 43.56, 20.41

 

CMYK 0 / 64 / 63 / 12

HEX #E15153

RGB 225 81 83

HSL 359.17, 0.71%, 0.6%

LAB 54.57, 56.08, 29.51

 

CMYK 0 / 73 / 72 / 5

HEX #F14143

RGB 241 65 67

HSL 359.32, 0.86%, 0.6%

LAB 54.96, 66.27, 39.76

 

CMYK 0 / 53 / 52 / 18

HEX #D06263

RGB 208 98 99

HSL 359.45, 0.54%, 0.6%

LAB 55.12, 43.56, 20.41

 

CMYK 0 / 41 / 40 / 25

HEX #C07273

RGB 192 114 115

HSL 359.23, 0.38%, 0.6%

LAB 56.56, 30.84, 12.73

 

CMYK 0 / 25 / 25 / 31

HEX #AF8383

RGB 175 131 131

HSL 0, 0.22%, 0.6%

LAB 58.96, 16.92, 6.6

 

CMYK 0 / 8 / 7 / 38

HEX #9F9394

RGB 159 147 148

HSL 355, 0.06%, 0.6%

LAB 61.98, 4.61, 1.07

 

CMYK 13 / 0 / 0 / 36

HEX #8EA4A4

RGB 142 164 164

HSL 180, 0.11%, 0.6%

LAB 65.73, -7.64, -2.6

 

CMYK 0 / 53 / 24 / 18

HEX #D0629F

RGB 208 98 159

HSL 326.73, 0.54%, 0.6%

LAB 56.73, 50.39, -12.42

 

CMYK 0 / 53 / 38 / 18

HEX #D06281

RGB 208 98 129

HSL 343.09, 0.54%, 0.6%

LAB 55.82, 46.57, 3.79

 

CMYK 0 / 53 / 52 / 18

HEX #D06264

RGB 208 98 100

HSL 358.91, 0.54%, 0.6%

LAB 55.14, 43.65, 19.85

 

CMYK 0 / 40 / 53 / 18

HEX #D07D62

RGB 208 125 98

HSL 14.73, 0.54%, 0.6%

LAB 60.75, 29.45, 28.41

 

CMYK 0 / 25 / 53 / 18

HEX #D09B62

RGB 208 155 98

HSL 31.09, 0.54%, 0.6%

LAB 67.82, 13.19, 37.4

 

CMYK 0 / 70 / 69 / 33

HEX #AC3335

RGB 172 51 53

HSL 359.01, 0.54%, 0.44%

LAB 40.24, 49.12, 27.43

 

CMYK 0 / 67 / 66 / 22

HEX #C74243

RGB 199 66 67

HSL 359.55, 0.54%, 0.52%

LAB 47.55, 52.77, 29.12

 

CMYK 0 / 53 / 52 / 18

HEX #D06263

RGB 208 98 99

HSL 359.45, 0.54%, 0.6%

LAB 55.12, 43.56, 20.41

 

CMYK 0 / 40 / 40 / 15

HEX #DA8282

RGB 218 130 130

HSL 0, 0.54%, 0.68%

LAB 63.74, 33.86, 14.64

 

CMYK 0 / 29 / 29 / 11

HEX #E3A1A2

RGB 227 161 162

HSL 359.09, 0.54%, 0.76%

LAB 72.51, 24.63, 9.28

 

CMYK 0 / 52 / 52 / 18

HEX #D06364

RGB 208 99 100

HSL 359.45, 0.54%, 0.6%

LAB 55.33, 43.15, 20.11

 

CMYK 10 / 0 / 53 / 18

HEX #BCD062

RGB 188 208 98

HSL 70.91, 0.54%, 0.6%

LAB 80, -22.67, 51.65

 

CMYK 53 / 31 / 0 / 18

HEX #6290D0

RGB 98 144 208

HSL 214.91, 0.54%, 0.6%

LAB 59.06, 2.66, -37.69

 

CMYK 0 / 52 / 52 / 18

HEX #D06364

RGB 208 99 100

HSL 359.45, 0.54%, 0.6%

LAB 55.33, 43.15, 20.11

 

CMYK 52 / 0 / 53 / 18

HEX #64D062

RGB 100 208 98

HSL 118.91, 0.54%, 0.6%

LAB 75.27, -52.9, 44.87

 

CMYK 53 / 52 / 0 / 18

HEX #6264D0

RGB 98 100 208

HSL 238.91, 0.54%, 0.6%

LAB 47.32, 29.24, -56.34

 

CMYK 0 / 52 / 52 / 18

HEX #D06364

RGB 208 99 100

HSL 359.45, 0.54%, 0.6%

LAB 55.33, 43.15, 20.11

 

CMYK 10 / 0 / 53 / 18

HEX #BCD062

RGB 188 208 98

HSL 70.91, 0.54%, 0.6%

LAB 80, -22.67, 51.65

 

CMYK 53 / 0 / 1 / 18

HEX #62D0CE

RGB 98 208 206

HSL 178.91, 0.54%, 0.6%

LAB 77.38, -31.8, -8.62

 

CMYK 43 / 53 / 0 / 18

HEX #7662D0

RGB 118 98 208

HSL 250.91, 0.54%, 0.6%

LAB 48.44, 34.84, -54.46

 

CMYK 0 / 52 / 52 / 18

HEX #D06364

RGB 208 99 100

HSL 359.45, 0.54%, 0.6%

LAB 55.33, 43.15, 20.11

 

CMYK 25 / 0 / 53 / 18

HEX #9BD062

RGB 155 208 98

HSL 88.91, 0.54%, 0.6%

LAB 77.85, -35.3, 48.58

 

CMYK 53 / 0 / 1 / 18

HEX #62D0CE

RGB 98 208 206

HSL 178.91, 0.54%, 0.6%

LAB 77.38, -31.8, -8.62

 

CMYK 27 / 53 / 0 / 18

HEX #9762D0

RGB 151 98 208

HSL 268.91, 0.54%, 0.6%

LAB 51.69, 42.96, -49.07

 

Description

Color code: HEX #D06364 | qconv.com Color code: HEX #D06364 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 99 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 99 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 52 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 52% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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