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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D062DB it is the complementary color #2F9D24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D062DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D062DB shade: #D562D6, #E674E9, #F786FC, #FF98FF and #FFAAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D062DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D062DB shade: #D062DB, #BF50C8, #AE3EB5, #9D2CA2 and #8C1A8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D062DB shade: #D061DB, #DB61C5, #DB61A4, #DB6183 and #DB6163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D062DB shade: #D061DB, #AF61DB, #8E61DB, #6D61DB and #6161DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D062DB shade matches the following richer shades: #D061DB, #DD51EB and #EA42FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D062DB shade: #D061DB, #C371CB, #B680BC, #AA90AC and #9DA09C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D062DB shade: #8E61DB, #AE61DB, #CF61DB, #DB61C7 and #DB61A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D062DB shade: #B12BBE, #C63FD4, #D061DB, #DA83E3 and #E4A4EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D062DB shade: #D062DB, #DB6D61 and #61DB9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D062DB shade: #D062DB, #DBCF61 and #61DBCF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D062DB shade: #D062DB, #DB6D61, #6DDB61 and #61CFDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D062DB shade: #D062DB, #DB9261, #6DDB61 and #61AADB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 55 / 0 / 14

HEX #D062DB

RGB 208 98 219

HSL 294.55, 0.63%, 0.62%

LAB 59.21, 60.13, -42.94

 

Complementary color

CMYK 70 / 0 / 77 / 38

HEX #2F9D24

RGB 47 157 36

HSL 114.55, 0.63%, 0.38%

LAB 56.92, -53.15, 50.69

 

CMYK 0 / 54 / 0 / 16

HEX #D562D6

RGB 213 98 214

HSL 299.48, 0.59%, 0.61%

LAB 59.65, 60.55, -39.39

 

CMYK 1 / 50 / 0 / 9

HEX #E674E9

RGB 230 116 233

HSL 298.46, 0.73%, 0.68%

LAB 65.9, 60.03, -40.05

 

CMYK 2 / 47 / 0 / 1

HEX #F786FC

RGB 247 134 252

HSL 297.46, 0.95%, 0.76%

LAB 72.13, 59.41, -40.6

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 5 / 55 / 0 / 14

HEX #D062DB

RGB 208 98 219

HSL 294.55, 0.63%, 0.62%

LAB 59.21, 60.13, -42.94

 

CMYK 5 / 60 / 0 / 22

HEX #BF50C8

RGB 191 80 200

HSL 295.5, 0.52%, 0.55%

LAB 52.93, 60.51, -42.21

 

CMYK 4 / 66 / 0 / 29

HEX #AE3EB5

RGB 174 62 181

HSL 296.47, 0.49%, 0.48%

LAB 46.68, 60.58, -41.24

 

CMYK 3 / 73 / 0 / 36

HEX #9D2CA2

RGB 157 44 162

HSL 297.46, 0.57%, 0.4%

LAB 40.54, 60.14, -39.91

 

CMYK 2 / 82 / 0 / 44

HEX #8C1A8F

RGB 140 26 143

HSL 298.46, 0.69%, 0.33%

LAB 34.59, 58.81, -38.01

 

CMYK 5 / 56 / 0 / 14

HEX #D061DB

RGB 208 97 219

HSL 294.59, 0.63%, 0.62%

LAB 59.04, 60.6, -43.21

 

CMYK 0 / 56 / 10 / 14

HEX #DB61C5

RGB 219 97 197

HSL 310.82, 0.63%, 0.62%

LAB 59.56, 59.81, -29.83

 

CMYK 0 / 56 / 25 / 14

HEX #DB61A4

RGB 219 97 164

HSL 327.05, 0.63%, 0.62%

LAB 58.31, 54.98, -12.79

 

CMYK 0 / 56 / 40 / 14

HEX #DB6183

RGB 219 97 131

HSL 343.28, 0.63%, 0.62%

LAB 57.32, 50.98, 4.98

 

CMYK 0 / 56 / 55 / 14

HEX #DB6163

RGB 219 97 99

HSL 359.02, 0.63%, 0.62%

LAB 56.6, 47.98, 22.68

 

CMYK 5 / 56 / 0 / 14

HEX #D061DB

RGB 208 97 219

HSL 294.59, 0.63%, 0.62%

LAB 59.04, 60.6, -43.21

 

CMYK 20 / 56 / 0 / 14

HEX #AF61DB

RGB 175 97 219

HSL 278.36, 0.63%, 0.62%

LAB 54.84, 52.14, -50.13

 

CMYK 35 / 56 / 0 / 14

HEX #8E61DB

RGB 142 97 219

HSL 262.13, 0.63%, 0.62%

LAB 51.17, 44.03, -56.21

 

CMYK 50 / 56 / 0 / 14

HEX #6D61DB

RGB 109 97 219

HSL 245.9, 0.63%, 0.62%

LAB 48.15, 36.71, -61.22

 

CMYK 56 / 56 / 0 / 14

HEX #6161DB

RGB 97 97 219

HSL 240, 0.63%, 0.62%

LAB 47.24, 34.35, -62.74

 

CMYK 5 / 56 / 0 / 14

HEX #D061DB

RGB 208 97 219

HSL 294.59, 0.63%, 0.62%

LAB 59.04, 60.6, -43.21

 

CMYK 6 / 66 / 0 / 8

HEX #DD51EB

RGB 221 81 235

HSL 294.55, 0.79%, 0.62%

LAB 59.21, 73.32, -51.8

 

CMYK 7 / 74 / 0 / 2

HEX #EA42FB

RGB 234 66 251

HSL 294.49, 0.96%, 0.62%

LAB 60.21, 83.82, -59

 

CMYK 5 / 56 / 0 / 14

HEX #D061DB

RGB 208 97 219

HSL 294.59, 0.63%, 0.62%

LAB 59.04, 60.6, -43.21

 

CMYK 4 / 44 / 0 / 20

HEX #C371CB

RGB 195 113 203

HSL 294.67, 0.46%, 0.62%

LAB 59.64, 46.12, -33.36

 

CMYK 3 / 32 / 0 / 26

HEX #B680BC

RGB 182 128 188

HSL 294, 0.31%, 0.62%

LAB 60.79, 31.05, -23.2

 

CMYK 1 / 16 / 0 / 33

HEX #AA90AC

RGB 170 144 172

HSL 295.71, 0.14%, 0.62%

LAB 62.9, 14.83, -11.05

 

CMYK 2 / 0 / 2 / 37

HEX #9DA09C

RGB 157 160 156

HSL 105, 0.02%, 0.62%

LAB 65.52, -1.84, 1.7

 

CMYK 35 / 56 / 0 / 14

HEX #8E61DB

RGB 142 97 219

HSL 262.13, 0.63%, 0.62%

LAB 51.17, 44.03, -56.21

 

CMYK 21 / 56 / 0 / 14

HEX #AE61DB

RGB 174 97 219

HSL 277.87, 0.63%, 0.62%

LAB 54.72, 51.88, -50.33

 

CMYK 5 / 56 / 0 / 14

HEX #CF61DB

RGB 207 97 219

HSL 294.1, 0.63%, 0.62%

LAB 58.91, 60.34, -43.43

 

CMYK 0 / 56 / 9 / 14

HEX #DB61C7

RGB 219 97 199

HSL 309.84, 0.63%, 0.62%

LAB 59.65, 60.13, -30.84

 

CMYK 0 / 56 / 24 / 14

HEX #DB61A6

RGB 219 97 166

HSL 326.07, 0.63%, 0.62%

LAB 58.38, 55.25, -13.84

 

CMYK 7 / 77 / 0 / 25

HEX #B12BBE

RGB 177 43 190

HSL 294.69, 0.63%, 0.46%

LAB 45.35, 69.4, -48.61

 

CMYK 7 / 70 / 0 / 17

HEX #C63FD4

RGB 198 63 212

HSL 294.36, 0.63%, 0.54%

LAB 52.19, 70.99, -50.19

 

CMYK 5 / 56 / 0 / 14

HEX #D061DB

RGB 208 97 219

HSL 294.59, 0.63%, 0.62%

LAB 59.04, 60.6, -43.21

 

CMYK 4 / 42 / 0 / 11

HEX #DA83E3

RGB 218 131 227

HSL 294.38, 0.63%, 0.7%

LAB 67.04, 48.09, -35.07

 

CMYK 3 / 30 / 0 / 8

HEX #E4A4EA

RGB 228 164 234

HSL 294.86, 0.63%, 0.78%

LAB 75.44, 35.06, -25.86

 

CMYK 5 / 55 / 0 / 14

HEX #D062DB

RGB 208 98 219

HSL 294.55, 0.63%, 0.62%

LAB 59.21, 60.13, -42.94

 

CMYK 0 / 50 / 56 / 14

HEX #DB6D61

RGB 219 109 97

HSL 5.9, 0.63%, 0.62%

LAB 58.84, 41.95, 26.79

 

CMYK 56 / 0 / 28 / 14

HEX #61DB9E

RGB 97 219 158

HSL 150, 0.63%, 0.62%

LAB 79.43, -48.12, 19.9

 

CMYK 5 / 55 / 0 / 14

HEX #D062DB

RGB 208 98 219

HSL 294.55, 0.63%, 0.62%

LAB 59.21, 60.13, -42.94

 

CMYK 0 / 5 / 56 / 14

HEX #DBCF61

RGB 219 207 97

HSL 54.1, 0.63%, 0.62%

LAB 82.14, -9.69, 55.19

 

CMYK 56 / 0 / 5 / 14

HEX #61DBCF

RGB 97 219 207

HSL 174.1, 0.63%, 0.62%

LAB 80.58, -36.89, -4.43

 

CMYK 5 / 55 / 0 / 14

HEX #D062DB

RGB 208 98 219

HSL 294.55, 0.63%, 0.62%

LAB 59.21, 60.13, -42.94

 

CMYK 0 / 50 / 56 / 14

HEX #DB6D61

RGB 219 109 97

HSL 5.9, 0.63%, 0.62%

LAB 58.84, 41.95, 26.79

 

CMYK 50 / 0 / 56 / 14

HEX #6DDB61

RGB 109 219 97

HSL 114.1, 0.63%, 0.62%

LAB 78.91, -54.88, 49.76

 

CMYK 56 / 5 / 0 / 14

HEX #61CFDB

RGB 97 207 219

HSL 185.9, 0.63%, 0.62%

LAB 77.45, -28.01, -15.51

 

CMYK 5 / 55 / 0 / 14

HEX #D062DB

RGB 208 98 219

HSL 294.55, 0.63%, 0.62%

LAB 59.21, 60.13, -42.94

 

CMYK 0 / 33 / 56 / 14

HEX #DB9261

RGB 219 146 97

HSL 24.1, 0.63%, 0.62%

LAB 66.89, 22.51, 37.03

 

CMYK 50 / 0 / 56 / 14

HEX #6DDB61

RGB 109 219 97

HSL 114.1, 0.63%, 0.62%

LAB 78.91, -54.88, 49.76

 

CMYK 56 / 22 / 0 / 14

HEX #61AADB

RGB 97 170 219

HSL 204.1, 0.63%, 0.62%

LAB 66.83, -8.86, -31.72

 

Description

Color code: HEX #D062DB | qconv.com Color code: HEX #D062DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 208 red, 98 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
208 98 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 55 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 55% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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